SPA314_Czech Music_2017-18_web_new

CZECHMUSIC 

SALES CATALOGUE 2017/2018 

b Bärenreiter Praha

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CONTENTS 

PIANO / KEYBOARD 

Piano Solo (piano two hands)3 

Piano Duet (piano four hands)11 

Piano Concertos 13 

HARPSICHORD 

Harpsichord Solo14 

Harpsichord Concertos14 

ORGAN 

Organ Solo14 

Organ Concertos 15 

ACCORDION 15 

VIOLIN 

Violin Solo 17 

2 Violins Solo18 

Violin and Piano18 

Violin Concertos 21 

VIOLA 

Viola Solo23 

Viola and Piano23 

Viola Concertos23 

VIOLONCELLO 

Violoncello Solo 24 

Violoncello and Piano 24 

Cello Concertos 25 

DOUBLE BASS26 

HARP32 

GUITAR32 

WINDS 

Recorder32 

Flute33 

Oboe (English Horn)33 

Clarinet 34 

Saxophone35 

Bassoon35 

French Horn36 

Trumpet36 

Trombone36 

Baerenreiter_COVER_A5+4mm 26.02.17 22:48 Stránka 1 

PERCUSSION37 

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42 

String Duo 42 

String Trio 42 

String Quartet 43 

String Quintet46 

String Sextet46 

Wind Ensembles46 

Wind Ensembles and Piano 47 

Miscellaneous Ensembles 47 

Miscellaneous Ensembles 

148 

and Piano49 

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ORCHESTRA 

String Orchestra 51 

Chamber Orchestra 52 

Symphony Orchestra53 

SOLO VOICE (VOICES) 60 

CHORAL MUSIC / SACRED 

AND SECULAR WORKS 

Collections 66 

Children's Choir 67 

Female Choir 67 

Male Choir 67 

Mixed Choir68 

OPERA75 

THEMATIC CATALOGUES75 

Index of composers76 

Promotional Gifts77 

Index of edition numbers77 

The catalogue contains a 

wide selection of Czech music 

titles from the production of 

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house. 

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Bärenreiter Praha • SPA 314 

CZECHMUSIC 

SALES CATALOGUE 2017/2018 

b Bärenreiter Praha 

4mm 148 

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Contents valid as of February 2017. 

Errors excepted and delivery terms 

subject to change without notice. 

Printed by Bärenreiter Praha s.r.o., 

náměstí Jiřího z Poděbrad 112/19, 

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in March 2017. 


1

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ABBREVIATIONS AND KEY TO FIGURES 

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Complete Edition 

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For all inquiries, please use the 

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Czech 

English 

French 

German 

Italian 

Latin 

Russian 

Spanish 

arr. arranged 

Ed. / Eds. Editor / Editors 

IMC International Music 

Competition 

maj major 

min minor 

rev. revised 

Vol. Volume 

Piano Solo 

(piano two hands) 

Pieces for Children and 

Youth / Educational Works 

/ Collections 

Classici boemici II 

Dusík, Rejcha, Škroup, Tomášek, 

Voříšek 

Ed. V. J. Sýkora 

MAB I/20 

H 1356 

Classics and Their Contemporaries I 

Dusík, Rejcha, Škroup, Tomášek, 

Voříšek 

Rev. by A. Sarauer, D. Křížková 

H 4497 

Classics and Their Contemporaries II 

Beethoven, Cimarosa, Clementi, 

Czerny, Dušek, Haslinger, Haydn, 

W. A. Mozart, Mysliveček, Pleyel, 

Rössler, Steibelt, Vaňhal 

Rev. by A. Sarauer, D. Křížková 

H 5077 

Czech Piano Music 

Dusík, Dvořák, Fibich, Janáček, 

Martinů, V. Novák, Smetana, Suk, 

Tomášek, Voříšek 

Rev. by K. Šolc 

H 5033 

Czech Sonatinas 

J. A. Benda, Dusík, Dušek, 

L. Koželuh, Mysliveček, Vaňhal, 

Voříšek 

Eds. K. Emingerová, O. Kredba 

MAB I/17 

H 1122 

Dlouhý Milan 

(*1938) 

Tell Me, Tell Me, Dandelion 

(Ptám se, ptám se, pampeliško) 

A cycle of instructive pieces 

(Cz/Ger/Eng) 

Rev. by J. Uxová 

H 7781 

Dusík Jan Ladislav 

(1760–1812) 

Twelve Melodic Studies for Piano 

Op. 16 COPY 


MAB I/21 

H 907 

Dvořák Antonín 

(1841–1904) 

Largo from Symphony No. 9 

in E min “From the New World” 

Op. 95 

Arr. by L. Láska in an easy style 

H 1810 

Dvořák Milan 

(*1934) 

Jazz Piano Studies 

(Cz/Ger/Eng) 

H 5020 Vol. 1 

H 7082 Vol. 2 

Eben Petr 

(1929–2007) 

The World of Children 

(Svět malých) 

20 little compositions 

Rev. by I. Hurník 

H 3211 

Three Pieces in C 

H 6421 

For Young People from Modern 

Czech Composers 

Ed. V. Jůzlová 

H 7591 

Graham Peter 

(*1952) 

Subversive Etudes (Jinakosti) 

BA 9585 

→ see more on the next page 

Hanuš Jan 

(1915–2004) 

Moments in Nature 

(Vteřiny v přírodě) Op. 18 

A cycle of ten miniatures for the 

youngest pianists 

Rev. by E. Doležalová 

H 2031 

The Story of Ten Brothers 

(O deseti bratrech) Op. 32 

Easy exercises and etudes for 

young fingers 

(Cz/Ger/Eng) 

H 2242 

Hradecký Emil 

(*1953) 

A Little Jazz Album 

(Cz/Ger/Eng) 

H 7325 

Jazz Etudes for Young Pianists 

Ed. Š. Krejčí 

(Cz/Ger/Eng) 

H 7974 


(*1953) 

NEW 2017 

Two-Part Piano Miniatures on 

One Page (Dvouhlasé klavírní 

skladbičky na jednu stránku) 

Illustrations (black-and-white) 

by Andrea Tachezy 

(Cz/Ger/Eng) 

H 8034 

To appear in August 2017 

This album offers imaginative 

piano miniatures of diverse 

character and style, which are 

easy to play, have interesting 

melodies, and are cleverly 

composed to really have just 

two parts, one for each hand. 

● 15 easy and short performance 

pieces for beginning pianists 

● Another original Czech 

contribution to educational 

piano literature 

Hurník Ilja 

(1922–2013) 

Jazz piccolo (Džezík) 

easy piano pieces 

(Cz/Ger) 

H 6329 

Studies (Etudy) 

H 6474 

Korte Oldřich F. 

(1926–2014) 

Excursion (Exkurse) 

A cycle of instructive pieces 

(Cz/Ger/Eng) 

H 7948 

2 3



 

 

 

4 

For open-minded teachers 

and inquisitive kids 

Dětský karneval 

Children’s Carnival / Kinderfasching 

Vesele Merrily / Fröhlich 

 

4 

 

 

 

 

 

 

 

 

f tak - tak 

 

- tak - tak 

 

- ta - ki ta - ki tak - tak 

 

- 

 

 

 

 

4 

 

 

mp 

1. 

 

 

 

 

 

 

 

 

 

ta - ki - ta ta - ki - ta ta - ka 

 

 

 

 

 

2. 

 

 

f 

 

 

f 

Graham Peter 

(*1952) 

Subversive Etudes (Jinakosti) 

for piano 

Illustrations by Andrea Tachezy 

BA 9585 

Graham’s witty piano miniatures 

offer a natural means of 

practising finger technique, 

rhythm, and aural imagination. 

The melodies are distinctive and 

appealing, and the rhythms are 

simple yet original. The short 

pieces help students to develop 

their sense of polyphony and 

flexibility of play, and they enrich 

the students’ range of expression 

in ways which are rarely found in 

piano teaching literature. 

 

 

These simple genre paintings offer 

glimpses into the musical cultures 

of different countries (e.g. Gamelan, 

Balkan Dance, African Games), 

music history and styles of composers 

like Janáček, Debussy, or Satie, 

and into musical genres (opera, 

film). 

Peter Graham (actually Jaroslav 

Šťastný) teaches composition 

at the Janáček Academy of Arts 

in Brno. 

● Miniature recital pieces for 

piano with amusing illustrations 

● A welcome addition to the 

piano teaching literature 

● Simple and entertaining 

genre paintings 

● Easy to moderate level of 

difficulty 

Martinů Bohuslav 


NEW 2016 

Easy Piano Pieces and Dances 

Ed. L. Harasim Berná 

BA 9586 

Black Bottom H 165, Foxtrot 

H 126 bis , Crotchets and Quavers 

(Čtvrtky a osminky) H 257, 

One-step H 127 bis , Foxtrot 

Born “On the Corner” (Foxtrot 

narozený „Na růžku”) H 123 bis , 

Christmas (Vánoce) H 167 

Though Bohuslav Martinů 

produced a lot of educational 

works for the piano, not all of 

them have been published and 

many delightful pieces have 

remained unknown. 

Martinů's four-part piano cycle 

Crotschets and Quavers, appears 

for the first time. The work, 

composed in Paris in 1937, was 

previously known only from his 

correspondence and was long 

considered lost until a copyist’s 

manuscript of it resurfaced 

in Brno in 2011. The jazz piece 

One-step, composed in 1921, 

is also made accessible here 

for the first time. It hitherto 

only existed in the composer’s 

autograph. 

● Six appealing pieces, two of 

them published for the first 

time 

● Preface (Cz/Eng/Ger) and 

fingering by the editor 

● Easy to moderate level of 

difficulty 

12 

7 

 

13 

 

19 

 

 

 

Moderato 

5 2 

mf 

3. Čtvrtky a osminky 

Crotchets and Quavers ● Viertel und Achtel 

I 

2 

2 

2 3 2 

4 

 

4 4 

[ 

 

] 

[ 

] 

[ 

] 

3 

4 

 

5 

2 

4 

 

 

3 

4 

 

2 

 

 

4 3 

 

4 

 

2 

4 3 

4 2 

4 3 

4 

 

4 

4 

( ) 

5 

2 

4 

3 

3 

 

 

 

 

4 4 

2 

4 

3 

3 

[ 

] 

4 

 

[ ] 

4 

 

[ 

] 

 

1 

5 

2 

4 

2 3 

 

4 

 

4 [ 

] 

4 2 4 2 

 

 

 

2 

4 

2 

4 

3 2 

4 4 

poco f mf mf 

 

2 3 2 

4 4 

4 5 

4 1 2 

 

 

3 

2 

3 

2 3 

4 

1 3 1 4 2 5 4 

From: Bohuslav 

 

Martinů, 

 

 

Crotchets 

4 and Quavers 

 

 

4 

from 

 

 

Easy Piano Pieces 

4 1 

and 

Dances • BA 9586 

4 

Martinů 3Bohuslav 

2 

(1890–1959) 4 4 

 

 

 

Fables (Bajky) H. 138 

5 pieces in moderate 

25 2 1 2 

3 

2 

4 

level of 

difficulty 

4 

3 

2 

 

 

H 3363 

Christmas (Le Noël /Vánoce) 

H. 1674 

4 

 

 

 

 

Three pieces: Sleigh (Sáně), 

Christmas Carol (Vánoční koleda), 

Childern's Lullaby (Dětská 

ukolébavka) 


H 5081 

Spring in the Garden 

(Jaro v zahradě) H. 125 

4 children's pieces 

Ed. A. Březina 

H 3257 

Slavický Klement 

(1910–1999) 

12 Small Studies 

Rev. by E. Kleinová 

H 4149 

Smetana Bedřich 

(1824–1884) 

A selection of Piano 

Compositions I 

Ed. V. Štěpán, rev. by K. Šolc 

moderate level of technical 

difficulty 

H 1979 

 

 

 

 

3 

4 

1 

5 

 

poco f 

2 

4 

4 

4 

3 

4 

3 

4 

3 

2 

4 

3 

4 4 

 

Innocence 

 

 

(Nevinnost), 

Love 

(Láska), Polka in E-flat maj (op. 

posth.), Album Leaves (Lístky 

do 

 

památníku) Op. 2 Nos. 

 

3 

4 

 

2, 

 

3, 

6, Polkas in E maj, in E-flat maj, 

in G min, in E min, Idyll (Idyla), 

Souvenir (Vzpomínka), A Pleasant 

Landscape (Přívětivá 3 krajina) 

 

4 

 

 

 

 

 

 

 

BA 9586 

Treasure of Melodies II 

5 easy instructive pieces in 

increasing level of difficulty 

Ed. H. Séquardtová 

H 4499 

Sonatinas and Rondos I 

Clementi, Dusík, Kuhlau 

Rev. by V. Kurz 

H 235 

Suk Josef 


About Mother (De maman / 

O matince) Op. 28 COPY 

“Simple piano pieces for my little 

son” 

Ed. B. Selva 

H 297 

Love Song (Píseň lásky) Op. 7 

No. 1 

Arr. by P. Blažek, rev. by K. Šolc 

H 2424 

Repertoire Works 

Benda Jiří Antonín 

(1722–1795) 

Sonate I–XVI 


MAB I/24 

H 1796 



Sonate I–VII COPY 


MAB I/46 

H 3099 

Sonate VIII–XVI COPY 


MAB I/53 

H 3289 

Sonate XVII–XXIII 


MAB I/59 

H 3413 

Sonate XXIV–XXIX 


MAB I/63 

H 3756 

Dušek František Xaver 

(1731–1799) 

NEW 2016 

Complete Sonatas for Keyboard 

Urtext / Ed. V. Spurný 

BA 11513 Vol. I 

BA 11514 Vol. II 




Dumka Op. 35, Furiant Op. 12, 

Two Little Pearls (Dvě perličky) 

B 156 

ADCE V/3 

H 6676 

Humoresque in G-flat maj 

Op. 101 No. 7 

Urtext / Eds. P. Kvasničková, 

M. Štědronská 

Preface (Cz/Eng/Ger), critical 

commentary (Cz/Eng) and 

facsimile pages 

BA 9503 

Humoresques Op. 101 

ADCE V/4 

H 1274 

Impromptu B 129, Humoresque 

B 138 

ADCE V/3 

H 2850 

4 5





Mazurkas Op. 56 

ADCE V/2 

H 2907 

Piano Compositions 1 COPY 

H 7040-01 

Dumka Op. 35, Eclogues B 103, 

Furiants Op. 42, Piano Pieces 

Op. 52, Silhouettes Op. 8, Tema con 

variazioni Op. 36, Waltzes Op. 54 

Piano Compositions 2 COPY 

H 7040-02 

Mazurkas Op. 56, Impromptu 

in D min B 129, Dumka and Furiant 

Op. 12, Poetic Tone-Pictures Op. 85, 

Suite in A maj Op. 98, Humoresques 

Op. 101, Dances: Polka in E maj B 3, 

Minuets Op. 28 and Scottish Dances 

Op. 41, Album Leaves B 109/2, 

B 128a, B 158, B 109/1/2/4, B 116, 

Humoresque in F-sharp maj B 138, 

Two Little Pearls B 156, Lullaby, 

Capriccio B 188/1, 2 

Piano Compositions Op. 52 

Eclogue, Gigue, Impromptu, 

Intermezzo 

ADCE V/2 

H 3177 

Poetic Tone-Pictures 

(Poetické nálady) Op. 85 

Eds. J. Burghauser, A. Čubr 

ADCE V/3 

H 338 

Silhouettes Op. 8 

12 piano pieces 

ADCE V/1 

H 1763 

Slavonic Dances Op. 46 (Series I) 

Arr. by K. Šolc 

H 1359 

Slavonic Dances Op. 72 (Series II) 


H 1428 

COPY 

Suite in A maj Op. 98 

ADCE V/4 

H 2226 

Symphony No. 9 in E min 

“From the New World” Op. 95 


H 1110 

Tema con variazioni Op. 36 COPY 

ADCE V/1 

H 1126 

Waltzes Op. 54 

ADCE V/2 

H 1498 


(1731–1799) 

NEW 2016 


Urtext / Ed. V. Spurný 

BA 11513 Vol. I 


The Czech composer František 

Xaver Dušek was one of the 

leading figures in the musical 

life of late 18th century Prague. 

He was an outstanding pianist, 

composer and teacher whose 

pupils included Leopold Koželuch. 

7 

 

13 

 

19 

 

 

Sonata XI 

This edition in two volumes 

contains all 23 of his surviving 

piano sonatas, many of which 

were previously accessible only 

in old prints or manuscripts. 

They are presented in chronological 

order by publication date. 

A commentary by the editor 

offers useful tips on performance 

practice. 

Vol. I comprises 10 sonatas that 

where published in Dušek's 

lifetime by Breitkopf. The original 

prints of eight of them were 

lost. Thus the only sources for 

the current critical edition were 

period copies of the works. 

Vol. II contains 13 sonatas left 

unpublished in Dušek's lifetime 

and preserved in manuscript 

form. Three of them appear here 

for the first time. 

● First complete scholarlycritical 

edition 

● Five previously unpublished 

sonatas 


critical commentary (Eng) 

by the editor 

● Easy to play and suitable for 

teaching purposes 

Allegro 

2 

 

4 

 

 

 

 

2 

4 

 

 

 

 

 

 

 

 

 

 

František Xaver Dušek 

(1731‒1799) 

 

 

 

 

[ ] 

[ ] 

 

 

 

 

 

 

 

[ 

 

] 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Eben Petr 

(1929–2007) 

Universi 

Liturgical movement for piano 

Prague Spring IMC Commission 

(2004) 

H 7917 

Veni creator spiritus 

Improvisation on the Gregorian 

Theme 

H 7744 

Fibich Zdeněk 


Images, Impressions et Souvenirs 

(Nálady, dojmy a upomínky) 

Op. 41 


H 384 Vol. I 

H 425 Vol. II 

H 675 Vol. III 

H 676 Vol. IV 

Fišer Luboš 

(1935–1999) 

Complete Sonatas for Piano 

by one of the most distinctive 

figures of Czech music of the 

20th century. His 2nd Sonata 

(1957) was subsequently removed 

from his compositional 

repertoire by the composer 

himself. 

6 

7 

 

 

 

H 7911 

H 7957 

H 7988 

H 7757 

H 7758 

H 7766 

H 7989 

Sonata I 

Sonata III 

Sonata IV 

Sonata V 

Sonata VI “Fras” 

(The Devil) 

Sonata VII 

Sonata VIII 

Fišer Luboš 

(1935–1999) 

Dreams and Waltzes 

(Sny a valčíky) 

H 7795 

Janáček Leoš 


A Recollection (Vzpomínka) 

COPY 

Ed. J. Trojan 

H 5781 

NEW 2018 

Complete Works 

for Pianoforte 

New Urtext edition 

Ed. O. Pivoda 

BA 11545 (replaces H 6070p) 

In preparation 

In the Mists (V mlhách) 

Urtext with fingering 

Eds. J. Burghauser, L. Kundera 

Fingering by R. Kvapil 

New preface by J. Zahrádka 

BA 9500 

Lachian Dances (Lašské tance) 

Arr. by J. Máslo 

H 6065 

On an Overgrown Path 

(Po zarostlém chodníčku) 

Series I–II 





BA 9502 

Sonata 1. X. 1905 





BA 9501 

Tema con variazioni (Zdenkas 

Variations / Zdenčiny variace) 

Rev. by R. Kvapil 

H 6070-01 

Ježek Jaroslav 

(1906–1942) 

Bugatti Step 

H 3156 

A virtuosic piano foxtrot (1931) 

was influenced by the composer's 

fascination with the Bugatti car. 

