CRAIG BEYROOTI (Sound Design) hasdesigned more than 70 musicals on twocontinents, including: <strong>The</strong> Rocky Horror Show,Buddy, Joseph … Dreamcoat, Crazy for You,La Cage aux Folles, Beehive, <strong>The</strong> Fantasticks,Funny Girl, <strong>The</strong> Music Man, <strong>The</strong> Full Monty,<strong>The</strong> Producers, Guys & Dolls, Cagney!,42nd <strong>Street</strong>, Les Misérables, and MidnightClear (world premiere). Craig is head audiodesigner for installations and events at AtlanticProfessional Audio. He thanks the Riversideand <strong>Walnut</strong> producers for the opportunity.JULIE H. DURO (Associate Lighting Designer)<strong>The</strong>atre: Paper Mill Playhouse, BrooklynAcademy of Music, Pennsylvania CentreStage, Kennedy Center Jazz Program, WestportCountry Playhouse. Opera: Palm Beach Opera,Santa Fe Opera, Opera International, Lyric Operaof Kansas City, Opera Illinois, Dayton Opera,Triangle Opera <strong>The</strong>atre, Indiana UniversityJacobs School of Music, Florida State Opera,Houston’s Ebony Opera Guild, ConnecticutOpera. Dance: North Carolina Dance <strong>The</strong>atre,Australian Ballet, Southern Ballet <strong>The</strong>atre,Ohio Ballet (resident designer, 1996–99), TulsaBallet, Pittsburgh Ballet <strong>The</strong>atre.LORI AGHAZARIAN (Stage Manager) Thisis Lori’s seventh season here at the <strong>Walnut</strong>.Prior to joining WST, Lori spent seven seasonsas PSM at the Prince Music <strong>The</strong>ater. Freelancecredits include Wilma <strong>The</strong>ater, Opera Co. ofPhila., Pig Iron <strong>The</strong>atre Co., 1812 Productions,PTC, and the Eugene O’Neill <strong>The</strong>ater Center.In addition to stage managing, Lori spent fiveyears as the box office manager for the PhiladelphiaLive Arts Festival/Philly Fringe.Who’s WhoDEBI MARCUCCI (Stage Manager) A SouthPhilly native, Debi has worked her way upthrough the ranks here at WST over the past 21years and is now in her 15th season serving asMainstage SM. As a director, she’s directed NoWay To Treat A Lady (Alpine <strong>The</strong>atre Project),<strong>The</strong> Ugly One, Lobby Hero, and Mr. Bailey’sMinder (WST’s Studio 3) and was assistantdirector on Good People and Buddy (<strong>Walnut</strong>their lives to the theatre and the <strong>Walnut</strong>, inMainstage). Love to her beautiful fiancé Chris.PLAYBILL.COM particular. Our theatre is a non-profit 501-C3JOEL MARKUS (Production Manager) This institution and we rely on contributed incomeis Joel’s second season at the <strong>Walnut</strong> <strong>Street</strong> to extend our reach into the community. LastPLAYBILLVAULT.COM<strong>The</strong>atre. Other credits include ten years at theIndiana Repertory <strong>The</strong>atre; four years at GevaPLAYBILLVAULT.COM<strong>The</strong>atre Center in Rochester, NY; five summersat the Weston Playhouse in Vermont; AmericanPlayers <strong>The</strong>atre in Spring Green, Wisconsin; andNorth Shore Music <strong>The</strong>atre in Beverly, Massachusetts.Joel is a graduate of Indiana Universityand is originally from Miami, Florida.MARK D. SYLVESTER (Managing Director)Mark’s extensive career has spanned SummerStock to Broadway as an actor, stage manager,box office treasurer, theatre manager, marketingand public relations director, and generalmanager. This season he is celebrating his 19thseason at the <strong>Walnut</strong>. After several years workingwith commercial theatre he has devoted his careerto non-profit theatre companies since 1987. Todate, Mark has been associated with more than400 stage productions. An avid collector ofmusical theatre recordings, his collection containsnearly 3,000 cast albums from around the world.Widely regarded as a theatrical marketing expert,Mark lectures and consults with organizationsinternationally. He has served on many boardsincluding the <strong>The</strong>atre League of South Floridaand