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MUNICH INT’L FILM FESTIVAL<br />

Summer Treat for<br />

German Film Lovers<br />

Festival offers international fare plus<br />

top local cinema and best of television<br />

By ED MEZA<br />

The Munich Film Festival kicks off June 23 with some<br />

180 feature films, documentaries and TV movies,<br />

including Maren Ade’s Cannes competition title<br />

“Toni Erdmann,” which opens this year’s event. Germany’s<br />

second-biggest film fest offers an ideal summer platform<br />

for world cinema, cutting-edge German films, and new discoveries<br />

while also showcasing young talents. “We have a<br />

fantastic line-up with well-known directors, but also discoveries<br />

from countries like Vanuatu or Nepal, which are<br />

in our program for the first time,” says festival director<br />

Diana Iljine. Matt Ross’ “Captain Fantastic” closes the event.<br />

SCREENINGS<br />

The Spotlight sidebar is<br />

known for presenting lavish<br />

productions, big-name filmmakers,<br />

and major stars.<br />

This year is no different.<br />

The lineup includes: Paul<br />

Schrader’s “Dog Eat Dog,”<br />

starring Nicolas Cage and<br />

Willem Dafoe; Jason Batemen’s<br />

“The Family Fang,”<br />

with Nicole Kidman and<br />

Christopher Walken; Werner<br />

Herzog’s documentary<br />

“Lo and Behold, Reveries of<br />

the Connected World”; and<br />

Andy Goddard’s “A Kind of<br />

Murder,” starring Patrick<br />

Wilson, Jessica Biel, and<br />

Haley Bennett.<br />

It’s a particularly good<br />

year for German cinema,<br />

Iljine says. “The New German<br />

Cinema section shows<br />

the most innovative and<br />

original world premieres<br />

from Germany.” Highlights<br />

include films by Aron Lehman,<br />

Klaus Lemke, Dani<br />

Levy, Sven Taddicken, a special<br />

selection of never-before-seen<br />

short films by<br />

“Der Nachtmahr” director<br />

Akiz.<br />

This year’s Independents<br />

lineup offers a strong<br />

selection of works from<br />

U.S. filmmakers, including<br />

Brady Corbet’s critically<br />

acclaimed “The Childhood<br />

of a Leader”; Chad Hartigan’s<br />

“Morris From America,”<br />

about a 13-year-old<br />

African-American boy living<br />

in Heidelberg and trying<br />

to fit in; Kerem Sanga’s<br />

teen romance “First Girl I<br />

Loved”; and Maggie Greenwald’s<br />

World War II-set love<br />

story “Sophie and the Rising<br />

Sun.”<br />

Munich’s Kinderfilmfest<br />

sidebar unspools 10<br />

feature films, six shorts<br />

and a special screening<br />

of a 360-degree film: “The<br />

Secrets of Gravity — In the<br />

Footsteps of Albert Einstein.”<br />

Dominik Wessely’s<br />

“Nelly’s Adventure,” about a<br />

13-year-old girl who is kidnapped<br />

in Romania but res-<br />

Overview<br />

The Media Program<br />

has proven essential to<br />

continental filmmakers<br />

1983<br />

Year established<br />

80k<br />

Tickets sold<br />

2.5k<br />

Attendance by industry<br />

professionals<br />

Tipsheet<br />

What: Munich Film Festival<br />

When: June 23-July 2<br />

Where: Munich, Germany<br />

web: filmfest-muenchen.de<br />

cued by two friendly siblings,<br />

opens the section.<br />

Other films include Rafig<br />

Aliyev and Cavid Tevekkul’s<br />

Azerbaijani title “The Lesson,”<br />

about an overweight<br />

boy who can’t play football<br />

but who writes beautiful<br />

poetry, and Mamoru<br />

Hosoda’s Japanese animated<br />

pic “The Boy and the<br />

Beast.” In addition, German<br />

director Andreas Dresen,<br />

who is remaking German<br />

children’s classic “Timm<br />

Thaler,” will host a filmmaking<br />

workshop for kids.<br />

LOCATION<br />

Munich is one of Germany’s<br />

main film hubs. It<br />

is home to HFF Munich,<br />

one of the country’s premier<br />

film schools, media<br />

heavyweight Bavaria Film<br />

and its vast studio complex,<br />

camera and production<br />

equipment giant Arri,<br />

and countless production,<br />

post-production, and vfx<br />

companies, not to mention<br />

regional funder FFF Bayern,<br />

which has an annual budget<br />

of €31 million [$36 million]<br />

and a special incentive<br />

for international co-productions.<br />

Canadian writer-director<br />

Mark Palansky’s “The<br />

Jester,” a thriller based on<br />

“Hop-Frog” by Edgar Allan<br />

Poe and starring Peter<br />

Cannes Transfer in Spotlight<br />

Paul Schrader’s “Dog Eat Dog,”<br />

starring Nicolas Cage, screens in<br />

Munich’s sidebar devoted to<br />

big-name filmmakers.<br />

Dinklage, is being backed by<br />

FFF Bayern to the tune of<br />

$1.7 million.<br />

About a third of Germany’s<br />

film industry is<br />

based in Munich, making<br />

the fest an ideal meet and<br />

greet for local and international<br />

filmmakers and<br />

industry insiders. The European<br />

Commission’s Creative<br />

Europe Desk is organizing<br />

a panel on comedy in<br />

film, while Arri is hosting a<br />

workshop on its latest gear.<br />

NEW GERMAN TV MOVIES<br />

Munich is a major TV production<br />

hub, so it’s no surprise<br />

that the fest offers a<br />

showcase of upcoming German<br />

TV movies, many of<br />

them from public broadcaster<br />

ARD and its regional<br />

affiliates. This year’s 20<br />

TV pics range from tales<br />

of political scandal to psychotherapy<br />

and sportsshoe<br />

empires. “Rivals Forever<br />

— The Sneaker Battle”<br />

tells the story of brothers<br />

Adolf and Rudolf Dassler,<br />

the feuding founders of<br />

Adidas and Puma. In “The<br />

Fourth Estate,” a journalist<br />

[Benno Fürmann] exposes a<br />

government scandal, while<br />

“Dead Man Working” offers<br />

a scathing look at the banking<br />

industry.<br />

CINEMERIT AWARD<br />

The fest is paying tribute<br />

to actress Ellen Burstyn<br />

this year with its Cine-<br />

Merit Award. In addition<br />

to the premiere of Todd<br />

Solondz’s “Wiener-Dog,” in<br />

which she stars, Munich is<br />

screening a selection of her<br />

works, including “The Last<br />

Picture Show,” “The Exorcist<br />

— Director’s Cut,” and<br />

“Alice Doesn’t Live Here<br />

Anymore.”<br />

Munich is honoring<br />

Kurdish filmmaker Bahman<br />

Ghobadi and German<br />

helmer Christian Petzold.<br />

As part of the Retrospective,<br />

the fest will screen all<br />

of Ghobadi’s works, including<br />

his latest films, “A Flag<br />

Without a Country,” which<br />

examines the current plight<br />

of the Kurdish people, and<br />

“Life on the Border,” a documentary<br />

directed by refugee<br />

children and that the<br />

filmmaker produced. The<br />

event will also present all<br />

of Petzold’s works as well,<br />

including his recent festival<br />

circuit hits “Barbara” and<br />

“Phoenix.”<br />

JUNE 14, 2016 VARIETY.COM<br />

93

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