Jírovec Vojtěch 


12 Waltzes for Piano 

Ed. V. Müllerová 

H 4738 

Kabeláč Miloslav 

(1908–1979) 

Eight Preludes for Piano Op. 30 

COPY 

H 2461 

Motifs from Exotic Lands 

(Cizokrajné motivy) Op. 38 

Ed. Z. Nouza † 

MKCE V/4 

H 7906 

Seven Pieces for Piano Op. 14 


MKCE V/5 

H 7857 

Short Pieces for Piano 

(Drobné skladby pro klavír) 


MKCE V/6 

H 7842 

Kalabis Viktor 

(1923–2006) 

Entrata, aria e toccata Op. 41 

COPY 

H 6354 

Piano Sonata No. 3 Op. 57 

H 7415




(1926–2014) 

Sonata 


Koželuh Leopold 

(1747–1818) 


Urtext / Ed. Ch. Hogwood † 

BA 9511 Vol. I 


BA 9513 Vol. III 

BA 9514 Vol. IV 

BA 9515 Set of all 4 volumes 

(special set price) 

50 keyboard sonatas from 

Leopold Koželuch (also Koželuh), 

the foremost representative 

of Czech music in the 18th 

century Vienna, span his entire 

career and mark not only the 

transition from the harpsichord 

and clavichord manner to the 

fully idiomatic forte-piano 

style, but also the evolution of 

the “classical sonata” during 

three decades (1773–1806). The 

sonatas are presented chronologically 

according to the date 

of their first publication. 

● First complete scholarlycritical 

edition 

● Fills a gap in Czech and 

Central-European Classical 

repertoire 

● Suitable for amateurs as well 

as professionals; ideal for 

teaching purposes 

● Detailed preface (Eng/Cz/Ger), 

critical commentary (Eng) by 

the editor and facsimile 

pages 



Film en miniature H. 148 

Cycle of six pieces 

Ed. V. Kafková 

H 5709 

Puppets (Loutky) I-III 

H. 137, H. 116, H. 92 


H 7875 Vol. I 

H 7946 Vol. II 

H 7963 

H 7970 

Vol. III 

All 3 volumes 

combined 

The charming pieces composed 

between 1912 and 1925 differ 

from one another in character. 

They take characters of Italian 

commedia dell´arte as their 

theme: Pierrot, Colombina and 

Harlequin. 

● Detailed preface and critical 

commentary by the editor 

(Cz/Ger/Eng/Fr) 

● Fingering by Giorgio Koukl 

Quatre Mouvements H. 170 

Rev. by I. Popelka 

H 6156 

Mysliveček Josef 

(1737–1781) 

Six Sonatas 

Rev. by V. Němec 

Preface on the composer 

and his works by 

O. Zuckerová (Cz/Ger/Eng) 

H 7330 

Novák Vítězslav 


Sonatinas Op. 54 Nos. 1, 2 

Rev. by F. Rauch 

H 475 

Rejcha Antonín 


36 Fugues for Piano 


Preface by R. Dykast 

(Cz/Eng/Ger) 

BA 9541 

The Czech composer Antonín 

Rejcha (also Anton Reicha) 

was famous as both an 

experimental composer and 

a teacher and theorist. His 

36 Fugues for Piano testify to 

this experimentalism; they 

can be seen as a type of “Well- 

Tempered Piano of the new 

ages”, basing the traditional 

Baroque fugue on radically 

new fundaments. 

Simon Ladislav 

(1929–2011) 

Piano Sonata No. 2 

H 7445 

Schulhoff Erwin 


Jazz Inspired Works 

Urtext / Ed. M. Kube 

BA 9559 

Partita (1922) / Cinq études 

de jazz (1926) / Esquisses de 

jazz: Six pièces faciles pour 

piano (1927) / Hot Music: Ten 

Syncopated Studies (1928) / 

Suite dansante en jazz (1931) 

Sonatas Nos. 1 – 3 

Urtext/ Ed. M. Kube 

BA 9560 

Erwin Schulhoff was a 

Prague German-speaking 

composer. His compositions 

of the 1920s, with their blend 

of traditional genres, jazz 

syncopations, dance rhythms 

and moderately expanded 

tonality, were fully attuned to 

the tenor of the times. 

● First Urtext editions 

● Prefaces (Ger/Cz/Eng) and 

critical commentaries 

(Eng) by the editor 



A selection of Piano 

Compositions III 

Ed V. Štěpán, rev. by K. Šolc 

advanced level of technical 

difficulty 

H 3374 

Macbeth and the Witches 

(Macbeth a čarodějnice) Op. 

posth., On the Seashore (Na 

břehu mořském), Bohemian 

Harvest (Slavnost českých 

sedláků), selection from Czech 

Dances: Polka in F maj, Furiant, 

Medvěd, Slepička, Obkročák 

Album Leaves 

(Lístky do památníku) 

Urtext with fingering / 

Ed. J. Novotný 

New preface by J. Gabrielová 

(Cz/Eng/Ger) 

BA 9525 

Album Leaves (Lístky 

do památníku) Opp. 2, 3, Sketches 

(Črty) Opp. 4, 5, Posthumous 

Compositions (Skladby 

z pozůstalosti), Compositions 

for Various Occasions (Skladby 

příležitostně uplatněné) 

Czech Dances 




(Cz/Eng/Ger) 

BA 9507 (replaces H 7308) 

Series I: Polkas in F-sharp min, 

in A min, in F maj, in B-flat maj, 

Series II: Furiant, Slepička, Oves, 

Medvěd, Cibulička, Dupák, Hulán, 

Obkročák, Sousedská, Skočná 

Early Piano Works 




(Cz/Eng/Ger) 

BA 9527 

Compositions from the 

years 1840–1849: Bagatelles 

et impromptus, Six morceaux 

caractéristiques Op. 1, Wedding 

Scenes (Svatební scény), first 

Polkas: Louisa's (Louisina), Dahlia 

(Jiřinková), From the Student 

Life (Ze studentského života), 

Souvenir of Plzeň (Vzpomínka 

na Plzeň), Polka in E-flat maj 


Macbeth and the Witches 

(Macbeth a čarodějnice) 

Op. posth. 

Sketch to a scene from 

Shakespeare 

Urtext / Ed. J. Gabrielová 

BA 11537 


● First-ever scholarly-critical 

edition 

Macbeth and the Witches is one 

of Smetana's virtuosic ‘Lisztian’ 

compositions. Based on motifs 

from the opening scene of Act 

IV of Shakespeare's tragedy, it 

originated in 1859 as a piano 

sketch and was probably 

meant to be orchestrated. It 

falls into Smetana's Swedish 

period, which gave rise to three 

symphonic poems, including one 

on Shakespeare's Richard III. Later 

the work took hold as a piano 

piece and was orchestrated by 

Jarmil Burghauser. 

On the Seashore (Na břehu 

mořském) / Concert Etude in 

C maj (Koncertní etuda C dur) 

/ Fantasia on Czech Folksongs 

(Fantasie na české národní písně) 

included also Allegro capriccioso 

and Etude in A min 




(Cz/Eng/Ger) 

BA 9519 

8 9





Piano Compositions 1 


H 7333 

Bagatelles et impromptus and 

other early piano compositions: 

Polkas (Betty's, Louisa's, Dahlia, 

Polka in E-flat maj), Duet, Impromptu 

I, Impromptu II, Impromptu 

III, Composition without name, 

Apparation at the Ball (Vidění 

na plese), From the Student Life 

(Ze studentského života), Souvenir 

of Plzeň (Vzpomínka na Plzeň) 



H 7460 

Six morceaux caractéristiques 

Op. 1, The Curious One (Zvědavý), 

Forest Emotions and Impressions 

(Lesní city a dojmy), Waltzes, 

Album Leaves (Skladby psané 

do památníku) 



H 7215 

Dreams (Rêves / Sny), 

Wedding Scenes (Svatební scény), 

Treasury of Melodies I (Poklad 

melodií I) 

Polkas 




(Cz/Eng/Ger) 

BA 9506 

Three Drawing-Room Polkas 

(Tři salonní polky) Op. 7, Three 

Poetic Polkas (Tři poetické polky) 

Op. 8, Souvenir of Bohemia in the 

Form of Polkas (Vzpomínka na 

Čechy ve formě polek) Opp. 12, 13, 

Polkas from the 1850s (Polky z let 

padesátých) 

Spring (Jaro) Op. 22a 

8 

Five pieces for piano 

a tempo 

41 

Rev. 

sempre 

by 

p 

K. 

molto 

Šolc 

 

 

 

H 298 

 

 

 

 

 

 

 

 

 

 

 

 

4 

p dim. 

 

 

 

 

 

 

 

 

44 

 

poco pp 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

2 2 

pp 

 

Rêves (Dreams 

/ Sny) 

 

 

 

 

 

Six morceaux caractéristiques 

poco 

 

 

pour le piano 


Ed. J. Gabrielová 

48 

 

BA 9529 

 

 

 

Things Lived and Dreamt 

The six pieces 

 

 

*) 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

of “Rêves” were 

(Životem a snem) Op. 30 

pp leggiero 

written in 1875, when Smetana Ten Pieces for Piano 

had already 

 

lost his hearing. 

Urtext / Ed. J. Gabrielová 

This significant 

work 

by the 

 

 

 

 

 

 

 

BA 9561 

 

 

composer was not included 

in the Complete Edition of 

The cycle Things Lived and 

Works for Piano. This new 

edition is based on the first 

Dreamt (Životem a snem) 

poco sostenuto 

printed edition of 1879 by 

has been called 

the “diary 

51 

Emanuel Starý. 

 

of an artist”. Although Suk's 

 

musical language never 

● First critical 

 

 

 

 

 

 

 

 

 

 

 

edition 

dim. 

pp 

exceeds the bounds of tonality, 

● Preface (Cz/Eng/Ger) 

and 

his wealth of resources, the 

 

critical commentary 

 

 

 

 

(Eng) 

flexible harmony, chords of 

 

 

 

 

 

 

 

 

 

 

 

 

 

by the editor 

stacked thirds and 

meticulous 

 

 

*) See Critical Report. 

performance instructions were 

new to the Bohemia of his day. 

● With the historical fingering 

by Smetana's contemporary, 

Jindřich Kàan z Albestů 

Suk Josef 


Lullabies (Ukolébavky) Op. 33 


H 4154 

Piano Compositions Op. 7 


H 5766 

Love Song (Píseň lásky), 

Humoresque, Recollections 

(Vzpomínky), Idylls (Idylky), 

Dumka, Capriccietto 

Radúz and Mahulena Op. 13 

Music to a Slovak fairy tale in 

4 acts by Julius Zeyer 


piano reductin 

(Roman Veselý) 

The autograph contains many 

cuts, overwritings and barely 

decipherable passages, yet it is 

carefully prepared and largely 

identical to the first edition of 

1909. This first scholarly-critical 

edition takes all source variants 

into account for the first time. 

● Magnum opus of Suk's piano 

music 

● First ever scholarly-critical 

edition 



by the editor 

 

 

 

 

 

 

 

 

9 

 

17 

 

25 

 

 

9 

III 

(Tajemně a velmi vzdušně) 

(Mysterious and very airy) 

Andante sostenuto (Geheimnisvoll und sehr duftig) 

6 

 

 

 

 

8 

 

 

 

 

 

 

 

 

 

 

 

 

 

mp 

mp 

 

6 8 

 

 

 

 

 

 

 

 

 

 

 

pp poco 

Vivace 

 

 

 

sempre dolcissimo 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

poco 

dolce 

 

pp 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

poco 

 

 

 

 

 

poco 

poco 

 

 

pp 

sempre pp e dolcissimo 

 

 

 

 

 

 

 

 

 

 

 

poco marcato ma pp poco marc. 

 

 

 

 

 

 

 

 

 

32 

 

Tomášek Václav Jan 

Voříšek Jan Václav Hugo 

(1774–1850) 

 

From: Josef 

 

Suk, 

Things 

 

 

Lived 

and 

Dreamt 

Op. 30 • BA 9561 

pp 

mf marcato il basso 

 

perdendosi pp 

 

 

 

 

 

 

 

(1791–1825) 

 

Eclogues pour le pianoforte I 

COPY 

(Opp. 35, 39, 47, 51) 

Ed. A. Borková 

dim. 

Composizioni per piano solo 

Ed. O. Zuckerová 

MAB I/52 

H 3237 

MAB I/73 

Impromptus Op. 7 

H 4872 

Ed. V. Helfert 

Eclogues pour le pianoforte II 

COPY 

MAB I/1 

H 2182 

(Opp. 63, 66, 83) 

XII rhapsodies pour le pianoforte 

Ed. A. Borková 

Op. 1, Vol. I (Rhapsodies I–VI) 

MAB I/74 


H 5390 

MAB I/78 

H 6036 

Vaňhal Jan Křtitel 


Twelve Sonatines 

(Dodici Sonatine) 

Rev. by V. Němec 

Preface by O. Zuckerová 

(Cz/Ger/Eng) 

H 7461 

 

 

XII rhapsodies pour le pianoforte 

Op. 1, Vol. II (Rhapsodies VII–XII) 

COPY 


MAB I/79 

H 6114 

Sonata in B-flat min Op. 20 

Ed. O. Zuckerová 

MAB I/4 

H 7133 

Piano Duet 

(piano four hands) 





Scottish Dances Op. 41 

piano four hands arrangement 

of the original piece for two 

hands (in piano album Dances, 

ADCE V/1) 

(Cz/Ger/Eng) 

H 5851 

Eben Petr 

(1929–2007) 

The Little Green Forest 

(Hájíčku zelený) 

Arrangements of Folk Songs 

(Cz/Ger/Eng) 

Rev. by J. Němcová, V. Němec 

H 6657 


(*1953) 

Jazz Pieces for Twenty Fingers 

(Cz/Ger/Eng) 

piano four hands arrangements 

of popular dances – Waltz, 

Ragtime, Samba, Tango etc. 

H 7975 

Hurník Ilja 

(1922–2013) 

Playing with Four Hands 

(Cz/Ger) 

H 6155 

Kopelent Marek 

(*1932) 

Two (Dva) 

H 6474 

10 11






From the Bohemian Forest 

(Ze Šumavy) Op. 68 

Cycle of six characteristic pieces 

Ed. A. Čubr 

BA 9565 

In the Spinning-room 

(Na přástkách), By the Black 

Lake (U Černého jezera), 

Walpurg's Night (Noc filipojakubská), 

In the Wait 

(Na čekání), Silent Woods 

(Klid), From Troublous Times 

(Z bouřlivých dob) 

In the third cycle for piano 

four hands, following Slavonic 

Dances and Legends, Dvořák 

drew his inspiration from the 

countryside that he enjoyed 

visiting in his free time. 

● Popular piano miniatures, 

which can be played also 

individually and are ideal 

as encore pieces 

● New preface by Hans- 

Joachim Hinrichsen and 

Ivana Rentsch (Ger/Eng/Cz) 

● Primo and Secondo parts 

printed on facing pages 

NEW 2016 

Slavonic Dances (Slovanské 

tance) Op. 46 and Op. 72 

Ed. J. Burghauser 

BA 9547 Op. 46 / Series I 

BA 9548 Op. 72 / Series II 

● Unique masterpieces of 

European music for domestic 

use and concert performance 

● New preface by Hans-Joachim 

Hinrichsen and Ivana Rentsch 

(Ger/Eng/Cz) 

● Newly engraved with Primo 

and Secondo parts printed on 

facing pages 

2 

10 

 

 

 



Sonata in B-flat maj for Piano 

Four Hands Op. 28 

COPY 

Eds. A. Pokorný, K. Šolc 

H 3879 

Hurník Ilja 

(1922–2013) 

Innocenza 


H 7717 

Hurník Lukáš 

(*1967) 

Hot-Suite 


H 7638 



Sinfonietta 

H 7741 piano reduction 

for four hands 

(František Jílek) 


(1908–1979) 

Small Suite (Malá suita) Op. 42 

COPY 

H 3598 

From: Antonín Dvořák, Slavonic Dance No. 1 (furiant) from the Slavonic 

Dances Op. 46 four hands • BA 9547 

Presto 

 

 

Presto 

3 

4 

 

 

 

 

3 

 

 

 

4 

 

 

ff 

2 

 

 

 

 

 

ff 

SECONDO 

1 

[ fz] 

Antonín Dvořák, Antonín op. 46 Dvořák, op. 46 

3 

4 

 

3 

4 

 

 

 

 

 

 

 

 

 

 

 

 

 

10 

 

 

 

 

 

 

 

SECONDO 

1 

[ fz] 

 

 

 

 

 



Vltava (The Moldau) 

Symphonic poem from the cycle 

My Country (Má vlast) in the 

original version for piano duet 

Urtext / Ed. H. Macdonald 

Preface by O. Mojžíšová 

BA 9549 

● Informative preface 

including a contribution 

by Smetana scholar Olga 

Mojžíšová (Cz/Eng/Ger) 

● Primo and Secondo parts 

printed on facing pages 

(score and orchestral parts – see 

section ORCHESTRA) 



Symphony in D maj 

H 7323 

piano reduction 


(Karel Šolc) 

(score and orchestral parts – see 

section ORCHESTRA) 

Piano Concertos 

Bořkovec Pavel 


Concerto No. 1 for Piano and 

Small Orchestra 

H 4985 study score ♦ 



Concerto in G min for Piano and 

Orchestra Op. 33 COPY 

With two solo parts (scored in 

parallel) – the original by the 

composer and an arrangement 

by V. Kurz 

ADCE III/10 

H 1780 piano reduction ♦ 

(Karel Šolc) 

(will be replaced by 

BA 10420-90) 

Concerto in G min 

for Piano and Orchestra Op. 33 

Urtext / Ed. R. van Steijn 

BA 10420 score 

BA 10420-90 piano reduction ♦ 

(Antonín Dvořák) 

(will replace H 1780) 


Dvořak's Piano Concerto in 

G minor Op. 33 (1876) acquired 

a reputation as a thankless, 

pianistically difficult and 

ineffective work and has 

therefore led a wallflower 

existence in the shadow of his 

Violin and Cello Concertos. Today, 

it is considered inadvisable to 

‘remedy’ Dvořak’s music in any 

way, and we prefer to return 

unconditionally to the authentic 

text, avoiding all adjustments 

and ‘improvements’. 

