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Ripcord Adventure Journal 1.2 Second Edition

In this issue, our second, we venture widely in our quest to find great adventures. From an article written and sent from Princess Elisabeth Station in Antarctica we venture along the Omo River to meet Ethiopian tribes who are holding on to their authentic way-of-life in the face of commercialisation and tourism. We send a couch potato to climb Mount Fuji in Japan while others wander the ancient Roman roads in Transylvania, venture up Mount Toubkal and taste wondrous epicurean delights in Morocco. Finally we hear of the exploits of the explorer Charles Howard-Bury and the Everest Reconnaissance expedition

In this issue, our second, we venture widely in our quest to find great adventures. From an article written and sent from Princess Elisabeth Station in Antarctica we venture along the Omo River to meet Ethiopian tribes who are holding on to their authentic way-of-life in the face of commercialisation and tourism. We send a couch potato to climb Mount Fuji in Japan while others wander the ancient Roman roads in Transylvania, venture up Mount Toubkal and taste wondrous epicurean delights in Morocco. Finally we hear of the exploits of the explorer Charles Howard-Bury and the Everest Reconnaissance expedition

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The tribes that time forgot<br />

Shane Dallas<br />

spacious clearing. It was a village of the Arbore tribe. Once out of<br />

the vehicle, I encountered a practice that elicits much debate<br />

amongst those who visit the Omo Valley – namely the payment of a<br />

fee to take photographs. The problems of this practice quickly<br />

became evident. Upon our arrival, the Arbore people rushed from<br />

their huts to form a long line near the vehicle hoping to be chosen,<br />

and paid, to be photographed. It felt incredibly forced, and though I<br />

am unsure where this practice emanated from, obediently lining in<br />

an orderly fashion was inconsistent with every other activity I<br />

witnessed in the Omo Valley. This appeared imposed from outside.<br />

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA<br />

AAAAAAAAAAAAAAAAAAAAAAAA<br />

I lowered my head, undecided if I wanted to participate in this<br />

awkward spectacle, but there was no retreat, for the Arbore would<br />

aggressively pursue those with cameras to photograph them. They<br />

would grab your arm or camera and verbally badger for a picture;<br />

this whirlwind of activity and attention was almost overwhelming. I<br />

wandered far away from the scene with one Arbore woman in order<br />

to distance myself from the selection line, which on further<br />

reflection, looked more and more like a circus with paid performers.<br />

By having her with me, it seemed to keep the others away, but that<br />

only lasted until she dawdled away after the photo shoot, for the<br />

chaos descended on me again.<br />

After a difficult photography session, I returned to the vehicle – and<br />

upon closing the door found myself inside a serene silent shelter<br />

from the buffeting verbal tempest outside. My first tribe visit<br />

proved to be a confronting experience. In 2010, the payment<br />

amounts were small, one or two Birr (approximately 15 cents at the<br />

time), whereas a larger amount (at least 250 birr) is payable as a<br />

village admission fee. However, these prices have increased many<br />

times over since then.<br />

While still musing on the most responsible method to approach<br />

photography in the Omo Valley, we proceeded to the small town of<br />

Turmi. Our plans to arrive in the late afternoon were thwarted by<br />

the road conditions. Shortly after Tsegay had changed a tyre due to<br />

a puncture, he lent out the window, and muttered something under<br />

his breath before stopping to attend to the second puncture in the<br />

space of half an hour. With little phone coverage and almost no<br />

2

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