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numbering of the books changes so the base is where the sequence number of<br />

the volume lies. i.e.<br />

(10) 8 (10) 9 (10) 10 (10) n (10) 12 (10) 13 etc.<br />

Thus sequence is negated AND retained. i.e. the processual is acknowledged<br />

but the narrative diminished.<br />

Hence the sub-title for The Martyrology^ eighth book, Book (10)g:<br />

"basis/bases."<br />

The length of some of the St. Anzas would have prevented their being<br />

accommodated to a (conventional) card size—one envisions readers<br />

picking up a deceptively small card that falls open into a long series of<br />

accordion folds—and this is probably one reason why the shuffle text<br />

idea was abandoned. There is a second, more exciting reason. At some<br />

point in the summer of 1988, Nichol discovered a way of pulling in numerous<br />

earlier texts inclined towards individual saints, or towards the<br />

larger sphere of The Martyrology. Several short "saint" pieces, all previously<br />

published in journals or other books, appear in (as) Gifts. More significant,<br />

however, is the inclusion of Scraptures and Monotones—the former<br />

a subtext, the latter a parallel text to The Martyrology. Nichol first<br />

encountered St. Reat in the fourth sequence of Scraptures, and this important<br />

saint haunts other sequences (all included here). He had tried—<br />

repeatedly, stubbornly and futilely—to include Monotones with the earliest<br />

sections of Book 1, and had voiced the opinion in recent years that he<br />

still thought they should somehow be associated more closely with The<br />

Martyrology. (He told me he had even contemplated publishing Monotones<br />

separately, as Book 0 or -1 of The Martyrology.) The contaminated<br />

(dis)ordering of Books 7 and 8 opened a way for these texts to be adopted—or<br />

dispersed—into this larger context. The ordering of the pieces in<br />

Gifts depends neither on chronology, nor on the numerical sequences by<br />

which some of them had been previously arranged, but rather on what<br />

Nichol called "hinged rime." Part of the joy of reading this text is discovering<br />

the play of this riming—in the largest sense of that word—and of<br />

the "schizophrenic logic" (another of Nichol's terms) operating in and<br />

between the discrete pieces.<br />

So Bo(o)ks yielded to Book(s), and The Martyrology, demoted to subtitle,<br />

gave way to Gifts, and the numerical figuration became "Book(s)<br />

7(VI((10)g)I)," a bracketing reminiscent of<br />

every(all at(toge(forever)ther) once)thing<br />

(Book 5, chain 10).<br />

This gathering should not, though, be regarded as the complete or collected<br />

saints—there are, after all, eight other books of The Martyrology,

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