PLAYING AND REALITY
FF_EJ_Major_RZ
FF_EJ_Major_RZ
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vement of the film, it makes us as viewers slow down and take note. Suddenly details and recurrent motifs that would have<br />
been background information in moving image become visual statements and gain greater significance.<br />
For love is… Major introduced even more risk in her working process, as she handed it over to an anonymous public. Would<br />
anyone respond to her freepost postcard? Would their replies be interesting or banal? Could she trust others? Over 7000<br />
postcards were hand delivered to people’s letterboxes across London and the West Midlands over two years. 451 were<br />
returned. The resulting project love is… proves to be testimony to the kindness and openness of some strangers and the<br />
open hostility provoked in others, with statements such as “seems like a self-centred ego trip”, “give up” or “you need to<br />
get a life mate”. It is interesting that even those annoyed by the request still felt compelled to participate and have become<br />
part of the project.<br />
In the work Major had set out realistic parameters. The participants could remain anonymous, though some chose not to,<br />
and many felt able to be candid and respond in the moment, perhaps caught off guard by the request. Coming together as<br />
a body of work it speaks of so much. Some responses to the question love is…<br />
8<br />
Carrying on without them<br />
Infinite<br />
The whole point<br />
Bloody hard to find – got a map?<br />
An evolutionary oddity<br />
Everything<br />
A bit of a bastard<br />
9<br />
Part of the impact of the work, lost here but present in reproductions of it, is that the words are handwritten, and in many<br />
cases hand drawn, including personal annotations and illustrations. Letters and postcards are becoming antiquated anachronisms<br />
in our current culture. The British postal service delivers significantly fewer letters since email was developed.<br />
Today they mainly deliver parcels for internet shopping. Something significant may have been lost here when we consider<br />
how often we mediate our social memories and histories through first hand written accounts. Will those be replaced by<br />
blogs and Facebook pages in future? How will that alter what is said? We reveal much more visually today in our digital<br />
age but seem to say so much less in terms of communication.<br />
The stills taken from the film Last Tango in Paris were the images shown on the front of each postcard. A film about love