International Art Incubator Foundation - Factory-Art

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RICCARDO ATTANASIO - IT STATEMENT Since I finished university in 2006 I moved to London where I opened my first atelier, continuing my work focusing on Painting e performance. My paintings has involved the creation of conceptually based sociopolitical but mainly spiritual contents . The technique is mainly oil on canvas. I like working with the line. My paintings and performance use the line as a visual representation of the breath. In my painted work I deconstruct human figure with the simple use of a black line. I like working with the sensation of space and exploring the power of fullness and emptiness. What I do is just out lining the figures I paint leaving the white background uncovered. When I paint I like to feel free to explore the black line on white background that is for me needed since it gives me the sensation of clarity. I believe that for an artist mistakes do not exist it is just a tool for further development, to go beyond. My performance history is very broad too. I use performance to get out of my studio, to meet my audience, to have direct feedback, to share with others. There is a relation in between my paintings and performance, even when I work on photography, although the content yai - pag.12 can seem to the spectator different. The thing that links all the media I use is breathing. Each work I make is in relation with my life, it is all like a hi-tech personal diary, where I write my experiences with the media I use. In 2004 I began going to different dance classes since my passion for it. From that year I began exploring relaxation techniques, contact improvisation, Butoh. My interest for the body and anatomy of it has increased even more. It was not anymore an indirect experience (like drawing muscles and bones) it became feeling my skeleton and all body system on my own. I started to be very interested in meditation. Meditation has a huge influence in my work. It is leading me to the desire of sharing more. That is why I began my street performances. In 2002, with 3 collaborators, I managed to empty a supermarket pretending we were shopping. We were only emptying the shelves so the next shopper would have not found his desired product. That action has been made in order to raise awareness of our dependency by the supermarkets. This work is titled ?Powerless market?. From 2011 I am focusing on different street happenings, I am exploring the boundaries of normality, how strong habits of everyday life are bounded to us. We have rules that became part of our genetic code. Rules lead us to behave in a certain way. I work in the streets a personal reappropriation of the city where I live. When I do a street action I often have to deal with police, irritated citizens, strange glances but at the same time I have plenty of satisfaction which comes from smiles, interest, will to understand what is my action about and why I am doing that. Interesting conversations with people I meet. When I perform in the street I like to be focus but never ignoring the people around me, it is part of it. My aim in art is to be able to open people’s perception. When is a painting, a performance in the theatre or in the street it has the aim of connecting us as human beings. Riccardo Attanasio
RICCARDO ATTANASIO - IT Title: TATE MODERN/ACTION BY RICCARDO ATTA- NASIO “ARTERRORISM” ARTERRORISM is a new performance by Riccardo Attanasio in collaboration with other artists. Terrorism because this kind of action implies the same process of a terrorist action before the “moment”. The artist in this case will make fake documents, research about organisers of different institutions and fake a collaboration organised Thursday, 22 September 2011 yai - pag.13 http://vimeo.com/29457515
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