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1 The Cuckoo's Calling

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10<br />

IT WAS THE FIRST TAXI that Strike had felt justified in taking since the day he had<br />

moved his belongings out of Charlotte’s flat. He watched the charges mount with<br />

detachment, as the cab rolled towards Wapping. <strong>The</strong> taxi driver was determined<br />

to tell him why Gordon Brown was a fucking disgrace. Strike sat in silence for<br />

the entire trip.<br />

This would not be the first morgue Strike had visited, and far from the first<br />

corpse he had viewed. He had become almost immune to the despoliation of<br />

gunshot wounds; bodies ripped, torn and shattered, innards revealed like the<br />

contents of a butcher’s shop, shining and bloody. Strike had never been<br />

squeamish; even the most mutilated corpses, cold and white in their freezer<br />

drawers, became sanitized and standardized to a man with his job. It was the<br />

bodies he had seen in the raw, unprocessed and unprotected by officialdom and<br />

procedure, that rose again and crawled through his dreams. His mother in the<br />

funeral parlor, in her favorite floor-length bell-sleeved dress, gaunt yet young,<br />

with no needle marks on view. Sergeant Gary Topley lying in the blood-spattered<br />

dust of that Afghanistan road, his face unscathed, but with no body below the<br />

upper ribs. As Strike had lain in the hot dirt, he had tried not to look at Gary’s<br />

empty face, afraid to glance down and see how much of his own body was<br />

missing…but he had slid so swiftly into the maw of oblivion that he did not find<br />

out until he woke up in the field hospital…<br />

An Impressionist print hung on the bare brick walls of the small anteroom to<br />

the morgue. Strike fixed his gaze on it, wondering where he had seen it before,<br />

and finally remembering that it hung over the mantelpiece at Lucy and Greg’s.<br />

“Mr. Strike?” said the gray-haired mortician, peering around the inner door, in<br />

white coat and latex gloves. “Come on in.”<br />

<strong>The</strong>y were almost always cheerful, pleasant men, these curators of corpses.<br />

Strike followed the mortician into the chilly glare of the large, windowless inner<br />

room, with its great steel freezer doors all along the right-hand wall. <strong>The</strong> gently<br />

sloping tiled floor ran down to a central drain; the lights were dazzling. Every<br />

noise echoed off the hard and shiny surfaces, so that it sounded as though a small<br />

group of men was marching into the room.<br />

A metal trolley stood ready in front of one of the freezer doors, and beside it<br />

were the two CID officers, Wardle and Carver. <strong>The</strong> former greeted Strike with a<br />

nod and a muttered greeting; the latter, paunchy and mottle-faced, with suit<br />

shoulders covered in dandruff, merely grunted.<br />

<strong>The</strong> mortician wrenched down the thick metal arm on the freezer door. <strong>The</strong><br />

tops of three anonymous heads were revealed, stacked one above the other, each<br />

draped in a white sheet worn limp and fine through repeated washings. <strong>The</strong><br />

mortician checked the tag pinned to the cloth covering the central head; it bore no

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