Susanne Schulz-Falster Catalogue Ten
Susanne Schulz-Falster Catalogue Ten
Susanne Schulz-Falster Catalogue Ten
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The book proved popular: an English edition was published the following<br />
year under the title Management of the Tongue.<br />
Cioranescu 12888 (Paris edition).<br />
Italian Literature<br />
45 BORSA, Matteo. Del Gusto Presente in Letteratura Italiana. E<br />
accompagnata da copiose Osservazioni relative al medisimo<br />
Argomento da Stefano Arteaga. [Venice, Zatta & Figli]. 1784. £500<br />
8vo, pp. xii, 150, [2] privilege & errata; contemporary marbled calf,<br />
spine gilt in compartments, gilt-lettered spine label; a Wne copy.<br />
First and only edition of this essay written in response to a prize question at<br />
the Academy of Mantua on the topic of current taste in Italian literature.<br />
Borsa (1751–1798), pupil and nephew of Bettinelli, identiWes a number of<br />
inXuences on contemporary literature, such as that of French writing, Enlightenment<br />
philosophy, and Xuid borders between literary genres. In a<br />
separate chapter on how to elevate current taste to a higher level, he discusses<br />
in detail English inXuences, which he argues have led to blind imitation<br />
in Italy. The second half of the volume is taken up by Arteaga’s<br />
response to and close analysis of Borsa’s work.<br />
OCLC lists copies at Yale, Duke and University of Wisconsin only.<br />
Large Paper Collectors’ Copy – from the De Thou Library<br />
46 BOSSE, Abraham. Traicté des Manières de Graver en Taille<br />
Douce sur l’Airin. Par le Moyen des Eaux Fortes, & des Vernix Durs<br />
& Mols. Ensemble de la façon d’en Imprimer les Planches & d’en<br />
Construire la Presse, & autres choses concernans les dits Arts. Paris,<br />
A. Bosse, 1645. £5500<br />
8vo, (204 x136 mm), pp. [vi], 75, with engraved title bound after the<br />
printed title, and second engraved title bound after the preface, with<br />
eleven leaves of plates, with sixteen full-page copperplate engravings<br />
(numbered 1–16, some repeated); contemporary full tan calf, spine gilt<br />
in compartments with de Thou’s monogram, sides with gilt supra-libros<br />
of the arms of de Thou; short split to head of upper joint, upper corners<br />
a little rubbed; a very attractive copy with the book plates of Hector de<br />
Backer, Marcel Duchemin and Chevalier RuWgny to front paste-down.<br />
Large paper copy from the de Thou collection of the Wrst edition of the Wrst<br />
manual of copperplate etching and engraving and the printing of intaglio<br />
plates. Bosse’s manual was aimed both at the amateur and the professional<br />
engraver and is extensively illustrated, with Wne engravings by Bosse himself.<br />
Bosse’s manual was highly inXuential, not only was it translated into<br />
Dutch, French, English and German, but a number of subsequent editions<br />
and revisions, updating the manual to contemporary practice, were published,<br />
most notably in 1701 and 1745 by Le Clerc and Cochin respectively.<br />
susanne schulz-falster rare books catalogue ten<br />
This indicates that Bosse’s manual remained the standard work throughout<br />
the eighteenth century, and is of use not just for the historian, but also for<br />
the practicising engraver.<br />
Provenance: It is particularly appealing to have the fundamental text in the<br />
history of book production from the famous collection of de Thou, with<br />
the characteristic tooling to both boards and monogram to spine. Jacques-<br />
Auguste de Thou (1553–1617), a French diplomat, lawyer and historian<br />
had one of the great private libraries of the sixteenth century. After his death<br />
in 1617 his arms and monograms were continued to be used by his family,<br />
which explains the use of his tools on this work published in 1654. After the<br />
de Thou library was dispersed in 1788, further well-known collectors secured<br />
the book, and for a period this copy was in the library of Hector de<br />
Backer (1843–1925), the president of the Belgium bibliophiles, Marcel<br />
Duchemin and Chevalier RuWgny.<br />
Bigmore–Wyman, I, 72; Cicognara 254; En Français dans le Texte, 92; E. Olivier,<br />
G. Hermal, de Roton II; Fletcher, Bookbinding in France, p. 37–39.<br />
Etching, Engraving and Print-Making<br />
47 BOSSE, Abraham. De la Maniere de Graver a l’Eau forte et au<br />
Burin. Et de la Gravûre en Maniere noire. Avec la façon de<br />
construire les Presses modernes, & d’imprimer en Taille-douce.<br />
Nouvelle Édition, revue, corrigée & augmentée du double; et<br />
enrichie de dix-neuf Planches en Taille-douce. Paris, Charles-<br />
Antoine Jombert, 1745. £1800<br />
8vo, engraved frontispiece, pp. xxxii, 186, [6], with 19 numbered<br />
engraved throw-out plates; some light browning and spotting,<br />
especially in foremargin; small tear to last leaf; contemporary full<br />
mottled calf, spine gilt in compartments, gilt-lettered spine label; head<br />
of spine chipped and corners a little bumped; a good copy.