the <strong>The</strong>atre Alliance of Greater Philadelphia.He currently serves on the board of the NationalAlliance for Musical <strong>The</strong>atre and the AdvisoryCommittee of Samuel French, the internationalplay publisher and licensing company. WithBernard Havard he co-authored the book <strong>Walnut</strong><strong>Street</strong> <strong>The</strong>atre, published by Arcadia Publishing.Since he joined the <strong>Walnut</strong> in 1994 it has becomethe most subscribed theatre company in the world.He thanks you for being a part of our theatre!BERNARD HAVARD (President and ProducingArtistic Director) Vox Populi (<strong>The</strong> Voice of thePeople) was written on the <strong>Walnut</strong> <strong>Playbill</strong>s inthe 1800s. Whenever the <strong>Walnut</strong> has strayedfrom a populist program, the theatre has gonebankrupt. When I came here 30 years ago, wehad no programs and no audience. Today weenjoy the largest subscription of any theatre inthe world. So, my thanks to our loyal audienceand a warm welcome to newcomers who enjoyand believe in what we do. I have tremendousadmiration for the artists who have dedicatedseason we reached more than 162,000 studentsin our city schools. We have 40 trustees who
give their time, wisdom and contributions tohelp guide this historic treasure. I came to the<strong>Walnut</strong> in 1982 and I am as excited now aboutour future as I was in the beginning. My heartfeltthanks to all who enter this theatre. For mybiography, go to <strong>The</strong>atre History on our website at <strong>Walnut</strong><strong>Street</strong><strong>The</strong>atre.org.RIVERSIDE THEATRE is the largest professionaltheatre in a small town in America.Originally built in 1973 on a 54-acre tract ofland designated by the city of Vero Beach asa cultural park, Riverside <strong>The</strong>atre was erectedwith funds solely raised from private donations.For the first few years of its existence,it served primarily as a venue for local theatregroups, traveling productions, and celebrityperformances. Seven years later, educationWho’s Whoand programming for children with RiversideChildren’s <strong>The</strong>atre was added. <strong>The</strong> mostpivotal moment in the history of the <strong>The</strong>atre,however, took place in 1983 when the <strong>The</strong>atre’sBoard created and set in motion a plan to makeRiverside a producing professional theatreand hired Allen D. Cornell (a native Philadelphian)as artistic director. Riverside <strong>The</strong>atreproduces Broadway musicals, contemporaryworks, and children’s theatre on three stages.In 2006 Riverside went through a $21,000,000renovation with reconfiguration of seating inthe Stark Stage, the addition of the WaxlaxStage, and an expansion of the lobby. Now inits 39th ninth season, Riverside <strong>The</strong>atre servesFlorida’s entire Treasure Coast with morethan 100,000 patrons and students using thefacilities annually.UPSTAIRS AT THE WALNUTNow–June 30DINO! An Evening with Dean Martin at the Latin CasinoA new play with music by Armen PandolaIndependence Studio on 3Nat Chandler as Dean MartinWe begin 1978 with tickets to Dean Martin at the Latin Casino!When a severe blizzard blankets the East Coast, Dino’s bandgets stuck out of town. Rather than disappoint his fans, DeanMartin brings us an intimate evening filled with personal storiesand classic songs including, “Ain’t That A Kick In <strong>The</strong> Head,”“Everybody Loves Somebody,” “That’s Amore,” and more. Fora short while, the man behind the legend reveals the humor,warmth, and casual cool that marked his rise from his Italianonlyspeaking immigrant childhood to become one of the biggestlegends in entertainment.TICKETS ON SALE NOW AT <strong>Walnut</strong><strong>Street</strong><strong>The</strong>atre.orgOR CALL 215-574-3550 (7 days a week, 10am – 10pm)PLAYBILL.COMPLAYBILLVAULT.COMPLAYBILLVAULT.COM