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Caribbean Times 88th Issue - Thursday 8th September 2016

Caribbean Times 88th Issue - Thursday 8th September 2016

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<strong>Thursday</strong> <strong>8th</strong> <strong>September</strong> <strong>2016</strong> c a r i b b e a n t i m e s . a g 9<br />

New Media showcases<br />

Food For Weapons and Light<br />

The work of seven contemporary<br />

Venezuelan artists examining power<br />

and violence and their relationship to<br />

the body - will open the trinidad+tobago<br />

film festival (ttff) New Media showcase,<br />

on Wednesday 21 <strong>September</strong>,<br />

from 7.00pm at the Big Black Box in<br />

Woodbrook.<br />

Curated by Venezuelan experimental<br />

filmmaker, Sandra Vivas, Food For<br />

Weapons questions the manipulation of<br />

power in Venezuela and the methods<br />

used to prevent protest and uprisings –<br />

control of food, medicines, water and<br />

the media.<br />

“The title Food For Weapons, refers<br />

not only to the food shortages and<br />

violence in Venezuela, but also to the<br />

fact that ideas can be seen as food. A<br />

reminder that hunger can be both a<br />

dangerous oppressor and the most dramatic<br />

motivator for ultimate liberation.<br />

Ideas can be both food for thought and<br />

weapons of change”, says Vivas.<br />

The exhibited work undermines established<br />

discourse through intimate<br />

narratives that are either taboo or simply<br />

ignored. According to Vivas, several of<br />

the artists have been politically perse-<br />

Image from Oblivion by Anna Rosa Rodriguez<br />

cuted for their work – some of which is day 24 <strong>September</strong>, at 9pm, also at Big<br />

deliberately shocking and only suitable Black Box.<br />

for a mature audience. The artists use North Eleven projection artists are<br />

their body as an instrument, recognizing<br />

it as a battleground where violence between visuals and how the audience<br />

especially interested in the interaction<br />

is often enacted through hunger, torture interact with them. Working with multiple<br />

technologies and interfaces ‘Light’<br />

or menace, and seek to recreate it as a<br />

channel of liberation that is democratic is a live audio-visual performance that<br />

and universal.<br />

incorporates projection mapping &<br />

Food for Weapons will be followed murals, live digital graffiti & motion<br />

by a second New Media installation design, and live visuals. From lo-tech<br />

‘Light’ by North Eleven, on Satur-<br />

mediums such as string, paper, wire<br />

mesh and cardboard, to the latest audio-visual<br />

applications, and collaborations<br />

with fellow artists, illustrators,<br />

painters and musicians, North Eleven<br />

will transform the Big Black Box into<br />

a stunning canvass of mixed media artwork.<br />

North Eleven has been the ttff’s<br />

official technical partner since 2010,<br />

working extensively with the community<br />

development programme to bring<br />

free community cinema to numerous<br />

communities throughout Trinidad and<br />

Image from Selective Migration by Luis Poleo cont’d on pg 10

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