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16<br />

FRIDAY, NOVEMBER <strong>25</strong>, <strong>2016</strong><br />

DT<br />

Feature<br />

Art comes alive:<br />

Sands of time exhibition, EDGE gallery<br />

A collection of paintings by Jamal Ahmed that leave you yearning for more<br />

•Feature Desk<br />

Displayed eloquently inside the<br />

EDGE Gallery and even outdoors, I<br />

spent hours appreciating paintings<br />

that touched subjects close to all<br />

of us. Finding myself surrounded<br />

by paintings that reacquainted<br />

me with the scenic beauty of<br />

Bengal, I was at my most blissful<br />

at the Sands of Time Exhibition.<br />

With works paying reverence to<br />

the common people, capturing<br />

the essence of their daily travails,<br />

offering glimpses of them in their<br />

most personal moments of rest<br />

and relaxation, the artist Jamal<br />

Ahmed demonstrates the grandeur<br />

of simplicity.<br />

With 120 exhibitions<br />

completed, Ahmed, an alumnus<br />

of the Institute of Fine Arts (DU) is<br />

a leading figure within Realism, a<br />

genre of modern art depicting the<br />

real world and portraying<br />

stories of real people as close<br />

as possible to what is seen<br />

through the naked eye.<br />

I felt that his masterpieces<br />

reassure the belief that art<br />

actually is for everyone.<br />

It does not discriminate<br />

nor does it divide. What<br />

it does however is pave<br />

the way for enriching our<br />

perspective, providing<br />

our thought process with<br />

insight and enables us<br />

to question ourselves,<br />

our surroundings. And if<br />

intellectual stimulation<br />

sounds too tedious a task for<br />

your leisurely hours, art can<br />

also serve to entertain you.<br />

While it enlightens, it also<br />

enables escape!<br />

The interpretation<br />

illustrated the common people’s<br />

everyday reality is nothing short of<br />

remarkable. I was subconsciously<br />

drifting in and out of a riverine<br />

setting by a moody sea, forgetting<br />

the tranquil, modern ambience of<br />

the gallery. The artist’s sweeping<br />

strokes and supple textures will<br />

make you question whether in fact<br />

you are viewing a work created by<br />

hand or if you may be mistaking<br />

a painting to be a photograph –<br />

such is his excellence in beguiling<br />

his many longstanding, loyal<br />

admirers.<br />

Whether a gallery-sprawling<br />

masterpiece or paintings more<br />

humbly framed and huddled<br />

into series sets, I could not help<br />

but appreciate the intricacy and<br />

detail invested into the creation of<br />

Jamal Ahmed’s lyrical subjects and<br />

exhilarating backdrops. You are<br />

likely to be left staring at a piece,<br />

adjusting your angle of sight by<br />

pacing backwards and forwards<br />

and tilting your head left to right,<br />

like the antennae of a vintage<br />

televi sion set.<br />

Don’t miss this rare opportunity<br />

to discover 60 evocative works of<br />

silent beauty celebrating ordinary<br />

lives and nature so captivating,<br />

you will not want to think about<br />

leaving this temporal journey.<br />

Relax and let your senses glide.<br />

The Sands of Time exhibition<br />

has been extended and will now<br />

run till 2 December.•<br />

| comic review |<br />

Heatwave<br />

Mighty Punch turns up the<br />

mercury<br />

• Sabrina Fatma Ahmad<br />

We’re almost done with<br />

<strong>November</strong>, and sweater weather<br />

is still nowhere in sight. Say what<br />

you will, climate change deniers,<br />

but this isn’t normal.<br />

Even though the days are at<br />

least bearable, and the evenings<br />

even pleasant, <strong>2016</strong> has been<br />

hot enough for us to not want to<br />

weather another summer like the<br />

one we had this year.<br />

In Heatwave, or Issue 08 of the<br />

Shabash comic, brought to you by<br />

Mighty Punch Studios, we relive<br />

just how bad it was.<br />

The story is set in mid-summer<br />

Dhaka, with the mercury at the<br />

highest point, and nary a cloud in<br />

the sky. Tempers are frayed, and<br />

all the heat-related problems, such<br />

as power outages,<br />

water shortages, and<br />

our ever-present<br />

traffic jam doesn’t<br />

do anything to help<br />

matters. The anger<br />

and frustration of<br />

the city’s residents<br />

flows in waves across<br />

the dimensions,<br />

waking an ancient<br />

evil born of hate. This<br />

creature, feeding<br />

off the prevailing<br />

negativity, like any<br />

self-respecting<br />

supervillain, begins<br />

to wreak havoc with<br />

the intention of<br />

razing the city to the<br />

ground, so that a new<br />

order is established.<br />

Dhaka’s, or perhaps<br />

humanity’s only<br />

hope is Shabash.<br />

He’s of course aided<br />

by his sidekick<br />

Kiron and the nutty<br />

scientist Keramoti,<br />

and another surprise<br />

hero reprising his<br />

role from a previous<br />

issue.<br />

Written by Samir<br />

Asran Rahman, who<br />

recently released<br />

his first YA fantasy<br />

novel Zak and Zara,<br />

the story has all the<br />

It’s really amazing<br />

how well he<br />

captures the<br />

essence of Dhaka<br />

life and merges it<br />

with the sensibilities<br />

of Marvel comics<br />

in a way that really<br />

works<br />

quirks and jokes one has come<br />

to expect of the Shabash comics.<br />

It’s really amazing how well he<br />

captures the essence of Dhaka life<br />

and merges it with the sensibilities<br />

of Marvel comics in a way that<br />

really works. Fahim Anzoom<br />

Rahman and Mosharraf Hussain<br />

(Nipu) have done a brilliant job of<br />

depicting the intense heat in their<br />

visuals.<br />

Shabash #08 is available at KFC,<br />

Pizza Hut, Rokomari, all Meena<br />

Bazar outlets and PBS bookstores.<br />

Don’t forget to catch the Mighty<br />

Punch crew at Dhaka Comicon! •

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