16.09.2015 Views

Ripcord Adventure Journal 1.3 Second Edition

We begin this issue with a call to adventure from Bear Grylls' Mission Survive expedition and survival expert Megan Hine which is followed by a filmmaking expedition to the icy desert of Antarctica. Our writers have crossed the Himalaya and have cycled around the world to make sure it is indeed round. We hear of legendary explorer John Rae and venture to Kilimanjaro to witness a high altitude rescue. Brought to you by the crew at World Explorers Bureau and Ripcord Travel Protection

We begin this issue with a call to adventure from Bear Grylls' Mission Survive expedition and survival expert Megan Hine which is followed by a filmmaking expedition to the icy desert of Antarctica. Our writers have crossed the Himalaya and have cycled around the world to make sure it is indeed round. We hear of legendary explorer John Rae and venture to Kilimanjaro to witness a high altitude rescue. Brought to you by the crew at World Explorers Bureau and Ripcord Travel Protection

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The Antarctica challenge<br />

Mark Terry<br />

“Qu’est-ce qu’on va faire?” my cameraman asked. What are we<br />

going to shoot?<br />

“Money shots,” I said. Without any pre-conceived notion of a script<br />

or concept – after all, that was the purpose of the exercise – I<br />

surveyed the festivities and concluded the one thing everyone had in<br />

common was money. They were either buyers or sellers sipping<br />

champagne side by side.<br />

I recruited teams of volunteers to act out skits lampooning sales<br />

meetings: stealing credit cards, renewing old acquaintances with<br />

complete strangers, compromising creative to make a sale, excessive<br />

celebrations of handshake deals, etc.<br />

The performers were not professional actors, of course, but they<br />

were accomplished actors, just the same. Everyone attending these<br />

markets are amateur actors to some degree. They come with a script<br />

to either pitch a project or reject them and when the desired result is<br />

not achieved, they easily slip into improv mode. As a result, my cast<br />

of highly-skilled amateur actors resulted in an engaging threeminute<br />

short film scored to the music of the John Kander and Fred<br />

Ebb classic from the movie Cabaret, Money, Money.<br />

As it turned out, the assignment was more of a challenge than we<br />

had thought – only half of the selected directors were successful in<br />

completing a film. With that out of the way, I was able to focus on<br />

the real reason I was there. My meetings the rest of week went<br />

better than expected as my reputation for being one of the top<br />

directors to watch came with a lot of industry trade media coverage,<br />

paving the way for enthusiastic one-on-ones with the buyers.<br />

One of the most promising was National Geographic Television. I<br />

met with three representatives during my meeting in their pavilion<br />

for about 20 minutes, about four times longer than the average<br />

meeting at MIPCOM. My main contact for follow-up was Ceire<br />

Clark, a young programmer at NatGeo`s UK headquarters in<br />

London. Although there was no commission offered on the spot,<br />

there was a very positive suggestion that there would be one, subject<br />

to providing some additional material on the project.<br />

40

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