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INTERVIEW<br />

WE SHOULD HAVE A FAITH AT OURSELF<br />

Inspiration is a bird which comes to those who has a patience to catch it when it comes.<br />

At the same time when the whole Ukraine was watching with bated breath Eurovision not least<br />

event took place at France: Cannes Festival where our incredibly gifted and talented writer Marysia<br />

Nikitiuk had been recognized as one of the best scriptwriter and awarded by the Krzysztof Kieslowski<br />

Scriptwriter Award for the Best Script from Central and Eastern Europe for ‘When Trees Fall’. Off course<br />

we couldn’t lose the chance to hold an interview with her and we dared to do this as soon as she came<br />

back from the Cannes Festival. Despite the haste and emotional stress, it was a fun and interesting<br />

experience. We should confirm that we were absolutely fascinated by Marysia. Here are some words<br />

that come to mind when talking to her: brave and beautiful, open-minded and extraordinary, incredibly<br />

talented winner. Moreover we have received some exceptional information that her next film will be<br />

shot in five languages. No typo there; these five languages are: Ukrainian, Russian, Surzhik, Polish,<br />

and Romanian. Now let’s take a closer look on the talent from Ukrainian and her amazing work.<br />

Tell us a bit more about your triumphant work.<br />

When Trees Fall is my first full-length script and film,<br />

and it marks the beginning of my way as a director. After<br />

writing the text, so close to my memories of my own<br />

childhood, I realized that I would never be able to give it<br />

to anyone. At that time, film critic Volodya Vojtenko, my<br />

cinematographic guardian angel, was putting ideas about<br />

directing into my head, and producer Igor Savichenko<br />

simply suggested that I try shooting shorts, just to see<br />

whether I can and want. By now, I have already done<br />

three shorts. They seem okay. ))<br />

FILMMAKER.<br />

THE PATH TO THE<br />

COVETED AIM<br />

Marysia, you have won the Krzysztof Kieslowski<br />

ScripTeast Award for the Best Script from Eastern<br />

Europe at 2016 Cannes Festival. Tell us more about<br />

the award, please.<br />

ScripTeast is a training program aimed to prepare<br />

scriptwriters to shooting and film project promotion at<br />

the development stage. Thus, the program is attached<br />

to the professional part of two major European film<br />

festivals — Berlinale and Cannes. We had three sessions:<br />

Warsaw, Berlin, and the final one in Cannes. Scripts from<br />

Eastern and Central Europe were selected for the program;<br />

we trained with the best film professionals from England,<br />

Spain, France, Germany, and North America. For example,<br />

I had my script read and commented by Academy<br />

Award-winning scriptwriter Mark Peploe, the author of<br />

Bertolucci’s Last Emperor and Antonion’s The Passenger.<br />

During this time, we became friends with the program<br />

participants, completely forgetting about competition.<br />

Yet in the end, one of us was to receive the Krzysztof<br />

Kieslowski Award for the Best Script.<br />

Did you hope to win? What did you feel afterwards?<br />

I wanted to receive the Award, I really did, because it<br />

is so beautiful. However, I did not set my hopes high, for<br />

all the disappointed expectations prove disastrous to creative<br />

energy. So, I was very surprised to receive the Award.<br />

And yet, I was extremely happy, jumping on my heels like<br />

a little girl, but a big one and wearing a floor-length dress.<br />

Tiniest moment of happiness, before you poison yourself<br />

thinking that now you’ll have to live up to this declaration<br />

of success.<br />

What is the film budget and what financial aid<br />

have you received from the State Film Agency?<br />

The film budget is around UAH 22 mln. Half of that<br />

is provided by the state — we’ve won State Film Agency<br />

pitchings last fall. The other half should come from coproduction<br />

with Macedonia and Poland — Igor and I are<br />

currently waiting for several film funds to reply.<br />

The project attracted a lot of interest — from French<br />

and Swedish producers; then, our Polish partners and<br />

Igor Savichenko continue negotiating. However, all missing<br />

specifics shall be made clear in June. Furthermore,<br />

Spanish distributors and several film markets tailored to<br />

search for lacking funds have also shown interest in the<br />

project.<br />

When are you beginning the shooting?<br />

The shooting is planned for August-September, within<br />

the territories of at least three countries: Ukraine, Poland,<br />

and Macedonia.<br />

It will be a film about freedom, ideological triumph of<br />

good when evil seems to prevail. Attention is focused on<br />

the fate of three generations of women living in modern<br />

Ukraine who sacrifice their dreams to accommodate the<br />

society.<br />

Marysia, does one need special education to<br />

become a successful scriptwriter? What personal<br />

traits must one possess for the same purpose?<br />

I think, no. No, one doesn’t need special education. It<br />

might be even better without it. But certain professional<br />

skills would be certainly useful. There are lots of wonderful<br />

workshops, courses, master-classes for scriptwriters<br />

in Europe: for example, MAIYA workshops, the already<br />

mentioned ScripTeast, Torino FilmLab, and many others.<br />

I’ve mentioned only the best ones. Then, there are lots<br />

30 ▪ Issue 6 JUNE 2016 <strong>Season</strong> <strong>Screen</strong> <strong>TV</strong> <strong>Review</strong><br />

sstrnews.com<br />

Issue 6 JUNE 2016 ▪ 31

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