equired date of arrival if earlier, and shall continue until terminated as herein provided,and not otherwise. In no case shall employment begin with a "day off."20. CONTRACT.(A) Contract Required. No Actor may begin employment unless a standard formEquity <strong>Dinner</strong> <strong>Theatre</strong> Contract has been signed.(B) Determination of Classification. Equity has the sole right to determine whetheran individual is correctly classified as a Principal, Chorus, Stage Manager, orAssistant Stage Manager, and the Producer agrees that Equity's determination shallbe final.(C) Completing Contracts. The Producer agrees that all blanks, including openingdate, name of parts, salary, and required date of arrival, will be filled in, in writingbefore signing or delivery.Contracts shall be presented to the Actor with all Equity required riders,concessions, notices, schedules and/or waivers attached. (See also Rule 6 (C)AUDITIONS)"As Cast" is not acceptable as a designation for a role on contracts for a specificproduction. On "As Cast" contracts, the first production and role must be specified.If an Actor signed to an "As Cast" contract is assigned a specific role less than twoweeks prior to the opening of a production, if the role is not satisfactory to the Actor,he may terminate his contract with less than two weeks' notice, said termination tocoincide with the closing of the current production.(D) Signing Of. Unless contracts are signed concurrently, they must be signed bythe Producer first. All Run-of-the-Play contracts and any contract that includesadditional increments, extraordinary risk/stage combat, and/or altered performanceschedules must be presented to the Actor no less than three days, including onebusiness day, before the Actor is to report for rehearsal. If the contract is not signedconcurrently, the Producer may notify the Actor or his designated representative byCertified Mail, Return Receipt Requested, that unless the contract is signed andreturned to the Producer within a specified time period, which shall not be less than72 hours after receipt of such notice by the Actor or his designated representative,the contract is null and void.Should the Producer not be in receipt of the contract signed by the Actor within thespecified time period and the Actor or the Actor's designee indicates to theProducer the contract has been signed, the Producer may request that a copy of thesigned contract be sent to him immediately by facsimile, with the original being sentby regular mail on the same day as the facsimile. Such facsimile shall berecognized by AEA as a valid contract should the standard contract form not bereturned by the Actor or his designee. If requested by the Actor and the Actorprovides facsimile information, the Producer shall acknowledge receipt of theActor's facsimile by return facsimile within the same business day. Failure by theActor or his designee to return the contract as specified may, at the Producer'soption and upon immediate written notification to Equity and the Actor or hisdesignee, render the contract null and void.22
When there is insufficient time for the Producer to have delivered to the Actor asigned standard form Equity <strong>Dinner</strong> <strong>Theatre</strong> Employment Contract prior to thecommencement of employment and/or travel, the Producer will send to the Actor byfacsimile a signed copy of the standard form Equity <strong>Dinner</strong> <strong>Theatre</strong> EmploymentContract which shall be returned by facsimile as described above. A copy shall alsobe sent immediately by facsimile to the appropriate Equity office. Such signedfacsimile shall be recognized by AEA as a valid contract with the stipulation that thestandard-form Equity <strong>Dinner</strong> <strong>Theatre</strong> contract must be signed by the Producer andthe Actor within 24 hours of the Actor's arrival at the place of employment.(E) Quintuplicate Contracts. After entering into any employment contract, theProducer shall file with Equity an exact quintuplicate copy thereof, no later than oneweek after receipt by the Producer.(F) Attempted Breach. No Actor shall agree with a Producer, Employment Agent,Personal Representative, or other Actor, and no Producer shall agree with anyActor, Employment Agent, or Personal Representative to cause or attempt to causeor agree to permit, any breach of any term of any employment contract.Should any Equity Member engage in such conduct, he shall be subject to suchdisciplinary action as Equity may determine.Should any Producer be found by an Arbitration Award to have engaged in suchconduct, said Producer agrees that such conduct on his part shall be a breach of hisemployment agreements with <strong>Actors</strong>, entitling any such <strong>Actors</strong> to recover from theProducer, Equity consenting, a sum equal to two weeks' salary as liquidateddamages, no present basis of calculation existing. The Producer further agrees thatupon such breach, his name may be posted on the Defaulting Producers and/orManagers list at Equity, until such breach is settled or liquidated.In the event of a recovery of liquidated damages by or on behalf of the offendingActor, the same shall be paid into the <strong>Actors</strong>' Equity Foundation, Inc.(G) Changes and Alterations. The Actor has no right or power to waive any of theminimum conditions set forth in the employment contract or Equity Rules without thewritten consent of Equity. Unless any and all riders, changes, alterations, waivers,or substitutions made prior to, when, or after a contract of employment is made shallhave been consented to by Equity in writing, such riders, changes, alterations,waivers, or substitutions, or any part thereof, are void at the option of the Actor,Equity consenting. At the option of Equity, no such riders, changes, alterations,waivers or substitutions shall be admitted in evidence in any arbitration or by anytribunal for the disposition of any claim without the written consent of Equity.It shall be the duty of the Producer, not the Actor, to submit proposed changes toEquity for its written approval by a duly authorized representative. If Equity fails tonotify the Producer of its disapproval of said riders, changes, alterations, waivers orsubstitutions within 15 business days (excluding Saturday and Sunday) after receiptthereof by Equity, they shall be deemed approved.23
- Page 2 and 3: 1. ACTORS' OBLIGATION TO EQUITY. ..
