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1<br />

Blac Monks – Secrets of the Hidden<br />

Temple (Rap-A-Lot, 1995)<br />

Although the Blac Monks were on the same<br />

label as the Geto Boys, they didn’t deal with<br />

the same violent, gangsta subject matter<br />

as many of their labelmates. Instead, this<br />

talented trio of emcees – Lord 3-2, Da and<br />

Awol – rapped about everyday topics, with<br />

some metaphysical “Buddha nature” stuff<br />

thrown <strong>in</strong> for good measure. Basically, this<br />

is one of the best pre-crunk southern hiphop<br />

albums ever recorded. Their sophomore<br />

effort No Mercy is also well worth a listen.<br />

Div<strong>in</strong>e Styler – Spiral Walls Conta<strong>in</strong>-<br />

2 <strong>in</strong>g Autumns of Light (Giant, 1992)<br />

I don’t know if this album should be on this<br />

list, because I don’t even know if it’s good.<br />

But, it sure is weird! In fact, I would argue<br />

that this is the weirdest hip-hop album ever<br />

made, and for that alone, it deserves a spot.<br />

Div<strong>in</strong>e Styler used to be down with Ice-T’s<br />

Rhyme Syndicate, releas<strong>in</strong>g a De La-esque<br />

debut <strong>in</strong> 1989. While that album had its<br />

eccentric moments, noth<strong>in</strong>g could have prepared<br />

the listen<strong>in</strong>g public for what was to<br />

come next. Featur<strong>in</strong>g mostly live <strong>in</strong>strumentation<br />

(much of it played by Styler himself )<br />

and spoken word-ish delivery, this is what<br />

The Love Below would have sounded like if<br />

Andre were really <strong>in</strong>sane.<br />

Yomo & Maulkie – Are U Xperienced?<br />

3 (Ruthless, 1991)<br />

Released the same year as Efil4zagg<strong>in</strong> and<br />

produced by NWA’s DJ Yella, Yomo and<br />

Maulkie were revolutionary but gangsta<br />

years before Dead Prez. The highlight of the<br />

album is the flag-burn<strong>in</strong>g anthem “Glory”<br />

with its politically-charged rhymes and<br />

funky, cricket-sampl<strong>in</strong>g beat (timely lyric:<br />

“Pimp<strong>in</strong>’ brothers like hos <strong>in</strong> Iraq/You sold<br />

them weapons, now you want your money<br />

back”). Maulkie went on to become a member<br />

of Ice Cube protégés Da Lench Mob,<br />

and DJ Yella now directs porn.<br />

YZ – The Ghetto’s Been Good To Me<br />

4 (Liv<strong>in</strong>’ Large, 1993)<br />

This is the second album of righteous lyrics<br />

from this X-Clan affiliate. Although it’s<br />

solid from beg<strong>in</strong>n<strong>in</strong>g to end, the highlight is<br />

def<strong>in</strong>itely the s<strong>in</strong>gle “The Return of the Holy<br />

One” with its noisy, almost avant-garde beat.<br />

Another track (“Dead Love”) features the<br />

bass-play<strong>in</strong>g of Jamaaladeen Tacuma from<br />

Ornette Coleman’s Prime Time Band!<br />

5Grand Daddy I.U. – Smooth Assass<strong>in</strong><br />

(Cold Chill<strong>in</strong>’, 1990)<br />

Although Grand Daddy I.U. got lost <strong>in</strong> the<br />

shuffle at Cold Chill<strong>in</strong>’, this album fits <strong>in</strong> well<br />

with the rest of the Juice Crew-heavy roster<br />

they had at the time. I.U. raps like a more<br />

chilled out Big Daddy Kane, and the album<br />

was entirely produced by Biz Markie. While<br />

this is a very dope album, stay away from<br />

I.U.’s next effort, the aptly named Lead Pipe.<br />

6Witchdoctor – ...A S.W.A.T. Heal<strong>in</strong>’<br />

Ritual (Interscope, 1998)<br />

Witchdoctor is a crim<strong>in</strong>ally overlooked<br />

member of Atlanta’s Dungeon Family,<br />

whose members pitch <strong>in</strong> with production<br />

from Organized Noise and guest appearances<br />

from both Outkast and Goodie Mob.<br />

This album may not reach the heights of<br />

Soul Food or Aquem<strong>in</strong>i, but it’s a genu<strong>in</strong>ely<br />

