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MUNICH INT’L FILM FESTIVAL<br />
Summer Treat for<br />
German Film Lovers<br />
Festival offers international fare plus<br />
top local cinema and best of television<br />
By ED MEZA<br />
The Munich Film Festival kicks off June 23 with some<br />
180 feature films, documentaries and TV movies,<br />
including Maren Ade’s Cannes competition title<br />
“Toni Erdmann,” which opens this year’s event. Germany’s<br />
second-biggest film fest offers an ideal summer platform<br />
for world cinema, cutting-edge German films, and new discoveries<br />
while also showcasing young talents. “We have a<br />
fantastic line-up with well-known directors, but also discoveries<br />
from countries like Vanuatu or Nepal, which are<br />
in our program for the first time,” says festival director<br />
Diana Iljine. Matt Ross’ “Captain Fantastic” closes the event.<br />
SCREENINGS<br />
The Spotlight sidebar is<br />
known for presenting lavish<br />
productions, big-name filmmakers,<br />
and major stars.<br />
This year is no different.<br />
The lineup includes: Paul<br />
Schrader’s “Dog Eat Dog,”<br />
starring Nicolas Cage and<br />
Willem Dafoe; Jason Batemen’s<br />
“The Family Fang,”<br />
with Nicole Kidman and<br />
Christopher Walken; Werner<br />
Herzog’s documentary<br />
“Lo and Behold, Reveries of<br />
the Connected World”; and<br />
Andy Goddard’s “A Kind of<br />
Murder,” starring Patrick<br />
Wilson, Jessica Biel, and<br />
Haley Bennett.<br />
It’s a particularly good<br />
year for German cinema,<br />
Iljine says. “The New German<br />
Cinema section shows<br />
the most innovative and<br />
original world premieres<br />
from Germany.” Highlights<br />
include films by Aron Lehman,<br />
Klaus Lemke, Dani<br />
Levy, Sven Taddicken, a special<br />
selection of never-before-seen<br />
short films by<br />
“Der Nachtmahr” director<br />
Akiz.<br />
This year’s Independents<br />
lineup offers a strong<br />
selection of works from<br />
U.S. filmmakers, including<br />
Brady Corbet’s critically<br />
acclaimed “The Childhood<br />
of a Leader”; Chad Hartigan’s<br />
“Morris From America,”<br />
about a 13-year-old<br />
African-American boy living<br />
in Heidelberg and trying<br />
to fit in; Kerem Sanga’s<br />
teen romance “First Girl I<br />
Loved”; and Maggie Greenwald’s<br />
World War II-set love<br />
story “Sophie and the Rising<br />
Sun.”<br />
Munich’s Kinderfilmfest<br />
sidebar unspools 10<br />
feature films, six shorts<br />
and a special screening<br />
of a 360-degree film: “The<br />
Secrets of Gravity — In the<br />
Footsteps of Albert Einstein.”<br />
Dominik Wessely’s<br />
“Nelly’s Adventure,” about a<br />
13-year-old girl who is kidnapped<br />
in Romania but res-<br />
Overview<br />
The Media Program<br />
has proven essential to<br />
continental filmmakers<br />
1983<br />
Year established<br />
80k<br />
Tickets sold<br />
2.5k<br />
Attendance by industry<br />
professionals<br />
Tipsheet<br />
What: Munich Film Festival<br />
When: June 23-July 2<br />
Where: Munich, Germany<br />
web: filmfest-muenchen.de<br />
cued by two friendly siblings,<br />
opens the section.<br />
Other films include Rafig<br />
Aliyev and Cavid Tevekkul’s<br />
Azerbaijani title “The Lesson,”<br />
about an overweight<br />
boy who can’t play football<br />
but who writes beautiful<br />
poetry, and Mamoru<br />
Hosoda’s Japanese animated<br />
pic “The Boy and the<br />
Beast.” In addition, German<br />
director Andreas Dresen,<br />
who is remaking German<br />
children’s classic “Timm<br />
Thaler,” will host a filmmaking<br />
workshop for kids.<br />
LOCATION<br />
Munich is one of Germany’s<br />
main film hubs. It<br />
is home to HFF Munich,<br />
one of the country’s premier<br />
film schools, media<br />
heavyweight Bavaria Film<br />
and its vast studio complex,<br />
camera and production<br />
equipment giant Arri,<br />
and countless production,<br />
post-production, and vfx<br />
companies, not to mention<br />
regional funder FFF Bayern,<br />
which has an annual budget<br />
of €31 million [$36 million]<br />
and a special incentive<br />
for international co-productions.<br />
Canadian writer-director<br />
Mark Palansky’s “The<br />
Jester,” a thriller based on<br />
“Hop-Frog” by Edgar Allan<br />
Poe and starring Peter<br />
Cannes Transfer in Spotlight<br />
Paul Schrader’s “Dog Eat Dog,”<br />
starring Nicolas Cage, screens in<br />
Munich’s sidebar devoted to<br />
big-name filmmakers.<br />
Dinklage, is being backed by<br />
FFF Bayern to the tune of<br />
$1.7 million.<br />
About a third of Germany’s<br />
film industry is<br />
based in Munich, making<br />
the fest an ideal meet and<br />
greet for local and international<br />
filmmakers and<br />
industry insiders. The European<br />
Commission’s Creative<br />
Europe Desk is organizing<br />
a panel on comedy in<br />
film, while Arri is hosting a<br />
workshop on its latest gear.<br />
NEW GERMAN TV MOVIES<br />
Munich is a major TV production<br />
hub, so it’s no surprise<br />
that the fest offers a<br />
showcase of upcoming German<br />
TV movies, many of<br />
them from public broadcaster<br />
ARD and its regional<br />
affiliates. This year’s 20<br />
TV pics range from tales<br />
of political scandal to psychotherapy<br />
and sportsshoe<br />
empires. “Rivals Forever<br />
— The Sneaker Battle”<br />
tells the story of brothers<br />
Adolf and Rudolf Dassler,<br />
the feuding founders of<br />
Adidas and Puma. In “The<br />
Fourth Estate,” a journalist<br />
[Benno Fürmann] exposes a<br />
government scandal, while<br />
“Dead Man Working” offers<br />
a scathing look at the banking<br />
industry.<br />
CINEMERIT AWARD<br />
The fest is paying tribute<br />
to actress Ellen Burstyn<br />
this year with its Cine-<br />
Merit Award. In addition<br />
to the premiere of Todd<br />
Solondz’s “Wiener-Dog,” in<br />
which she stars, Munich is<br />
screening a selection of her<br />
works, including “The Last<br />
Picture Show,” “The Exorcist<br />
— Director’s Cut,” and<br />
“Alice Doesn’t Live Here<br />
Anymore.”<br />
Munich is honoring<br />
Kurdish filmmaker Bahman<br />
Ghobadi and German<br />
helmer Christian Petzold.<br />
As part of the Retrospective,<br />
the fest will screen all<br />
of Ghobadi’s works, including<br />
his latest films, “A Flag<br />
Without a Country,” which<br />
examines the current plight<br />
of the Kurdish people, and<br />
“Life on the Border,” a documentary<br />
directed by refugee<br />
children and that the<br />
filmmaker produced. The<br />
event will also present all<br />
of Petzold’s works as well,<br />
including his recent festival<br />
circuit hits “Barbara” and<br />
“Phoenix.”<br />
JUNE 14, 2016 VARIETY.COM<br />
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