- Page 4 and 5: RECOGNITIONThe Producer agrees to r
- Page 6 and 7: agrees that an announcement will be
- Page 9 and 10: (a) Principal performers shall be c
- Page 11 and 12: (j) Except as provided above, audit
- Page 13 and 14: 8. BILLING. [See also Rule 50, PHOT
- Page 15 and 16: (B) Names, addresses and telephone
- Page 17 and 18: Tier 1 $ $16.00Tier 2 $20.00Tier 3
- Page 19 and 20: the Actor to use any of his persona
- Page 21: (8) Any dispute relating to the abo
- Page 25 and 26: If the Choreographer notifies the P
- Page 27 and 28: (B) The terms "Principal Actor" and
- Page 29 and 30: 26. DISCRIMINATION.(1) Discriminati
- Page 31 and 32: (E) Lateness or other infractions o
- Page 33 and 34: (African-American, Asian/Asian-Paci
- Page 35 and 36: (B) Time Limit. The Grievance Commi
- Page 37 and 38: (1) No available public transportat
- Page 39 and 40: furnish Worker's Compensation Accid
- Page 41 and 42: (1) A creditable work week for the
- Page 43 and 44: Tier 6: Chorus up to ten members mu
- Page 45 and 46: (J) The Producer shall be assessed
- Page 47 and 48: (2) Except in an emergency, the len
- Page 49 and 50: 49. PERSONAL APPEARANCES.(A) An Act
- Page 51 and 52: equired to be removed under the pro
- Page 53 and 54: If the Actor does not submit biogra
- Page 55 and 56: a per diem payment of $17.50 for ea
- Page 57 and 58: compensation. Understudy and/or Put
- Page 59 and 60: (A) W-2 Forms. W-2 Forms shall be f
- Page 61 and 62: The toilets shall be separate facil
- Page 63 and 64: (G) Backstage Music. No music shall
- Page 65 and 66: (F) The Producer and the Actor will
- Page 67 and 68: Stage Managers $657.00Assistant SM
- Page 69 and 70: (B) If the production does not empl
- Page 71 and 72: (1) Whenever the Actors are called,
- Page 73 and 74:
whichever medium the show is being
- Page 75 and 76:
(c) When filming or taping is to be
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68. TERMINATION. [See also Rule 17,
- Page 79 and 80:
transportation of the Actor and his
- Page 81 and 82:
expense and shall not exceed $6.00.
- Page 83 and 84:
for assignment and, when he perform
- Page 85 and 86:
(2) Supporting Principal Roles - Tw
- Page 87 and 88:
ADDENDUM #1EQUITY STANDARDS FOR ACT
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Absence from Performance or Rehears
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Contractual Salary, 30Day Off, 27Da
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Absence from, 33, 41, 86After Final
- Page 95 and 96:
Attendance at Performance and Rehea
- Page 97 and 98:
AMERICAN HEARTLAND THEATREADDENDUM2
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must be included. With no less than
- Page 101 and 102:
understood that the Producer may fu
- Page 103 and 104:
Rule 67, Televising, Recording, Bro
- Page 105 and 106:
Rule 47(E)(2) and Rule 56(F), Cabar
- Page 107 and 108:
3. No more than seven performances
- Page 109 and 110:
Rule 13, Categories/Tiers:Drury Lan
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7/8ths option in the case of Christ
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Rule 22, Dance Captain:The Dance Ca