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“A charming two-screen jewel box.” –A. O. Scott, ELINOR BUNIN MUNROE FILM CENTER CELEBRATES 5 YEARS! Providing audiences with the greatest cinema from the U.S. and around the world. ELINOR BUNIN MUNROE FILM CENTER 144 WEST 65TH STREET FRANCESCA BEALE THEATER . HOWARD GILMAN THEATER . AMPHITHEATER Arjeta Palovic OFFICIAL PREMIUM MEDIA HOSPITALITY ADDITIONAL SUPPORT JUNE 15-19, 2016 Proud To Honor 2016’s Luminaries Kelly Rohrbach Wyatt Russell Rising Star Award Rising Star Award LEAD SPONSOR Michael B. Jordan Rainmaker Award Viola Davis Bryan Cranston Navigator Award Navigator Award SIGNATURE SPONSORS MAJOR SPONSORS
CRIME DOESN’T PAY Ellen Barkin channels her sociopathic side in film-to-TV adaptation ‘Animal Kingdom’ p.144 WELL-DOCUMENTED START Sheila Nevins landed the Maysles for her big break p.146 FILM REVIEW BY OWEN GLEIBERMAN Finding Dory Directors: Andrew Stanton, Angus MacLane Voices: Ellen DeGeneres, Albert Brooks, Ed O’Neill, Kaitlin Olson Dory,” the ingeniously pleasing sequel to “Finding “Finding Nemo,” opens with a scene that merges our affection for a beloved character with a bit of a jolt. We see Dory, the friendly blue tang fish from the first film, back when she was a big-eyed toddler with a babyish gurgle, getting trained by her parents, Charlie (Eugene Levy) and Jenny (Diane Keaton), to tell a stranger (any stranger), “I suffer from short-term memory loss.” The thing is, poor Dory really does; she can’t even remember the phrase! It’s no wonder her parents are aghast with anxiety. In a flash, a character with a singular and beguilingly funny trait — the inability to remember almost anything for more than 10 seconds — comes at us in a whole new way. She’s no longer a daffy amnesiac. She’s a child fish with a serious disability. Have the creators of “Finding Dory” gone all politically soft and sensitive on us in response, perhaps, to the memorychallenged community? Hardly. They’ve done something better: devised a way to take an already perfect character and deepen her in an exquisite way. Dory soon drifts away from her parents, and not just because she doesn’t know how to get back to them. She can’t even remember she has parents. As surely as the death of Bambi’s mother, this primal set-up rips a small emotional hole in the audience, one that we’re desperate to see filled. “Finding Dory” then leaps forward to one year after the first film, when Dory is an innocent grown-up with no idea of what she’s looking for. To figure that out, she must learn to stop forgetting. → TOP BILLING EXPOSURE CONTENDERS FOCUS ARTISANS REVIEWS JUNE 14, 2016 VARIETY.COM Illustration by DANIEL SHAFFER 141
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