This new edition proceeds from 

the autograph score and the 

complete printed edition issued 

by Hainauer of Breslau in 1883. It 

also includes an edition of the 

composer’s original piano 

reduction, with a second piano 

taking the place of the orchestra. 

Fišer Luboš 

(1935–1999) 

Concerto da camera 

for piano and chamber 

orchestra 

H 5422 score ♦ 



Capriccio for Piano Left Hand 

and Wind Ensemble 

flute / piccolo, 2 trumpets, 3 

trombones, tenor tuba ossia 

French horn 

Eds. L. Faltus, J. Procházková 

 

 

 

 

 

 

 

 

 

 

Legends (Legendy) Op. 59 

 

 

 

 

 

 

 

 

 

 

 

 

Eds. F. Bartoš, A. Pokorný, K. Šolc 

18 1. 2. 

ADCE V/6 

 

18 

 

1. 

 

 

 

 

2. 

 


1. 

 

 

 

 

 

 

 

 

 


 

 

 

p pp p 

 

 

 

 


 

 

 

1. 

 

 

 

 

 

p 

[ ] 

 

p pp p 

pp 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

p 

[ ] pp 

 

 

 

 

 

 

 

♦ Performance material 


12 

28 

 

28 

 

 

[ 

 

 

26 2. 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

pp ] 

[ poco a poco cresc. 

[ p ] 

[ pp ] poco fz a cresc. fz 

 

 

 

 

 

 

 

 

26 2. 

 

 

 

 

 

 

 

 

 

 

 

pp ] 

poco a poco cresc. 

[ p ] 

[ 

 

 

 

 

 

 

 

 

 

pp ] poco fz a 

 

poco cresc. fz 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

13 

10 

 

 

 

 

 

 

3 

4 

ff 

 

1 1 

Antonín Dvořák, op. 46 

 

Presto 

Presto 

 

 

3 

 

 

 

 

4 

 

 

 

 

 

 

 

 

3 

 

4 

 

3 

 

 

 

 

4 

 

 

 

 

PRIMO PRIMO 3 

3 

10 

 

 

 

 

 

 

 

 

 

fz 

fz 

 

 

 

ff 

 

 



 

LJCE E/5 

BA 6856• 

cloth bound score 

with parts 

Urtext / Eds. L. Faltus, 

J. Procházková 

Preface by J. Procházková 

BA 9535 

score and parts in 

slipcover 

The Capriccio was written in 

the autumn of 1926 at the suggestion 

of the pianist Otakar 

Hollmann, an invalid from the 

First World War. Like his contemporary 

Paul Wittgenstein, 

Hollmann urged composers to 

write something for piano left 

hand; he succeeded in persuading 

Bohuslav Martinů, Erwin 

Schulhoff and Janáček to do 

this. Janáček did not want, as 

he put it, to compose a “dance 

for one leg”, but finally wrote 

a four-movement work with 

associations to military music.

HARPSICHORD / ORGAN / ACCORDION 

ORGAN / ACCORDION 



Concertino 

for piano, 2 violins, viola, clarinet, 

French horn and bassoon 

H 4342 score with parts 



Concerto for Piano and Orchestra 

No. 4 “Incantation” H. 358 

BA 4318-90• 

Harpsichord Solo 

piano reduction ♦ 

(Karel Šolc) 


(1731–1799) 

Sonate per il clavicembalo 

in F, C, G, G, D, A, F, E-flat maj 

Rev. by M. Knotková, A. Němec 

MAB I/8 

H 380 

Harpsichord 

Concertos 


(1722–1795) 

Concerto in G min for 

Harpsichord and Strings 

violin I II, viola, violoncello 

(double bass) 

Ed. V. Bělský 

MAB I/10 

H 7438 score with parts ♦ 

Due concerti per cembalo COPY 


(double bass) 

in F maj, in G maj 


MAB I/77 


Tre concerti per cembalo 


(double bass) 

in F min, in B min, in G maj 


MAB I/45 

H 2981 

score 

(♦ only in F and B min) 

Organ Solo 

Černohorský Bohuslav Matěj 

(1684–1742) 

Composizioni per organo COPY 

Ed. J. Šafařík 

MAB I/3 

H 4346 



Largo from the Symphony No. 9 

in E min “From the New World” 

Op. 95 

Arr. by M. Kampelsheimer in an 

easy style 


Symphony No. 9 in E min “From 

the New World” Op. 95 

Transcription for organ by 

Z. Szathmáry 

BA 8472• 

● Welcome addition to the organ 

repertoire 

● Outstanding virtuoso organ 

writing 

Preludes and Fugues for Organ 

B 302 


ADCE VII/3 

H 6334 

Eben Petr 

(1929–2007) 

Musica dominicalis 

(Nedělní hudba) 

(Cz/Ger/Eng) 

H 3761 

● Eben's most famous 

composition for organ 

● Revised edition with notes 

on interpretation by Jan 

Hora in cooperation with 

the composer 

Ten Chorale Preludes 

H 7845 

Fišer Luboš 

(1935–1999) 

Relief 

H 7967 



Organ Works 

Eds. M. Buček, L. Faltus 

LJCE F/2 

BA 6852-01• cloth bound score 

Urtext / Eds. M. Buček, L. Faltus 

With preface by J. Zahrádka 

(Cz/Eng/Ger) 

BA 9524 

Three Pieces for Organ from 

Prague Studies in 1874–1875 

(Overture, Varyto, Choral Fantasy), 

Two Pieces for Organ selfpublished 

in 1884, Postludium 

– the penultimate part of the 

famous Glagolitic Mass 

Novák Jan 

(1921–1984) 

Iubilationes per organo 

H 7865 

Old Czech Organ Christmas 

Josef Seger, Jakub V. Paus, 

František X. Brixi, Jiří I. Linek, Jan 

K. Vaňhal, Jan K. Kuchař, Karel B. 

Kopřiva 

Ed. J. Smolka 

H 7690 

Organ Compositions of Old Czech 

Masters 

František X. Brixi, Jan K. Vaňhal, 

Jan K. Kuchař, Karel F. Pitsch 

Ed. B. Geist, rev. by 

M. Kampelsheimer 

H 4506 

Seger Josef Ferdinand Norbert 

(1716-1782) 

Composizioni per organo 

(Preludi e fughe) COPY 


MAB I/56 

H 3364 

Slavický Milan 

(1947–2009) 

Sursum corda 

H 7873 

Organ Concertos 

Brixi František Xaver 

(1732–1771) 

Concerto Fa maggiore per 

organo principale 

2 French horns, violin I II, viola, 

basso continuo 

Ed. J. Reinberger 

MAB I/26 

H 1852 score ♦ 

Due concerti per organo 

2 clarinas in D, violin I II, viola, 

violoncello and double bass 

in D maj, in G maj 


MAB I/75 


Accordion 

Gemrot Jiří 

(*1957) 

Plays for Harpsichord 

(Hry pro cembalo) 


(2005) 

H 7896 

Rychlík Jan 

(1916–1964) 

Hommaggi gravicembalistici 

per cembalo 

Rev. by K. Šrom 

H 5318 

SOUBORNÉ 

• 

Bärenreiter-Verlag Kassel production 

From: Petr Eben, Musica dominicalis • H 3761 


(1908–1979) 

14 15 

V/12 


Two Phantasies 

Ed. J. Hora 

H 8028 

Miloslav 

KABELÁČ 

KRITICKÉ VYDÁNÍ 

KRITISCHE GESAMTAUSGABE 

COMPLETE CRITICAL EDITION 

Dvě fantazie 

Zwei Fantasien 

Two Fantasias 

op. 32 

ORGAN 

H 8028 

BÄRENREITER PRAHA 

Štědroň Miloš 

(*1942) 

Claudio Monteverde: Praga 1595 


(2006) 

H 7969 

Teml Jiří 

(*1935) 

The Alchemists (Alchymisté) 

H 7976 

Havlíček Ilja – Machalíčková 

Františka – Ondruš Ján 

School of Accordion Playing 

(Cz/Ger) 

H 3204 


available on hire

arva papíru Salzer 

k · op. 1 

1/1 - líc: HKS 41 K, rub: barva papíru Salzer 

1/1 - líc: HKS 41 K, rub: barva papíru Salzer 

BA 9553 

k, Škola houslové techniky / School of Violin Technique / Schule der Violintechnik · op. 1 

Sešit 2 / Book 2 / Heft 2 

ISMN 979-0-2601-0712-0 

BA 9554 

Ševčík, Škola houslové techniky / School of Violin Technique / Schule der Violintechnik · op. 1 


Bärenreiter Praha · www.baerenreiter.cz 

ISMN 979-0-2601-0721-2 

Bärenreiter-Verlag · Kassel · www.baerenreiter.com 

BA 9555 

Ševčík, Škola houslové techniky / School of Violin Technique / Schule der Violintechnik · op. 1 



ISMN 979-0-2601-0722-9 


1 · 14 



1 · 14 

át = HKS 41 K / barva papíru Salzer 

p. 1 

1/1 - líc: 1/1 - líc: černý plát = HKS 41 K / barva papíru Salzer 

BA 9552 

kola houslové techniky / School of Violin Technique / Schule der Violintechnik · op. 1 

Svazek 1 / Volume 1 / Band 1 

ISMN 979-0-2601-0711-3 

BA 9552 

Škola houslové techniky / School of Violin Technique / Schule der Violintechnik · op. 1 



ISMN 979-0-2601-0711-3 


1 · 14 



BA 9557 

Ševčík, Výměny poloh a průprava ke cvičení stupnic / Changes of Position and Preparatory Scale Studies / 

Lagenwechsel und Tonleiter-Vorstudien · op. 8 

ISMN 979-0-2601-0727-4 

1 · 15 

1 · 15 



BA 9556 

Ševčík, Průprava k trylku a výcvik prstového úhozu / 

Preparatory Trill Studies and the Development of Double-Stopping / 

Triller-Vorstudien und Entwicklung des Finger-Anschlags · op. 7 

ISMN 979-0-2601-0760-1 




H 5993 

K LAVÍR 

NEW BÄRENREITER PUBLICATIONS 

OF ŠEVČÍK'S PRINCIPAL WORKS 

Edited by Jaroslav Foltýn 

based on authentic sources from the early 20th century and Ševčík's posthumous papers 

Violin Solo 

(with accompaniment) 

Educational Works 

ŠKOLA HOUSLOVÝCH ETUD I 

ETÜDENSCHULE FÜR DIE VIOLINE I 

VIOLIN 

Violin School for Beginners Op. 6 

Ed. N. Kubát 

H 257 Book 1 

H 54 Book 4 

H 55 Book 5 

H 258 Book 7 

I. POLOHA • I. LAGE 

od v K.-černá 

ŠEVČÍK 

Škola houslové techniky 

School of Violin Technique 

Schule der Violintechnik 

op. 1 


1. poloha / 1 st Position / 1. Lage 

Bärenreiter 

ŠEVČÍK 




op. 1 


2.– 7. poloha / 2 nd – 7 th Position / 2.– 7. Lage 

Bärenreiter 

School of Violin Technique Op. 1 

BA 9552 Book 1: 1st Position 

BA 9553 Book 2: 2nd–7th Position 

BA 9554 Book 3: Changing Positions 

BA 9555 Book 4: Exercises in Double 

Stops and Harmonics 

pozor kod v K.-černá 

ŠEVČÍK 

Škola smyčcové techniky 

School of Bowing Technique 

Schule der Bogentechnik 

op. 2 


Bärenreiter 

pozor kod v K.-černá 

ŠEVČÍK 




op. 2 


Bärenreiter 

School of Bowing Technique Op. 2 

BA 9591 Book 1: Exercises for the 

Right Arm 


Wrist I 


Wrist II 

ŠEVČÍK 




op. 1 


Výměny poloh / Changing Positions / Lagenwechsel 

Bärenreiter 

ŠEVČÍK 




op. 1 


Cvičení dvojhmatová a flažoletová 

Exercises in Double Stops and Harmonics 

Übungen mit Doppelgriffen und Flageolett -Tönen 

Bärenreiter 

● The pivotal work of a leading 

violin pedagogue 

● The most frequently used system 

of practising scales and broken 

chords worldwide to this day 

● For intermediate and advanced 

violinists 

● Lifelong study material even for 

professionals 

ŠEVČÍK 




op. 2 


Bärenreiter 

● An exceptional work of 

educational violin literature for 

the right hand 

● The famous “four thousand” 

variations of systematically 

ordered bowing exercises 

● Divided into three sections, 

this new edition combines the 

original six volumes in groups 

of two 

● Increasing order of difficulty: 

easy – moderate – advanced 

ŠEVČÍK 

Výměny poloh a průprava 

ke cvičení stupnic 

Changes of Position and 

Preparatory Scale Studies 

Lagenwechsel und 

Tonleiter-Vorstudien 

op. 8 

Bärenreiter 


Preparatory Scale Studies Op. 8 

BA 9557 

● Exercises devoted to changes of 

position and preparatory studies 

for scales over three octaves (in 

thirds, sixths, octaves and tenths) 

● Moderate level of difficulty 

ŠEVČÍK 

Průprava k trylku a výcvik 

prstového úhozu 

Preparatory Trill Studies and 

the Development of Double-Stopping 

Triller-Vorstudien und Entwicklung 

des Finger-Anschlags 

op. 7 

Bärenreiter 

Preparatory Trill Studies and the 

Development of Double-Stopping 

Op. 7 

BA 9556 

● Exercises dealing with the 

position of the fingers, their 

placement on the strings, 

practising finger-stopping and 

shifting along the fingerboard 

in the basic positions 

● Moderate to advanced level 

of difficulty 

Gola Zdeněk 

(*1929) 

Violin Technique 

(Cz/Ger/Eng) 

BA 9550 Vol. 1 

BA 9551 Vol. 2 

The exercises in this two-part 

textbook are intended for 

violinists who already have 

a basic knowledge of how to 

shift position and how to play 

double stops. The method 

used in both volumes is 

fundamentally different from 

those of other violin textbooks, 

and it brings a new approach 

to exercising finger technique. 

The author sees the left hand 

technique as constituting the 

basis of violin play. 

● New method for practising 

left hand technique 

● Around 500 position 

combinations 

● Progressive method for 

achieving, renewing and 

maintaining confidence 

in both positioning and 

intonation 

● Preface and commentaries 

to the exercises (Cz/Ger/Eng) 

● Advanced level of technical 

difficulty 

SEŠIT • HEFT 

1– 2 

Krůček Václav 

(*1927) 

School of Violin Studies I 

1st Position 

(Cz/Ger) 

H 5993 Vol. 1, 2 

School of Violin Studies II 

Playing in Positions 

(Cz/Ger) 

H 6187 Vol. 3, 4 

Ševčík Otakar 



Preparatory Scale Studies Op. 8 

Ed. J. Foltýn 

BA 9557 

→ see more on the facing page 

Preparatory Trill Studies and 

the Development of Double- 

Stopping Op. 7 


BA 9556 


Preparatory Exercises in Double- 

Stopping Op. 9 

Ed. N. Kubát 

H 2090 

School of Violin Technique Op. 1 


BA 9552 Book 1 






Op. 2 






DVOŘÁK · Dumky · op. 90 Bärenreiter 


ŠEVČÍK 

Čtyřicet variací pro housle 

Forty Variations for the Violin 

Vierzig Variationen für Violine 

op. 3 

Bärenreiter 

Forty Variations for Violin Op. 3 

Ed. P. Kudelásek 

BA 11521 (replaces H 2627) 

To appear in November 2017 

This relatively small one-volume 

work by Otakar Ševčík holds a 

special place in his extensive 

educational oeuvre. It follows 

up on his systematic “stepby-step” 

work with the right 

hand, which is meticulously 

detailed in the preceding Opus 

2, but it can also be seen as an 

independent source of stimuli 

for the violinist's daily chores or 

as an extremely effective and 

condensed means of mastering 

the broad range of motions of 

the right hand – from basic to 

virtuoso. An ideal set of exercises 

for the hurried age of today. 

● New edition of another of 

Ševčík's works for practising 

the right hand 

● Follows up on the School 

of Bowing Technique Op. 2 

● Preface (Cz/Eng/Ger) by the 

editor, the prominent Prague 

Conservatoire pedagogue 

Pavel Kudelásek 

● Moderate to advanced level 

of difficulty 

16 17

VIOLIN 

VIOLIN 


Benda František 

(1709–1786) 

Caprice COPY 

for violin solo 

Rev. by J. Čeleda 

H 3133 

Fišer Luboš 

(1935–1999) 

Crux 

for violin, timpani and bells 

Reproduction of the autograph 

from the property of I. Štraus 

H 7966 performance score 

Hanuš Jan 

(1915–2004) 

A Zest for Life (Chuť žít) Op. 127 

A Fantasy Variation for Solo Violin 

in Response to Pierre Teilhard de 

Chardin's Thoughts 

Rev. by P. Maceček 

H 7881 

Loudová Ivana 

(*1941) 

Canto solitario 

for violin solo 


(2003) 

H 7859 

Šporcl Pavel 

(* 1973) 


Where Is My Home (Kde domov 

můj) 

virtuoso variations on the Czech 

national anthem for violin solo 

H 8039 

2 Violins 

(solo / with accompaniment) 


Micka Josef 

(1903–1993) 

Elementary Studies 

for violin with the 2nd violin 

accompaniment 

H 5450 

First Encounter with Masters 

14 short pieces for violin in the 

1st position with the 2nd violin 

accompaniment (or piano 

accompaniment) 

H 3089 





Op. 101 No. 7 

for two violins 

Arr. by J. Žemla 

H 1591-03 parts 

Feld Jindřich 

(1925–2007) 

Sonatina for Two Violins 

H 1927 parts 

Kramář-Krommer František Vincenc 


Six Duettini 

for soprano and alto recorders / 

2 violins / 2 clarinets 

Arr. by L. Daniel 

H 5862 

score with 1 part 

(alto recorder) 



Concerto for Two Violins and 

Orchestra H. 329 

Duo concertante for Two Violins 

and Orchestra H. 264 

(both works – see section Violin 

Concertos) 

Suk Josef 


Melody 

for two violins 



Tůma František Ignác Antonín 

(1704–1774) 

Composizioni strumentali 

Sonatas / Partitas / Sinfonias 

for two violins and basso 

continuo 


MAB I/69 

H 4376 score 

Violin and Piano 

Pieces for Children 

and Youth 




Op. 101 No. 7 

Rev. by L. Láska, A. Pokorný 

H 1592 score with part 

Largo from Symphony No. 9 in 

E min “From the New World” 

Op. 95 

Arr. by A. Pokorný 

in an easy style 

H 1811 score with part 

Slavonic Dances Op. 46 Nos. 1–4 

Arr. by A. Pokorný 


Two Waltzes Op. 54 Nos. 1, 4 

for violin / viola and piano 

Arr. by J. Kocian, viola part rev. by 

K. Moravec 

H 1890 score (violin version) 

with viola part 

Eben Petr 

(1929–2007) 

Sonatina semplice 

for violin / flute and piano 

Rev. by B. Purger, V. Žilka 




Intermezzo H. 261 

4 compositions for violin with 

piano accompaniment 

Rev. by V. Nopp, K. Šolc 


Sonatina H. 262 

Rev. by V. Nopp 


Micka Josef 

(1903–1993) 

First Encounter with Masters 

14 short pieces for violin in 

the 1st position with piano 

accompaniment (or the 2nd 

violin accompaniment) 

H 3089 

Suk Josef 


Compositions for Violin and 

Piano 

Arr. by J. Suk, J. Kocian 

in an easy style 


Melody (Melodie), Bagatelle 

(Bagatela), Lullaby (Ukolébavka), 

Evening Mood (Večerní nálada), 

Village Serenade (Vesnická 

serenáda), Song of Love (Píseň 

lásky 



(1709–1786) 

Quatro sonate 

in A maj, in A min, in G maj, 

in A maj 

Eds. J. Štědroň, B. Štědroň 

MAB I/57 




Sonatas Op. 69 Nos. 1, 2 


MAB I/41 




Capriccio B 81 

Concert Rondo 


ADCE IV/1 


Mazurek Op. 49 

Eds. J. Hanuš, K. Šolc 

ADCE IV/1 




Romance in F min Op. 11 

Urtext / Ed. J. Hájek 

BA 9571 score with part 

Originally written for violin and 

orchestra between 1873 and 1877, 

Dvořák's Romance immediately 

followed his String Quartet in 

F minor (1873) and draws on the 

theme from its slow movement. 

