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JBTM Jeffrey G. Audirsch<br />

40<br />

Literary Characteristics of Biblical Poetry<br />

Many Jews and Christians are drawn to biblical poetry due to its vivid and figurative<br />

character. To interpret adequately biblical poetry, we must be familiar with the plethora<br />

of literary features. In this section, I will discuss several of the most prominent literary<br />

features. As mentioned earlier, biblical poetry is known for its terseness—that is, short<br />

lines, few words, and few conjunctions. Thus, terseness adds to the explosive nature of<br />

poetry, meaning every word is ripe for interpretation.<br />

5<br />

Trust in the Lord with all your heart,<br />

and do not lean on your own understanding. (Prov 5:3)<br />

1<br />

A time to be born, and a time to die. (Eccl 3:1)<br />

Next, imagery is an overarching literary feature with many others falling under its umbrella.<br />

“Images are the glory, perhaps the essence of poetry,” notes Luis Alonso Schökel. 33 For<br />

this reason, we must do our best to define and understand these images. That being said,<br />

imagery evokes “a sensory experience in our imagination” 34 that can be described as “word<br />

pictures.” 35 Since imagery is an overarching literary feature, one example will suffice:<br />

4<br />

Circumcise yourselves to the Lord;<br />

remove the foreskin of your hearts,<br />

O men of Judah and inhabitants of Jerusalem. (Jer 4:4a)<br />

In this text, the imagery of circumcising one’s heart is vivid and, to be completely<br />

honest, unfathomable. To physically circumcise one’s heart would actually bring about<br />

death; however, when interpreted figuratively, Jeremiah is challenging the Judahites and<br />

Jerusalemites despite the impossibility of imagery evoked.<br />

Probably the most recognizable types of imagery are simile and metaphor. A simile is<br />

a comparison is made between two things while utilizing “like” and/or “as” (e.g., see Song<br />

4). 36 The comparison being made is typically explicit. 37<br />

“Parallelism,” in Dictionary of the Old Testament: Wisdom, Poetry, & Writings, ed. Tremper Longman III<br />

and Peter Enns (Downers Grove: InterVarsity Press, 2008), 502–15.<br />

33<br />

Alonso Schökel, A Manual of Hebrew Poetry, 95.<br />

34<br />

Leland Ryken, Read the Bible as Literature (Grand Rapids: Zondervan, 1984), 90.<br />

35<br />

Ernest C. Lucas, “Terminology of Poetics,” in Dictionary of the Old Testament: Wisdom, Poetry, &<br />

Writings, ed. Tremper Longman III and Peter Enns (Downers Grove: InterVarsity Press, 2008), 522.<br />

36<br />

For an in-depth analysis of similes in biblical poetry, especially Hosea see David L. Petersen and<br />

Kent Harold Richards, Interpreting Hebrew Poetry, ed. Gene M. Tucker, Guides to Biblical Scholarship<br />

(Minneapolis: Fortress Press, 1992), 50–60.<br />

37<br />

G. B. Caird, The Language and Imagery of the Bible (Philadelphia: Westminster John Knox, 1980),

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