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Another suggest painting, along with the “View of Delft” that<br />
Vermeer most likely used camera obscura on was “Little<br />
Street”. Many locations for this image have been proposed,<br />
but the most suited location was the Vlamingstraat.<br />
Vlamingstraat was a narrow street that runs next to a canal<br />
in the centre of Delft, where Vermeer was born.<br />
The Little Street displays a mix of features, revealing painting<br />
on brick, wood, and glass, trees and sky, and portraying four<br />
figures of two women and two children.<br />
Vermeer supposedly sits in front of Old Woman’s and Old<br />
Man's Almshouse, which was directly across the street from<br />
Vermeer's home. The fact that the Delft almshouse was torn<br />
down in 1661 can be used to support the date assigned to<br />
this picture.<br />
A curator of 17th century paintings at the Rijksmuseum,<br />
Pieter Roelofs explains “The answer to the question as to the<br />
location of Vermeer’s The Little Street is of great significance,<br />
both for the way that we look at this one painting by<br />
Vermeer and for our image of Vermeer as an artist.”<br />
Johannes Vermeer<br />
The Little Street<br />
1657–1661<br />
Oil on canvas<br />
54.3 x 44 cm<br />
Rijksmuseum, Amsterdam<br />
iVlamingstraat in Delft, at the<br />
point where the present‐day<br />
numbers 40 and 42 stand.