- Page 2 and 3: CORNELLUNIVERSITYLIBRARYBOUGHT WITH
- Page 7: MODERN HARMONY
- Page 10 and 11: The relation of quantities is the p
- Page 13: ACKNOWLEDGMENTSThe author's beat th
- Page 16 and 17: CONTENTS(b)CHAPTER IVthe duodecuple
- Page 18 and 19: CONTENTSmotion — Equal and unequa
- Page 21 and 22: MODERN HARMONY:ITS EXPLANATION AND
- Page 23 and 24: Ex.8.INTRODUCTORY 3^ U MI'^'lti''**
- Page 25 and 26: INTRODUCTORY 5chord, however wonder
- Page 27 and 28: INTRODUCTORYTspeech natural to him,
- Page 29 and 30: GREATER FREEDOM ON THE OLD LINESEx.
- Page 31 and 32: IEx.14.mGREATER FREEDOM ON THE OLD
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- Page 45 and 46: SCALES—{A) MODAL INFLUENCES 25Mac
- Page 47 and 48: SCALES— {A) MODAL INFLUENCES 27ma
- Page 49 and 50: . |^-^ .SCALES—(A) MODAL INFLUENC
- Page 51 and 52: SCALES— {A) MODAL INFLUENCES 31Ot
- Page 53 and 54: CHAPTER IV(e)the duodecuple (or twe
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THE mjODECUPLE {OR TWELVE-NOTE) SCA
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THE DUODECUPLE (OR TWELVE-NOTE) SCA
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THE DUODECUPLE {OR TWELVE-NOTE) SCA
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THE DUODECUPLE {OR TWELVE-NOTE) SCA
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THE DUODECUPLE {OR TWELVE-NOTE) SCA
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THE DUODECUPLE {OR TWELVE-NOTE) SCA
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THE DUODECUPLE (OR TWELVE-NOTE) SCA
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THE DUODECUPLE {OR TWELVE-NOTE) SCA
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THE DUODECUPLE (OR TWELVE-NOTE) SCA
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CHAPTER V(C)THE "WHOLE-TONE" OR "TO
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THE ''WHOLE-TONE'-' OR ''TONAL SCAL
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THE " WHOLE-TONE" OR " TONAL'' SCAL
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THE « WHOLE-TONE'' OR " TONAL'' SC
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THE '"WHOLE-TONE"" OR '"TONAL"" SCA
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THE « WHOLE-TONE'' OR " TONAL " SC
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SOME OTHER SCALES 65Numberless modi
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SOME OTHER SCALES 67is a noteworthy
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iiOME OTHER SCALESm''V p p pP r Pp
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SOME OTHER SCALES 71CYRIL SCOTT, "D
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SOME OTHER SCALES 73scale is ever s
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SOME OTHER SCALES 76and the opening
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SOME OTHER SCALES 77Vina well playe
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ALTERED NOTES AND ADDED NOTES 79A f
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I 1^^ALTERED NOTES AND ADDED NOTES
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ALTERED NOTES AND ADDED NOTESEx.171
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ALTERED NOTES AND ADDED NOTES 85Ex.
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ALTERED NOTES AND ADDED NOTES 87Doe
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ALTERED NOTES AND ADDED NOTES 89The
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NEW METHODS OF CHORD-STRUCTURE 91Th
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A^EW METHODS OF CHORD-STRUCTURE 93T
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NEW METHODS OF CHORD-STRUCTURE 95Ex
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NEW METHODS OF CHORD-STRUCTUREmEx.2
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NEW METHODS OF CHORD-STRUCTURE 99Ex
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NEW METHODS OF CHORD-STRUCTURE101Ex
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NEW METHODS OF CHORD-STRUCTUREloaTh
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CHAPTER IXON RESOLUTIONS, ELISIONS,
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RESOLUTIONS, ELISIONS, AND CADENCES
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RESOLUTIONS, ELISIONS, AND CADENCES
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RESOLUTIONS, ELISIONS, AND CADENCES
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RESOLUTIONS, ELISIONS, AND CADENCES
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IMPRESSIONISTIC METHODS 115in aim,
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IMPRESSIONISTIC METHODS 117Ex.254.M
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IMPRESSIONISTIC METHODS 119This dev
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IIMPRESSIONISTIC METHODS 121Ex.265.
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IMPRESSIONISTIC METHODS 123Ex.270.
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IMPRESSIONISTIC METHODS 125With the
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IMPRESSIONISTIC METHODS 127More mod
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IMPRESSIONISTIC METHODS 129Ex.287.A
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CHAPTER XIHORIZONTAL METHODSJust as
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HORIZONTAL METHODS 133the pedal-cho
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HORIZONTAL METHODS 135treble agains
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HORIZONTAL METHODS 187Ex. 301.Moder
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HORIZONTAL METHODS 139At one point
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HORIZONTAL METHODS 141Ex.S"10.ELGAR
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HORIZONTAL METHODS 143whilst the ma
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HORIZONTAL METHODS 145We see a wide
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HORIZONTAL METHODS 147Such a pedal-
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HORIZONTAL METHODS 149BLANCHE SELVA
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HORIZONTAL METHODS 151The effect is
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HORIZONTAL METHODS 153Ex. 340.(Fina
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LATER HARMONIC TENDENCIES 155and su
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'^^-Choir I.ChoirHMLATER HARMONIC T
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LATER HARMONIC TENDENCIES 159Ex.347
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LATER HARMONIC TENDENCIES 161The do
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CHAPTER XIIIMODERN MELODYThe widest
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Ex.35S.MODERN MELODY 16&Adagio maes
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iij--irMODERN MELODY167Ex.365.Alleg
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MODERN MELODY 169Ex.372.(a) Vivo.RE
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MODERN RHYTHM 171The time seems at
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MODERN RHYTHM 173To pass on rapidly
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MODERN RHYTHM 175Ex.877./Ulegretto.
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MODERN RHYTHM 177Tschaikowsky's min
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MODERN RHYTHM 179librium in the sli
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CHAPTER XVMODERN FORMNo art is more
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MODERN FORM 183depends entirely on
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MODERN FORM 185less significant mat
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MODERN FORM 187Ex.805.2nd Subject.
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MODERN FORM 189In England, the adop
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CHAPTER XVICONCLUSIONIt is true tha
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CONCLUSION 193as the "March to the
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CONCLUSION 195Short score :Such pas
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CONCLUSION 197Only the widest exper
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CONCLUSION 199less to express, are
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EXERCISES 2015. Write a short Fugat
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EXERCISES^ ^^16. Harmonise for Pf.
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ffEXERCISES 20522. Harmonise for St
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EXERCISES 207IIIFIGURES AND CHORDS2
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'EXERCISES 20936. Write pieces for
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EXERCISES 211VORCHESTRATION45. Inve
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GLOSSARY OF TECHNICAL TERMS 213Arpe
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GLOSSARY OF TECHNICAL TERMS 215Fals
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GLOSSARY OF TECHNICAL TERMS 217NNat
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GLOSSARY OF TECHNICAL TERMS 219Theo
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Bonnet-INDEX TO MUSICAL ILLUSTRATIO
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'MacDowellINDEX TO MUSICAL ILLUSTRA
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INDEX TO MUSICAL ILLUSTRATIONS 225S
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GENEEAL INDEX{The numbers apply to
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GENERAL INDEX 229Delius, 183extract
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GENERAL INDEX 9.2,1Laryngeal develo
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GENERAL INDEX 233Resonance, 157Reve
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GENERAL INDEX 235Vina, 77Vin6e, 22,