Our edition is the first to avail 

itself of the autograph of 

Dvořák's own version for violin 

and piano. Compared to the 

well-known piano reduction 

by Josef Zubatý, it differs from 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

the orchestral version in several 

important respects and is also 

one bar shorter. 

Our new edition, containing 

the composer's more authentic 

version, can nevertheless also 

serve as a piano reduction to 

the orchestral version. 

 

 

 

● First edition of a piano 

version based on Dvořák's 

autograph of the piano part 

● Detailed preface by David R. 

Beveridge (Cz/Eng/Ger) 

● Critical commentary (Eng) 

by the editor 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

18 19

VIOLIN 

VIOLIN 



Romantic Pieces 

(Romantické kusy) Op. 75 


New preface by D. R. Beveridge 

and fingering by J. Micka 


Sonata in F maj Op. 57 COPY 


Violin part rev. by S. Novák 

ADCE IV/1 


Sonatina in G maj Op. 100 

Ed. A. Čubr 

Violin part rev. by J. Feld 

ADCE IV/1 




Idyll (Selanka) Op. 16 

for clarinet / violin and piano 

Violin transcription by the 

composer 


Sonatina Op. 27 

Violin part rev. by V. Snítil 


Fišer Luboš 

(1935–1999) 

Hands (Ruce) 

Sonata for Violin and Piano 

Violin part rev. by I. Štraus 


Hanuš Jan 

(1915–2004) 

Suite to the Paintings of Mánes 

(Suita podle Mánesových 

obrazů) Op. 22 

Rev. by S. Šorm 




A Blown-Away Leaf 

(Lístek odvanutý) 

from the piano cycle On an 

Overgrown Path 

Arr. by J. Štědroň 


Dumka 

Revised version based on 

composer's autograph of the 

violin part 

Ed. A. Němcová 




Works for Violin and Piano 

Romance, Dumka, Sonata 

Eds. J. Krejčí, A. Němcová 

LJCE E/1 

BA 6849• cloth bound score 

with part 

Works for Violin and Piano 

Romance, Dumka, Sonata 

Urtext / Eds. J. Krejčí, A. Němcová 

New preface by A. Němcová 


● With a revised version 

of Dumka with original 

dynamic markings 

Kocian Jaroslav 


Serenade in D maj 



Three Compositions for Violin 

and Piano Op. 19 Nos. 1, 2, 3 

Mélodie, Chanson printanière, 

Lullaby 


Trois pièces d'impression pour 

violin et piano Op. 18 Nos. 1, 2, 3 

Méditation du soir, Intermezzo 

pittoresque, Hymne au 

printemps 


Two Compositions for Violin and 

Piano Op. 17 Nos. 1, 2 

Serenade in G maj, Humoresque 




(1926–2014) 

Dialoghi filosofici 

(Philosofical Dialogues) 



Kubelík Jan 


Burlesque 



Minuet 


♦ 

• 


Kubička Miroslav 

(*1951) 

Sonata 




Impromptu H. 166 

Three Compositions for Violin 

and Piano 

Ed. I. Popelka 


Matys Jiří 

(*1927) 

Capriccio 

Violin part rev. by B. Kotmel 


Novák Jan 

(1921–1984) 

Sonata super “Hoson Zes…” 

for violin / flute and piano 

Ed. J. Čižmář 

H 7855 score with 2 parts 

Ondříček František 


Scherzo capriccioso Op. 18 





From the Homeland 

(Z domoviny) 

Two Duets for Violin and Piano 

Urtext / Eds. F. Bartoš, J. Plavec, 

K. Šolc 


New preface by M. Ottlová 




Sonata per il pianoforte con 

violino obligato 

Rev. by J. Panocha, A. Dítětová 




Sonata in G maj Op. 5 COPY 


MAB I/30 




Violin Concertos 

(solo / 2 violins) 



20 21 


Concerto in A min for Violin and 

Orchestra Op. 53 



(1925–2007) 

Concerto for Violin and 

Orchestra 




The Wandering of a Little Soul 

(Putování dušičky) 

Violin Concerto 

Eds. L. Faltus, M. Štědroň 

LJCE H/4 

H 7738 

H 7504 

score ♦ 


(Leoš Faltus) 


(1923–2006) 

Concerto No. 2 for Violin and 

Piano Op. 49 

Violin part rev. by J. Suk 


Kaprálová Vítězslava 

(1915–1940) 

Concertino for Violin, Clarinet 

and Orchestra Op. 21 

COPY 

Based on the composer's draft, 

realised by M. Štědroň, L. Faltus 


Bohuslav Martinů 


NEW 2016 

Key violin concertos 

of the 20th century 



Violin part rev. by J. Suk 


(replaces H 5797) (Karel Šolc) 

[The score for Concerto No. 1 

(BA 6720 / H 5798) also available 

on sale] 

● Solo parts of both concertos 

revised by leading Czech 

violinists and internationally 

respected performers of 

Martinů's music 

Violino 

NEW 2016 



Violin part rev. by B. Bělčík 


(replaces H 5286) (Karel Šolc) 

The Violin Concerto No. 1 

(written in Paris 1932–33) was 

never performed during the 

composer's lifetime and was 

even considered lost after his 

death. It was not until 1961 that 

this concerto was discovered. 

The world premiere was given 

by Czech violinist Josef Suk with 

the Chicago Symphony under 

G. Solti in 1973. 

After hearing the Boston 

Symphony Orchestra perform 

Martinů's Symphony No. 1 

in New York, Mischa Elman 

commissioned the composer to 

write a violin concerto for him. 

Martinů thereupon composed 

his Violin Concerto No. 2 in 1943. 

That same year Elman played the 

solo part at the world premiere 

with S. Koussevitzky conducting 

the Boston Symphony. 

● Both concertos with new 

prefaces by Martinů scholar 

Sandra Bergmannová 

(Cz/Eng/Ger) 

Koncert č. 2 / Concerto No. 2 / Konzert Nr. 2 

35 

30 

25 

I 

20 



45

VIOLIN 

VIOLIN / VIOLA 




Concerto in A min for Violin 


Urtext / Ed. I. Cividini 

BA 10422 score ° 

(replaces H 1597) 

BA 10422-90 piano reduction 

(Antonín Dvořák?) 


TP 422 study score 

(TP 422 appears in November 2017) 

Dvořák's Violin Concerto was 

composed between 1879 and 

1882, with the active assistance of 

Joseph Joachim, and was issued 

by the publisher Fritz Simrock, 

Berlin in 1883. Its premiere took 

place in October of that same 

year with František Ondříček as 

soloist. 

This new Urtext edition is based 

on the first edition (score, solo 

violin part, piano reduction 

and orchestral parts). It also 

takes Dvořák's autograph which 

served as a master copy for the 

engraving into consideration. 

A fresh assessment of Dvořák's 

manuscript made it possible 

to reconstruct several variants 

ignored in the first and subsequent 

editions and to clarify 

ambiguities in the notation and 

articulation. 

An important component of our 

Urtext edition is the original 

piano reduction, which probably 

stems from Dvořák himself, and 

in which we published Joseph 

Joachim's fingering. 

● First Urtext edition of the 

original piano reduction 

● Variants in the solo part 

rendered as ossia passages 

● Preface on the work's genesis 

(Ger/Cz/Eng) and detailed 


the editor 

New Urtext edition 

of a romantic concerto masterpiece 

Violino solo 

Joseph Joachim zugeeignet 

Koncert pro housle 

Violin Concerto 

Konzert für Violine 

I 

Allegro ma non troppo 


Viol. I 

 

 

 

 

c 

 

 

 

 

 

 

 

 

 

 

 

 

f 

6 

3 

 

 

 

 

 

3 

 

 

23 

BA 10422-90 

f 

cresc. 

cresc. 

f 

6 5 

rit. 

 

11 

 

 

 

 

 

6 

14 

 

in tempo 

4 

 

6 

 

 

 

 

 

 

 

3 

5 6 6 

 

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rit. 

cresc. 

 

27 

A 

in tempo 22 Viol. I, II 

 

 

 

 

 

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§ 

 

 

 

 

 

 

 

 

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59 

 

 

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ff 

 

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# B 1 

 

 

 

 

 

 

 

 

 

 

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DVOŘÁK 

B Ä R E N R E I T E R 

Koncert a moll 

pro housle a orchestr 

Concerto in A minor 

for Violin and Orchestra 

Konzert a-Moll 

für Violine und Orchester 

op. 53 

Bärenreiter 

U R T E X T 

 

dim. 

© 2017 by Bärenreiter Praha 


° 

available on sale 

3 

3 



Concerto da camera H. 285 

for violin, string orchestra, piano 

and percussion 

Eds. S. Bergmannová, J. Franková, 

P. Silverthorne 

BMCE III/1, 7 (in one volume with 

Rhapsody-Concerto for Viola and 

Orchestra H. 337) 

BA 10578-01 cloth bound score 


Concerto for Two Violins and 


BA 3842• study score ♦ 

BA 3842-90• piano reduction 

(Karel Šolc) 


Slavický Milan 

(1947–2009) 

The Way of the Heart 

(Cesta srdce) 

Story for violin solo, winds, 

percussion, celesta and harp 

H 6931 score – facsimile ♦ 

Vranický Antonín 


Concerto in B-flat maj for Violin 

and Orchestra 

Eds. F. Krejčí, V. Straka 

Violin part rev. by F. Krejčí 

MAB I/16 


Duo concertant for Two Violins 





BA 4317-90• Bärenreiter piano reduction Study Score Reader 

(Karel Šolc) 

• 


Bärenreiter Study Score Reader 

Quick start with a free demo version of the score 

Quick to Debussy’s start 

Quick start 

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with 

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to Debussy’s Prélude à demo 

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to Debussy's Prélude à l’après-midi d’un faune! 

The great The masterpieces great masterpieces of of classical 

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The great music masterpieces from Bach to of Debussy classical 

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of Gradually digitalized expanding scores library 

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of orchestral scores in superb www.baerenreiter.com 

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High-resolution, of orchestral scores razor-sharp in superb 

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For detailed information: 


New Issue Title 

39 New Publications 2/2014 · The Programme 

New Issue Title 

Viola Solo 


Kolář Augustin 

School of Viola Playing for 

Beginners 

(Cz/Ger) 

H 6791 

four books 

in slipcover 

Viola and Piano 


Youth 


(1925–2007) 

Little Sonatina for Viola and 

Piano COPY 

H 5850 




Two Waltzes Op. 54 Nos. 1, 4 

for violin / viola and piano 

Arr. by J. Kocian, viola part rev. by 

K. Moravec 

H 1890 score (violin version) 

with viola part 


(1925–2007) 

Concertante Music for Viola and 

Piano 


Viola Concertos 


(1925–2007) 

Concerto for Viola and Orchestra 








(Jürgen Sommer) 

39 New Publications 2/2014 · The Programme 

22 23

VIOLA / VIOLONCELLO 

VIOLONCELLO 






Eds. S. Bergmannová, J. Franková, 

P. Silverthorne 

BMCE III/1, 7 (in one volume with 

Concerto da camera H. 285) 





NEW 2016 

Concerto in C maj for Viola 

and Orchestra 

Viola part rev. by J. Plichta 


(replaces H 3586) (Vilém Blažek) 

The Bohemian composer Jan 

Křtitel Vaňhal/Johann Baptist 

Vanhal (1739–1813) settled in 

Vienna around 1763. There 

he wrote several concertos 

for various instruments, of 

which two for viola have 

survived. Both are evidently 

not original compositions, but 

arrangements of Vaňhal's own 

works by his contemporaries. 

The Viola Concerto in C major is 

based on Vaňhal's cello concerto 

in the same key. 

● Popular repertoire piece from 

the Viennese Classical period 

available once again 

● Solo part with cadenzas for 

each movement 

● New preface by Phillip 

Schmidt (Ger/Cz/Eng) 

Violoncello Solo 


Ševčík Otakar 




for Violoncello Op. 2 

originally for violin, now 

in transcription for violoncello 

Ed. T. Jamník 

BA 11547 Book 1 

BA 11548 Book 2 

BA 11549 Book 3 



Kukal Ondřej 

(*1964) 

Violoncelliana – 2nd Rhapsody 

for Solo Violoncello Op. 32 


(2012) 

H 8021 

Tichý Vladimír 

(*1946) 

Exclamation 


(2006) 

H 7949 

Violoncello and Piano 




Cello Compositions 

Slavonic Dances Op. 46 Nos. 3, 8, 

Polonaise in A maj B 94 


Cello part rev. by J. Chuchro 

ADCE IV/3 


Polonaise in A maj Op. post. 

(B 94) 

Ed. K. Storck 

BA 6965• score with part 

Rondo in G min Op. 94 

ADCE IV/3 


Silent Woods (Klid) Op. 68 No. 5 

Ed. A. Čubr 

ADCE IV/3 



Slavonic Dances Op. 46 

for violoncello and piano 

Arr. by J. Gemrot 


In 1891 Dvořák arranged the 

final, eighth dance of his 

popular first set of the Slavonic 

Dances Op. 46 for violoncello 

and piano. The Czech composer 

Jiří Gemrot (b. 1957) has 

followed his example and 

has arranged the remaining 

dances for the same scoring. 

However in order to approach 

Dvořák's ideal sound Gemrot 

based his arrangements on the 

composer's orchestral score. 

Dvořák's own arrangement of 

Slavonic Dance No. 8 has been 

taken from the ADCE IV/3 (see 

Cello Compositions H 5305). 

● First complete edition of the 

first set of Slavonic Dances 

arranged for violoncello and 

piano by Jiří Gemrot 


violoncello repertoire 

● Includes Dvořák's own 

arrangement of Dance No. 8 

● With fingering and bowing 

by Tomáš Jamník 

● Preface by Eva Velická 

(Cz/Eng/Ger) 

From: 

• 


27Antonín Dvořák, arr. by Jiří Gemrot, Slavonic Dances Op. 46 for 

 

violoncello 

 

 

and piano • BA 

9568 

 

 

 

 

p molto espress. 

Eben Petr 


 

 

 

(1929–2007) 

(1908–1979) 

Suita balladica 

Sonata Op. 9 

H 

 

 

 

p dolce 

p molto espress. 

 

 

 

 

 

2156 score with 

 

 

part 

 

 

 

 

Ed. Z. Nouza † 

 

 

Cello part rev. by D. Veis 

Fišer Luboš 

MKCE IV/3 

(1935–1999) 


Sonata COPY 




Works for Violoncello 

and Piano 

A Tale (Pohádka), Presto 

Urtext / Eds. J. Fukač, B. Havlík, 

J. Zahrádka 

Preface by J. Zahrádka 

(Cz/Eng/Ger) 


● With the four-movement 

version of A Tale 




(1915–1940) 

Ritornel Op. 25 

Eds. M. Štědroň, L. Faltus 



(*1932) 

Karrak 

Cello part rev. by J. Bárta 

H 7725 score (facsimile) 

with part 



Sonata No. 3 H. 340 

Ed. A. Březina, 

Cello part rev. by M. Sedlák 


Variations on a Slovakian Theme 

H. 378 

BA 3969• score with part 

Cello Concertos 



Concerto in A maj for Violoncello 

and Orchestra B 10 COPY 

Eds. J. Burghauser, K. Šolc 

Cello part rev. by M. Sádlo 

ADCE VII/2 

H 5674 piano reduction by 

the composer ♦ 

Concerto in B min for 

Violoncello and Orchestra 

Op. 104 

Urtext / Ed. J. Del Mar 

BA 9045• score ° 

BA 9045-40• critical 

commentary 

(Eng) 


by the composer 

TP 620• study score 

● With Dvořák's final and 

definitive version of the solo 

cello part, now published 

for the first time since 1896 

● With hundreds of corrections 

in the solo cello part as well 

as the orchestral parts 

● With hitherto unknown 

details regarding the 

collaboration between 

Dvořák and Wihan 

● With Dvořák's original piano 

reduction 

● With Feuermann's and 

Casals' alternatives to 

a passage in the first 

movement 

24 25 

 

32 

 

 

Allegro vivace 

2 

 

 

 

 

4 

 

 

 

p fz fz fz fz cresc. f 

10 

 

 

 

 

p 

dim. 

 

 

 

dim. 

 

 

 

 

 

 

V 

2 

 

 

4 

 

 

 

 

 

p 

cresc. 

p 

f 

 

2 

4 


 

 

 

 

fz fz dim. 

 

 

 

 

dim. pp fz 

 

 

 

 

 

 

fz 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

p

VIOLONCELLO / DOUBLE BASS 



Concerto in B min for Violoncello 


Cello part rev. by L. Zelenka 

Piano part by the composer rev. 

by K. Šolc 

ADCE III/12 

H 1598 

H 1200 

score COPY 

piano reduction by 

the composer ♦ 



Sonata da camera H. 283 

for violoncello and chamber 

orchestra 





Concerto in A maj for Violoncello 

and Orchestra 

H 6973 

Double Bass 


(Josef Rut) 


Černý František 


Technical Studies for Double Bass 

(Cz/Ger) 

H 4179 



(*1951) 

Fierce and Frolicsome 

(Hrátky hravé i dravé) 

Rondo for double bass and piano 


Hertl František 

(1906–1973) 

NEW 2016 

Sonata for Double Bass 

and Piano 

Double bass part rev. by J. Hudec 



The renowned Czech bass 

player, composer and 

conductor František Hertl 

(1906–1973) led the double 

bass section of the Czech 

Philharmonic during the Václav 

Talich era and later taught at 

the Conservatoire and the 

Contrabbasso 

Pianoforte 

Sonáta / Sonata / Sonate 

I 

Academy of Music in Prague. 

