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1 The Cuckoo's Calling

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doors opened. Adrenalin erupted: Strike imagined himself exploding out of the<br />

car, punching, sending expensive cameras crashing on to concrete as their holders<br />

crumpled. And as if he had read Strike’s mind, Duffield said, with his hand<br />

poised on the door handle:<br />

“Knock their fucking lights out, Cormoran, you’re built for it.”<br />

<strong>The</strong> open doors, the night air and more maddening flashes; bull-like, Strike<br />

walked fast with his big head bowed, his eyes on Ciara’s tottering heels, refusing<br />

to be blinded. Up three steps they ran, Strike at the rear; and it was he who<br />

slammed the front door of the building in the faces of the photographers.<br />

Strike felt himself momentarily allied with the other two by the experience of<br />

being hunted. <strong>The</strong> tiny, dimly lit lobby felt safe and friendly. <strong>The</strong> paparazzi were<br />

still yelling to each other on the other side of the door, and their terse shouts<br />

recalled soldiers recceing a building. Duffield was fiddling at an inner door,<br />

trying a succession of keys in the lock.<br />

“I’ve only been here a couple of weeks,” he explained, finally opening it with<br />

a barging shoulder. Once over the threshold, he wriggled out of his tight jacket,<br />

threw it on to the floor by the door and then led the way, his narrow hips<br />

swinging in only slightly less exaggerated fashion than Guy Somé’s, down a<br />

short corridor into a sitting room, where he switched on lamps.<br />

<strong>The</strong> spare, elegant gray and black decor had been overlaid by clutter and stank<br />

of cigarette smoke, cannabis and alcohol fumes. Strike was reminded vividly of<br />

his childhood.<br />

“Need a slash,” announced Duffield, and called over his shoulder as he<br />

disappeared, with a directive jab of the thumb, “Drinks are in the kitchen, Cici.”<br />

She threw a smile at Strike, then left through the door Duffield had indicated.<br />

Strike glanced around the room, which looked as though it had been left, by<br />

parents of impeccable taste, in the care of a teenager. Every surface was covered<br />

in debris, much of it in the form of scribbled notes. Three guitars stood propped<br />

against the walls. A cluttered glass coffee table was surrounded by black-andwhite<br />

seats, angled towards an enormous plasma TV. Bits of debris had<br />

overflowed from the coffee table on to the black fur rug below. Beyond the long<br />

windows, with their gauzy gray curtains, Strike could make out the shapes of the<br />

photographers still prowling beneath the street light.<br />

Duffield had returned, tugging up his fly. On finding himself alone with<br />

Strike, he gave a nervous giggle.<br />

“Make yourself at home, big fella. Hey, I know your old man, actually.”

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