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BeatRoute Magazine B.C. print e-edition - August 2016

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.

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ELECTRONICS DEPT.<br />

GOLD PANDA<br />

CLUBLAND<br />

hardware based production for digital consumption by Vanessa Tam <strong>August</strong> <strong>2016</strong><br />

A<br />

career in electronic music wasn’t always part of the plan<br />

for the UK based producer Gold Panda, who usually goes<br />

by his given name Derwin Schlecker. What started as a<br />

hobby—making house music in his bedroom—mixed with a little<br />

luck, some good timing, and an inspiring trip to Japan eventually<br />

morphed into what it is today.<br />

Known to use self-recorded samples from his own collection<br />

along with a selection of physical drum machines, keyboards,<br />

and MPCs to create his music instead of solely using a computer<br />

with some software, Schlecker is definitely more of a hardware<br />

based electronic music producer. Using his considerably more<br />

lofi method, his sound feels completely unique compared to<br />

many producers who create music using the exact same folders of<br />

sounds and instruments.<br />

Since going to Japan for the first time at the age of 19 and falling<br />

in love with the country, Schlecker aims to return at least a couple<br />

times a year to maintain his fluency in Japanese. The last couple<br />

trips he made, however, were with long time friend and photographer<br />

Laura Lewis with the intention of making a photography<br />

book paired with a CD of field recordings to go along with it. “The<br />

idea originally was to do time delivered audio with like field recordings<br />

on a CD,” Schlecker explains. “[I wanted] to do them raw<br />

and unprocessed but because there were so many of them, I was<br />

going to put them in one piece composed together so it would<br />

become [one long] changing [piece]. Kind of like being on a train<br />

whizzing past different scenery [where] you don’t really get to fix<br />

you eye on one thing for too long.”<br />

Returning to the UK with more content than he anticipated,<br />

Schlecker was inspired to produce and release this third studio<br />

album titled, Good Luck And Do Your Best. With an overall theme<br />

that is as optimistic as it is Japanese, the new album is actually the<br />

first bit of new music he has been able to release over the past<br />

three years. “That’s just how long it takes to make records now<br />

because you can’t make money from doing records; you have to<br />

do shows.” He goes on to reference an interview he was recently<br />

listening to with Joe from Metronomy talking about how, “Bands<br />

have to tour, and they break up and members leave, [then] the<br />

band has to find new people [in order to tour]. By the time they<br />

get around to writing a record and then releasing it, [a few years<br />

have passed]. The best you can ever hope for is one new album<br />

every three years from your absolute favourite band.” He goes on<br />

to say, “I’m lucky because it’s just me and, I don’t really have to pay<br />

anyone. I mean, I have a tour manager and a guy that does visuals,<br />

but I don’t really have to pay a band. I’m quite lucky, just I do<br />

everything at home.”<br />

As a surprise release, Schlecker recently dropped a new EP titled<br />

Kingdom. Made in just a few months opposed to years, “Kingdom<br />

was just recorded by me, just a live jam in my bedroom and given<br />

to a friend to clean up a bit, you know, just to make a finished<br />

track.” Featuring a looser song structure and a darker overall<br />

theme compared to Good Luck And Do Your Best, Kingdom tells<br />

the story of a guy who lives in Schlecker’s building from Afghanistan<br />

who ordered a phone to call his family back home only to<br />

have it stolen from him before even receiving it. “Kingdom [is<br />

about] this kind of place that people have heard about and want<br />

to get there thinking that it will solve all their problems, but when<br />

they get here there’s more problems, although a different kind.”<br />

Gold Panda performs at Fortune Sound Club on <strong>August</strong> 18th.<br />

by Vanessa Tam<br />

With <strong>August</strong> being the last carefree summer month before<br />

life starts getting serious again, this is usually when<br />

people start to panic and try to get as much fun out of the<br />

seemingly good weather as humanly possible. Last ditch efforts to go<br />

camping, hiking, and beaching will be ambitiously made and hopefully<br />

achieved. Good thing we made this list of club shows to hit up in<br />

<strong>August</strong> to round out your perfect summer <strong>2016</strong>.<br />

Snakehips<br />

<strong>August</strong> 5 @ The Commodore Ballroom<br />

Initially gaining buzz through their popular remixes of tracks by Banks,<br />

The Weeknd, and Bondax, British production duo Snakehips really<br />

started gaining steam after releasing their first original single in 2014,<br />

“Days With You.” Since then, Oliver Lee and James Carter have gone<br />

on to release two EPs and work with artists such as Tinashe, Chance<br />

the Rapper, and Tory Lanez, maintaining their melodic 1990s hip hop<br />

and R&B inspired sound.<br />

Flume<br />

<strong>August</strong> 7 @ PNE Amphitheatre<br />

Flume, also known as Harley Edward Streten, is an Australian producer<br />

and musician who recently released his second studio album, Skin,<br />

to much critical acclaim. With an array of artists lending their vocal<br />

talent to the record including Tove Lo, Vic Mensa, AlunaGeorge, Little<br />

Dragon, Raekwon, and Beck, the album cultivates a sound that feels<br />

both fresh and familiar at the same time.<br />

Amir Obè<br />

<strong>August</strong> 19 @ Fortune Sound Club<br />

Affiliated with Drake’s OVO team, the mysterious Amir Obè is an up<br />

and coming hip-hop artist who claims both Detroit and Brooklyn<br />

as home. Having released just a handful of records over the past few<br />

years, the young artist has already been compared to the likes of<br />

Kanye West and shows a lot of promise for East Coast rap.<br />

The White Panda<br />

September 3 @ Imperial<br />

Based in Chicago, The White Panda are dance music making machines<br />

having released an impressive six albums since 2009. Well known for<br />

their live performances, the duo goes all out by performing with C02<br />

effects, projection design, and digitally mastered panda masks to<br />

emphasis their unique blend of high-energy dance music.<br />

photo: Laura Lewis<br />

Practical magic and curated experience makes Gold Panda’s voice decidedly more tangible.<br />

Flume<br />

16 ELECTRONICS DEPT.<br />

<strong>August</strong> <strong>2016</strong>

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