024O3U

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what the language can achieve, remains a mystery the charm connects you to. it is not so much that images recur but that life repeats itself & the lights of Vancouver say shine even when lines aren't there to be written Only human, only a skill you've managed to achieve. And if the writing is evocative it is only so thru evocation. Which is partly syntax, partly mystery. IV what is smaller than us? what is more futile than our wars and treacheries we are all dying every day walking closer to the grave the sword and the bomb and age accompanies us what are the great themes but those we cannot name properly what are the minor notes but our lives here amidst the flickering oil wells among the fields now emptied from harvest our lives all that really is ours
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"wHAT T i HAVE WRITEN HAS NO PLAN,
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ifts
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iven
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ifts The Martyrology Book(s) 7 & co
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To go beyond THE WORD, exercise con
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for ellie outside these books that
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Middle Initial Event June 12,1988 (
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• July 3rd under the gray stairs
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it all comes down it all comes down
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ellipsis in which a little knowledg
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sometimes you think you see it all
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5 great small lovers move home, red
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St. Anzas I stanzas, stances. st. a
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verse nothing but the cat, a stroph
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XII from fallingbrook the road turn
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Some Nets for Paul Dutton 1 three d
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Scraptures: 1st Sequence t he in in
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the 0 as rew
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WHO IS ALL THINGS
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ndth E
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p:if • so if the poem's line the
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an yw or db ei ng
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Diatribe for Jim Smith 1 poly ticki
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adamizes brings eve down no one lef
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early morning variation di agon al
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Scraptures: 4th Sequence DREAM ( a
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a greed agreed agreed agree AGREE A
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i i i i i i i ! i i i i i i i i i i
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A W A K E a w a k e awake a w a k e
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"St. Reat I was forgotten by you. A
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6forgotten?
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Generations driving 7 north to 15 3
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Scraptures: 2nd Sequence WAR
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p: if • under the knife under the
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WHERE
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air
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airip eir^
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HarE
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WE
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Ware
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BEe war
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weB Ear
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p: if sacrum say toe whole thing en
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St. Anzas VIII he he. stop that, ju
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against the forest fence fence of s
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St. Anzas VI three that end the sam
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Scraptures: 16th Sequence for david
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Monotones L walk in the woods rain
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LII coming to gazing thru the slats
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Talking About Strawberries AH of th
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now let me say this he said it good
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St. Anzas IX the basis then, of bel
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sigh. say cred. "cred." i-ble. bi-b
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Monotones for Andy & Dave Phillips
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Lazarus Dream mist mister mis-ery s
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Scraptures: 2nd Sequence—Alternat
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oui say yes ya si gnossos un wittin
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St. Anzas III so then your voice wh
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stars in the night sky thru the tra
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names lists Captain Samuel Parcher
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Scraptures: 6th Sequence i have a v
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s ain't b s ain't c St.—Saint or
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s ain't j "speech & silence it is a
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MDI 5f^T Toronto July 19 to August
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Scraptures: Last Sequence
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as tho to be without a name were to
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The Hill Songs of Saint Orm 1 all d
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the waste of my words & works, the
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the assumption of the height after
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song for saint ein i look at you th
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Train cows on ice cars on blacktop
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gaps appear you are afraid to name
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ody paranoia: initial fugu shadow o
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text—bp, 1969 music—Howard Gerh
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carry us far ther a way from each o
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Scraptures: 12th Sequence
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de vow erred ("save me!" Erin did m
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just that sequence of letters to fr
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voiced thed e liminated iou luminou
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each other at this place a t (his t
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wandered the streets of downtown Be
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Scraptures: 3rd Sequence
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frowsy bruisery
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Gild
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p: if free dumb [3000 B.C. quote] "
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for Caspar, who i never knew, so fe
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St. Anzas IV more songs than i coul
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XXVIII races yearly stand on the hi
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he followed her hair down the long
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we are ana mated mal grammatical as
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3 despair is an air you sing sorrow
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3 (try to forget / forget / everyth
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Scraptures: 2nd Sequence—Alternat
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ters
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a tear a tear a t are a t ear a t A
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I 30N3A N3I9|
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all these assumptions take the worl
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Considerations for rafael barreto-r
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all these deaths now the ironies th
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Monotones LX moon & ocean the farm
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Scraptures: 10th Sequence
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sometimes i hear music there's noth
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Monotones xcv out of your head the
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irritating when someone does that e
Page 442: frontiers another, the story, least
Page 446: certain myths: we will be happy kno
Page 450: a. Be! b. See?! c.? d e f g h i j k
Page 454: dead & i'm sane LXXIX already it pa
Page 458: St. Anzas V wit the lo rd. to parad
Page 462: of the holy mountain climbed Analog
Page 466: which is asense, an essence like no
Page 470: airing speech fa(so/la/ti/do/re)mi/
Page 474: dumb founding of the being be my to
Page 478: Moth for Robin B laser "grey butter
Page 482: The White Stone Wall 1 that song pl
Page 486: do i like you if i'm not like you?
Page 490: we are forbidden to pass till the f
Page 496: VII something of that is what famil
Page 500: Martyrology: Branded BRAND BRAND BR
Page 504: Middle Initial Event: Two (three sy
Page 508: always in the middle never know the
Page 512: erase the body erase the heresy of
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Page 520: Ondaatje for the use of his cover p
Page 524: numbering of the books changes so t
Page 528: Nichol's other publications and dis
Page 532: Editor for the Press: Christopher D
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To be continued sometime.
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sain'tx s ain't y INRI s ain't z st
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old mothers who are gone now all mu
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a loses
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strand. at and r and
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STOP step atep step st
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a san-pan
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a banned hand
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IQU.G V usery
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a red can
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Scraptures: Lost Sequence
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Monotones LXXVIII sometimes you jus
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