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Cabello/Carceller

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CABELLO/CARCELLER 348<br />

_Greys (Fiction #2), 1998<br />

Instead of worrying about that strange eye condition, she always<br />

seemed to be defending her particular stance on what she used to<br />

call “a useful little disaster.” She believed that the ability that<br />

allows one to appreciate the whole spectrum of colors was nothing<br />

but a burden for those who suffered from this defect, obliging them<br />

to break their experiences down into a never-ending descriptive<br />

decomposition. According to her, for those who had this capacity,<br />

the visual world was turned into a perceptual conflict which,<br />

faced with a completed assimilation of the exterior, demanded great<br />

effort obstinately aimed at the exasperating definition of each<br />

perceived element. This personal approach led her to declare that<br />

this supposed defect from which she suffered and which made her see<br />

without appreciating the difference in colors, restricted to the<br />

scale of greys ranging from black to white and/or vice versa, constituted<br />

an indisputable quality, not the contrary. Her defect had<br />

the effect of distancing her from that reductionist precision and<br />

allowed her to move in a territory in which the wealth of the range<br />

of greys constituted a spur for what she liked to call “creative<br />

undefinableness.”<br />

Insisting on the fact that seeing in black and white was<br />

nothing but an advantage over the rest of us, she managed to<br />

convince several people who actually went ahead and had operations<br />

done on them so that, like her, they could achieve a greater perceptual<br />

freedom that would liberate them from the need to hold onto<br />

such a highly defined chromatic scale.<br />

EN

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