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eautiful tech<br />
Fashion Tech<br />
with Maartje Dijkstra and Miranda Davis<br />
Maartje Dijkstra is a fashion designer based in<br />
Rotterdam, Netherlands. Miranda Davis is a creative<br />
producer based in London. After the demonstration<br />
of their unique designs at Interlaced 2015, we<br />
wanted to know more about them. Focus.<br />
Maartje Dijkstra<br />
“I started my fashion label in 2007, creating<br />
high fashion collections, accessories, illustrations<br />
and fashion technology outfits. My designs<br />
are spherical, manual made, sculptural and<br />
progressive, designed with the future in mind.<br />
For me, fashion is about telling a personal story,<br />
using a living being with personality as a tool to<br />
show what can be done in fashion now and in<br />
the future. What I also like about fashion tech,<br />
is working with great artists; so I do a lot of<br />
cooperation with music producers, programmers<br />
and performance artists.<br />
My biggest inspiration comes from electronic<br />
music like Jungle, Hard-core, Ambient and<br />
Techno, all with an old school, melancholic and<br />
mysterious atmosphere. Also the extreme and<br />
beautiful complexity of nature, imagination and<br />
live experiences are a big source of inspiration to<br />
create.<br />
The most important thing about my fashion tech<br />
pieces is the combination between personal<br />
craftsmanship and technology. For the first time<br />
I'm creating a pret-a-porter collection named<br />
Chitin Noise. This collection is totally created out<br />
of silk/polyester wires and patterns that I literally<br />
have illustrated, with a 3D printer and a flexible<br />
material, a graphical, open, organic and strong<br />
structure. The pieces have the same thickness as<br />
leather, but the look is more like lace.<br />
I designed and create a fashion tech prototype<br />
named Hard Core Vein 2.0 last year (3D printed,<br />
transparent veins) in cooperation with the music<br />
producer Newk. This piece needs another<br />
prototype with the goal of creating a perfect piece.<br />
We need more resources, because it is a very<br />
progressive piece and we still have issues with the<br />
3D printing. Two more exiting fashion tech pieces<br />
in combination with music are coming up, and the<br />
production of the pret-a-porter and new jewellery<br />
collection are a big focus point at this moment.<br />
What’s the future? For me it would be amazing to<br />
be part of London fashion week, to show my new<br />
and existing pret-a-porter collection to a bigger<br />
crowd, and show what is possible with fabrics,<br />
created with new technology”.<br />
Miranda Davis<br />
“As a creative producer, I help people to stand-out<br />
and imagine ways in which we can take a story<br />
further, to really touch people, to connect people.<br />
I have a burgeoning fashion tech startup, with<br />
huge ideas for the innovations in next generation<br />
potential, responsive garments, conscious<br />
collaborative fashion and connected environments.<br />
I work in a fluid practice, with all sorts of<br />
companies: Oracle, Volvo, Netil 360, Secret<br />
Garden Party, Quintessentially Events, Wilderness,<br />
TEDx London, and Barclays to name a few.<br />
For my project, #theDress, in collaboration with<br />
House of Fraser, I was the lead creative – on<br />
the idea and vision and the project producer. I<br />
was given the space to suggest a way to make<br />
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