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16<br />
FRIDAY, NOVEMBER <strong>25</strong>, <strong>2016</strong><br />
DT<br />
Feature<br />
Art comes alive:<br />
Sands of time exhibition, EDGE gallery<br />
A collection of paintings by Jamal Ahmed that leave you yearning for more<br />
•Feature Desk<br />
Displayed eloquently inside the<br />
EDGE Gallery and even outdoors, I<br />
spent hours appreciating paintings<br />
that touched subjects close to all<br />
of us. Finding myself surrounded<br />
by paintings that reacquainted<br />
me with the scenic beauty of<br />
Bengal, I was at my most blissful<br />
at the Sands of Time Exhibition.<br />
With works paying reverence to<br />
the common people, capturing<br />
the essence of their daily travails,<br />
offering glimpses of them in their<br />
most personal moments of rest<br />
and relaxation, the artist Jamal<br />
Ahmed demonstrates the grandeur<br />
of simplicity.<br />
With 120 exhibitions<br />
completed, Ahmed, an alumnus<br />
of the Institute of Fine Arts (DU) is<br />
a leading figure within Realism, a<br />
genre of modern art depicting the<br />
real world and portraying<br />
stories of real people as close<br />
as possible to what is seen<br />
through the naked eye.<br />
I felt that his masterpieces<br />
reassure the belief that art<br />
actually is for everyone.<br />
It does not discriminate<br />
nor does it divide. What<br />
it does however is pave<br />
the way for enriching our<br />
perspective, providing<br />
our thought process with<br />
insight and enables us<br />
to question ourselves,<br />
our surroundings. And if<br />
intellectual stimulation<br />
sounds too tedious a task for<br />
your leisurely hours, art can<br />
also serve to entertain you.<br />
While it enlightens, it also<br />
enables escape!<br />
The interpretation<br />
illustrated the common people’s<br />
everyday reality is nothing short of<br />
remarkable. I was subconsciously<br />
drifting in and out of a riverine<br />
setting by a moody sea, forgetting<br />
the tranquil, modern ambience of<br />
the gallery. The artist’s sweeping<br />
strokes and supple textures will<br />
make you question whether in fact<br />
you are viewing a work created by<br />
hand or if you may be mistaking<br />
a painting to be a photograph –<br />
such is his excellence in beguiling<br />
his many longstanding, loyal<br />
admirers.<br />
Whether a gallery-sprawling<br />
masterpiece or paintings more<br />
humbly framed and huddled<br />
into series sets, I could not help<br />
but appreciate the intricacy and<br />
detail invested into the creation of<br />
Jamal Ahmed’s lyrical subjects and<br />
exhilarating backdrops. You are<br />
likely to be left staring at a piece,<br />
adjusting your angle of sight by<br />
pacing backwards and forwards<br />
and tilting your head left to right,<br />
like the antennae of a vintage<br />
televi sion set.<br />
Don’t miss this rare opportunity<br />
to discover 60 evocative works of<br />
silent beauty celebrating ordinary<br />
lives and nature so captivating,<br />
you will not want to think about<br />
leaving this temporal journey.<br />
Relax and let your senses glide.<br />
The Sands of Time exhibition<br />
has been extended and will now<br />
run till 2 December.•<br />
| comic review |<br />
Heatwave<br />
Mighty Punch turns up the<br />
mercury<br />
• Sabrina Fatma Ahmad<br />
We’re almost done with<br />
<strong>November</strong>, and sweater weather<br />
is still nowhere in sight. Say what<br />
you will, climate change deniers,<br />
but this isn’t normal.<br />
Even though the days are at<br />
least bearable, and the evenings<br />
even pleasant, <strong>2016</strong> has been<br />
hot enough for us to not want to<br />
weather another summer like the<br />
one we had this year.<br />
In Heatwave, or Issue 08 of the<br />
Shabash comic, brought to you by<br />
Mighty Punch Studios, we relive<br />
just how bad it was.<br />
The story is set in mid-summer<br />
Dhaka, with the mercury at the<br />
highest point, and nary a cloud in<br />
the sky. Tempers are frayed, and<br />
all the heat-related problems, such<br />
as power outages,<br />
water shortages, and<br />
our ever-present<br />
traffic jam doesn’t<br />
do anything to help<br />
matters. The anger<br />
and frustration of<br />
the city’s residents<br />
flows in waves across<br />
the dimensions,<br />
waking an ancient<br />
evil born of hate. This<br />
creature, feeding<br />
off the prevailing<br />
negativity, like any<br />
self-respecting<br />
supervillain, begins<br />
to wreak havoc with<br />
the intention of<br />
razing the city to the<br />
ground, so that a new<br />
order is established.<br />
Dhaka’s, or perhaps<br />
humanity’s only<br />
hope is Shabash.<br />
He’s of course aided<br />
by his sidekick<br />
Kiron and the nutty<br />
scientist Keramoti,<br />
and another surprise<br />
hero reprising his<br />
role from a previous<br />
issue.<br />
Written by Samir<br />
Asran Rahman, who<br />
recently released<br />
his first YA fantasy<br />
novel Zak and Zara,<br />
the story has all the<br />
It’s really amazing<br />
how well he<br />
captures the<br />
essence of Dhaka<br />
life and merges it<br />
with the sensibilities<br />
of Marvel comics<br />
in a way that really<br />
works<br />
quirks and jokes one has come<br />
to expect of the Shabash comics.<br />
It’s really amazing how well he<br />
captures the essence of Dhaka life<br />
and merges it with the sensibilities<br />
of Marvel comics in a way that<br />
really works. Fahim Anzoom<br />
Rahman and Mosharraf Hussain<br />
(Nipu) have done a brilliant job of<br />
depicting the intense heat in their<br />
visuals.<br />
Shabash #08 is available at KFC,<br />
Pizza Hut, Rokomari, all Meena<br />
Bazar outlets and PBS bookstores.<br />
Don’t forget to catch the Mighty<br />
Punch crew at Dhaka Comicon! •