THOM 7 | Fall / Winter 2016
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ARTIST<br />
“It helps keep my sense of<br />
wonder intact and, to me,<br />
that is essential to art.”<br />
cast of professional photographers and wildlife<br />
watchers in Greater Yellowstone, she is embraced as<br />
a devoted member of the tribe. Such comradeship<br />
has its perks, for the group is a hub of intelligence,<br />
gathering on the whereabouts of bears, lobos and<br />
other animals throughout different seasons of the<br />
year.<br />
Most of the time, Lyn hikes or hoofs her way on<br />
horseback to spots vehicles cannot go. “I constantly<br />
see animal behavior that is new to me. There are<br />
countless little discoveries and amazing things that I<br />
have seen while spending time in the wild,” she says.<br />
Lyn immerses herself in the landscape, traveling<br />
rhythmically and softly, studying the way wild<br />
things — including grass, trees and rocks — interact<br />
with their environment. “It constantly reminds<br />
me that the world is full of mystery, that there are<br />
infinite things yet to be learned,” she explains. “It<br />
helps keep my sense of wonder intact and, to me,<br />
that is essential to art.”<br />
They swoon at the big, expansive vistas of the<br />
West because they’re thinking about spaces where<br />
imagination and creativity can wander, just as she<br />
does.<br />
“The thing I love most about art is that you never<br />
get ‘there.’ No matter how hard you work, there<br />
is always more to learn, a different direction to<br />
explore, another edge to push your envelope toward<br />
and something new to discover about what you are<br />
capable of. Each painting inspires the next one,” Lyn<br />
says.<br />
That may be — that it’s really about the journey<br />
and not the destination. But one thing is certain:<br />
Lyn’s work transports us. She takes us to the wildest<br />
outbacks in the Lower 48, to the understories of<br />
tall timberlands, across rivers and tarns, to haunts<br />
where real wildlife dwells.<br />
After our interview, I received a note from Lyn. It<br />
read, “Was up on top of the ranch today. Noticed<br />
a lot of recently flipped-over rocks, then saw a<br />
cinnamon sow with two coy [cubs of the year] that I<br />
hadn’t seen yet this year. They headed up over a hill<br />
that has the old Indian fire circle on top. There’s a<br />
painting in there.”<br />
My reply: “Can’t wait.”<br />
It isn’t just about watching wildlife, but also<br />
humans. “These new works, which I plan to premiere<br />
in Thomasville, are about the different types of<br />
connections between wild things and people.”<br />
She loves the Plantation Wildlife Arts Festival, she<br />
says, because at a time when the art world is in<br />
flux, the atmosphere in Thomasville represents a<br />
centrifugal force of community. The show is a yearly<br />
affirmation of the value of having nature in our lives<br />
and celebrating its magic. She has an affinity for the<br />
region and feels like she’s coming home to her roots<br />
when she’s there.<br />
Southerners, she says, have a way of relating to<br />
nature that is an extension of regional identity.<br />
Lyn St. Clair<br />
Featured Painter<br />
<strong>2016</strong> Plantation Wildlife Arts Festival<br />
followyourart.blogspot.com<br />
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