An outstanding virtuoso, he 

had a consummate mastery 

of his instrument’s expressive 

potential and sound qualities. 

He also wrote successful concert 

and educational works for his 

instrument. 

Composed in 1946, Hertl’s only 

Sonata for Double Bass and Piano 

in three movements is a work of 

artistic and technical challenges 

that has maintained its place 

in the double bass repertoire to 

the present day. The musical text 

of our edition is based on the 

original publication (1956), this 

time with a new revision of the 

solo part by Jiří Hudec, the first 

double bass player of the present 

Czech Philharmonic. 

● New edition of a major 

repertoire piece for double bass 

● Solo part revised by respected 

Czech double bass virtuoso Jiří 

Hudec 

● Preface by Hertl’s last pupil, 

Jan Balcar (Cz/Eng/Ger) 

František Hertl 

(1906–1973) 

BÄRENREITER URTEXT 



Bärenreiter Urtext is a seal of quality assigned only to 

scholarly-critical editions. It guarantees that the musical 


in accordance with clearly defined editorial guidelines. 

Bärenreiter Urtext: the last word in authentic text – 

the musicians' choice. 

Your next performance is worth it. 


• 




26 27

K LAVÍR 

KLAVÍR 

Why choose Bärenreiter 

Urtext? 

Think of the time you spend practising and 

What else can I expect 

from a Bärenreiter Urtext 

edition? 

rehearsing for lessons and concerts. Can you 

really be sure that the music you play from 

reflects what the composer wanted? 

A trustworthy musical text alone does not yet 

justify the label of Bärenreiter Urtext. Integral 

parts of Bärenreiter Urtext editions are: 

Indeed, works have always been edited 

reflecting the taste of the time, often leading 

to a gradual deviation from what the composer 

had in mind. Most copied or downloaded music 

comes from old, heavily edited or even faulty 

editions. How disappointing to realise that you 

have wasted your time and energy on a musical 

text you cannot trust. 

With Bärenreiter Urtext editions you can have 

confidence in the validity of the musical text. 

But what is an urtext 

edition? 

At Bärenreiter the label “urtext” describes a 

scholarly-critical edition based on all known 

sources. 

In the past, it has often been difficult for 

musicians to really know if what they were 

playing was true to the composer's intentions. 

Publications were heavily elaborated with 

editors' own – often questionable – additions 

and interpretations. In order to adequately 

judge the quality of an edition, musicians 

would need to examine manuscripts and 

sources themselves. 

Bärenreiter takes on all this background work 

for you, our aim being to produce urtext editions 

reflecting the latest musicological research. 

Our editors, experts in their field, strive to 

set down a work as closely as possible to the 

composer's intentions. This isn't as easy as it 

sounds. Bärenreiter's musicologists often have 

to travel around the world to track down sources 

for a composition. They work like detectives, 

deciphering manuscripts which are sometimes 

almost illegible and evaluating conflicting 

sources. 

Isn't urtext just a copy 

of the autograph? 

As a musician you certainly can appreciate how 

difficult it can be to grasp what the composer 

actually intended, especially when we have no 

recordings of the performances. Simply looking 

at the autograph – assuming it exists – is not 

enough. What if the composer made corrections 

in the first printed edition? Obviously in this 

case the autograph only provides part of the 

story of a composition. As many sources as 

possible need to be assessed in order to compile 

a Bärenreiter Urtext edition including sketches, 

letters, autographs, manuscript copies, proofs, 

first editions, first editions with autograph 

corrections, contemporary reviews and 

comments by contemporaries. 

No cost or effort is spared by Bärenreiter when it 

comes to amassing and piecing together all the 

available information. An indispensable part of 

every urtext edition is the critical commentary 

where all editorial decisions and discrepancies 

between the sources are meticulously recorded. 

Only in this way can the true genius of the 

composer and his work be revealed. 

• Information on the genesis and history of 

the work 

• A description of the sources 

• Valuable notes on performance practice 

• A critical commentary explaining all source 

discrepancies and editorial decisions. 

But it's not all about musicology. Bärenreiter 

also satisfies your practical needs as a 

performer. Bärenreiter Urtext editions offer: 

• Page turns, fold-out pages, and cues where 

you need them 

• For solo string works additional parts with 

fingering and bowing 

• In the case of solo concertos and vocal scores, 

straightforward piano reductions 

• A well-presented layout and a user-friendly 

format 

• Excellent print quality 

• Superior paper and binding 

• Solid, “Made in Germany” quality 

What does the word 

urtext mean? 

The German prefix ur- literally means “original” 

or “earliest”. The earliest use of the term urtext 

goes back to the 19th century, where it appeared 

in connection with literary texts. It referred to 

the original texts of writers such as Goethe or 

Shakespeare which scholars tried to restore and 

free from editorial additions. In music, urtext is 

now a label used for scholarly-critical editions 

based on all known sources. 

28 29

K LAVÍR 

A 

B 

C 

illegible wedge 

 

 

 

 

 

 

 

 

 

 

KLAVÍR 

[ ] 

 

 

 

 

 

 

92 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

D 

ff 

 

ff 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

ff 

ff 

 

 

 

 

 

 

 

 

 

 

 

 

 

[ ff ] 

ff 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

ff 

ff 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

[ ] 

95 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Let's take this as an 

 

 

ff 

 

 

 

 

 

 

 

 

the initial 

 

 

fortissimo in the piano part. Seeing 

 

 

 

 

 

that this omission was almost certainly not 

ff 

example 

 

 

 

 

 

 

 

 

 

intentional, 

 

but rather 

a mere oversight, in our 

 

 

edition (picture D ) we return to the dynamic 

markings of the first edition. As we can see, it 

 

 

was not possible 

 

to merely 

 

reprint the second 

 

edition of the quartet from 1924; 

 

a study of the 

 

sources shows that even that edition was not 

without errors, due to inconsistent proofreading. 

Suk's Piano Quartet Op. 1 was published twice ff 

in the composer's 

 

lifetime. The second 

edition 

 

incorporated the composer's revision, noted by 

Otakar Šourek into a copy of the first 

edition 

(which was used as the engraver's copy for the 

[ ff ] 

second edition). The altered 

 

 

 

 

 

first 

movement was 

condensed with string-instrument imitation 

and with semiquaver passages in the piano, and 

 

this compositional arrangement of fifteen bars 

(Suk's autograph of the changes is missing) had 

to be re-engraved. But an oversight caused the 

omission of several dynamic markings, although 

these certainly still belong in the modified version 

of the passage. Therefore, the Urtext edition 

re-inscribes these markings according to the first 

edition and comments on this decision in the 

critical commentary. 

 

 

4 

 

 

 

 

 

 

 

 

 

 

 

This shows one of many examples that Bärenreiter 

Urtext is not simply a copy of the autograph 

or a re-engraving of the first edition; it represents 

a thorough examination of all aspects of 

a work enriching our understanding of it with 

conclusive results. 

Think of your next 

performance 

missing ff 

missing wedge 

In picture A we see the version from the first 

edition from 1892. Every two bars the crescendo 

wedge and ff marking confirm that the music 

should retain a strong dynamic. Otakar Šourek 

(and possibly Suk himself before that) marked 

these wedges only into the piano part of the 

amended section (picture B ). This sole wedge is 

also somewhat illegible because that area of the 

page is muddled by the boundary between two 

glued pieces of paper. The second edition (picture 

C ) omitted even this last wedge, together with 

With print-outs from downloads you miss out. 

Your performances miss out. 

Don't waste time by messing with loose paper 

copies. Build your personal music library with 

Bärenreiter Urtext editions. Make our editions 

your own. Take advantage of our expertise and 

complement it with your personal markings and 

comments which you will be able to refer to all 

your life. 

Make a Bärenreiter Urtext edition a lifetime 

investment. Your next performance is worth it. 

30 31


H 1748 


HARP / GUITAR / WINDS 

WINDS 

Harp 

MUSICA ANTIQUA 

BOHEMICA 

22 

JAN LADISLAV DUSÍK 

SIX SONATINES 

POUR LA HARPE 



Six Sonatinas for Harp 

Ed. M. Zunová 

MAB I/22 

H 1748 

Teml Jiří 

(*1935) 

Calligrams (Kaligramy) 

7 compositions for harp 

Rev. by M. Šimečková-Spitzerová 

H 7414 

Guitar 

Educational Works / Pieces 

for Children and Youth 

Jirmal Jiří 

(*1925) 

School of Guitar Playing for 

Beginners 

(Cz/Ger) 

H 5194 

Rak Štěpán 

(*1945) 

Minute Solos (Minutová sóla) 

Short Compositions for Guitar 

Beginners 

(Cz/Ger/Eng) 

H 7236 

Zelenka Milan – Obrovská Jana 

(*1939 / 1930–1987) 

Collection for Guitar I 

(Album pro kytaru I) 

Short performance pieces 

from easy to advanced level of 

difficulty 

(Cz/Ger) 

H 6415 


Hybler Martin 

(*1977) 

The Scent of Faded Shades 

(Vůně vyhaslých stínů) Op. 14 

H 7876 

Jirmal Jiří 

(*1925) 

Happy Waltz 

H 7792 

Joy of Bossa Nova 

H 7796 

Prelude in Jazz / Canzonetta 

Prelude in Jazz for solo guitar 

Canzonetta for solo guitar with 

the 2nd guitar ad lib. 

H 7828 

Suite Azure 

(Recuerdos para Laurindo 

Almeida) 

H 7869 

Losy Jan Antonín 

(1650–1721) 

Pièces de guitare 

Ed. J. Pohanka 

MAB I/38 

H 2498 

Recorder / 2 Recorders 

(solo / with accompaniment) 





Six Duettini 




H 5862 

score with 1 part (alto 

recorder) 

Nykl Jan 

35 Studies for Soprano Recorder 

for intermediate players, can 

also be used for the flute and 

other wind instruments 

H 7132 


Finger Gottfried 

(1656–1730) 

Sonata in F maj 

for alto recorder and basso 

continuo 

Ed. M. Klement 


Flute Solo 



(1908–1979) 

Compositions for Flute Solo 


MKCE IV/5 

H 7910 

Short Suite (Partita piccola) 

Op. 13, Improvisation on the 

Own Theme Op. 29b (from Six 

Lullabies Op. 29 No. 3) 

Flute / 2 Flutes 

and Piano 


Youth 

Eben Petr 

(1929–2007) 

Sketch for C.B. 

(Skica pro C. B.) 

for 2 flutes and piano 

H 7135 score 

Sonatina semplice 

for flute / violin and piano 

Rev. by V. Žilka, B. Purger 



(*1953) 

Jazz Winds 

for jazz flute / jazz trumpet 

/ jazz trombone with piano 

accompaniment 




(1925–2007) 

Three Compositions 

for oboe / flute / clarinet and 

piano 


Hlaváč Miroslav 

(1923–2008) 

Two Pastorales 

for flute and piano 


Hurník Ilja 

(1922–2013) 

Partita in A per flauto e piano 



(*1951) 

Sonatina for Flute and Piano 

H 7890 

Novák Jan 

(1921–1984) 

Sonata super “Hoson Zes…” 

for flute / violin and piano 

Ed. J. Čižmář 


Other chamber works with flute 

– see section CHAMBER MUSIC 

Flute Concertos 


(1709–1786) 

Tre concerti per flauto traverso 

ed orchestra da camera COPY 

in G maj, in E min, in A maj 


MAB I/80 


JINDŘICH FELD 

KONCERT 

PRO FLÉTNU A SMYČCOVÝ ORCHESTR, 

KLAVÍR, HARFU A BICÍ NÁSTROJE 

KON Z ERT 

FÜR FLÖTE, STREICHORCHESTER, 

KLAVIER, HARFE UND SCHLAGZEUG 

CONCERTO 

FOR FLUTE AND STRING ORCHESTRA, 

PIANO, HARP AND PERCUSSIONS 

KLAVÍRNÍ VÝTAH 

KLAVIERAUSZUG 

PIANO REDUCTION 


(1925–2007) 

Concerto for Flute 

and string orchestra, piano, harp 

and percussions 


Fils Antonín 

(1733–1760) 

Concerto Re maggiore per flauto 

ed orchestra 

Eds. H. Kašlík, F. Suchý 

With cadenza by F. Suchý 

MAB I/18 

H 53 


(František Suchý) 

with part ♦ 


(1737–1781) 

Concerto in D maj for Flute and 

Orchestra 

Ed. M. Munclinger 


Oboe (English Horn) 

and Piano 


Youth 

Rychlík Jan 

(1916–1964) 

Studies for English Horn 

with piano 

Lullaby, Rondo 




(1925–2007) 



piano 


Pelikán Jaroslav 

(*1970) 

Sonatina for Oboe and Piano 


(2008) 




32 33


WINDS 

WINDS 

KLEMENT SLAVICKÝ 

SU I TA 

PRO HOBOJ A KLAVÍR 

SUITE 

FÜR OBOE UND KLAVIER 

SUITE 

FOR OBOE AND PIANO 


(1910–1999) 

Suite for Oboe and Piano 


Other chamber works with oboe 

– see section CHAMBER MUSIC 

Oboe Concertos 



Concerto in F maj for Oboe and 


Ed. F. Suchý 

MAB I/27 

H 1933 


(František Suchý) 

with part ♦ 

Clarinet / 2–3 Clarinets 

Solo 





Six Duettini 




H 5862 

score with 1 part (alto 

recorder) 

Teml Jiří 

(*1935) 

Chap-Book (Špalíček) 

easy pieces for two clarinets 

Rev. by J. Krejčí 

H 7830 score 

Zákostelecký Bedřich 

(*1942) 

School of Clarinet Playing 

(Cz/Ger) 

H 5631 Vol. 1 

H 6339 Vol. 2 


Husa Karel 

(1921–2016) 

Three Studies for Solo Clarinet 


(2008) 

H 7992 

Nudera Vojtěch 


Four Polonaises 

for 3 basset horns or clarinets 

(Cz/Ger) 

Ed. J. Kratochvíl 


Clarinet and Piano 



(1925–2007) 



piano 




Idyll (Selanka) Op. 16 

for clarinet / violin and piano 

Clarinet part rev. by 

M. Kostohryz 




Sonata for Clarinet and Piano 

(after the Sonata for Violin and 

Piano) 

Arr. by S. Brill 


● Welcome addition to the 

clarinetist's repertoire 

● Janáček's masterpiece in a 

convincing arrangement for 

clarinet based on the LJCE, 

Vol. E/1 

● Preface by the arranger, 

Israeli clarinetist Shirley Brill 

(Eng/Cz/Ger) 

● A competition piece of the 

Leoš Janáček International 

Competition 2014 in Brno 

(Czech Republic) 

Klusák Jan 

(*1934) 

Recitativo e canto per clarinetto 

e piano 


(2002) 


Matějů Zbyněk 

(*1958) 

Smorfia (Grimace /Škleb) 

for clarinet and piano 


Other chamber works with 

clarinet – see section CHAMBER 

MUSIC 

Clarinetto in Sib/B 

28 

Con moto (h. = 60) a tempo 

4 

3 

senza rigore 

 

 

 

 

 

 

 

 

f 

Clarinet 49 Concertos 

Kaprálová *) optional; also Vítězslava 

in b. 78 

(1915–1940) 

BA 9581 

Concertino for Violin, Clarinet 

and Orchestra Op. 21 COPY 

Based on the composer's draft, 

realised by M. Štědroň, L. Faltus 




Concerto in E-flat maj for 

Clarinet and Orchestra Op. 36 

Ed. J. Kratochvíl 

MAB I/13 

H 888 

mf sf 

8 

 

 

 

Adagio 

cresc. 

Meno mosso (q = 94) 

3 

 

mf 

espress. 

rit. Adagio rit. 


(Ladislav Simon) 

(practical edition) 

Kukal Ondřej 

(*1964) 

Clarinettino – Concertino for 

Clarinet and Strings 

H 7898 


(Radek Škeřík) with 

part ♦ 

Sonáta / Sonata / Sonate 

16 

slap tongue*) 

1 

 

 

3 

Tempo I, un poco più mosso 

accel. 

22 

1 

 

 

 

 

 

 

f 

dim. p p dolce 3 

sf 

p 

Saxophone 

a tempo (q = 90) 

1. 

(q = 160) accel. Un poco meno 

42a 

From: Leoš 2. Janáček, arr. by Shirley 

Brill, Sonata for Clarinet and Piano • 

sf f cresc. p 

(q = 160) accel. 

Un poco meno 

f cresc. p 

I 

 

 

 

 

Gruber Rudolf 

(*1944) 

Etudes for Saxophone 

(Cz/Ger) 

H 5215 

© 2014 by Bärenreiter Praha 



Leoš Janáček (1854–1928) 

Arr. Shirley Brill 

1 

 

 

 

 

 

 

37 

 

 

 

 

 

 

 

 

 

 

BA 9581 

 

 

 

 

 

 

 

 

 

 

1 

 

 

 

1 

 

 

 

 

 

Bassoon Solo 

55 


 

f espress. 

Pivoňka Karel 

(1907–1986) 

62 

Rhytmical Etudes for Bassoon 

H 3291 

 

Virtuoso Etudes for Bassoon 

H 1217 

Bassoon and Piano 

74 


Other chamber rit. works Meno with mosso (q = 94) 

88 

bassoon – see section CHAMBER 

MUSIC 

 

 

 

 

 

Bassoon 95 Concertos 

1 

 

 

 

 

 

f 

Neruda Jan Křtitel Jiří 

(1707–1780) 

a tempo (q = 90) Meno 

102 

Concerto Do maggiore 

per fagotto 2 3 

 

ed archi 

Ed. E. Drápela 

f 

H 7567 score 


(Julie Drápelová) 

Pauer Jiří 

(1919–2007) 

Concerto per fagotto ed 

orchestra COPY 

Bassoon part rev. by K. Bidlo 


(Jiří Pauer) 

Pelikán Jaroslav 

(*1970) 

Concertino 

Variazioni per fagotto, orchestra 

d'archi, arpa e timpani 


(2002) 

H 7854 

(q = 160) 

3 3 

67 

 

 

 

 

 

p 

3 3 3 

 

4 

 

 

 

 

 

 

 

 

Gemrot Jiří 

(*1957) 

Rapsodia 

81 

per fagotto 

e pianoforte 

1 

 


mf 

dim. 


