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alone channel. That’s a breakthrough<br />

that amounts to Time Warner leading the<br />

charge in offering consumers à la carte<br />

cable. (Showtime and Starz followed HBO’s<br />

lead within months.)<br />

Bewkes and HBO chairman/CEO Richard<br />

Plepler have told Wall Street that HBO Now<br />

will be transformative. With just under<br />

1 million subscribers to date, the streaming<br />

service’s growth trajectory is on target,<br />

Bewkes says (although he would not confirm<br />

that number). “It’s doing pretty much<br />

exactly what we wanted. It’s delivering the<br />

right sub numbers, the right viewing, and<br />

the right retention numbers.”<br />

HBO Now is also a cudgel that Time<br />

Warner is holding over the head of Big<br />

Cable to get operators to work harder to<br />

sell HBO to their subscriber bases. The premium<br />

network’s wholesale model incentivizes<br />

operators to sell subscriptions, giving<br />

them a slice of the monthly fee paid by<br />

every new subscriber.<br />

But Time Warner is convinced that HBO<br />

has room to grow in homes with traditional<br />

cable service if only operators are<br />

more aggressive in marketing the service.<br />

Time Warner Cable, HBO’s former corporate<br />

sibling, is seen as the biggest offender.<br />

Bewkes points to the fact that HBO’s penetration<br />

within Comcast’s cable footprint<br />

is nearly twice as high as in TW Cable’s.<br />

(There’s hope that will improve now that<br />

Charter has swallowed up TW Cable.)<br />

So Bewkes has a message for cable<br />

operators: “Last call.” As HBO ramps up its<br />

consumer marketing for HBO Now, cable<br />

operators have a final chance to step up<br />

the marketing of traditional HBO or partner<br />

on selling HBO Now — or stand back<br />

and watch the premium network sign up<br />

new subscribers in which MVPDs get no cut<br />

of the monthly $15 check.<br />

“For the operator who has been sitting<br />

on his hands, we’re saying, ‘You’ve got two<br />

choices here: Either a house gets HBO Now,<br />

or gets it from you. If you don’t do it, we’re<br />

doing it.’” he says.<br />

Bewkes believes the leverage is working.<br />

In the 18 months since HBO Now was<br />

3,000<br />

2,500<br />

2,000<br />

1,500<br />

1,000<br />

500<br />

0<br />

CHASING DISNEY<br />

Adjusted EBITDA by studio (in millions)<br />

unveiled, the channel overall has added<br />

2.7 million subscribers, its biggest growth<br />

spurt in 30 years. And more of them came<br />

from traditional cable than from Now.<br />

The HBO Now experience has reinforced<br />

Bewkes’ view that Time Warner’s focus on<br />

content production and distribution —<br />

particularly TV content — is the right one.<br />

“There has never been more interest or<br />

vibrancy in television and the relationship<br />

that audiences have to it,” Bewkes says. “It<br />

really is the Golden Age.”<br />

The exec is equally certain that now is<br />

not the time to court a deal with a Facebook<br />

or an Apple or a Verizon. Time Warner<br />

went the online-partner route once<br />

before, and it played like a disaster movie.<br />

STANDING IN AN EMPTY ROW of seats at the<br />

Theater at Madison Square Garden after<br />

Turner’s nearly two-hour upfront presentation<br />

on May 18, Bewkes is gamely talking<br />

shop with a reporter. As workers sweep up<br />

confetti, strike the stage, and pack up heavy<br />

equipment all around him, Time Warner’s<br />

titan sticks around to articulate the central<br />

challenge that media giants face in this<br />

fraught moment of change.<br />

TV programming is more plentiful, more<br />

beloved, and more “at your service” on<br />

multiple platforms, as he puts it, than ever<br />

before. That’s good news for Time Warner,<br />

because demand is only going up. But the<br />

economic fundamentals of how all that<br />

programming is paid for are very much<br />

in flux, leading to nervousness in the executive<br />

suites and bearishness on Wall Street.<br />

In Bewkes’ view, all of this quaking and<br />

shaking will sort itself out. “Great content,”<br />

he says with characteristically patrician<br />

delivery, “will carry the day.”<br />