soulful slab of southern hip-hop.<br />

7Lakim Shabazz – Lost Tribe of<br />

Shabazz (Tuff City, 1990)<br />

Lakim’s 1988 debut Pure Righteousness is<br />

often mentioned as an overlooked classic<br />

from that most classic of years, but it’s his<br />

sophomore effort that is really overlooked.<br />

It’s more of the same with Nation of Islam<strong>in</strong>spired<br />

lyrics over dope beats, seven of<br />

which come courtesy of the legendary DJ<br />

Mark the 45 K<strong>in</strong>g.<br />

8Maestro Fresh Wes – Naaah, Dis Kid<br />

Can’t Be From Canada?!! (LMR,1994)<br />

As the corny album title <strong>in</strong>dicates, Maestro<br />

Fresh Wes is <strong>in</strong>deed from Canada. Even with<br />

considerable skills and two albums already<br />

under his belt, he was never able to make<br />

much of an impact <strong>in</strong> the States. This time<br />

out, he gets four beats from DITC producer<br />

Showbiz and a rare guest appearance from<br />

the legendary rhyme <strong>in</strong>spector Percee P. It’s<br />

a very solid album overall and probably the<br />

peak of Wes’s career.<br />

9<br />

Masta Ace – Disposable Arts (JCOR,<br />

2001)<br />

Rap veteran Masta Ace returns with<br />

another concept album (check out 1993’s<br />

Slaughtahouse and 1995’s Sitt<strong>in</strong>’ on Chrome<br />

for earlier examples), this time about a<br />

rapper who gets released from prison and<br />

enrolls <strong>in</strong> the Institute of Disposable Arts, a<br />

hip-hop college <strong>in</strong> upstate New York. There<br />

he meets his goofy white roommate (played<br />

by onetime Chapel Hill resident MC Paul<br />

Barman), and hij<strong>in</strong>ks ensue. Um... it’s really<br />

much better than it sounds.<br />

10<br />

Mic Geronimo – The Natural<br />

(Blunt, 1995)<br />

It’s gotta be tough be<strong>in</strong>g Mic Geronimo. This<br />

album features a song (“Time to Build”)<br />

with DMX, Ja Rule and Jay-Z, all of whom<br />

became huge stars with<strong>in</strong> the next four<br />

years, while Mic’s career stayed <strong>in</strong> neutral.<br />

But, it wasn’t for a lack of effort on his part.<br />

After The Natural went wood <strong>in</strong> the hood,<br />

he spent the next few years try<strong>in</strong>g really hard<br />

to sell out, appear<strong>in</strong>g on an embarrass<strong>in</strong>g<br />

MTV special with his wife and gett<strong>in</strong>g Puff<br />

Daddy to produce the lead s<strong>in</strong>gle off his next<br />

album (which flopped). So, do him a favor<br />

and rescue this from the dollar b<strong>in</strong> next time<br />

you see it.<br />

Smoothe Da Hustla – Once Upon a<br />

11 Time <strong>in</strong> America (Profile, 1996)<br />

Even though Once Upon a Time was released<br />

at the beg<strong>in</strong>n<strong>in</strong>g of the sh<strong>in</strong>y suit era,<br />

Smoothe poses on the album cover rock<strong>in</strong>g<br />

baggy jeans and a hoodie. The cover art is<br />

a good <strong>in</strong>dication of the music conta<strong>in</strong>ed<br />

with<strong>in</strong>. Smoothe spits rugged raps over the<br />

hard hitt<strong>in</strong>g drums and horn stabs of producer<br />

D/R Period. In a more just world, this<br />

would be considered an east coast classic.<br />

12<br />

Kam – Neva Aga<strong>in</strong> (Street<br />

Knowledge, 1993)<br />

Executive-produced by Ice Cube and<br />

released on his Street Knowledge label,<br />

Neva Aga<strong>in</strong> was proof that it wasn’t all hos<br />

and drive-bys out <strong>in</strong> L.A. Without ever sacrific<strong>in</strong>g<br />

his flow, Kam touches on a variety<br />

of sociopolitical issues over some seriously<br />

funky beats. Nobody makes music like this<br />

anymore, and that’s a damn shame.<br />

SLEPT-ON cont<strong>in</strong>ued on page 13<br />

IN/AUDIBLE fall 2004 5

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