(Miloš Bok) with part 

 

 

Clarinetto in S 

 

 

 

 

3 

 

 

 

34 35

WINDS 

WINDS / PERCUSSION 

French Horn / 

2–4 French Horns Solo 

Educational Works / 

Collections 

Kaucký Emanuel – Petr Miloš 

Short Studies for Horn 

H 6837 

Old Hunting Fanfares 

Anonymous, Ondřej Anton, 

Leopold Koželuh, Albín Mašek, 

Leopold E. Měchura 

for 4 French horns 

Ed. O. Zuckerová, rev. by J. Štefan 

H 4562 score 



(1923–2006) 21 

Invocation Op. 90 

H 7804 

Stich-Punto Jan Václav 


24 Duets for French Horns 

Ed. F. Šolc 

H 4422 score 

Other chamber works with French 

horn – see section CHAMBER MUSIC 

French Horn Concertos 

Pauer Jiří 

(1919–2007) 

Concerto for French Horn and 

Orchestra COPY 

H 2955 


(Jiří Pauer) 


● Inspired by Chagall's stainedglass 

windows for the 

synagogue in Jerusalem 

Eben Petr 

(1929–2007) 

Windows (Okna) 

Four Movements for Trumpet 

and Organ after Marc Chagall 

Trumpet part rev. by L. Kozderka 

Organ part rev. by M. Šlechta 


● One of the composer's most 

frequently performed pieces 

worldwide since its creation 

in 1976 

● both instruments retain a 

great deal of independence, 

progressing in their 

own rhythmic patterns, 

intersecting in places 

21 

Trombone and Piano 


Youth 


(*1953) 

Jazz Winds 

for jazz flute / jazz trumpet / 

jazz trombone with piano 

accompaniment 


H 7931 ncd score with parts + CD 


Simon Ladislav 

(1929–2011) 

Fantasia per trombone 

e pianoforte 


(2004) 



trombone – see section CHAMBER 

MUSIC 

Percussion 


Kubánek Libor 

(*1964) 

School of Percussion Playing 

(Cz/Ger) 

H 7745 

School of Side Drum Playing 

(Cz/Ger) 

Easy to advanced level of 

difficulty 

H 7753 

Tuzar Josef 

Studies for Side Drum 

(Cz) 

H 4156 


Fišer Luboš 

(1935–1999) 

Crux 


reproduction of the autograph 



Ištvan Miloslav 

(1928–1990) 

Capriccio 

for vibraphone, marimba and 

percussion 


From: Miloslav Kabeláč, 

82 

8 invenzioni Op. 45 (final bars) • 

H 7993 


(1908–1979) 

8 invenzioni Op. 45 

per strumenti a percussione 

for 6 players 


MKCE IV/10 

H 7993 score 

8 ricercari Op. 51 

per strumenti a percussione 

for 1–6 players 


MKCE IV/11 

H 7994 score 

● 8 invenzioni – one of the 

composer's most famous 

works 

● 8 ricercari – first printed 

edition 

● Both compositions written 

for and premiered by Les 

Percussions de Strasbourg 

Trumpet 

and Piano / Organ 


Youth 


(*1953) 

Jazz Winds 

for jazz flute / jazz trumpet / 

jazz trombone with piano 

accompaniment 


H 7931 ncd score with parts + CD 

Kučera Jan 

(*1977) 

The Joker 

for trumpet nad piano 


(2010) 

H 8001 


trumpet – see section CHAMBER 

MUSIC 

H 6390 

Trombone Solo 


Kurz Ivan 

(*1947) 

A Soloist's Sustenance 

(Sólistův chléb) 

for tenor trombone 


(2011) 

Rev. by J. Sušický 

H 8019 

Trombone Concertos 

Matěj Josef 

(1922–1992) 

Concerto No. 1 for Trombone 

and Orchestra COPY 

H 2726 


(with part) by the 

composer ♦ 



36 37

K LAVÍR 

BOHUSLAV MARTINŮ 

KLAVÍR 

The First Ten Volumes 

THE COMPLETE EDITION 

Subscription offer 

Bärenreiter is publishing The Bohuslav Martinů Complete 

Edition, a scholarly-critical edition that will present 

the complete oeuvre of this major twentieth century 

composer for the first time. 

Martinů’s works in all their versions and arrangements, 

as well as newly discovered and previously unpublished 

compositions will be included. 

Series VI/2, 1 The Epic of Gilgamesh, H 351, Ed. Aleš Březina already published BA 10571-01 

Series II/1, 4 Symphony No. 4, H 305, Ed. Sharon Andrea Choa already published BA 10572-01 

Series IV/4, 1 Les Rondes, H 200, Serenade No. 1, H 217, Serenade No. 3, 

H 218, Stowe Pastorals, H 335, Nonet No. 2, H 374, 

Ed. Jitka Zichová already published BA 10574-01 

Series VI/2, 3 Otvírání studánek (The Opening of the Springs), H 354, 

Legenda z dýmu bramborové nati (The Legend of the 

Smoke from Potato Tops), H 360, Romance z pampelišek 

(A Dandelion Romance), H 364, 

Mikeš z hor (Mikesh from the Mountains), H 375 already published BA 10575-01 

Series IV/3, 2 String Quartet No. 4, H 256, String Quartet No. 5, H 268, 

String Quartet No. 6, H 312, String Quartet No. 7, H 314 2017 BA 10576-01 

Series III/2, 4 Concerto for String Quartet and Orchestra, H 207, 

Sinfonia concertante, H 322 2018 BA 10577-01 

Series III/1, 7 Concerto da camera for Violin, String Orchestra, 

Piano and Percussion, H 285, 

Rhapsody-Concerto for Viola and Orchestra, H 337 2018 BA 10578-01 

Series III/1, 6 Incantation. Concerto for Piano and Orchestra No. 4, H 358, Concerto 

in B-flat for Piano and Orchestra (Fantasia concertante), H 366 BA 10579-01 

Series VI/2, 2 Svatební košile (The Spectre's Bride), H 214.I A, 

Polní mše (Field Mass), H 279, Ed. Paul Wingfield BA 10573-01 

Series I/1, 12 Ariane, Lyric Opera in One Act, H 370 BA 10580-01 

The Edition 

Commissioned by the 


Foundation (Prague). 

Edited by the Bohuslav 

Martinů Institute (Prague). 

Director: Aleš Březina 

The Structure 

Eight series (indicated 

by Roman numerals) 

divided into subseries 

(indicated by Arabic 

numerals). Approx. 

100 volumes in total. 

The Subscription 

Available on complete subscription or partial subscription by series at reduced prices. 

The volumes can also be purchased individually. 

Each volume includes 

a detailed Foreword 

and a Critical Report, 

both in English and Czech, 

format: 25.5 x 32.5 cm, 

cloth bound. 

Editorial Board 

Peter Ackermann, Sandra 

Bergmannová, Dietrich Berke (†), 

Aleš Březina, Klaus Döge (†), 

Jarmila Gabrielová, Jonáš Hájek, 

Christopher Hogwood (†), 

Adéla Kovářová, Kateřina 

Maýrová, Marek Pechač, 

Daniela Philippi, Ivana Rentsch, 

Giselher Schubert, 

Arne Stollberg, Eva Velická, 

Paul Wingfield, Jitka Zichová, 

Vít Zouhar, Pavel Žůrek 

I Stage works and 

film music 

II Orchestral music 

III Concertos and other 

concertato works 

IV Chamber music 

V Keyboard works 

VI Choral works and 

songs 

VII Piano reductions 

by the composer 

VIII Supplements and 

varia 

Please ask for the brochure 

“Bohuslav Martinů · The Complete Edition” 

(Eng/Ger) · SPA 275 

38 39

CHAMBER MUSIC 

16 

4_ 

Emmanuel 

Villaume 

Charles IV and Music 

Contempuls / Space & Sound 

Music in the Stalinist Era 

CZECH MUSIC QUARTERLY 

16 

Richard Šeda 

1 _ 

Improvised Music 

South Pole 

Rudolfine Prague Composers 

16 

2 _ 

Clara Nováková 

Leopold Koželuh 

Socialist Realism 

Czech Ear Project 

16 

3 _ 

Jiří Nekvasil 

Pavel Haas 

Socialist realism in Czechoslovakia? 

Czech Music Quarterly is a magazine 

in English focused on Czech classical music. 

Czech Music Quarterly provides a wide 

spectrum of information for music professionals 

and the general music public alike. 

Czech Music Quarterly offers interviews 

and portraits of Czech composers and 

performers, often with a special focus 

on contemporary classical music, information 

about current events, reviews and wide-ranging 

articles from leading Czech musicologists. 

Czech Music Quarterly has been published every 3 months since 1995. 

Published by Czech Music Information Centre 

Besední 3, 118 00 Prague 1, Czech Republic 

info@czech-music.net 

www.musica.cz 

Piano Trio 

(piano, violin, violoncello – if not 

mentioned otherwise) 



NEW 2016 

Dumky Op. 90 

Urtext / Ed. Ch. Flamm 

BA 9567 score with parts 


The dumka is a Slavic folk song 

or dance of a melancholy character. 

Dvořák's magnum opus 

in the piano trio genre takes its 

name from its dumka movements, 

which he composed in 

Prague in 1890-91. After long 

hesitation Dvořák also prepared 

a piano arrangement four hands 

while he was in the United States 

in the summer of 1893. 

Our new edition draws on the 

original Simrock print while carefully 

confronting the various 

reissues with the autograph and 

taking note of Dvořák's sketches 

as well as his later four-hand 

piano arrangement. A critical 

commentary provides detailed 

information on the work's sources, 

tempo markings and formal 

divisions of the movements. 

● Urtext edition reflecting the 

latest musicological research 

● Detailed preface (Ger/Cz/Eng) 

and critical commentary 


● Supplemented by the initial, 

draft version of dumka No. 3 



NEW 2016 

Piano Trio in B-flat maj Op. 21 

Ed. A. Čubr 

With a new preface by 

D. R. Beveridge 

(Eng/ Cz/Ger) 



Piano Trio in F min Op. 65 

Ed. F. Bartoš 


H.-J. Hinrichsen and I. Rentsch 

(Ger/ Cz/ Eng) 


Piano Trio in G min Op. 26 


With a new preface by E. Velická 

(Cz/Eng/Ger) 



(1925–2007) 

Trio for Violin / Flute, Violoncello 

and Piano 


Hanuš Jan 

(1915–2004) 

Frescoes (Fresky) Op. 51 




Concertino for Piano Trio and 

String Orchestra H. 232 COPY 




Piano Trio in G min 


K. Šolc 

BA 9518 score with parts 

Suk Josef 


Elegy Op. 23[a] 

“Under the Influence of Zeyer's 

Vyšehrad” 

the composer's own arrangement 

for piano trio 


(original version – see section 

Miscellaneous Ensembles) 

Škroup František Jan 


Trio in E-flat maj Op. 27 

for piano, violin / clarinet and 

violoncello 

Urtext / Ed. M. Harlow 


● First Urtext edition 

● Two alternative versions and 

scorings of the work 

● Preface (Eng/Ger/Cz ) and 


by the editor 

Piano Quartet 

(piano, violin, viola, violoncello – 

if not mentioned otherwise) 



Bagatelles (Maličkosti) Op. 47 

for two violins, violoncello 

and piano / harmonium 


ADCE IV/10 




40 41

CHAMBER MUSIC 

CHAMBER MUSIC 




Piano Quartet in D maj Op. 23 

Urtext / Ed. R. Tait 

BA 9574 score with parts in 

slipcover 


To appear in May 2017 

Dvořak's Piano Quartet in D 

major, though composed at the 

height of his artistic maturity, 

is to date unjustly overshadowed 

by his more popular 

works. It was written within 

the space of 18 days in the 

summer of 1875 and was later 

revised, probably in preparation 

for its publication. This revision, 

which was also taken into 

account for the first edition 

issued by the publisher Schlesinger, 

Berlin in 1880, serves as 

the primary source for this new 

Urtext edition. The premiere 

took place in Prague in 1880. 

● New Urtext edition 

● Detailed preface (Eng/Cz/Ger) 

by Dvořák scholar David R. 

Beveridge 

● Critical commentary (Eng) by 

the editor 

Piano Quartet in E-flat maj 

Op. 87 



E. Velická 

(Cz/Eng/Ger) 

BA 9537 score and parts 

in slipcover 



Quartet Op. 11 COPY 

for violin, viola, violoncello and 

piano 


Suk Josef 


Piano Quartet in A min Op. 1 

Urtext / Ed. Z. Nouza † 


● First scholarly-critical edition 



the editor 

Piano Quintet 

(piano, 2 violins, viola, violoncello) 



Piano Quintet in A maj Op. 5 

Eds. J. Burghauser, K. Šolc 

With a new preface by D. R. 

Beveridge (Eng/Cz/Ger) 

BA 11539 

score with parts 

in slipcover 


To appear in June 2017 


In 1887 Dvořák revised several of 

his works from the 1860s and 

1870s, most of them he then 

published for the first time. 

He thoroughly revised also his 

Piano Quintet in A major Op. 5, 

but he declined to publish it. 

Instead, he wrote a new one in 

the same key – the famous Op. 

81. Dvořak's first Piano Quintet 

in A major was never published 

during his lifetime. 



Piano Quintet in A maj 

Op. 81 

Ed. A. Čubr 


D. R. Beveridge 

(Eng/Ger/Cz) 

BA 9573 

score with parts 

in slipcover 

Eben Petr 

(1929–2007) 

Piano Quintet 




Quintet in D maj Op. 42 COPY 

for violin I, clarinet / violin II, 

French horn / viola, violoncello 

and piano 


Suk Josef 


Quintet Op. 8 COPY 

for two violins, viola, violoncello 

and piano 

Ed. by V. Musil 


String Duo 

Kukal Ondřej 

(*1964) 

Present – Duo for Violin 

and Violoncello 


String Trio 



Miniatures (Drobnosti) Op. 75a / 

Gavotte B 164 

Miniatures – for two violins and 

viola 

Gavotte – for three violins 

ADCE IV/4 

H 3392-01 parts in slipcover 

Terzetto in C maj Op. 74 

for two violins and viola 

Composed as an occasional 

composition for amateurs 


BA 9543 parts in slipcover 



Serenade No. 2 H. 216 COPY 

for two violins and viola 

H 1501 parts 

H 6508 score 

String Trio No. 1 H. 136 

for violin, viola and violoncello 

Ed. E. Velická 

Preface and critical commentary 

by the editor 

(Cz/Ger/Eng/Fr) 


H 7965 study score 


(1737–1781) 

Trio in G maj COPY 

for violin, violoncello and 

double bass 


Teml Jiří 

(*1935) 

Koledníček 

popular Czech and Moravian 

Christmas songs for 2 violins / 

clarinets and violoncello 

string parts rev. by M. Škampa 

H 7852 parts in slipcover 

String Quartet 



Cypresses (Cypřiše) B 152 


ADCE IV/7 



Quartet Movement in F maj 

B 120 

ADCE IV/7 


String Quartet No. 1 in A maj 

Op. 2 


Original Burghauser's preface 

updated and expanded by 

H. Schick 



String Quartet No. 2 in B-flat 

maj B 17 




String Quartet No. 3 in D maj B 18 

ADCE IV/5 


String Quartet No. 4 in E min B 19 

ADCE IV/5 


String Quartet No. 5 in F min 

Op. 9 


Original Burghauser's preface 

updated and expanded by 

H. Schick 



String Quartet No. 6 in A min 

Op. 12 

ADCE IV/5 


String Quartet No. 7 in A min 

Op. 16 

ADCE IV/6 


String Quartet No. 8 in E maj 

Op. 80 

ADCE IV/6 

H 1834 parts in slipcover 

H 1835 study score 

String Quartet No. 9 in D min 

Op. 34 

ADCE IV/6 


String Quartet No. 10 in E-flat 

maj Op. 51 

ADCE IV/6 


String Quartet No. 11 in C maj 

Op. 61 

ADCE IV/7 


String Quartet No. 12 in F maj 

Op. 96 “American” 

ADCE IV/7 



String Quartet No. 13 in G maj 

Op. 106 

ADCE IV/7 


String Quartet No. 14 in A-flat 

maj Op. 105 

ADCE IV/7 


Two Waltzes Op. 54 

No. 1 in A maj, No. 4 in D-flat maj 

ADCE IV/6 



(1925–2007) 

String Quartet No. 6 




String Quartet in A maj COPY 

H 100 parts 

Fišer Luboš 

(1935–1999) 

Variations on an Unknown 

Theme (Variace na neznámé 

téma) 

for string quartet 

First printed edition 




On an Overgrown Path 

(Po zarostlém chodníčku) 

Arr. by J. Burghauser 


String Quartet No. 1 “Inspired by 

Tolstoy's Kreutzer Sonata” 

Urtext / Eds. L. Faltus, M. Štědroň 



String Quartet No. 2 “Intimate 

Letters” 


LJCE E/4 

BA 6857 / H 7832 

cloth bound score with parts 




42 43

CHAMBER MUSIC 

CHAMBER MUSIC 




Youth (Mládí) 

for String Quartet 

(after the wind sextet Youth) 

Arr. by K. Mařatka 



To appear in November 2017 

The French-based Czech composer 

Kryštof Mařatka (b. 1972) 

is a great admirer of Janáček, 

and with his arrangement of 

Janáček's wind sextet Youth he 

hopes to expand the repertoire 

options for string quartets. 

Janáček's masterpiece was 

written in the height of his 

creativity in 1924. Mařatka was 

able to transform the zestful 

nature of the winds, which give 

the work its unique character, 

into the vibrant timbre of 

strings, thus creating the “third 

string quartet” of Leoš Janáček. 


string quartet repertoire 

● Janáček's wind sextet 

masterpiece in a convincing 

arrangement for string quartet 

● Preface by the arranger, Czech 

composer Kryštof Mařatka 

(Cz/Eng/Ger) 

Kukal Ondřej 

(*1964) 

JANÁČEK 

Mládí 

úprava pro smyčcové kvarteto 

Youth 

arrangement for String Quartet 

Die Jugend 

Bearbeitung für Streichquartett 

Mládí 

úprava pro smyčcové kvarteto 

Hlasy / Parts / Stimmen 

Youth 

arrangement for String Quartet 

Die Jugend 

Bearbeitung für Streichquartett 

Bärenreiter 

JANÁČEK 

Bärenreiter 




Concerto for String Quartet 


Eds. Ch. Hogwood †, M. Pechač, 

P. Žůrek 

BMCE III/2/4 (in one volume 

with Sinfonia concertante 

H. 322) 




String Quartets Nos. 4–7 

No. 4 H. 256 (1937), No. 5 H. 268 

(1938), No. 6 H. 312 (1946), No. 7 

H. 314 (1947) 

Ed. A. Březina and the Bohuslav 

Martinů Institute 

BMCE IV/3/2 



→ see more about the BMCE 

on pp. 38-39 

With eight string quartets, 

Martinů is one of the major 

representatives of the genre 

in twentieth-century music. 

The present critical edition 

differs considerably from all 

the previous practical editions, 

including the recent Urtext 

ones, as it was preceded by 

thorough heuristic research, 

which helped uncover 

numerous new musical and 

non-musical sources. 

