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1 The Cuckoo's Calling

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He saw the rawness of her pain, her fury, and her voice was choked as she<br />

said:<br />

“Tony’s right—you’re taking advantage—in it for all you can get—John’s<br />

gone funny—Lula jumped. She jumped. She was always unbalanced. John’s like<br />

his mother, he’s hysterical, he imagines things. Lula took drugs, she was one of<br />

those sort of people, out of control, always causing trouble and trying to get<br />

attention. Spoiled. Throwing money around. She could have anything she liked,<br />

anyone she wanted, but nothing was enough for her.”<br />

“I didn’t realize you knew her.”<br />

“I—Tony’s told me about her.”<br />

“He really didn’t like her, did he?”<br />

“He just saw her for what she was. She was no good. Some women,” she said,<br />

her chest heaving beneath the shapeless raincoat, “aren’t.”<br />

A chill breeze cut through the musty air of the lounge as the door swung shut<br />

behind Rochelle’s aunt. Bristow and Robin kept smiling weakly until the door<br />

had closed completely, then exchanged looks of relief.<br />

<strong>The</strong> barman had disappeared. Only four of them were left in the little lounge<br />

now. Strike became aware, for the first time, of the eighties ballad playing in the<br />

background: Jennifer Rush, “<strong>The</strong> Power of Love.” Bristow and Robin<br />

approached their table.<br />

“I thought you wanted to speak to Rochelle’s aunt?” asked Bristow, looking<br />

aggrieved, as though he had been through an ordeal for nothing.<br />

“Not enough to chase after her,” replied Strike cheerfully. “You can fill me<br />

in.”<br />

Strike could tell, by the expressions on Robin’s and Bristow’s faces, that both<br />

thought this attitude strangely lackadaisical. Alison was fumbling for something<br />

in her bag, her own face hidden.<br />

<strong>The</strong> rain had stopped, the pavements were slippery and the sky was gloomy,<br />

threatening a fresh downpour. <strong>The</strong> two women walked ahead in silence, while<br />

Bristow earnestly related to Strike all that he could remember of Aunt Winifred’s<br />

conversation. Strike, however, was not listening. He was watching the backs of<br />

the two women, both in black—almost, to the careless observer, alike,<br />

interchangeable. He remembered the sculptures on either side of the Queen’s<br />

Gate; not identical at all, in spite of the assumptions made by lazy eyes; one<br />

male, one female, the same species, yes, but profoundly different.

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