But as seismic changes whirl around<br />

him, Bewkes will face plenty of challenges<br />

in his steering of the Time Warner ship. It<br />

begs the question about a Plan B. Is he biding<br />

his time until the right offer comes in?<br />

Is he hoping to outmaneuver his rivals? Is<br />

he in denial? For now, it’s a cliffhanger<br />

worthy of “Game of Thrones.”<br />

2013 2014 2015 2016 (estimated) 2017 (estimated)<br />

DISNEY WARNER BROS. 20TH CENTURY FOX LIONSGATE PARAMOUNT<br />

SOURCE: COMPANY REPORTS, RBC CAPITAL MARKETS ESTIMATES<br />

TW STATUS REPORT<br />

Time Warner chairman/CEO Jeff Bewkes has been<br />

crystal-clear about his priorities: Embrace new forms<br />

of distribution, double down on content production,<br />

and expand internationally. He also places a focus on<br />

finding operating efficiencies — aka cost-cutting —<br />

and on collaboration among HBO, Turner, and Warner<br />

Bros. “The company is operating together better than<br />

it did five years ago,” says a Time Warner alum. Here’s<br />

a look at TW’s core divisions. —Cynthia Littleton<br />

HBO<br />

The Good<br />

• HBO is poised for renegotiations of MVPD affiliation<br />

deals that could add momentum to its subscriber<br />

growth. It’s also targetting broadband-only homes<br />

with HBO Now.<br />

• It’s adding dimension with new shows from<br />

Jon Stewart, Bill Simmons, and Vice Media. A deal<br />

for “Sesame Street” aims to keeps HBO relevant<br />

with families.<br />

• It has the goods over its premium rivals, including<br />

Netflix, when it comes to movies, with output deals<br />

with Warner Bros., Fox, Universal, and Summit.<br />

• It’s pursuing a mix of OTT, linear, and licensing<br />

options to grow its international footprint.<br />

The Bad<br />

• HBO faces fierce competition for talent and market<br />

share from a wider array of rivals than ever before.<br />

• Mergers among distributors, including Charter-Time<br />

Warner Cable and AT&T-DirecTV, could mean more<br />

expensive carriage terms.<br />

• With the end of “Game of Thrones” in sight, the<br />

network is thin on buzzy scripted hits.<br />

TURNER<br />

The Good<br />

• TW has doubled the budgets for original programming<br />

at TBS and TNT.<br />

• TW says Turner will deliver double-digit affiliate fee<br />

growth in the next few years, thanks to increases<br />

baked into existing contracts.<br />

• Bleacher Report has blossomed into the No. 2 digital<br />

sports site, behind ESPN, since its 2012 acquisition<br />

by Turner.<br />

• The digital and mobile operations of CNN Digital are<br />

growing at a fast clip, outpacing U.S. news rivals.<br />

The Bad<br />

• Cord-cutting will exact a toll.<br />

• TBS and TNT lean on pricey sports rights — for the<br />

NBA, Major League Baseball postseason, and NCAA<br />

tournament — to drive affiliate rate increases.<br />

• TBS has been reliant on “The Big Bang Theory”<br />

reruns to keep it the No. 1 cabler in adults 18-49. In<br />

syndication since 2011, the show will undoubtedly<br />

cool off.<br />

WARNER BROS. ENTERTAINMENT<br />

The Good<br />

• Warner is seeding international growth prospects<br />

with recent investments in China and Europe.<br />

• The success of NBC’s “Little Big Shots” shows the<br />

worth of WB’s investment in unscripted production.<br />

• The video-game unit continues to be strong.<br />

• Bewkes predicts that the window between theatrical<br />

release and in-home VOD options will continue to<br />

shrink. These film exhibition shifts benefit studios.<br />

• A free agent, Warner Bros. TV has an edge over its<br />

vertically integrated studio rivals.<br />

The Bad<br />

• Warner Bros. TV is facing more pressure to hand<br />

over rights and profit stakes to network partners as<br />

a condition of getting shows on the air.<br />

• Content licensing is booming, but syndication is<br />

dropping as platforms diversify.<br />

• Warner Bros. has had a prolonged bad run at the<br />

box office and is tweaking its plans for the release<br />

of 10 DC Comics-inspired titles after the poor critical<br />

response to “Batman v Superman: Dawn of<br />

Justice.”<br />

JUNE 14, 2016 VARIETY.COM<br />

51

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