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ART FILM FEST<br />

Reclusive Roden<br />

Steps Out for Laurels<br />

JUNE 14, 2016 VARIETY.COM<br />

94<br />

New Fest Setting One<br />

Tokaj Over the Lıne<br />

Shift from spa town to Slovakian city venue<br />

brings world cinema to young film fans<br />

By WILL TIZARD<br />

Slovakia’s Art Film<br />

Fest, with a 23-year<br />

history as a flagship<br />

of the post-Velvet Revolution<br />

cultural world, is in an<br />

expansive mood these days.<br />

It’s settling comfortably<br />

into the quickly transforming<br />

city of Kosice, a former<br />

industrial center near the<br />

fragrant Tokaj vineyards<br />

that border Hungary, where<br />

it will unspool June 17-25.<br />

Operating since 1993, the<br />

year of Slovakia’s split from<br />

Czechoslovakia, the fest<br />

built its rep for rebellious<br />

programming in its previous<br />

home, Trencianske Teplice,<br />

a more placid setting<br />

in the mountainous western<br />

end of the White Carpathains<br />

range. But the festival<br />

has packed up for the<br />

southeast, banking on a<br />

number of newly kitted-out<br />

screening spaces and a<br />

crowd of thousands of university<br />

students who will<br />

ensure Art Film maintains<br />

its youthful spirit.<br />

As the event’s new general<br />

manger Rudolf Biermann<br />

puts it, the “wonderful<br />

venues” of Kosice,<br />

which have concentrated<br />

Tipsheet<br />

What: Art Film Fest<br />

When: June 17-25<br />

Where: Kosice, Slovakia<br />

web: artfilmfest.sk<br />

Domestic Drama<br />

Cannes entry “Sieranevada,” from<br />

Romanian director Cristi Puiu, is<br />

among the films on tap at the Art<br />

Film Fest.<br />

the attractions into a hub<br />

of converted factory spaces,<br />

multi-use bars, cinemas<br />

and art venues, fit perfectly<br />

into its new focus. “A festival<br />

should be fun, accessible<br />

and people should have<br />

freedom of movement.”<br />

The fest’s founding role<br />

was to keep Slovak film<br />

alive during the challenging<br />

years of the transition<br />

to liberal democracy when<br />

Slovakia witnessed the closure<br />

of Koliba Film Studios,<br />

which had formed the<br />

heart of production.<br />

Now, after expanding<br />

more than 25-fold in attendance,<br />

having hosted everyone<br />

from Peter Greenaway<br />

for its first edition to<br />

Roman Polanski, Isabelle<br />

Huppert and Emir Kusturica<br />

in later years, Art Film is<br />

focused on honoring exceptional<br />

performances via its<br />

Actor’s Mission award and<br />

outstanding professionalism<br />

for filmmakers of any<br />

age with its Golden Camera<br />

honor.<br />

Meanwhile, Art Film programmers<br />

have scheduled<br />

a survey of global indie<br />

cinema.<br />

Among its new additions,<br />

the Be2Can Starter<br />

section will screen picks<br />

from the Berlin, Venice<br />

and Cannes fests while<br />

the Variety Art Film Choice<br />

is programmed by critics<br />

with a background in European<br />

cinema.<br />

There’s no shortage of star<br />

wattage at fests in Central<br />

and Eastern Europe<br />

these days, with Hollywood<br />

A-listers flown in regularly<br />

to increasingly rustic locations.<br />

But Art Film Fest<br />

prefers to focus on actors’<br />

actors, as it has since<br />

launching the Actor’s Mission<br />

honor in 1995.<br />

This year’s honoree,<br />

Czech film and stage veteran<br />

Karel Roden, is a<br />

Czech Lion-winning performer<br />

at Prague’s National<br />

Theater who has also<br />

branched out in to international<br />

thrillers including<br />

Robert De Niro starrer<br />

“15 Minutes” in 2001. His<br />

recent role as the raging<br />

Czechoslovak avant-garde<br />

photographer Jan Saudek<br />

in “The Photograph” is particularly<br />

apt for the Kosice<br />

fest’s focus on “films concerning<br />

art and artists.”<br />

Roden’s portrayal of<br />

the hard-living Bohemian<br />

lensman was a sensation<br />

among critics and audiences<br />

in the region, but<br />

only the most recent character<br />

role for an actor<br />

whose range spans Russian<br />

mafia figures to Grigori<br />

Rasputin in “Hellboy.”<br />

He’s played Viktor in midnight<br />

movie “Frankenstein’s<br />

Army” and the studied<br />

intellectual hero of the<br />

Czech adaptation of HBO<br />

series “In Therapy.”<br />

Famously press-shy<br />

Roden usually refuses such<br />

fest honors, but after three<br />

years of wooing by Art<br />

Film, aided by Rudolf Biermann,<br />

producer of Roden’s<br />

upcoming historic thriller<br />

“Masaryk,” the deal was<br />

sealed. — Will Tizard<br />

Karel<br />

Roden<br />

RODEN: VACLAV SALEK/CTK/AP

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