Knowledge of this complete 

source material enabled the 

creation of editions of the 

utmost precision and also elucidated 

the aesthetic and formal 

foundations of the works. In the 

light of these findings, Martinů's 

string quartets can be seen as a 

systematically developed series 

of compositions that share an 

ingenuously structured and 

innovative connection of form 

and musical matter. 


edition 

● Detailed preface (Aleš Březina) 

and critical commentary by 

the editors from the Bohuslav 

Martinů Institute (Eng/Cz) 



String Quartet No. 4 H. 256 

Eds. A. Březina, I. Štraus 




Eds. A. Březina, A. Klemens 




Eds. A. Březina, I. Štraus 



Matys Jiří 

(*1927) 

String Quartet No. 1 Op. 21 




String Quartet No. 6 


(2005) 





String Quartet No. 1 in E min 

“From My Life” 


K. Šolc 



String Quartet No. 2 in D min 


K. Šolc 



Suk Josef 


Minuet COPY 


Ed. M. Nový 


Suk Josef 


NEW 2016 

Meditation on the Old Czech 

Hymn “St Wenceslas” Op. 35a 

for String Quartet 




(Orchestral version – see section 

String Orchestra) 

Josef Suk played the 2nd violin 

in the Bohemian String Quartet. 

Since 1914 the ensemble was 

obliged to perform the Austrian 

national anthem at the opening 

of every concert. Suk decided to 

supplement this obligatory 

piece with a work inspired by 

the ancient sacred Bohemian 

St Wenceslas hymn. The hymn's 

message – a plea for the wellbeing 

of the Czech people, 

directed at their patron saint – 

was immediately understood 

by the audience. 

The Bohemian String Quartet 

performed this single-movement 

Meditation for the first time on 

27 September 1914 (the version 

for string orchestra in November 

1914). That same year the piece 

was published by Fr. A. Urbánek 

together with arrangements for 

piano and organ. 

This first Urtext edition was 

prepared in two scorings – one 

for string quartet and another 

for string orchestra. The 

orchestral arrangement differs 

from the quartet version in some 

details in connection with the 

added part for double bass. 


● Informative preface (Cz/Eng/ 

Ger) and critical commentary 


● Two versions published in two 

separate editions 

Josef Suk, op. 35a 

Adagio, ma con moto 

 

Violino I c 2 

4 

con sord. 

c 

7 

poco 

 

 

 

3 

 

2 

c 

Suk Josef 


String Quartet No. 1 in B-flat maj 

Op. 11 





● Includes both versions of the 

4th movement – the original 

one from 1896 and the late 

revision from 1915, which could 

be played also separately as an 

encore 



by the editor 





The single-movement String 

Quartet No. 2 by Josef Suk 

was written at the height of 

his compositional powers. 

Completed in Křečovice in May 

1911, this demanding work, 

with its complex harmonies 

and motivic structure, seemed 

avant-garde for its day: the Berlin 

premiere of November 1912 

was accompanied by protests 

from the audience. 


● 

 

3 

 

2 c 

Preface (Cz/Eng/Ger) and 

cresc. 


String Quartet Op. 9 

by the editor 

12 


2 

 

4 c 

 

f dim. molto dim. molto p dim. perdendo 

 

poco cresc. 

molto p 

44 

dim. 

2 

45 

 

4 c 

 

 

 

 

Violino II 

ru 

Prof. D 

Ferd. Pečírkovi v upřímném přátelství 

Meditace 

na staročeský chorál „Svatý Václave“ 

sempre molto p 

con sord. 

c 2 

4 c 

con sord. 


Viola c 2 

4 c 

 

 

p espress. 

 

Violoncello c 2 

 

4 


con sord. 

c 

 

 


3 

 

 

2 c 

 

 

cresc. 

cresc. 

 

3 

 

2 

c 

cresc. 

 

 

 

 

cresc. 

cresc. 

f dim. molto dim. molto p dim. 

2 

molto p 

poco cresc. dim.

CHAMBER MUSIC 

CHAMBER MUSIC 

Vranický Pavel 


Quartetti per archi II Op. 16 

Nos. 1–6 

Ed. S. Ondráček 

Preface by O. Zuckerová 

(Cz/Ger/Eng) 

MAB I/84 

H 7481 score 

(parts for each individual quartet 

available upon request) 

Zámečník Evžen 

(*1939) 

Meditation 



String Quintet 



Nocturno in B maj Op. 40 

for 2 violins, viola, violoncello and 

double bass 

Eds. J. Burghauser, M. Nový 

ADCE III/24 


String Quintet in A min Op. 1 

for 2 violins, 2 violas and 

violoncello 

ADCE IV/9 


String Quintet in E-flat maj 

Op. 97 

for 2 violins, 2 violas and 

violoncello 


A new preface by D. R. Beveridge 



String Quintet in G maj Op. 77 

for 2 violins, viola, violoncello 

and double bass 

Eds. F. Bartoš, A. Pokorný 



● Dvořák's famous quintet with 

double bass 

● This edition also includes the 

Intermezzo from the original 

five-movement version of the 

quintet 

● Preface by David R. Beveridge 

(Eng/Cz/Ger) 


(*1951) 

Dialogues (Rozhovory) 

for string quintet 



(1737–1781) 

Tre quintetti d'archi IV–VI COPY 

for 2 violins, 2 violas and double 

bass 


MAB I/83 

H 7037 score 

String Sextet 



String Sextet in A maj Op. 48 

for 2 violins, 2 violas and 2 

violoncellos 



Schulhoff Erwin 


Sextet 

for 2 violins, 2 violas and 2 

violoncellos 

Ed. M. Rische 

BA 7488-22•parts in slipcover 

BA 7488• study score 

Wind Ensembles 

Blatný Pavel 

(*1931) 

Scena con ottoni 

(Scéna pro žestě) 

for 2 trumpets, 2 trombones and 

French horn 



(1731–1799) 

Six Parthias 

for 2 oboes and bassoon 



• 


Eben Petr 

(1929–2007) 

Quintetto COPY 

(Variations on chorale) 

for 2 trumpets, French horn and 

2 trombones 


Quintetto per stromenti a fiato 

COPY 

for flute, oboe, clarinet, French 

horn and bassoon 



(1925–2007) 

Wind Quintet No. 2 COPY 




Hanuš Jan 

(1915–2004) 

Music of the Tower (Hudba věže) 

Op. 88 

(Tribute to Bohuslav Martinů) 

for 2 trumpets, French horn and 

2 trombones 




Youth (Mládí) 

Wind Sextet for flute / piccolo, 

oboe, clarinet, French horn, 

bassoon and bass clarinet 

Urtext / Eds. J. Doležal, L. Faltus 




(1908–1979) 

Wind Sextet Op. 8 COPY 

for flute, English horn, 2 clarinets, 




(1923–2006) 

Piccola musica da camera Op. 27 






Trio in F maj and Variations 

on Pleyel's Theme COPY 

for 2 oboes and French horn 




(1737–1781) 

Tre ottetti per due oboi, due 

clarinetti, due corni e due fagotti 

COPY 

in E-flat maj, in E-flat maj, in 

B-flat maj 

Ed. C. Schoenbaum 

MAB I/55 




Tre quintetti – Parte I, Op. 88 

No. 3 COPY 



Eds. R. Hertl, V. Smetáček, rev. by 

M. Špeťko 

MAB I/33a 


Serenate Boëme, partite 

e notturni 

Antonín Kammel, Jiří Družecký, 

František X. Dušek, Vincenc 

Mašek 

for 2 oboes, 2 French horns and 

bassoon 


MAB I/35 

H 2304 score 

Trojan Václav 

(1907–1983) 

Divertimento per quintetto 

a fiato COPY 




Vranický Antonín 


Marches for Wind Instruments 

for 2 oboes, 2 clarinets, 2 French 

horns, trumpet, 2 bassoons and 

contrabassoon 

Ed. A. Myslík 


Wind Ensembles 

and Piano 

Eben Petr 

(1929–2007) 

Music for Oboe, Bassoon and 

Piano 


Hanuš Jan 

(1915–2004) 

Impromptus Op. 45 COPY 

for trumpet / flute, oboe, clarinet 

and piano 




Capriccio for Piano Left Hand and 

Wind Ensemble 

flute / piccolo, 2 trumpets, 3 

trombones, tenor tuba ossia 

French horn 

Eds. L. Faltus, J. Procházková 

46 47 

LJCE E/5 

BA 6856• 

cloth bound score 

with parts 

Urtext / Eds. L. Faltus, 

J. Procházková 

Preface by J. Procházková 

BA 9535 

Miscellaneous 

Ensembles 



NEW 2016 

score and parts in 

slipcover (French 

horn part included) 

Serenade in D min Op. 44 

for 2 oboes, 2 clarinets, 2 

bassoons, contrabassoon ad lib., 

3 French horns, violoncello and 

double bass 

→ see more about the edition 

in section Chamber Orchestra 

on p. 51 

Fiala Josef 


Two Duets 

for oboe and viola / violoncello 



Two Oboe Quartets COPY 

for oboe, violin, viola and 

violoncello 

Ed. and rev. by M. Klement 


Fišer Luboš 

(1935–1999) 

Crux 


Reproduction of the autograph 




(1923–2006) 

Nonet No. 2 “In Honour 

of Nature” Op. 44 

for flute, oboe, clarinet, bassoon, 

French horn, violin, viola, 





Two Oboe Quartets 

in C maj, in F maj 

for oboe, violin, viola and 

violoncello 


MAB I/42 




Chamber Music for 6-9 

Instruments I 

Ed. J. Zichová 

BMCE IV/4, 1 


Les Rondes H. 200 [with 

piano], Serenade No. 1 H. 217, 

Serenade No. 3 H. 218, Stowe 

Pastorals (Pastorely ze Stowe) 

H. 335, Nonet No. 2 H. 374 

→ see more about BMCE 

on pp. 38-39 


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• Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • 

sliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • 

a František ORCHESTRA 

CHAMBER Ignác Antonín MUSIC • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan 

elenka Jan Dismas • Benda František MUSICA • Benda Jiří ANTIQUA Antonín • Brixi František BOHEMICA 

Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek 

ntišek Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Mich- 

Adam The z Otradovic Musica Antiqua • Mysliveček Bohemica Josef • Plánický of the Josef 17th Antonín and 18th century • Rejcha and Antonín • In Rössler-Rosetti 1969 this instrumental František series Antonín • Seger 

ef Ferdinand (MAB) edition Norbert series • Tůma is a collection František Ignác at Antonín the courts • Vejvanovský of their domestic Pavel Josef • was Voříšek complemented Jan Václav by Hugo another, • Vranický Antonín • 

of the compositions of various nobility. The series has published vocal one, which includes signifinický 

Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík 

authors of Czech origin ranging critical editions of the works of Jiří cant representations of works by 

Ladislav from • the Dušek Baroque František period Xaver to that • Fils of Antonín Antonín • Koželuh Benda, Leopold Antonín Rejcha, • Kramář-Krommer Jan Dismas František Zelenka Vincenc and Jiří • Linek Anto-Jiřnín Benda; • Rejcha the Antonín youngest • author Rössler-Rosetti Fran- 

Ignác • 

y Jan early Antonín Romanticism. • Michna It Adam was begun z Otradovic • František Mysliveček Xaver Josef Dušek, • Plánický the most Josef Antonín 

k Antonín in 1934 • by Seger the Brno Josef musicologist 

Ferdinand Norbert revelational • Tůma František editorial Ignác impact Antonín can • Vejvanovský chronologically Pavel is Josef Jan Václav • Voříšek Hugo Jan Václav 

go • Vranický Vladimír Antonín Helfert; after • Vranický a wartime Pavel • Zach be Jan seen • in Zelenka the multi-volume Jan Dismas • Benda František Voříšek (1791–1825). • Benda Jiří Antonín • Brixi František 

ver • Brixi break Šimon and the • Dusík death Jan of the Ladislav original 

• Linek editor, Jiří it Ignác was taken • Losy up Jan by Antonín the • Michna Pavel Josef Adam Vejvanovský, z Otradovic Jan • Václav Mysliveček Although Josef • Plánický it is merely Josef an incomplete 

Antonín • Rejcha 

• Dušek inclusions František of Xaver Jan Ladislav • Fils Antonín Dusík, • Koželuh Leopold • Kramář-Krommer František 

cenc 

tonín Prague • Rössler-Rosetti publisher Supraphon František and Antonín • Seger Hugo Voříšek, Josef Ferdinand other Norbert authors • Tůma study František on Czech Ignác music Antonín history, • Vejvanovský the Pavel 

later Bärenreiter Praha, and its last who had previously been largely MAB edition series constitutes a 

ef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří 

volume was published in 2003. underestimated. It comprises 

unique anthology of compositions 

tonín • Brixi František Xaver • Brixi Šimon • compositions Dusík Jan Ladislav of all genres, • Dušek ranging František Xaver of the • given Fils Antonín period, thus • Koželuh acting as Leopold a • Krař-Krommer 

The first, František instrumental Vincenc series • Linek maps Jiří Ignác from • piano Losy Jan and Antonín violin works • Michna to Adam basic z Otradovic guideline • Mysliveček for further research Josef • Plánický 

ef Antonín the life • and Rejcha work Antonín of Czech • composers 

both in Pavel European Josef metropolises 

• Voříšek Jan Václav scores. Hugo • Vranický Antonín • Vranický of Pavel Central • Zach Europe. Jan • Zelenka Jan Dismas • 

Rössler-Rosetti chamber František music Antonín and symphonic • Seger Josef Ferdinand this field, Norbert especially • Tůma in the František region Ignác Anto- 

• Vejvanovský 

nda František 

3 přímé barvy - viz VZOR!!! 

• Benda Jiří Antonín • Brixi 


František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Anto- 






Promenades H. 274 

for flute, violin and harpsichord 

BA 3327• score with parts 

Serenade No. 1 H. 217 COPY 

for clarinet, French horn, 3 violins 

and viola 

H 1500 parts 


(also available on hire) 

Serenade No. 3 H. 218 COPY 

for oboe, clarinet, 4 violins and 

violoncello 

H 1502 parts 



CHAMBER MUSIC 

Rössler-Rosetti František Antonín 

(1746–1792) 

Notturno in D COPY 

for flute, violin, viola, violoncello 

and Frech horn in D 


MAB I/32 

H 2171 score 

Suk Josef 


Elegy Op. 23 

“Under the Influence of Zeyer's 

Vyšehrad” 

for violin solo, violoncello solo, 

string quartet, harmonium and 

harp 

Eds. K. Řehák, M. Svobodová 



Nonet No. 2 H. 374 

sliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • for flute, oboe, clarinet, bassoon, Mysliveček Josef 

a František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan French horn, violin, viola, 

(1737–1781) 

Village Serenade 


MUSICA 3 přímé barvy - viz VZOR!!! ANTIQUA 


elenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek 

(Vesnická serenáda) s. op. 


BOHEMICA 

BOHEMICA 

Four Sonatas COPY 

the composer's own 

ntišek Xaver • Fils Antonín • Koželuh Leopold Urtext / Ed. J. Zichová 

48• Kramář-Krommer František SERIA Vincenc II • Linek Jiří Ignác • Losy Jan Antonín • Mich- 

for flute, violin and violoncello 

5 

arrangement (originally for piano 

TP 440 study score ♦ 

Adam z Otradovic • Mysliveček Josef • PAVEL Plánický JOSEF VEJVANOVSKÝ Josef Antonín • Rejcha JAN Antonín DISMAS ZELENKA• Rössler-Rosetti František Antonín • Seger 


solo) for 2 clarinets, 3 violins, 

ef (replaces H 3022) 

3 přímé Ferdinand barvy - viz VZOR!!! Norbert • Tůma František MUSICA COMPOSIZIONI 

Ignác 3 ANTIQUA 

přímé barvy - Antonín viz VZOR!!! • Vejvanovský Pavel MUSICA PSALMI Josef ANTIQUA • Voříšek Jan Václav Hugo • Vranický Antonín • 


viola, violoncello and double bass 

per orchestra 

ET 

nický Pavel • Zach Jan • Zelenka Jan Dismas BOHEMICA • Benda František • Benda 

To appear in October 2017 

MAGNIFICAT Jiří BOHEMICA Antonín • Brixi František Xaver • Brixi Šimon • Dusík 

suitable for amateur musicians 

48 PARTITURA 

SERIA II 


PARTITURA 

Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer 5 František Vincenc • Linek Jiří Ignác • 

Martinů wrote Nonet No. 2 

Ed. M. Nový 

Parte seconda 

PAVEL JOSEF VEJVANOVSKÝ 

JAN DISMAS ZELENKA 


y Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti Frank 

Antonín • Seger Josef Ferdinand Norbert per orchestra • Tůma František Ignác Antonín • ET Vejvanovský Pavel Josef • Voříšek Jan Václav 

a commission for the Czech 

Tre quartetti Op. 98 Nos. 1–3 

in the last year of his life as 


barvy - viz VZOR!!! 

MUSICA COMPOSIZIONI 

ANTIQUA3 přímé barvy - viz VZOR!!! 

MUSICA PSALMIANTIQUA 

BOHEMICA 

MAGNIFICAT BOHEMICA 

Nonet, which gave the world 

in G min, in C maj, in G maj 

Teml Jiří 

go • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František 

48 PARTITURA 

SERIA II 

PARTITURA 

premiere at the Salzburger 

for flute, violin, viola and 

(*1935) 

5 

Parte seconda 

ver • Brixi Šimon • Dusík Jan Ladislav PAVEL JOSEF • Dušek VEJVANOVSKÝ František Xaver • Fils Antonín 

JAN 

• Koželuh 

DISMAS ZELENKALeopold • Kramář-Krommer František 

Festspiele on 27 July 1959. 

violoncello 

Koledníček 

OR!!! cenc • Linek Jiří Ignác • Losy Jan MUSICA Antonín COMPOSIZIONI 

ANTIQUA • Michna 3 přímé barvy Adam - viz VZOR!!! z Otradovic • Mysliveček MUSICA PSALMI Josef ANTIQUA • Plánický Josef Antonín • Rejcha 

per orchestra 

ET 

Nonet No. 2 was published 

Ed. K. Janetzki, rev. by J. Ruis 

popular Czech and Moravian 

tonín • Rössler-Rosetti František Antonín BOHEMICA • Seger Josef Ferdinand Norbert • Tůma MAGNIFICAT BOHEMICA František Ignác Antonín • Vejvanovský Pavel posthumously in autumn 

MAB I/65a 

Christmas songs for 2 violins / 

48 PARTITURA 

SERIA II 

ef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka 

PARTITURA 

5 Jan Dismas • Benda František • Benda Jiří later that year. 


Parte seconda 


clarinets and violoncello 


tonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Krař-Krommer 

František Vincenc • Linek The main source for the edition 



ANTIQUA 



per orchestra Jiří Ignác • Losy Jan Antonín • Michna Adam z ET Otradovic • Mysliveček Josef • Plánický 

BOHEMICA 


is the autograph score. The 

ef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Anto- 

48 PARTITURA 

SERIA II 

PARTITURA 

5 

referential sources consists of 

Parte seconda 

• Vejvanovský Pavel Josef PAVEL • Voříšek JOSEF VEJVANOVSKÝ Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • 


a copy of the autograph score, 

Miscellaneous 

nda František • Benda Jiří MUSICA Antonín COMPOSIZIONI 

ANTIQUA • Brixi František Xaver 3 přímé barvy - viz • VZOR!!! Brixi Šimon • Dusík Jan Ladislav MUSICA PSALMIANTIQUA 

• Dušek František Xaver • Fils Anto- the first printed edition, which 

per orchestra 

ET 

• Koželuh Leopold • Kramář-Krommer BOHEMICA František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • 

contains partly authorised 

Ensembles and Piano 


48 PARTITURA 

SERIA II 

sliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín PARTITURA 

5 • Seger Josef Ferdinand Norbert • amendments by the Czech 

Parte seconda 



a František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan Nonet, and corrections found 



ANTIQUA 

elenka Jan Dismas • Benda František • Benda Jiří Antonín 

MAB 



• Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek 

in the extant correspondence 

per orchestra 

ET 

(1925–2007) 

BOHEMICA 


ntišek Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Mich- between Martinů and violinist 

48 PARTITURA 

SERIA II 

PARTITURA 

Emil Leichner, the artistic 

Trio for Flute / Violin, Violoncello 

5 

Parte seconda 

Adam z Otradovic • Mysliveček PAVEL JOSEF VEJVANOVSKÝ Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger 


director of the Czech Nonet. 

and Piano 

ef Ferdinand Norbert MUSICA COMPOSIZIONI 

• Tůma ANTIQUA František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • 



Unlike the BMCE version, this 


per orchestra 

ET 

nický Pavel • Zach Jan BOHEMICA • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi MAGNIFICAT František BOHEMICA Xaver • Brixi Šimon • Dusík edition transposes the clarinet 

48 PARTITURA 

SERIA II 

Ladislav • Dušek František Xaver • Fils Antonín ● A • Koželuh unique collection Leopold of • Kramář-Krommer František Vincenc • Linek Jiří Ignác • 

part to B-flat. 


