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The Northern Origin of the Melon Coiffure in Classical Greece

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E. Lopes – <strong>The</strong> <strong>Nor<strong>the</strong>rn</strong> <strong>Orig<strong>in</strong></strong> <strong>of</strong> <strong>the</strong> <strong>Melon</strong> <strong>Coiffure</strong> <strong>in</strong> <strong>Classical</strong> <strong>Greece</strong><br />

Fig. 7 - Small Herculaneum Woman, White marble. A<strong>the</strong>ns,<br />

National Archaeological Museum (photo Ersilia Lopes).<br />

Fig. 9 - Bendis rid<strong>in</strong>g a lioness, silver<br />

o<strong>in</strong>ochoe. From Rogozen. Vratsa, Historical<br />

Archaeological Museum (from MARAZOV<br />

1998).<br />

Bollett<strong>in</strong>o di Archeologia on l<strong>in</strong>e I 2010/ Volume speciale/ Poster Session 7 Reg. Tribunale Roma 05.08.2010 n. 330 ISSN 2039 - 0076<br />

www.archeologia.beniculturali.it/pages/pubblicazioni.html<br />

100<br />

Fig. 8 - Scythian warriors on golden plaque. From Kul’Oba.<br />

St. Petersburg, Hermitage Museum (from SCHILTZ 1994a).<br />

Fig. 10 - Female heads. Silver skyphos. From Strelcha.<br />

Sophia, Archaeological Institute and Museum (from MARAZOV<br />

1998).<br />

Museum <strong>in</strong> St. Petersburg provides precious evidence on <strong>the</strong> exchange between Scythians and Thracians.<br />

<strong>The</strong> ornament depicts two Scythian warriors hold<strong>in</strong>g out <strong>the</strong>ir bows (fig. 8) 12 . <strong>The</strong>y wear <strong>the</strong>ir hair divided <strong>in</strong>to<br />

bands form<strong>in</strong>g large masses, ga<strong>the</strong>red <strong>in</strong> impressive chignons. We can thus assume that <strong>the</strong> Thracians, who<br />

wore <strong>the</strong>ir hair <strong>in</strong> a similar manner, transmitted <strong>the</strong> comae comptus to <strong>the</strong> Scythians.<br />

Ano<strong>the</strong>r important piece <strong>of</strong> evidence is vital for our analysis: a o<strong>in</strong>ochoe (350-300 B.C.) from<br />

Rogozen <strong>in</strong> Bulgaria was made by Thracian craftsman and is not strongly <strong>in</strong>fluenced by Greek prototypes<br />

(fig. 9). Ano<strong>the</strong>r vase depicts <strong>the</strong> heads <strong>of</strong> several women, whose coiffure foreshadows <strong>the</strong> “melon coiffure”<br />

(fig. 10) 13 .<br />

12 SCHILTZ 1994a, 185–205, esp. 182–84.<br />

13 TAČEVA 1987, 4, 1–11; EWIGLEBEN 1989, 29–2; BOUZEK and ANDŘEJOVÁ 1990, 81–91; MARAZOV 1996.

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