024O3U

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To go beyond THE WORD, exercise control over it? no MO NO — BEYOND THE WORD, not to merely control it but to overcome it, go beyond the point where it is even necessary to think in terms of it Journal note Vancouver April?, 1964 2:15a.m.
Page 2: "wHAT T i HAVE WRITEN HAS NO PLAN,
Page 6: ifts
Page 10: iven
Page 14: ifts The Martyrology Book(s) 7 & co
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Page 28: eady dear For Birk Sproxton & Denni
Page 32: • July 4th this blue that vocabul
Page 36: • July 5th things remembered or r
Page 40: pi (an o's solution) what it is, yo
Page 44: Scraptures: 7th Sequence l green ye
Page 48: • ferry me across all these journ
Page 52: connecting now no for a moment r 1
Page 56: Monotones XI all that summer hot dr
Page 60: flow after into the moon
Page 64: the water I (no) i didn't "see" it
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NING
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th er g0d ew n I y as
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A
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ew as aw or ds po rew ng ke
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GOD'S
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a language of treaties between peop
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5 ecstasy of clear speaking or that
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its codes systems the plants grow o
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am green am green amgroen am green
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HA! !!!!!! St. Real
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DREAMDREAM D R E A M D R ream r e a
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"I have forgotten you St. Reat. I a
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who was st. reat? who was sorry? wh
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St. Real?
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WARe
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whhhhhhhhhhhhhhhhhhhhhhhhhhhhh whhh
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H air eir
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HE
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WarE
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E
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BE ware
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Be wEar
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e X ^
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Scraptures: 8th Sequence NOW THIS I
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• lady of the assumption mother m
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seven to simple longings as attitud
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the moon given my eyes to the dark
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the hands tingle she has bought me
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madness is language is how you use
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• torn said talking about strawbe
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God is? was? what? poets as receive
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Sing Sing Sing Sing Sing Sing I Arm
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II as if it were happening finally
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"no is" 'e says "without the actual
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the pun ctuation periods of co-long
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all the contra diction's intact thi
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gaff leap & measure sure night auro
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Monotones XLIII sat on the beach &
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sweet sweat embrace of love all tha
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this, a hymn to your praise, no und
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s ain't f "for three days all was t
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s ain't o X s ain't p s ain't q XC
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Scraptures: 17th Sequence the relig
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Monotones LXII chaos rumoured saint
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when everything you thot you had is
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Monotones c walk back over the hill
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St. Anzas II almost i had to begin
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here space affects us most directly
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This Is a Love Poem
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an and and an an a this and that hi
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no false mysteries no explainable b
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passion or pa shun dictum? or dicti
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ap traps he thinks he hears the mes
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sun/day/ease For Wayne & Juli taut
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escapes 7 to 8 awoke & tried to sle
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love is made tracking back a differ
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a life measured out in part you try
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flowery choosery
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Toronto July 8,1966
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SAW faces of grandparents great gra
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Monotones XXVII in these rooms ther
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is gone is a photo held against the
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dawn wad ya say? muse sum eyes eye
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An Interlude in which Saint Rangleh
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SLIP for Steve McCaffery "We've all
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all 11 tears 11 tall ears star ale
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heavin' in HEAVEN AVENUE
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s mother me (& hence that fear) Syb
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intimation/dictation) time ('s decl
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dark girls in summer dresses search
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six months pregnant and the baby di
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are turn
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sun not yet visible over the horizo
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St. Anzas VII he. not He then, or S
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like 3 bibs middle dropped, wrangle
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Monotones XCVIII gesture raise the
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man story in the labyrinth from a d
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the circle of my beginning is he go
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as conjunction, letters, forces, th
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pear AP pie the fruit of our seekin
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"Language all her life is a second
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the sickness of the world that we a
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Monotones LXV as it was a certain i
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trapped inside the lampshade its wi
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sciousness, me! me! I've got the an
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You Too, Nicky I All of us are born
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what the language can achieve, rema
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VII something of that is what famil
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Martyrology: Branded BRAND BRAND BR
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Middle Initial Event: Two (three sy
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always in the middle never know the
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erase the body erase the heresy of
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Ondaatje for the use of his cover p
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numbering of the books changes so t
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Nichol's other publications and dis
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Editor for the Press: Christopher D
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To be continued sometime.
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sain'tx s ain't y INRI s ain't z st
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old mothers who are gone now all mu
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a loses
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strand. at and r and
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STOP step atep step st
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a san-pan
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a banned hand
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IQU.G V usery
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a red can
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Scraptures: Lost Sequence
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Monotones LXXVIII sometimes you jus
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024O3U

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