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Susanne Schulz-Falster Catalogue Ten

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Pensions for Civil Servants’ Widows<br />

64 CAMERLOHER, Anton Ritter von. Ueber Versorgungsanstalten<br />

für Staatsdiener-Witwen und Waisen... Mit fünf Tafeln.<br />

Landshut, Joseph Thomann, 1825. £480<br />

8vo, pp. 23, [1] blank, 5 tables on two folding sheets; contemporary<br />

paste-paper wrappers.<br />

First edition of this speciWc widows’ and orphans’ insurance for civil servants.<br />

Because of their special position and function within the state, their<br />

pension and life insurance schemes had to be adapted from the general<br />

schemes. A further complication is caused by the strict hierarchy of civil<br />

servants which even in death was not to be resolved. Therefore a rather<br />

more complicated widows’ and orphans’ pension had to be developed. For<br />

reasons of justice Camerloher also gives separate rates for those who are<br />

married and those who are not, and those with children or childless. Extensive<br />

calculations show the variations that ensue.<br />

Not in Biblioteca Mansutti; KVK list just one copy at the Bavarian State Library;<br />

not found in NUC, OCLC or RLIN.<br />

Water Rights<br />

65 CAPPEAU, Louis Jean Joseph Pierre. De la Compagnie des<br />

Alpines d’Istres et Entressens, ou Recueil Raisonné des titres et<br />

documents de cette Compagnie en particulier, et des<br />

Concessionnaires des Eaux des Alpines en general. Aix, Tavernier,<br />

1817. £650<br />

Large 8vo, pp. xii, 364, [24] contents; p. 73 with paper fault to margin,<br />

no loss; contemporary full calf, spine gilt, with gilt-lettered spine label,<br />

chipped; sides with decorative border, and ‘Compagnie des Alpines’<br />

stamped in gilt to sides; corners worn; but a nice copy.<br />

First and only edition of this report on the history of the Compagnie des<br />

Alpines d’Istres in the south of France, formed to build and subsequently<br />

exploit the irrigation canal to make the land surrounding Istres suitable for<br />

agriculture. The Compagnie had been formed twenty-four years earlier, and<br />

this report is written by one of its founder members.<br />

In the Wrst half Cappeau gives a clear outline of the history of the company,<br />

the construction, Wnance and administration of the canals, with details<br />

of the accounts and shareholders. Clear provisions are made for the<br />

distribution of water amongst the diVerent shareholders, damage limitation<br />

in case of accidents etc. In the second half Cappeau gives a detailed account<br />

of the Wnancial situation, and usage rights – be it just for irrigation or to<br />

power mills.<br />

Rare, not in Kress or Goldsmiths’; in the Bibliothèque Nationale, Harvard lists a<br />

microWlm copy, no further copies listed in RLIN or OCLC.<br />

Colour Printing<br />

susanne schulz-falster rare books catalogue ten<br />

66 [CARACCIOLI, Louis Antoine.] Le Livre à la Mode. A<br />

Verte-Feuille, De l’Imprimerie du Printemps, au Perroquet, L’Année<br />

Nouvelle. [Paris, Duchesne, 1759].<br />

[bound with:] Le Livre de quatre couleurs. Ridendo, dicere verum<br />

quid vetat? Aux Quatre-Éléments, De l’Imprimerie des Quatre-<br />

Saisons 4444. [Paris, Duchesne, 1757]. £750<br />

Two works in one volume, 8vo, pp. xx, 79, [1] blank, printed entirely<br />

in green; pp. [iv], xxiv, 114; engraved title vignette (printed in black),<br />

showing a cherub and female Wgure with winged mirror, title printed in<br />

yellow, blue, brown and red; signature A–B, and I–L printed in yellow,<br />

C–D in blue, E–F in brown; contemporary full sheep, spine gilt in<br />

compartments, gilt-lettered spine label; an attractive copy.<br />

A tour de force of colour printing. Caraccioli’s satire on the Wckleness of<br />

eighteenth century fashion, printed entirely in green, followed by his colourful<br />

satire on society and contemporary manners, printed in four colours<br />

to indicate the variety of human nature. Appropriately the false imprints<br />

also elaborate on the colour theme, claiming to have been printed at Verte-<br />

Feuille in the springtime printworks, and the Four Seasons printworks respectively.<br />

Caraccioli (1721–1803) a proliWc writer and member of the<br />

Parisian society, managed to survive the French Revolution, despite close<br />

ties to the aristocracy. His writings are of particular interest for the study of<br />

eighteenth century manners and fashion.<br />

The two works are bound together with an unfortunately incomplete<br />

copy of the second issue of his Livre à la Mode, printed entirely in red.<br />

I. Cioranescu 15474; II. Cioranescu 15478 (date 1760); Brunet III, 1122–23<br />

(date 1757); Peignot 1810; Rosenwald 2501.<br />

Rousseau Criticized<br />

67 [CARLI, Gian Rinaldo.] L’Uomo Libero ossia Ragionamento<br />

sulla Libertà naturale e civile dell’Uomo. Edizione Seconda Veneta,<br />

dopo la Seconda di Milano. Riscontrata, corretta, ed accresciuta sull’<br />

Originale dell’Autore. Venezia, Giovanni Gatti, 1783. £550<br />

8vo, pp. 191; uncut in roan-backed marbled boards, spine decorated<br />

and lettered in gilt.<br />

Second enlarged edition (Venice printing) of this almost forgotten work,<br />

which was considered of exceptional importance to the Italian Enlightenment.<br />

Carli, one of the main Wgures of the Italian Enlightenment, was together<br />

with Verri and Beccaria the leading intellectual of the école de Milan.<br />

In this stringent criticism of Rousseau’s Contrat Social he formulates his picture<br />

of an anti-egalitarian society in strict opposition to Rousseau. ‘Men are<br />

condemned by nature to a state of permanent inequality, physical, moral<br />

and economic. It is not an accident that society is divided into two classes,

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