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INTERVIEW<br />
WE SHOULD HAVE A FAITH AT OURSELF<br />
Inspiration is a bird which comes to those who has a patience to catch it when it comes.<br />
At the same time when the whole Ukraine was watching with bated breath Eurovision not least<br />
event took place at France: Cannes Festival where our incredibly gifted and talented writer Marysia<br />
Nikitiuk had been recognized as one of the best scriptwriter and awarded by the Krzysztof Kieslowski<br />
Scriptwriter Award for the Best Script from Central and Eastern Europe for ‘When Trees Fall’. Off course<br />
we couldn’t lose the chance to hold an interview with her and we dared to do this as soon as she came<br />
back from the Cannes Festival. Despite the haste and emotional stress, it was a fun and interesting<br />
experience. We should confirm that we were absolutely fascinated by Marysia. Here are some words<br />
that come to mind when talking to her: brave and beautiful, open-minded and extraordinary, incredibly<br />
talented winner. Moreover we have received some exceptional information that her next film will be<br />
shot in five languages. No typo there; these five languages are: Ukrainian, Russian, Surzhik, Polish,<br />
and Romanian. Now let’s take a closer look on the talent from Ukrainian and her amazing work.<br />
Tell us a bit more about your triumphant work.<br />
When Trees Fall is my first full-length script and film,<br />
and it marks the beginning of my way as a director. After<br />
writing the text, so close to my memories of my own<br />
childhood, I realized that I would never be able to give it<br />
to anyone. At that time, film critic Volodya Vojtenko, my<br />
cinematographic guardian angel, was putting ideas about<br />
directing into my head, and producer Igor Savichenko<br />
simply suggested that I try shooting shorts, just to see<br />
whether I can and want. By now, I have already done<br />
three shorts. They seem okay. ))<br />
FILMMAKER.<br />
THE PATH TO THE<br />
COVETED AIM<br />
Marysia, you have won the Krzysztof Kieslowski<br />
ScripTeast Award for the Best Script from Eastern<br />
Europe at 2016 Cannes Festival. Tell us more about<br />
the award, please.<br />
ScripTeast is a training program aimed to prepare<br />
scriptwriters to shooting and film project promotion at<br />
the development stage. Thus, the program is attached<br />
to the professional part of two major European film<br />
festivals — Berlinale and Cannes. We had three sessions:<br />
Warsaw, Berlin, and the final one in Cannes. Scripts from<br />
Eastern and Central Europe were selected for the program;<br />
we trained with the best film professionals from England,<br />
Spain, France, Germany, and North America. For example,<br />
I had my script read and commented by Academy<br />
Award-winning scriptwriter Mark Peploe, the author of<br />
Bertolucci’s Last Emperor and Antonion’s The Passenger.<br />
During this time, we became friends with the program<br />
participants, completely forgetting about competition.<br />
Yet in the end, one of us was to receive the Krzysztof<br />
Kieslowski Award for the Best Script.<br />
Did you hope to win? What did you feel afterwards?<br />
I wanted to receive the Award, I really did, because it<br />
is so beautiful. However, I did not set my hopes high, for<br />
all the disappointed expectations prove disastrous to creative<br />
energy. So, I was very surprised to receive the Award.<br />
And yet, I was extremely happy, jumping on my heels like<br />
a little girl, but a big one and wearing a floor-length dress.<br />
Tiniest moment of happiness, before you poison yourself<br />
thinking that now you’ll have to live up to this declaration<br />
of success.<br />
What is the film budget and what financial aid<br />
have you received from the State Film Agency?<br />
The film budget is around UAH 22 mln. Half of that<br />
is provided by the state — we’ve won State Film Agency<br />
pitchings last fall. The other half should come from coproduction<br />
with Macedonia and Poland — Igor and I are<br />
currently waiting for several film funds to reply.<br />
The project attracted a lot of interest — from French<br />
and Swedish producers; then, our Polish partners and<br />
Igor Savichenko continue negotiating. However, all missing<br />
specifics shall be made clear in June. Furthermore,<br />
Spanish distributors and several film markets tailored to<br />
search for lacking funds have also shown interest in the<br />
project.<br />
When are you beginning the shooting?<br />
The shooting is planned for August-September, within<br />
the territories of at least three countries: Ukraine, Poland,<br />
and Macedonia.<br />
It will be a film about freedom, ideological triumph of<br />
good when evil seems to prevail. Attention is focused on<br />
the fate of three generations of women living in modern<br />
Ukraine who sacrifice their dreams to accommodate the<br />
society.<br />
Marysia, does one need special education to<br />
become a successful scriptwriter? What personal<br />
traits must one possess for the same purpose?<br />
I think, no. No, one doesn’t need special education. It<br />
might be even better without it. But certain professional<br />
skills would be certainly useful. There are lots of wonderful<br />
workshops, courses, master-classes for scriptwriters<br />
in Europe: for example, MAIYA workshops, the already<br />
mentioned ScripTeast, Torino FilmLab, and many others.<br />
I’ve mentioned only the best ones. Then, there are lots<br />
30 ▪ Issue 6 JUNE 2016 <strong>Season</strong> <strong>Screen</strong> <strong>TV</strong> <strong>Review</strong><br />
sstrnews.com<br />
Issue 6 JUNE 2016 ▪ 31