BeatRoute Magazine B.C. print e-edition - August 2016
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.
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ELECTRONICS DEPT.<br />
GOLD PANDA<br />
CLUBLAND<br />
hardware based production for digital consumption by Vanessa Tam <strong>August</strong> <strong>2016</strong><br />
A<br />
career in electronic music wasn’t always part of the plan<br />
for the UK based producer Gold Panda, who usually goes<br />
by his given name Derwin Schlecker. What started as a<br />
hobby—making house music in his bedroom—mixed with a little<br />
luck, some good timing, and an inspiring trip to Japan eventually<br />
morphed into what it is today.<br />
Known to use self-recorded samples from his own collection<br />
along with a selection of physical drum machines, keyboards,<br />
and MPCs to create his music instead of solely using a computer<br />
with some software, Schlecker is definitely more of a hardware<br />
based electronic music producer. Using his considerably more<br />
lofi method, his sound feels completely unique compared to<br />
many producers who create music using the exact same folders of<br />
sounds and instruments.<br />
Since going to Japan for the first time at the age of 19 and falling<br />
in love with the country, Schlecker aims to return at least a couple<br />
times a year to maintain his fluency in Japanese. The last couple<br />
trips he made, however, were with long time friend and photographer<br />
Laura Lewis with the intention of making a photography<br />
book paired with a CD of field recordings to go along with it. “The<br />
idea originally was to do time delivered audio with like field recordings<br />
on a CD,” Schlecker explains. “[I wanted] to do them raw<br />
and unprocessed but because there were so many of them, I was<br />
going to put them in one piece composed together so it would<br />
become [one long] changing [piece]. Kind of like being on a train<br />
whizzing past different scenery [where] you don’t really get to fix<br />
you eye on one thing for too long.”<br />
Returning to the UK with more content than he anticipated,<br />
Schlecker was inspired to produce and release this third studio<br />
album titled, Good Luck And Do Your Best. With an overall theme<br />
that is as optimistic as it is Japanese, the new album is actually the<br />
first bit of new music he has been able to release over the past<br />
three years. “That’s just how long it takes to make records now<br />
because you can’t make money from doing records; you have to<br />
do shows.” He goes on to reference an interview he was recently<br />
listening to with Joe from Metronomy talking about how, “Bands<br />
have to tour, and they break up and members leave, [then] the<br />
band has to find new people [in order to tour]. By the time they<br />
get around to writing a record and then releasing it, [a few years<br />
have passed]. The best you can ever hope for is one new album<br />
every three years from your absolute favourite band.” He goes on<br />
to say, “I’m lucky because it’s just me and, I don’t really have to pay<br />
anyone. I mean, I have a tour manager and a guy that does visuals,<br />
but I don’t really have to pay a band. I’m quite lucky, just I do<br />
everything at home.”<br />
As a surprise release, Schlecker recently dropped a new EP titled<br />
Kingdom. Made in just a few months opposed to years, “Kingdom<br />
was just recorded by me, just a live jam in my bedroom and given<br />
to a friend to clean up a bit, you know, just to make a finished<br />
track.” Featuring a looser song structure and a darker overall<br />
theme compared to Good Luck And Do Your Best, Kingdom tells<br />
the story of a guy who lives in Schlecker’s building from Afghanistan<br />
who ordered a phone to call his family back home only to<br />
have it stolen from him before even receiving it. “Kingdom [is<br />
about] this kind of place that people have heard about and want<br />
to get there thinking that it will solve all their problems, but when<br />
they get here there’s more problems, although a different kind.”<br />
Gold Panda performs at Fortune Sound Club on <strong>August</strong> 18th.<br />
by Vanessa Tam<br />
With <strong>August</strong> being the last carefree summer month before<br />
life starts getting serious again, this is usually when<br />
people start to panic and try to get as much fun out of the<br />
seemingly good weather as humanly possible. Last ditch efforts to go<br />
camping, hiking, and beaching will be ambitiously made and hopefully<br />
achieved. Good thing we made this list of club shows to hit up in<br />
<strong>August</strong> to round out your perfect summer <strong>2016</strong>.<br />
Snakehips<br />
<strong>August</strong> 5 @ The Commodore Ballroom<br />
Initially gaining buzz through their popular remixes of tracks by Banks,<br />
The Weeknd, and Bondax, British production duo Snakehips really<br />
started gaining steam after releasing their first original single in 2014,<br />
“Days With You.” Since then, Oliver Lee and James Carter have gone<br />
on to release two EPs and work with artists such as Tinashe, Chance<br />
the Rapper, and Tory Lanez, maintaining their melodic 1990s hip hop<br />
and R&B inspired sound.<br />
Flume<br />
<strong>August</strong> 7 @ PNE Amphitheatre<br />
Flume, also known as Harley Edward Streten, is an Australian producer<br />
and musician who recently released his second studio album, Skin,<br />
to much critical acclaim. With an array of artists lending their vocal<br />
talent to the record including Tove Lo, Vic Mensa, AlunaGeorge, Little<br />
Dragon, Raekwon, and Beck, the album cultivates a sound that feels<br />
both fresh and familiar at the same time.<br />
Amir Obè<br />
<strong>August</strong> 19 @ Fortune Sound Club<br />
Affiliated with Drake’s OVO team, the mysterious Amir Obè is an up<br />
and coming hip-hop artist who claims both Detroit and Brooklyn<br />
as home. Having released just a handful of records over the past few<br />
years, the young artist has already been compared to the likes of<br />
Kanye West and shows a lot of promise for East Coast rap.<br />
The White Panda<br />
September 3 @ Imperial<br />
Based in Chicago, The White Panda are dance music making machines<br />
having released an impressive six albums since 2009. Well known for<br />
their live performances, the duo goes all out by performing with C02<br />
effects, projection design, and digitally mastered panda masks to<br />
emphasis their unique blend of high-energy dance music.<br />
photo: Laura Lewis<br />
Practical magic and curated experience makes Gold Panda’s voice decidedly more tangible.<br />
Flume<br />
16 ELECTRONICS DEPT.<br />
<strong>August</strong> <strong>2016</strong>