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PLAYING AND REALITY

FF_EJ_Major_RZ

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vement of the film, it makes us as viewers slow down and take note. Suddenly details and recurrent motifs that would have<br />

been background information in moving image become visual statements and gain greater significance.<br />

For love is… Major introduced even more risk in her working process, as she handed it over to an anonymous public. Would<br />

anyone respond to her freepost postcard? Would their replies be interesting or banal? Could she trust others? Over 7000<br />

postcards were hand delivered to people’s letterboxes across London and the West Midlands over two years. 451 were<br />

returned. The resulting project love is… proves to be testimony to the kindness and openness of some strangers and the<br />

open hostility provoked in others, with statements such as “seems like a self-centred ego trip”, “give up” or “you need to<br />

get a life mate”. It is interesting that even those annoyed by the request still felt compelled to participate and have become<br />

part of the project.<br />

In the work Major had set out realistic parameters. The participants could remain anonymous, though some chose not to,<br />

and many felt able to be candid and respond in the moment, perhaps caught off guard by the request. Coming together as<br />

a body of work it speaks of so much. Some responses to the question love is…<br />

8<br />

Carrying on without them<br />

Infinite<br />

The whole point<br />

Bloody hard to find – got a map?<br />

An evolutionary oddity<br />

Everything<br />

A bit of a bastard<br />

9<br />

Part of the impact of the work, lost here but present in reproductions of it, is that the words are handwritten, and in many<br />

cases hand drawn, including personal annotations and illustrations. Letters and postcards are becoming antiquated anachronisms<br />

in our current culture. The British postal service delivers significantly fewer letters since email was developed.<br />

Today they mainly deliver parcels for internet shopping. Something significant may have been lost here when we consider<br />

how often we mediate our social memories and histories through first hand written accounts. Will those be replaced by<br />

blogs and Facebook pages in future? How will that alter what is said? We reveal much more visually today in our digital<br />

age but seem to say so much less in terms of communication.<br />

The stills taken from the film Last Tango in Paris were the images shown on the front of each postcard. A film about love

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