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VERMEER CANA TURNER

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Another suggest painting, along with the “View of Delft” that<br />

Vermeer most likely used camera obscura on was “Little<br />

Street”. Many locations for this image have been proposed,<br />

but the most suited location was the Vlamingstraat.<br />

Vlamingstraat was a narrow street that runs next to a canal<br />

in the centre of Delft, where Vermeer was born.<br />

The Little Street displays a mix of features, revealing painting<br />

on brick, wood, and glass, trees and sky, and portraying four<br />

figures of two women and two children.<br />

Vermeer supposedly sits in front of Old Woman’s and Old<br />

Man's Almshouse, which was directly across the street from<br />

Vermeer's home. The fact that the Delft almshouse was torn<br />

down in 1661 can be used to support the date assigned to<br />

this picture.<br />

A curator of 17th century paintings at the Rijksmuseum,<br />

Pieter Roelofs explains “The answer to the question as to the<br />

location of Vermeer’s The Little Street is of great significance,<br />

both for the way that we look at this one painting by<br />

Vermeer and for our image of Vermeer as an artist.”<br />

Johannes Vermeer<br />

The Little Street<br />

1657–1661<br />

Oil on canvas<br />

54.3 x 44 cm<br />

Rijksmuseum, Amsterdam<br />

iVlamingstraat in Delft, at the<br />

point where the present‐day<br />

numbers 40 and 42 stand.

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