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Swords Against Wizardry by Fritz Leiber ...

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"Your answer: he attacks!"<br />

The Mouser blinked. Ivivis dropped her needle. The statua continued, its eyes<br />

seeming to twinkle, "Greetings, hostless captain mine! Greetings, dear girl. I'm<br />

sorry my stink offends you -- yes, yes, Ivivis, I've observed you pinching your nose<br />

at my poor carcass this last hour through -- but then the world teems with<br />

loathiness. Is that not a black death-adder gliding now through the black robe<br />

you stitch?"<br />

With a gasp of horror Ivivis sprang cat-swift up and aside from the material<br />

and brushed frantically at her legs. The statua gave a naturally silver laugh, than<br />

quickly said, "Your pardon, gentle girl -- I did but jest. My spirits are too high, too<br />

high -- perchance because my body is so low. Plotting will curb my feyness. Hist<br />

now, hist!"<br />

In Hasjarl's Hall of Sorcery his four-and-twenty wizards stared desperately at<br />

a huge magic screen set up parallel to their long table, trying with all their might<br />

to make the picture on it come clear. Hasjarl himself, dire in his dark red funeral<br />

robes, gazing alternately with open eyes and through the grommeted holes in his<br />

upper lids, as if that perchance might make the picture sharper, stutteringly<br />

berated them for their clumsiness and at intervals conferred staccato with his<br />

military.<br />

The screen was dark gray, the picture appearing on it in pale green witchlight.<br />

It stood twelve feet high and eighteen feet long. Each wizard was<br />

responsible for a particular square yard of it, projecting on it his share of the<br />

clairvoyant picture.<br />

This picture was of Gwaay's Hall of Sorcery, but the best effect achieved so far<br />

was a generally blurred image showing the table, the empty chairs, a low mound<br />

on the floor, a high point of silver light, and two figures moving about -- these last<br />

mere salamanderlike blobs with arms and legs attached, so that not even the sex<br />

could be determined, if indeed they were human at all or even male or female.<br />

Sometimes a yard of the picture would come clear as a flowerbed on a bright<br />

day, but it would always be a yard with neither of the figures in it or anything of<br />

more interest than an empty chair. Then Hasjarl would bark sudden for the other<br />

wizards to do likewise, or for the successful wizard to trade squares with someone<br />

whose square had a figure in it, and the picture would invariably get worse and<br />

Hasjarl would screech and spray spittle, and then the picture would go<br />

completely bad, swimming everywhere or with squares all jumbled and<br />

overlapping like an unsolved puzzle, and the twenty-four sorcerers would have to<br />

count off squares and start over again while Hasjarl disciplined them with fearful<br />

threats.<br />

Interpretations of the picture <strong>by</strong> Hasjarl and his aides differed considerably.<br />

The absence of Gwaay's sorcerers seemed to be a good thing, until someone<br />

suggested they might have been sent to infiltrate Hasjarl's Upper Levels for a<br />

close-range thaumaturgic attack. One lieutenant got fearfully tongue-lashed for<br />

suggesting the two blob-figures might be demons seen unblurred in their true<br />

guise -- though even after Hasjarl had discharged his anger, he seemed a little<br />

frightened <strong>by</strong> the idea. The hopeful notion that all Gwaay's sorcerers had been<br />

wiped out was rejected when it was ascertained that no sorcerous spells had been<br />

directed at them recently <strong>by</strong> Hasjarl or any of his wizards.<br />

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