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1<br />
Blac Monks – Secrets of the Hidden<br />
Temple (Rap-A-Lot, 1995)<br />
Although the Blac Monks were on the same<br />
label as the Geto Boys, they didn’t deal with<br />
the same violent, gangsta subject matter<br />
as many of their labelmates. Instead, this<br />
talented trio of emcees – Lord 3-2, Da and<br />
Awol – rapped about everyday topics, with<br />
some metaphysical “Buddha nature” stuff<br />
thrown <strong>in</strong> for good measure. Basically, this<br />
is one of the best pre-crunk southern hiphop<br />
albums ever recorded. Their sophomore<br />
effort No Mercy is also well worth a listen.<br />
Div<strong>in</strong>e Styler – Spiral Walls Conta<strong>in</strong>-<br />
2 <strong>in</strong>g Autumns of Light (Giant, 1992)<br />
I don’t know if this album should be on this<br />
list, because I don’t even know if it’s good.<br />
But, it sure is weird! In fact, I would argue<br />
that this is the weirdest hip-hop album ever<br />
made, and for that alone, it deserves a spot.<br />
Div<strong>in</strong>e Styler used to be down with Ice-T’s<br />
Rhyme Syndicate, releas<strong>in</strong>g a De La-esque<br />
debut <strong>in</strong> 1989. While that album had its<br />
eccentric moments, noth<strong>in</strong>g could have prepared<br />
the listen<strong>in</strong>g public for what was to<br />
come next. Featur<strong>in</strong>g mostly live <strong>in</strong>strumentation<br />
(much of it played by Styler himself )<br />
and spoken word-ish delivery, this is what<br />
The Love Below would have sounded like if<br />
Andre were really <strong>in</strong>sane.<br />
Yomo & Maulkie – Are U Xperienced?<br />
3 (Ruthless, 1991)<br />
Released the same year as Efil4zagg<strong>in</strong> and<br />
produced by NWA’s DJ Yella, Yomo and<br />
Maulkie were revolutionary but gangsta<br />
years before Dead Prez. The highlight of the<br />
album is the flag-burn<strong>in</strong>g anthem “Glory”<br />
with its politically-charged rhymes and<br />
funky, cricket-sampl<strong>in</strong>g beat (timely lyric:<br />
“Pimp<strong>in</strong>’ brothers like hos <strong>in</strong> Iraq/You sold<br />
them weapons, now you want your money<br />
back”). Maulkie went on to become a member<br />
of Ice Cube protégés Da Lench Mob,<br />
and DJ Yella now directs porn.<br />
YZ – The Ghetto’s Been Good To Me<br />
4 (Liv<strong>in</strong>’ Large, 1993)<br />
This is the second album of righteous lyrics<br />
from this X-Clan affiliate. Although it’s<br />
solid from beg<strong>in</strong>n<strong>in</strong>g to end, the highlight is<br />
def<strong>in</strong>itely the s<strong>in</strong>gle “The Return of the Holy<br />
One” with its noisy, almost avant-garde beat.<br />
Another track (“Dead Love”) features the<br />
bass-play<strong>in</strong>g of Jamaaladeen Tacuma from<br />
Ornette Coleman’s Prime Time Band!<br />
5Grand Daddy I.U. – Smooth Assass<strong>in</strong><br />
(Cold Chill<strong>in</strong>’, 1990)<br />
Although Grand Daddy I.U. got lost <strong>in</strong> the<br />
shuffle at Cold Chill<strong>in</strong>’, this album fits <strong>in</strong> well<br />
with the rest of the Juice Crew-heavy roster<br />
they had at the time. I.U. raps like a more<br />
chilled out Big Daddy Kane, and the album<br />
was entirely produced by Biz Markie. While<br />
this is a very dope album, stay away from<br />
I.U.’s next effort, the aptly named Lead Pipe.<br />
6Witchdoctor – ...A S.W.A.T. Heal<strong>in</strong>’<br />
Ritual (Interscope, 1998)<br />
Witchdoctor is a crim<strong>in</strong>ally overlooked<br />
member of Atlanta’s Dungeon Family,<br />
whose members pitch <strong>in</strong> with production<br />
from Organized Noise and guest appearances<br />
from both Outkast and Goodie Mob.<br />
This album may not reach the heights of<br />
Soul Food or Aquem<strong>in</strong>i, but it’s a genu<strong>in</strong>ely<br />
