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THOM 7 | Fall / Winter 2016

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ARTIST<br />

“It helps keep my sense of<br />

wonder intact and, to me,<br />

that is essential to art.”<br />

cast of professional photographers and wildlife<br />

watchers in Greater Yellowstone, she is embraced as<br />

a devoted member of the tribe. Such comradeship<br />

has its perks, for the group is a hub of intelligence,<br />

gathering on the whereabouts of bears, lobos and<br />

other animals throughout different seasons of the<br />

year.<br />

Most of the time, Lyn hikes or hoofs her way on<br />

horseback to spots vehicles cannot go. “I constantly<br />

see animal behavior that is new to me. There are<br />

countless little discoveries and amazing things that I<br />

have seen while spending time in the wild,” she says.<br />

Lyn immerses herself in the landscape, traveling<br />

rhythmically and softly, studying the way wild<br />

things — including grass, trees and rocks — interact<br />

with their environment. “It constantly reminds<br />

me that the world is full of mystery, that there are<br />

infinite things yet to be learned,” she explains. “It<br />

helps keep my sense of wonder intact and, to me,<br />

that is essential to art.”<br />

They swoon at the big, expansive vistas of the<br />

West because they’re thinking about spaces where<br />

imagination and creativity can wander, just as she<br />

does.<br />

“The thing I love most about art is that you never<br />

get ‘there.’ No matter how hard you work, there<br />

is always more to learn, a different direction to<br />

explore, another edge to push your envelope toward<br />

and something new to discover about what you are<br />

capable of. Each painting inspires the next one,” Lyn<br />

says.<br />

That may be — that it’s really about the journey<br />

and not the destination. But one thing is certain:<br />

Lyn’s work transports us. She takes us to the wildest<br />

outbacks in the Lower 48, to the understories of<br />

tall timberlands, across rivers and tarns, to haunts<br />

where real wildlife dwells.<br />

After our interview, I received a note from Lyn. It<br />

read, “Was up on top of the ranch today. Noticed<br />

a lot of recently flipped-over rocks, then saw a<br />

cinnamon sow with two coy [cubs of the year] that I<br />

hadn’t seen yet this year. They headed up over a hill<br />

that has the old Indian fire circle on top. There’s a<br />

painting in there.”<br />

My reply: “Can’t wait.”<br />

It isn’t just about watching wildlife, but also<br />

humans. “These new works, which I plan to premiere<br />

in Thomasville, are about the different types of<br />

connections between wild things and people.”<br />

She loves the Plantation Wildlife Arts Festival, she<br />

says, because at a time when the art world is in<br />

flux, the atmosphere in Thomasville represents a<br />

centrifugal force of community. The show is a yearly<br />

affirmation of the value of having nature in our lives<br />

and celebrating its magic. She has an affinity for the<br />

region and feels like she’s coming home to her roots<br />

when she’s there.<br />

Southerners, she says, have a way of relating to<br />

nature that is an extension of regional identity.<br />

Lyn St. Clair<br />

Featured Painter<br />

<strong>2016</strong> Plantation Wildlife Arts Festival<br />

followyourart.blogspot.com<br />

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