<strong>The</strong> <strong>Schoolmaster</strong> & <strong>other</strong> <strong>stories</strong>sloshy snow squelches under their feet. <strong>The</strong> midwife looksintently but does not see a cab.“I suppose it is not far?” she asks.“No, not far,” Kiryakov answers grimly.<strong>The</strong>y walk down one turning, a second, a third….Kiryakov strides along, <strong>and</strong> even in his step his respectability<strong>and</strong> positiveness is apparent.“What awful weather!” the midwife observes to him.But he preserves a dignified silence, <strong>and</strong> it is noticeablethat he tries to step on the smooth stones to avoidspoiling his goloshes. At last after a long walk the midwifesteps into the entry; from which she can see a bigdecently furnished drawing-room. <strong>The</strong>re is not a soul inthe rooms, even in the bedroom where the woman is lyingin labour…. <strong>The</strong> old women <strong>and</strong> relations who flockin crowds to every confinement are not to be seen. <strong>The</strong>cook rushes about alone, with a scared <strong>and</strong> vacant face.<strong>The</strong>re is a sound of loud groans.Three hours pass. Marya Petrovna sits by the m<strong>other</strong>’sbedside <strong>and</strong> whispers to her. <strong>The</strong> two women have alreadyhad time to make friends, they have got to knoweach <strong>other</strong>, they gossip, they sigh together….“You mustn’t talk,” says the midwife anxiously, <strong>and</strong>at the same time she showers questions on her.<strong>The</strong>n the door opens <strong>and</strong> Kiryakov himself comes quietly<strong>and</strong> stolidly into the room. He sits down in the chair<strong>and</strong> strokes his whiskers. Silence reigns. Marya Petrovnalooks timidly at his h<strong>and</strong>some, passionless, wooden face<strong>and</strong> waits for him to begin to talk, but he remains absolutelysilent <strong>and</strong> absorbed in thought. After waiting invain, the midwife makes up her mind to begin herself,<strong>and</strong> utters a phrase commonly used at confinements.“Well now, thank God, there is one human being morein the world!”“Yes, that’s agreeable,” said Kiryakov, preserving thewooden expression of his face, “though indeed, on the<strong>other</strong> h<strong>and</strong>, to have more children you must have moremoney. <strong>The</strong> baby is not born fed <strong>and</strong> clothed.”A guilty expression comes into the m<strong>other</strong>’s face, asthough she had brought a creature into the world withoutpermission or through idle caprice. Kiryakov gets upwith a sigh <strong>and</strong> walks with solid dignity out of the room.122
Anton Tchekhov“What a man, bless him!” says the midwife to them<strong>other</strong>. “He’s so stern <strong>and</strong> does not smile.”<strong>The</strong> m<strong>other</strong> tells her that he is always like that…. Heis honest, fair, prudent, sensibly economical, but all thatto such an exceptional degree that simple mortals feelsuffocated by it. His relations have parted from him,the servants will not stay more than a month; they haveno friends; his wife <strong>and</strong> children are always on tenterhooksfrom terror over every step they take. He doesnot shout at them nor beat them, his virtues are farmore numerous than his defects, but when he goes outof the house they all feel better, <strong>and</strong> more at ease. Whyit is so the woman herself cannot say.“<strong>The</strong> basins must be properly washed <strong>and</strong> put awayin the store cupboard,” says Kiryakov, coming into thebedroom. “<strong>The</strong>se bottles must be put away too: theymay come in h<strong>and</strong>y.”What he says is very simple <strong>and</strong> ordinary, but the midwifefor some reason feels flustered. She begins to beafraid of the man <strong>and</strong> shudders every time she hears hisfootsteps. In the morning as she is preparing to departshe sees Kiryakov’s little son, a pale, close-croppedschoolboy, in the dining-room drinking his tea….Kiryakov is st<strong>and</strong>ing opposite him, saying in his flat,even voice:“You know how to eat, you must know how to worktoo. You have just swallowed a mouthful but have notprobably reflected that that mouthful costs money <strong>and</strong>money is obtained by work. You must eat <strong>and</strong> reflect….”<strong>The</strong> midwife looks at the boy’s dull face, <strong>and</strong> it seemsto her as though the very air is heavy, that a little more<strong>and</strong> the very walls will fall, unable to endure the crushingpresence of the peculiar man. Beside herself withterror, <strong>and</strong> by now feeling a violent hatred for the man,Marya Petrovna gathers up her bundles <strong>and</strong> hurriedlydeparts.Half-way home she remembers that she has forgottento ask for her three roubles, but after stopping <strong>and</strong> thinkingfor a minute, with a wave of her h<strong>and</strong>, she goes on.123
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THESCHOOLMASTER&OTHER STORIESBYANTO
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ContentsTHE SCHOOLMASTER...........
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Anton TchekhovTHESCHOOLMASTER&OTHER
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Anton Tchekhovran out of the house,
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Anton TchekhovAt dinner Sysoev was
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Anton Tchekhovbeen born a teacher.
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Anton TchekhovENEMIESBETWEEN NINE A
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Anton Tchekhovthe drawing-room seem
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Anton TchekhovAbogin followed him a
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Anton Tchekhova pond, on which grea
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Anton Tchekhovsnug, pretty little d
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Anton Tchekhovshrugged his shoulder
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Anton Tchekhovspendthrift who canno
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Anton TchekhovTHE EXAMINING MAGISTR
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Anton Tchekhovwith an unpleasant sm
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Anton Tchekhovfidelity. His wife lo
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Anton Tchekhovshadows lay on the gr
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Anton Tchekhovshe said and got up.
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Anton TchekhovIIWHEN NADYA WOKE UP
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Anton Tchekhovdown. Nina Ivanovna p
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Anton TchekhovIIIIN THE MIDDLE of J
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Anton TchekhovLatin master or a mem
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Anton Tchekhovutter a word; she gav
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Anton Tchekhovstill warm bed, looke
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Anton Tchekhov“Oh, dear!” cried
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Anton Tchekhovit were through a pri
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Anton TchekhovFROM THE DIARY OFA VI
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Anton Tchekhovlabours every morning
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Anton Tchekhov“Nicolas,” sighs
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Anton TchekhovIt is a matter of suc
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Anton TchekhovI go home. Thanks to
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Anton Tchekhovput a lady’s muff o
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Anton Tchekhovthe silver is in the
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Anton Tchekhovwas at rest, but afte
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Anton Tchekhovable (she had on a cr
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- Page 91 and 92: Anton TchekhovTHE MARSHAL’S WIDOW
- Page 93 and 94: Anton TchekhovThe lunch is certainl
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- Page 115 and 116: Anton TchekhovMitya put on his cap
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- Page 121: Anton Tchekhovfor nothing …. Five
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- Page 139 and 140: Anton TchekhovA TRIPPING TONGUENATA
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- Page 147 and 148: Anton TchekhovTHE ORATORONE FINE MO
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- Page 161 and 162: Anton Tchekhovand as he usually did
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