soulful slab of southern hip-hop.<br />
7Lakim Shabazz – Lost Tribe of<br />
Shabazz (Tuff City, 1990)<br />
Lakim’s 1988 debut Pure Righteousness is<br />
often mentioned as an overlooked classic<br />
from that most classic of years, but it’s his<br />
sophomore effort that is really overlooked.<br />
It’s more of the same with Nation of Islam<strong>in</strong>spired<br />
lyrics over dope beats, seven of<br />
which come courtesy of the legendary DJ<br />
Mark the 45 K<strong>in</strong>g.<br />
8Maestro Fresh Wes – Naaah, Dis Kid<br />
Can’t Be From Canada?!! (LMR,1994)<br />
As the corny album title <strong>in</strong>dicates, Maestro<br />
Fresh Wes is <strong>in</strong>deed from Canada. Even with<br />
considerable skills and two albums already<br />
under his belt, he was never able to make<br />
much of an impact <strong>in</strong> the States. This time<br />
out, he gets four beats from DITC producer<br />
Showbiz and a rare guest appearance from<br />
the legendary rhyme <strong>in</strong>spector Percee P. It’s<br />
a very solid album overall and probably the<br />
peak of Wes’s career.<br />
9<br />
Masta Ace – Disposable Arts (JCOR,<br />
2001)<br />
Rap veteran Masta Ace returns with<br />
another concept album (check out 1993’s<br />
Slaughtahouse and 1995’s Sitt<strong>in</strong>’ on Chrome<br />
for earlier examples), this time about a<br />
rapper who gets released from prison and<br />
enrolls <strong>in</strong> the Institute of Disposable Arts, a<br />
hip-hop college <strong>in</strong> upstate New York. There<br />
he meets his goofy white roommate (played<br />
by onetime Chapel Hill resident MC Paul<br />
Barman), and hij<strong>in</strong>ks ensue. Um... it’s really<br />
much better than it sounds.<br />
10<br />
Mic Geronimo – The Natural<br />
(Blunt, 1995)<br />
It’s gotta be tough be<strong>in</strong>g Mic Geronimo. This<br />
album features a song (“Time to Build”)<br />
with DMX, Ja Rule and Jay-Z, all of whom<br />
became huge stars with<strong>in</strong> the next four<br />
years, while Mic’s career stayed <strong>in</strong> neutral.<br />
But, it wasn’t for a lack of effort on his part.<br />
After The Natural went wood <strong>in</strong> the hood,<br />
he spent the next few years try<strong>in</strong>g really hard<br />
to sell out, appear<strong>in</strong>g on an embarrass<strong>in</strong>g<br />
MTV special with his wife and gett<strong>in</strong>g Puff<br />
Daddy to produce the lead s<strong>in</strong>gle off his next<br />
album (which flopped). So, do him a favor<br />
and rescue this from the dollar b<strong>in</strong> next time<br />
you see it.<br />
Smoothe Da Hustla – Once Upon a<br />
11 Time <strong>in</strong> America (Profile, 1996)<br />
Even though Once Upon a Time was released<br />
at the beg<strong>in</strong>n<strong>in</strong>g of the sh<strong>in</strong>y suit era,<br />
Smoothe poses on the album cover rock<strong>in</strong>g<br />
baggy jeans and a hoodie. The cover art is<br />
a good <strong>in</strong>dication of the music conta<strong>in</strong>ed<br />
with<strong>in</strong>. Smoothe spits rugged raps over the<br />
hard hitt<strong>in</strong>g drums and horn stabs of producer<br />
D/R Period. In a more just world, this<br />
would be considered an east coast classic.<br />
12<br />
Kam – Neva Aga<strong>in</strong> (Street<br />
Knowledge, 1993)<br />
Executive-produced by Ice Cube and<br />
released on his Street Knowledge label,<br />
Neva Aga<strong>in</strong> was proof that it wasn’t all hos<br />
and drive-bys out <strong>in</strong> L.A. Without ever sacrific<strong>in</strong>g<br />
his flow, Kam touches on a variety<br />
of sociopolitical issues over some seriously<br />
funky beats. Nobody makes music like this<br />
anymore, and that’s a damn shame.<br />
SLEPT-ON cont<strong>in</strong>ued on page 13<br />
IN/AUDIBLE fall 2004 5