024O3U

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sweet sweat embrace of love all that blood bone & long gone emotion we can only imagine in the act of love of compositioning ourselves embraced human raced in these sheets in mortality in memory i am in love stagger lists the names of the beloved dead we never knew echo in the endless naming the polly-if-any if in which the i lives too Assumptions
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"wHAT T i HAVE WRITEN HAS NO PLAN,
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ifts
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iven
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ifts The Martyrology Book(s) 7 & co
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To go beyond THE WORD, exercise con
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for ellie outside these books that
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Middle Initial Event June 12,1988 (
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• July 3rd under the gray stairs
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it all comes down it all comes down
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ellipsis in which a little knowledg
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sometimes you think you see it all
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5 great small lovers move home, red
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St. Anzas I stanzas, stances. st. a
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verse nothing but the cat, a stroph
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XII from fallingbrook the road turn
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Some Nets for Paul Dutton 1 three d
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Scraptures: 1st Sequence t he in in
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the 0 as rew
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WHO IS ALL THINGS
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ndth E
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p:if • so if the poem's line the
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an yw or db ei ng
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Diatribe for Jim Smith 1 poly ticki
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adamizes brings eve down no one lef
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early morning variation di agon al
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Scraptures: 4th Sequence DREAM ( a
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a greed agreed agreed agree AGREE A
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i i i i i i i ! i i i i i i i i i i
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A W A K E a w a k e awake a w a k e
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"St. Reat I was forgotten by you. A
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6forgotten?
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Generations driving 7 north to 15 3
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Scraptures: 2nd Sequence WAR
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p: if • under the knife under the
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WHERE
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air
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airip eir^
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HarE
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WE
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Ware
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BEe war
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weB Ear
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p: if sacrum say toe whole thing en
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St. Anzas VIII he he. stop that, ju
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against the forest fence fence of s
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St. Anzas VI three that end the sam
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Scraptures: 16th Sequence for david
Page 190: Monotones L walk in the woods rain
Page 194: LII coming to gazing thru the slats
Page 198: Talking About Strawberries AH of th
Page 202: now let me say this he said it good
Page 206: St. Anzas IX the basis then, of bel
Page 210: sigh. say cred. "cred." i-ble. bi-b
Page 214: Monotones for Andy & Dave Phillips
Page 218: Lazarus Dream mist mister mis-ery s
Page 222: Scraptures: 2nd Sequence—Alternat
Page 226: oui say yes ya si gnossos un wittin
Page 230: St. Anzas III so then your voice wh
Page 234: stars in the night sky thru the tra
Page 238: names lists Captain Samuel Parcher
Page 244: this, a hymn to your praise, no und
Page 248: s ain't f "for three days all was t
Page 252: s ain't o X s ain't p s ain't q XC
Page 256: This page intentionally left blank
Page 280: Scraptures: 17th Sequence the relig
Page 284: Monotones LXII chaos rumoured saint
Page 288: when everything you thot you had is
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Monotones c walk back over the hill
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This page intentionally left blank
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St. Anzas II almost i had to begin
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here space affects us most directly
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This Is a Love Poem
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an and and an an a this and that hi
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no false mysteries no explainable b
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passion or pa shun dictum? or dicti
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ap traps he thinks he hears the mes
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sun/day/ease For Wayne & Juli taut
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escapes 7 to 8 awoke & tried to sle
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love is made tracking back a differ
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a life measured out in part you try
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flowery choosery
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Toronto July 8,1966
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SAW faces of grandparents great gra
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Monotones XXVII in these rooms ther
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is gone is a photo held against the
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dawn wad ya say? muse sum eyes eye
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An Interlude in which Saint Rangleh
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SLIP for Steve McCaffery "We've all
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all 11 tears 11 tall ears star ale
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heavin' in HEAVEN AVENUE
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s mother me (& hence that fear) Syb
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intimation/dictation) time ('s decl
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dark girls in summer dresses search
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six months pregnant and the baby di
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are turn
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sun not yet visible over the horizo
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St. Anzas VII he. not He then, or S
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like 3 bibs middle dropped, wrangle
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Monotones XCVIII gesture raise the
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man story in the labyrinth from a d
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the circle of my beginning is he go
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as conjunction, letters, forces, th
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pear AP pie the fruit of our seekin
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"Language all her life is a second
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the sickness of the world that we a
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Monotones LXV as it was a certain i
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trapped inside the lampshade its wi
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sciousness, me! me! I've got the an
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You Too, Nicky I All of us are born
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what the language can achieve, rema
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VII something of that is what famil
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Martyrology: Branded BRAND BRAND BR
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Middle Initial Event: Two (three sy
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always in the middle never know the
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erase the body erase the heresy of
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Ondaatje for the use of his cover p
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numbering of the books changes so t
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Nichol's other publications and dis
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Editor for the Press: Christopher D
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To be continued sometime.
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sain'tx s ain't y INRI s ain't z st
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old mothers who are gone now all mu
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a loses
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strand. at and r and
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STOP step atep step st
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a san-pan
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a banned hand
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IQU.G V usery
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a red can
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Scraptures: Lost Sequence
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Monotones LXXVIII sometimes you jus
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024O3U

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