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Marian Williams Steele(left) painted a portraitof her daughter, Pam,<strong>and</strong> gr<strong>and</strong>son, Banker(at right).After her initial diagnosis, Pam kep<strong>the</strong>r illness a secret, referring to it only as“her memory issue.” Pam, who workedas a counselor at Milton Academy formany years, had always espoused telling<strong>the</strong> truth.White’s documentary, filmed over <strong>the</strong>course of three years, is beautiful <strong>and</strong>lyrical. And though it does not shy awayfrom <strong>the</strong> difficult truths of losing a lovedone to a degenerative brain disease, it isalso full of tender, joyful <strong>and</strong> even funnymoments.In <strong>the</strong> film, a friend <strong>and</strong> former colleague,Jane Brewer, recalls meeting Pamin <strong>the</strong> 1970s, when Pam was a model <strong>and</strong>actor in commercials, including one forArrid Extra Dry, which is included in<strong>the</strong> film. A painting of Pam, hair blowingin <strong>the</strong> wind, appeared on <strong>the</strong> cover ofYankee magazine. Her youthful exuberance<strong>and</strong> charisma are palpable from <strong>the</strong>archival footage <strong>and</strong> paintings of a youngmo<strong>the</strong>r in love with life.Ano<strong>the</strong>r close friend says to <strong>the</strong> camera,“She was a wonderful friend.” Thefriend immediately corrects <strong>the</strong> “was”to “is,” clearly shaken by her error <strong>and</strong>fighting back tears.White captures on film his mo<strong>the</strong>r’sdifficulty in finding <strong>the</strong> correct sleeve inher jacket, her confusion in identifyingbasic objects <strong>and</strong> her struggle to rememberwhat year it is. White shows hismo<strong>the</strong>r talking about her husb<strong>and</strong> as her“knight in shining armor.” “He’s so nice.And so funny,” she says.Pam’s husb<strong>and</strong>, Ed, is her primarycaregiver. “I have to remember <strong>the</strong>phenomenal life she’s given me,” he says.“I sure as hell owe her this even if it getsfrustrating.”Threaded throughout <strong>the</strong> story areanecdotes about “Mana,” as <strong>the</strong> familycalls Marian Steele, <strong>and</strong> images of someof her 500 paintings, many of whichhang in <strong>the</strong> family’s Dedham, Mass.,home. Pam remembers of her mo<strong>the</strong>r,“She always kept a sense of humor.” Pamlived with her mo<strong>the</strong>r after her parentsdivorced; during Pam’s early childhood,she lived in a New York City hotel, whichher fa<strong>the</strong>r owned.“I didn’t choose to make a film aboutAlzheimer’s. It was just a reaction towhat was happening in my family,” saysWhite, whose previous feature documentaryprojects include Sierra Leone’sRefugee All Stars, an award-winningstory about musicians in a West Africanrefugee camp who find hope throughmusic. The Genius of Marian is <strong>the</strong> firstfilm co-directed by White <strong>and</strong> his wife,Anna Fitch.White says that one of <strong>the</strong> challengingaspects of making <strong>the</strong> film was tohonestly portray <strong>the</strong> brutal realities ofAlzheimer’s disease while portrayinghis mo<strong>the</strong>r with dignity. “My goal is tocreate a film that finds light <strong>and</strong> beautyin a place often shrouded in shame <strong>and</strong>confusion,” White says. “My mo<strong>the</strong>rhas taken care of people her whole life,<strong>and</strong> I am proud that this film gives her aplatform to continue to do so.”The film uses a broad palette of visualtools to tell its story. White has madecreative use of his family’s home moviesfrom <strong>the</strong> 1950s <strong>and</strong> ’60s <strong>and</strong> has incorporatedmany of Marian Steele’s paintings—seascapes<strong>and</strong> family portraitsat <strong>the</strong> beach, many set at Salt Isl<strong>and</strong> inGloucester, Mass.White is committed to using TheGenius of Marian as a teaching tool.White’s bro<strong>the</strong>r, Luke, is a medicalschool resident studying psychiatry atColumbia University. His sister, Devon,has been developing an outreach <strong>and</strong>engagement strategy <strong>and</strong> a discussionguide for <strong>the</strong> film. Resources are indevelopment for general audiences,K–12 <strong>and</strong> clinical purposes. The film willeventually be available for purchase onThe Genius of Marian website (www.geniusofmarian.com).Toge<strong>the</strong>r, Pam’s children are buildingawareness <strong>and</strong> aiming to improve care<strong>and</strong> support for people with Alzheimer’s<strong>and</strong> <strong>the</strong>ir families. Luke, for example,helped build a seminar around <strong>the</strong>film for o<strong>the</strong>r medical students at hispsychiatry program. “This is ‘narrativemedicine,’” says White. “That’s a crossdisciplinaryacademic term for looking at<strong>the</strong> whole picture of a disease.”Part of that whole picture is <strong>the</strong>complexity <strong>and</strong> cost of arranging caregiving.“My fa<strong>the</strong>r has done an absolutelyamazing job,” White says. He explainedthat both of his parents had to give upfreedoms <strong>and</strong> independence as <strong>the</strong>yadjusted to <strong>the</strong>ir “new normal.”“Mom was initially consumed by36 <strong>Noble</strong>s spring 2013

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