Whimsical Sketches of Fanciful Birds (Preview)
by Vincent Ho | Alto Saxophone and Piano
by Vincent Ho | Alto Saxophone and Piano
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the Juno Award-nominated album The Shaman & Arctic Symphony: Orchestral Music <strong>of</strong><br />
Vincent Ho, consisting <strong>of</strong> the live recordings <strong>of</strong> The Shaman and Arctic Symphony featuring<br />
the Winnipeg Symphony Orchestra, Dame Evelyn Glennie, and the Nunavut Sivuniksavut<br />
Performers. The Shaman went on to receive a 2018 Juno Award nomination for Classical<br />
Composition <strong>of</strong> the Year, with Arctic Symphony landing Ho another Classical Composition <strong>of</strong><br />
the Year nomination in 2019.<br />
In 2015 Canadian piano trio Gryphon Trio commissioned a new work from Ho. The resulting<br />
work, Gryphon Realms, was premiered in December <strong>of</strong> that year, with each movement based<br />
on the personalities <strong>of</strong> each player <strong>of</strong> the Gryphon Trio, along with gryphon mythology. Ho<br />
has recently explored elements <strong>of</strong> Chinese music and culture as part <strong>of</strong> his compositional<br />
development. In 2016 a co-commission from the Hong Kong Chinese Orchestra and the<br />
National Chinese Orchestra Taiwan resulted in Ho’s work for Chinese Orchestra, Journey<br />
<strong>of</strong> the Red Phoenix. The following year, the Toronto Symphony Orchestra commissioned<br />
and gave the premiere performance <strong>of</strong> Ho’s Rejuvenation: A Taoist Journey for narrator,<br />
solo pipa, and orchestra, featuring renowned Chinese pipa player Wu Man. In 2019, Ho was<br />
the recipient <strong>of</strong> the Society <strong>of</strong> Composers, Authors and Music Publisher <strong>of</strong> Canada’s Jan V.<br />
Matejcek New Classical Music Award.<br />
Ho’s music is rich and energetic—a unique integration <strong>of</strong> influences. His work <strong>of</strong>ten<br />
demonstrates the capacity to coherently synthesise and convey the felt inspiration incited<br />
by a multitude <strong>of</strong> artistic mediums. This amalgamation <strong>of</strong> influences is evidenced in Four<br />
Paintings by Leestemaker (2005), which musically construes the ‘murky,’ unsettling qualities<br />
communicated in the paintings <strong>of</strong> Leestemaker, and Arctic Symphony, where electroacoustic<br />
material is utilised in order to more effectively allow the listener to intuit the natural<br />
soundscapes from which the work emerged, as well as the sense <strong>of</strong> wonder experienced by<br />
the composer. Additionally, traditional classical music forms and the physical properties<br />
<strong>of</strong> the instruments and ensembles for which Ho writes are all inherent influences in his<br />
diverse and creative output. His music is sensual, sonorous and richly textured, and Ho gives<br />
considerable attention to the audience’s experience <strong>of</strong> his intricate sound-worlds.<br />
Latest information about the composer may be found at www.vinceho.com.<br />
PE152 – iv