Cosplay Live Magazine 2017
Cosplay Live talked to Ireland Reid, Mike Rollerson, Harley's Joker and many more - tips, interviews and tons of awesome cosplay photos.
Cosplay Live talked to Ireland Reid, Mike Rollerson, Harley's Joker and many more - tips, interviews and tons of awesome cosplay photos.
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In a previous issue of <strong>Cosplay</strong> <strong>Live</strong><br />
(2 years ago almost to the month)<br />
we spoke to Harley’s Joker, a brilliant<br />
designer, photographer and<br />
Joker themed cosplayer who goes<br />
to incredible lengths to create art<br />
that shines in the world of cosplay. If<br />
you’ve ever thought about undertaking<br />
a cosplay project that is complex<br />
but ulitmately worth it, this is the artist<br />
to follow. We caught up with him<br />
recently on his latest project...<br />
Your latest project is a wonderful<br />
tribute to the original, did you do the<br />
graphic art too?<br />
Of course I did, and thank you very<br />
much. I’m extremely protective (and<br />
a bit obsessive) of my projects, and<br />
typically wouldn’t feel comfortable<br />
letting anyone else handle them. If<br />
it’s something I put out there, well<br />
over 90% of the time I’m the one behind<br />
the whole thing. I think my obsession<br />
over details simply comes<br />
out of the premise I apply to these<br />
projects, which is “if this were real,<br />
and a camera was simply there to<br />
capture this moment, what would it<br />
look like?”. I want the pieces to feel<br />
as if the original comic book art to<br />
which I am paying tribute is actually<br />
a drawing based on this photograph,<br />
instead of the reality which is the<br />
other way around. I hope that made<br />
sense.<br />
You’re doing brilliant and complicated<br />
art projects, does that cut into the<br />
time you’d perhaps spend at Cons?<br />
Not at all. Keep in mind none of this<br />
is employment - these are all just<br />
different hobbies that occur in my<br />
spare time.<br />
Let’s talk design for a minute - the<br />
comic covers - how long does it take<br />
to do one?<br />
Every project is different in terms<br />
of scope and time, though each<br />
is approached the same way. I approach<br />
them a bit like film making.<br />
Most of your time is spent in development<br />
and pre-production. A very<br />
small, dense, but occasionally costly<br />
amount of time is spent in production<br />
(shooting the material). Lastly<br />
a large chunk of time is spent in<br />
post-production, editing. Recreating<br />
“The Killing Joke” cover took a couple<br />
weeks. “Trophies” took about a<br />
month. “Five-Way Revenge” took<br />
over three months, primarily because<br />
I had never done any sort of<br />
3D design before, so I had to teach<br />
myself as I went along, running in to<br />
MANY roadblocks and speed-bumps<br />
along the way.<br />
How do you source the additional<br />
graphics such as fonts and images?<br />
There’s no sourcing going on, I want<br />
to create everything from scratch.<br />
That’s why I photograph as much as<br />
possible. In “Five-Way Tribute” I photographed<br />
the Joker, Batman, the<br />
playing card, the sky, phosphorus<br />
streetlamp lens flares, automobile tail<br />
lights & headlights, and even bits of<br />
graffiti. If you look VERY closely you<br />
can even see a poster on the side of<br />
one of the buildings for “Amusement<br />
Mile in Old Gotham”, styled like a vintage<br />
circus poster complete with a<br />
clown painted on it. I actually painted<br />
that with watercolor, scanned it<br />
in and shrank it down. However I will<br />
confess to using some stock images<br />
for things like asphalt and concrete<br />
textures. And all the fonts in this image<br />
aren’t “fonts” technically, they’re<br />
illustrated letter by letter, just as Neal<br />
Adams himself did when he drew the<br />
original in 1973. I used to do playbills<br />
for theaters and would do all the lettering<br />
by hand. I even worked for a<br />
while when I was much younger at<br />
a Trader Joe’s as the store artist<br />
creating the signs. The truth is I’ve<br />
been drawing since toddlerhood.<br />
Art and design come very naturally<br />
to me. This isn’t to say that they’re<br />
easy tasks that don’t require a lot of<br />
effort, simply that given enough time<br />
and focus I’m determined to achieve<br />
it “baking from scratch”.<br />
For readers who didn’t read our first<br />
interview 2 years ago - tell us how<br />
you got started in cosplay and cosplay<br />
art creation and where does<br />
your partner Joker’s Harley fit in?<br />
<strong>Cosplay</strong> happened sort of by accident<br />
for me. Halloween was always<br />
my favorite holiday, and (to make a<br />
very long story quite short) I spent<br />
about a year off and on working on<br />
a Joker costume intended for Halloween.<br />
I decided instead to wear<br />
it to San Diego Comic Con in 2012,<br />
and the internet went kaboom. The<br />
art pieces were a natural way for me<br />
to connect my lifelong passion of art<br />
and photography to something else<br />
I love that had developed an online<br />
following: the cosplay. Joker’s Harley<br />
(or “Alyssa” as I’ve always known<br />
her) is not only my partner in costume,<br />
but in life. We’ve been in love<br />
for five years now and counting. She<br />
is a very talented artist and designer<br />
in her own right and we really have<br />
found a great way to support each<br />
others projects. I know I can always<br />
trust her eye on something, and I’m<br />
fairly certain she feels the same way<br />
about me.<br />
Ok, a bit of a personal question if I<br />
may, when I’m working on photography<br />
post processing I usually have<br />
headphones on and blast music,<br />
what do you do? Also what equipment<br />
are you working with? Some<br />
of those projects would be memory<br />
intensive so I’m guessing you’ve got<br />
some sort of system that can handle<br />
moving all those pixels around?<br />
I will usually listen to music. Often<br />
if I’m editing I’m home alone, so no<br />
need for the headphones. Until recently<br />
I have been using the same<br />
computer since 2009. However this<br />
Christmas I got myself a new present:<br />
debt. I applied for a credit card,<br />
discovered I have a dangerously<br />
7