Susanne Schulz-Falster Catalogue Ten
Susanne Schulz-Falster Catalogue Ten
Susanne Schulz-Falster Catalogue Ten
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Pensions for Civil Servants’ Widows<br />
64 CAMERLOHER, Anton Ritter von. Ueber Versorgungsanstalten<br />
für Staatsdiener-Witwen und Waisen... Mit fünf Tafeln.<br />
Landshut, Joseph Thomann, 1825. £480<br />
8vo, pp. 23, [1] blank, 5 tables on two folding sheets; contemporary<br />
paste-paper wrappers.<br />
First edition of this speciWc widows’ and orphans’ insurance for civil servants.<br />
Because of their special position and function within the state, their<br />
pension and life insurance schemes had to be adapted from the general<br />
schemes. A further complication is caused by the strict hierarchy of civil<br />
servants which even in death was not to be resolved. Therefore a rather<br />
more complicated widows’ and orphans’ pension had to be developed. For<br />
reasons of justice Camerloher also gives separate rates for those who are<br />
married and those who are not, and those with children or childless. Extensive<br />
calculations show the variations that ensue.<br />
Not in Biblioteca Mansutti; KVK list just one copy at the Bavarian State Library;<br />
not found in NUC, OCLC or RLIN.<br />
Water Rights<br />
65 CAPPEAU, Louis Jean Joseph Pierre. De la Compagnie des<br />
Alpines d’Istres et Entressens, ou Recueil Raisonné des titres et<br />
documents de cette Compagnie en particulier, et des<br />
Concessionnaires des Eaux des Alpines en general. Aix, Tavernier,<br />
1817. £650<br />
Large 8vo, pp. xii, 364, [24] contents; p. 73 with paper fault to margin,<br />
no loss; contemporary full calf, spine gilt, with gilt-lettered spine label,<br />
chipped; sides with decorative border, and ‘Compagnie des Alpines’<br />
stamped in gilt to sides; corners worn; but a nice copy.<br />
First and only edition of this report on the history of the Compagnie des<br />
Alpines d’Istres in the south of France, formed to build and subsequently<br />
exploit the irrigation canal to make the land surrounding Istres suitable for<br />
agriculture. The Compagnie had been formed twenty-four years earlier, and<br />
this report is written by one of its founder members.<br />
In the Wrst half Cappeau gives a clear outline of the history of the company,<br />
the construction, Wnance and administration of the canals, with details<br />
of the accounts and shareholders. Clear provisions are made for the<br />
distribution of water amongst the diVerent shareholders, damage limitation<br />
in case of accidents etc. In the second half Cappeau gives a detailed account<br />
of the Wnancial situation, and usage rights – be it just for irrigation or to<br />
power mills.<br />
Rare, not in Kress or Goldsmiths’; in the Bibliothèque Nationale, Harvard lists a<br />
microWlm copy, no further copies listed in RLIN or OCLC.<br />
Colour Printing<br />
susanne schulz-falster rare books catalogue ten<br />
66 [CARACCIOLI, Louis Antoine.] Le Livre à la Mode. A<br />
Verte-Feuille, De l’Imprimerie du Printemps, au Perroquet, L’Année<br />
Nouvelle. [Paris, Duchesne, 1759].<br />
[bound with:] Le Livre de quatre couleurs. Ridendo, dicere verum<br />
quid vetat? Aux Quatre-Éléments, De l’Imprimerie des Quatre-<br />
Saisons 4444. [Paris, Duchesne, 1757]. £750<br />
Two works in one volume, 8vo, pp. xx, 79, [1] blank, printed entirely<br />
in green; pp. [iv], xxiv, 114; engraved title vignette (printed in black),<br />
showing a cherub and female Wgure with winged mirror, title printed in<br />
yellow, blue, brown and red; signature A–B, and I–L printed in yellow,<br />
C–D in blue, E–F in brown; contemporary full sheep, spine gilt in<br />
compartments, gilt-lettered spine label; an attractive copy.<br />
A tour de force of colour printing. Caraccioli’s satire on the Wckleness of<br />
eighteenth century fashion, printed entirely in green, followed by his colourful<br />
satire on society and contemporary manners, printed in four colours<br />
to indicate the variety of human nature. Appropriately the false imprints<br />
also elaborate on the colour theme, claiming to have been printed at Verte-<br />
Feuille in the springtime printworks, and the Four Seasons printworks respectively.<br />
Caraccioli (1721–1803) a proliWc writer and member of the<br />
Parisian society, managed to survive the French Revolution, despite close<br />
ties to the aristocracy. His writings are of particular interest for the study of<br />
eighteenth century manners and fashion.<br />
The two works are bound together with an unfortunately incomplete<br />
copy of the second issue of his Livre à la Mode, printed entirely in red.<br />
I. Cioranescu 15474; II. Cioranescu 15478 (date 1760); Brunet III, 1122–23<br />
(date 1757); Peignot 1810; Rosenwald 2501.<br />
Rousseau Criticized<br />
67 [CARLI, Gian Rinaldo.] L’Uomo Libero ossia Ragionamento<br />
sulla Libertà naturale e civile dell’Uomo. Edizione Seconda Veneta,<br />
dopo la Seconda di Milano. Riscontrata, corretta, ed accresciuta sull’<br />
Originale dell’Autore. Venezia, Giovanni Gatti, 1783. £550<br />
8vo, pp. 191; uncut in roan-backed marbled boards, spine decorated<br />
and lettered in gilt.<br />
Second enlarged edition (Venice printing) of this almost forgotten work,<br />
which was considered of exceptional importance to the Italian Enlightenment.<br />
Carli, one of the main Wgures of the Italian Enlightenment, was together<br />
with Verri and Beccaria the leading intellectual of the école de Milan.<br />
In this stringent criticism of Rousseau’s Contrat Social he formulates his picture<br />
of an anti-egalitarian society in strict opposition to Rousseau. ‘Men are<br />
condemned by nature to a state of permanent inequality, physical, moral<br />
and economic. It is not an accident that society is divided into two classes,