MOIRA LOVELL - UK Solo exhibitions 2010 We Still Stand, mac, Birmingham 2002 Mud Pies & Daisy Chains, Workstation & Showroom, Sheffield Group exhibitions 2012 She Got Game, Arlington <strong>Art</strong>s Centre, Virginia, USA 2011 Photomedia Salon, Charlie Dutton Gallery, London 2010 Image Singulieres, Documentary Photography Festival, Sete, France 2009 <strong>Art</strong>Sway Open 09, <strong>Art</strong>Sway, New Forest 2009 ‘Seduction’, PopUp #1/Piclet.org, Berlin 2009 Rhubarb-Rhubarb Bursary Winners Exhibition, Wolverhampton <strong>Art</strong> Gallery, West Midlands 2009 Desaturated, The <strong>Art</strong> Centre, Chulalongkorn University, Bangkok, Thailand 2008 New Works Pavilion, National Media Museum, Bradford 2008 Teen City, Musee d’Elysee, Lausanne, Switzeland 2008 CLICK CHICKS +: mostly women photographers, yai - pag.34 Dallas Contemporary, Texas, USA 2007 Jerwood Photography Awards, Jerwood Space, London 2007 No Ball Games, Four Corners, London 2007 Exctracts, La Viande, London 2007 Woman’s Work, Hull University, Hull 2006 MA Final Show, London College of Communication, London <strong>Art</strong>ist talks 2010 The Narrator’s Gaze: 50 Years of Documentary Photography, The National Coal Mining Museum, Wakefield 2009 Photoforum chair, Four Corners, London 2009 Seminar with MA Photography students, London College of Communication, London 2008 <strong>Art</strong>ist talk and tutorials with MA Photography students, Norwich School of <strong>Art</strong>, Norfolk 2008 Seminar with Anne McNeil, Southampton Solent University, Hampshire 2007 No Ball Games <strong>Art</strong>ist Talks, Four Corners, London 2007 Jerwood Photography Awards Educational Event with Martin Barnes, Jerwood Space, London 2007 Photoforum, Four Corners, London 2007 Presented work at Plat(t)form 07, Fotomuseum Winterthur, Zurich Residencies 2007 School Residency, Pavilion Study Centre, Barnet Public commissions 2010 ‘The World in London’ Portrait Commission, The Photographers’ Gallery, London 2008 Pavilion Commissions Programme 2008, Pavilion, Leeds Competitions, prizes and awards 2011 Shortlisted Bar-Tur Award, University of the <strong>Art</strong>s, London 2010 Commendation, Aesthetica Creative Works Competition, <strong>Art</strong>work & Photography category 2009 Awarded a Hungry <strong>International</strong> Review Bursary, Rhubarb-Rhubarb, Birmingham 2009 Shortlisted, School of Saatchi, BBC 2 2008 Awarded the National Media Museum Photography Bursary, NMM, Bradford 2008 Awarded Flash Forward: Emerging Photographers 2008, The Magenta <strong>Foundation</strong>, Canada 2008 Nominee, ‘Soho’ co-commission, <strong>Art</strong>Sway / Photographers’ Gallery, London 2007 Awarded Jerwood Photography Awards, Jerwood Space/Portfolio Magazine, London 2006 Commended ICI Imagedata/The Independent on Sunday Olmec digital photographer of the year, ICI’s headquarters, London Publications 2011 Photomonitor 2011 Imprint Blog, The Magenta <strong>Foundation</strong> 2011 Bulkka Magazine NYC & Buenos Aires 2011 Aesthetica Creative Works Annual 2011 2009 Liberation France Newspaper: These Clothes that Bother us, article by Fabrice d’Almeida Professor of contemporary history at Paris-II 2009 X-TRA Magazine Volume 11 Issue 4 2009 New Light: Jerwood Photography Awards Book 2009 Source Magazine Issue 52 2008 Magenta <strong>Foundation</strong> Flash forward Book 2008 Archive Magazine #13 2008 Pavilion Commission Publication 2007 Portfolio Magazine No.46 Other 2008 Prints held by collection, National Media Museum, Bradford 2008 Prints held by collection, Wilson Centre for Photography, London 2008 Prints held by collection, Pavilion, Leeds
MOIRA LOVELL - UK STATEMENT The After School Club 2006/7 The school uniform, as worn in the clubs, offers up a sexualised and infantilised display of unthreatening female sexuality to the male gaze. Within the education system it aims to provide a homogeneous identity to prevent competition between pupils. Moira Lovell mixes the two up by returning the clubbers to their secondary school gates whilst still in their revellers garb. ‘Raunch culture’ is spliced with the playground as Lovell’s photographs abruptly report on how little seems to remain of the schoolyard’s openness and curiosity. Yet the suggestion is also that school’s as ‘disciplinary’ institutions have in some way, as part of today’s society, created obedient adherents to the male gaze. Title: Kerry yai - pag.35