PARTITURA 

5 

Parte seconda 


y Jan Antonín • Michna Adam z Otradovic • Mysliveček compositions Josef from • Plánický Central 


Josef Antonín • Rejcha Antonín • Rössler-Rosetti Frank 

Antonín • Seger Josef Ferdinand Norbert • Tůma -European František music Ignác of the Antonín 17th, 


• Vejvanovský Pavel Josef • Voříšek Jan Václav 



ANTIQUA 


● First Urtext edition based 

per orchestra 

ET 

on the Bohuslav Martinů 

Quintet in D maj Op. 42 COPY 

BOHEMICA 

Tre quartetti Op. 98 Nos. 4–6 

go • Vranický Antonín • Vranický Pavel • Zach Jan 18th, • Zelenka and early Jan 19th Dismas century 


• Benda František • Benda Jiří Antonín • Brixi František 

Complete Edition IV/4/1 

for violin I, clarinet / violin II, 

48 PARTITURA 

SERIA II 

PARTITURA 

in E min, in A maj, in D maj 

5 

ver • Brixi Šimon • Dusík Parte seconda Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František 

(Chamber Music for 6–9 

French horn / viola, violoncello 


● All genres of instrumental 


for flute, violin, viola and 

cenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha 

Instruments I) 

and piano 


ANTIQUA 

music and choral works 


violoncello 

per orchestra 

ET 

tonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel 


BOHEMICA 


Ed. S. Ondráček 

● 

ef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří 

Clarinet part transposed to 

48 PARTITURA 

SERIA II 

● Each publication includes a 

PARTITURA 

MAB I/85, I/85a 

5 

Parte seconda 


B-flat 


tonín • Brixi František Xaver • Brixi Šimon • Dusík detailed Jan Ladislav preface • by Dušek the editor, František Xaver • Fils Antonín • Koželuh Leopold • Krař-Krommer 

František per orchestraVincenc • Linek Jiří Ignác • a Losy list of Jan sources Antonín and • relevant Michna Adam z Otradovic • Mysliveček ET Josef • Plánický 


● Preface (Cz/Eng/Ger) by the 

H 7800 score 

• 


COMPOSIZIONI 

PSALMI 

♦ 

editor 


ef Antonín • Rejcha Antonín • Rössler-Rosetti František literature, Antonín and a critical • Seger Josef Ferdinand Norbert 

MAGNIFICAT 

• Tůma František Ignác Anto- 

PARTITURA 

PARTITURA 


• Vejvanovský Pavel Parte seconda Josef • Voříšek Jan Václav Hugo commentary • Vranický (Cz/Ger/Eng) Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • 

nda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Anto- 

48 49 


sliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • 

a František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan 

MARTINŮ 


Nonet č. 2 

Nonet No. 2 

Nonett Nr. 2 

H 374 

Bärenreiter 

U R T E X T

CHAMBER MUSIC 

ORCHESTRA 

Hurník Ilja 

(1922–2013) 

Sonata da camera 

for flute, oboe / violin, 

violoncello, harpsichord / piano 


Hurník Lukáš 

(*1967) 

Fusion Music 

for oboe, clarinet, bassoon and 

piano 




Concertino 

for piano, 2 violins, viola, clarinet, 





Les Rondes H. 200 

for oboe, clarinet, bassoon, 

trumpet, 2 violins and piano 


Sonata for Flute, Violin and 

Piano H. 254 

BA 3326• score with piano 

Suk Josef 


Bagatelle “Carrying a Bouquet” 

(„S kyticí v ruce“) 

for flute (violin ad lib.), violin and 

piano 


Škroup František Jan 


Trio in E-flat maj Op. 27 

for piano, clarinet / violin and 

violoncello 

Urtext / Ed. M. Harlow 



● Two alternative versions and 

scorings of the work 

● Preface (Eng/Ger/Cz ) and 


by the editor 

The Bärenreiter film … 

Renowned conductor and musicologist 

Christopher Hogwood takes you on a 

journey through Bärenreiter. Come 

with us behind the scenes. 

22 

Viol I 

Viol II 

Va 

Vc 

[a tempo] 

118 

 

 

 

 

 

p 

You will be given an insight into 

Cb 

 

 

 

pizz. 

p 

the editorial and production process 

of an Urtext edition. The history of this 

129 

 

Viol I 

family-owned 

 

 

 

company is also revealed. 

cresc. molto 

… at www.baerenreiter.com 

Viol II 

dolce 

 

 

 

 

 

 

 

dolce 

fz 

 

 

 

 

 

 

 

 

 

p 

pizz. 

 

 

[ ] 

f 

cresc. molto f pp 

fz 

String Orchestra 

(concertos with string orchestra – 

see individual instruments) 



Va 

 

● 

 

 

 

 

 

 

 

 

 

 

Two versions published in 

cresc. f pp 

see section About us 

arco 


two separate editions 

 

Vc 

 

Performance material available 

° 

 

 

on sale 164 


f 

pp 

 

arco 

 

Cb 

 

 

 

50 Viol I 

 

 

 

 

 

 

 

 

 

 

 

f dim. p 

f 

pp 

51 

Viol II 

 

141 

 

 

 

 

 

 

 

 

 

NEW 2016 

Serenade in E maj for String 





Dvořák's Serenade in E major 

Op. 22 is one of his most popular 

and frequently played works. 

It was written in the spring of 

1875. The score and parts were 

published by Bote & Bock, Berlin, 

in 1879. 

Viol I 

Viol II 

Va 

Vc 

Cb 

153 

 

 

 

Vi ‒ 

 

 

 

 

This Urtext edition is based on 

the composer's autograph score. 

It corrects numerous mistakes 

in articulation and dynamic 

markings that the composer 

himself noted into his own 

Bote & Bock (1st edition) copy 

of the work. For the first time, 

the editor incorporates omitted 

passages from the autograph, 

marking them with Vi-de. This 

reconstruction makes it possible 

to clarify the piece’s structure. 

The instructive preface by 

Kateřina Nová offers profound 

insight into the work, its 

manuscript history, and the 

mystery of Dvořák's revision of 

the work. 

● Dvořák's original concept 

presented for the first time 

● Included Vi-de passages (in 

both score and parts) omitted 

by the composer in the 

autograph score (see example) 

● Detailed preface (Cz/Eng/Ger) 

by Kateřina Nová, Head of the 

Dvořák Museum in Prague, and 


the editor 

molto espressivo 

p fz dim. p 

 

 

 

 

 

 

molto espressivo 

p fz dim. p 

p [ mf ] 

dim. p 

p mf dim. p 

p mf p 

p fz p 

f dim. p 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

solo 

 

 

 

 

23 


(1925–2007) 

Sinfonietta da camera per archi 

violin I II, viola, violoncello, 

double bass 


Suk Josef 


Ella-Polka 


double bass and triangle 

for string orchestra arr. by the 

composer 

Ed. M. Nový 

H 7953 score and parts 

Suk Josef 


NEW 2016 

Meditation on the Old Czech 

Hymn “St Wenceslas” Op. 35a 

for String Orchestra 


BA 9584 ° 

(Chamber version – see section 

String Quartet) 

This first Urtext edition was 

prepared in two scorings – one 

for string quartet and another 

for string orchestra. The 

orchestral arrangement differs 

from the quartet version in some 

details in connection with the 

added part for double bass. 


● Informative preface (Cz/Eng/ 

Ger) and critical commentary 

(Eng) by the editor

ORCHESTRA 

ORCHESTRA 

Suk Josef 


Sousedská 

[A type of Czech folk dance] 

violin I–V, double bass / 

violoncello, cymbals, triangle, 

snare drum and bass drum 



Šesták Zdeněk 

(*1925) 

Concerto per orchestra d'archi 


double bass 

H 6429 score 

Vodička Václav 

(1720–1774) 

Sinfonia in C 


double bass, harpsichord 

Rev. by H. Krupka, J. Snížková 


Zach Jan 

(1699–1773) 

Cinque sinfonie d'archi 

violin I II, viola, double bass 


MAB I/43 


Chamber Orchestra 

(concertos with chamber orchestra 

– see individual instruments) 


(1722–1795) 

Sinfonie I–III 

in D maj, in G maj, in C maj 

flute, oboe, French horn I II, violin 

I II, viola, violoncello, double bass, 

harpsichord 


MAB I/58 


Sinfonie IV–VI 

in F maj, in G maj, in E-flat maj 

flute I II, oboe I II, French horn 

I II, violin solo, violin I II, viola, 

violoncello, double bass, 

harpsichord 


MAB I/62 






NEW 2016 

Serenade Op. 44 

for Wind Instruments, 

Violoncello and Double Bass 




BA 10424-22 set of parts 

in slipcover 

In 1878 Dvořák visited Vienna 

and was so impressed by a 

performance of Mozart's Wind 

Serenade in B-flat major K. 361 

that he wrote his own wind 

serenade within the space of two 

weeks after his return. Taking 

Mozart's piece as his model, he 

supplemented the wind bound 

Moderato quasi Marcia 


a2 

 

Oboe I, II c 

 

 

 

 

f 

Clarinetto I, II c 

in Sib/B 

 

 

 

 

 

 

f 

 

a2 

 

 

[ ] 

[ 

Fagotto I, II c 

] 

 

 

[ 

 

f 

 

 

 

 

] 

Contraffagotto [ 

] 

c 

(ad libitum) 

 

 

f 

 

 

 

 

Corno I, II c 

in Fa/F 

 

 

 

f 

 

Corno III c 

in Sib/B basso 

 

 

 

f 

[ 

] 

Violoncello c 

 

 

f 

[ 

] 

Contrabbasso c 

 

 

[ 

6 a2 

a2 

 

] 

 

 

Ob I, II 

 

 

 

p 

Clar I, II 

in Sib/B [ ] 

 

 

p 

] 

[ 

] 

Fag I, II 

[ 

 

 

 

[ ] [ 

 

] 

 

p 

] 

 

[ 

Cfag 

 

Cor I, II 

in Fa/F 

[ 

] 

 

p 

[ ] 

 

Cor III 

in Sib/B basso 

 

p 

] 

[ 

Vc 

 

p 

] 

[ 

Cb 

 

BA 10424 

f 

Herrn Louis Ehlert zugeeignet 

Serenade 

I 

with a bass part for violoncello 

and double bass. 

The Serenade Op. 44, which also 

delighted Johannes Brahms, was 

issued by Dvořák's publisher 

Simrock shortly after its 

premiere. Our new Urtext edition 

draws on this first print while 

using the autograph to correct 

a number of mistakes and 

above all inconsistencies in 

articulation. 

● First Urtext edition of Dvořák's 

popular wind serenade 

● Detailed preface by Dvořák 

expert David R. Beveridge 

(Eng/Cz/Ger) 

● Critical commentary by the 

editor (Eng) 

p 


Eben Petr 

(1929–2007) 

Concertino pastorale 

for three solo instruments (flute, 

oboe, clarinet / violin) and string 

orchestra (violin I II III, viola, 

violoncello, double bass) 

H 7877 score 

H 7877-22 parts COPY 

Fils Antonín 

(1733–1760) 

Sei sinfonie per orchestra 

2 flutes, 2 French horns, violin I II, 

viola, double bass 


MAB I/44 


Koželuh Leopold 

(1747–1818) 

Tre sinfonie 

in D maj, in F maj, in G min 

2 oboes, 2 bassoons, 2 French 

horns, strings 

Ed. M. Poštolka 

MAB I/72 




Divertimento (Serenade No. 4) 

H. 215 

violin solo, viola solo, 2 oboes, 

piano, strings 

H 1503 parts 

H 366 study score COPY 




Symphony in E-flat maj Op. 41 

flute, 2 oboes, 2 bassoons, 2 

French horns, timpani, strings 


MAB I/76 


Tomášek Václav Jan 


Symphony in D maj Op. 30 

flute, 2 oboes, 2 clarinets, 2 

bassoons, 2 French horns, 

timpani, strings 

Ed. Š. Jedličková 


° 


on sale 

Vejvanovský Pavel Josef 

(1640–1693) 

Composizioni per orchestra 


MAB 1/47–49 

H 3079 Vol. 1 score ♦ 



Serenate e sonate per orchestra 

for 2 clarinas, strings and basso 

continuo 


MAB I/36 


Zelenka Jan Dismas 

(1679–1745) 

Composizioni per orchestra I 

Sinfonia, Hipocondrie, 

Capriccio I–V 

Eds. C. Schoenbaum, O. Pulkert 

MAB I/61 


Symphony orchestra 

(concertos with symphony 

orchestra – see individual 

instruments) 

Blatný Pavel 

(*1931) 

Bells (Zvony) 


In modo classico 

Variations for string quartet and 

jazz orchestra 


Bořkovec Pavel 


The Pied Piper (Krysař) 

Ballet in two scenes based on an 

old Saxon story 

(Cz/Ger) 




Czech Suite Op. 39 COPY 

ADCE III/17 


Josef Kajetán Tyl Op. 62 

Incidental music to the play by 

František Ferdinand Šamberk 

ADCE I/9 





Slavonic Rhapsody in D maj 

Op. 45/1 

Urtext / Ed. R. Simon 


° 



Slavonic Rhapsody in G min 

Op. 45/2 



° 



Slavonic Rhapsody in A-flat maj 

Op. 45/3 



° 


Dvořák's Slavonic Rhapsodies 

Op. 45 were composed in 1878 

and issued by the publisher 

Simrock, Berlin the following 

year. These three independent 

orchestral works were published 

with the same opus number 

and mark the beginning of his 

so-called Slavonic period. 

The Slavonic Rhapsody op. 45/1 

in D major now appears in an 

Urtext edition. The editor has 

made use of the first edition, 

authorised by the composer, as 

the principal source of his new 

scholarly-critical edition. 

● A work marking the beginning 

of Dvořák’s so-called Slavonic 

period 

● Preface (Eng/Cz/Ger) and 


by the editor 

52 53

ORCHESTRA 



Suite in A maj Op. 98b COPY 

ADCE III/17 


Symphony No. 1 in C min B 9 

“The Bells of Zlonice” 

(„Zlonické zvony“) 


TP 501• study score ♦ 

Symphony No. 2 in B-flat maj 

Op. 4 



Symphony No. 3 in E-flat maj 

Op. 10 



Symphony No. 4 in D min Op. 13 



Symphony No. 5 in F maj Op. 76 



Symphony No. 6 in D maj Op. 60 



Symphony No. 7 in D min 

Op. 70 

Urtext / Ed. J. Del Mar 

BA 10417• score ° 

BA 10417-40• 


TP 617• study score 

Dvořák's Symphony No. 7 received 

its premiere on 22 April 

1885 in London conducted by 

the composer himself. The 

following June the 2nd movement 

was shortened by some 

40 bars and the work was 

published in this form in 1885 

by Simrock. 

The editor of this new scholarly-critical 

edition has drawn 

on all the available sources 

including letters. The original 

version of the 2nd movement 

appears in the appendix as well 

as in the performance material. 


● Contains the original London 

version of the 2nd movement 

● Detailed preface by the editor 

(Cz/Eng/Ger) 

Symphony No. 7 in D min Op. 70 



Symphony No. 8 in G maj Op. 88 



Symphony No. 9 in E min Op. 95 

“From the New World” 




(1925–2007) 

Symphony No. 2 


Hanuš Jan 

(1915–2004) 

Symphony No 3 Op. 38 

H 2741-66 study score ♦ 

Symphony No. 4 for Large 



Hurník Ilja 

(1922–2013) 

Con brio per orchestra 




The Danube (Dunaj) 

symphony (with soprano solo) 

critical reconstruction of 

the composer's unfinished 

symphony 


LJCE H/3 

BA 6861 / H 7950 cloth bound 

score ♦ 

The Danube symphony with 

four movements was written 

intermittently over the course 

of five years from 1923 to 1928. 

Janáček's death prevented it 

from being finished. Based on 

the composer’s autograph draft 

and other sources, the score was 

completed by leading Janáček 

experts and eminent editors of 

the LJCE, Miloš Štědroň and Leoš 

Faltus. This is the first time the 

complete score was published 

in print. 

Two Dances 

Cossack Dance (Kozáček), Serbian 

Reel (Srbské kolo) 


BA 6171 / H 4657 score ♦ 

Lachian Dances (Lašské tance) 

Eds. J. Burghauser, R. Eliška 

LJCE D/4 

BA 6845• cloth bound score ♦ 

H 6571 score (practical 

edition) ♦ 

Entr'actes from the opera 

The Cunning Little Vixen 

(Meziaktní hudba z opery 

Příhody lišky Bystroušky) 

Arr. by F. Jílek 


Suite from the opera 

From the House of the Death 

(Suita z opery Z mrtvého domu) 

Arr. by F. Jílek 


Sinfonietta 


for four hands only 

(František Jílek) ♦ 

Taras Bulba 

Rhapsody for Orchestra 

Eds. J. Burghauser, J. Hanuš 

LJCE D/7 



edition) ♦ 

• 





° 

on sale 

54 55

ORCHESTRA 

KABELÁČ YEAR 2018 

Discover the eminent 

Czech composer 



Taras Bulba 

Rhapsody for Orchestra 

Urtext / Eds. J. Burghauser, 

J. Hanuš 

TP 842 study score ♦ 

● 20th century repertoire piece 

available in a new study score 





Miloslav Kabeláč (1908–1979) 

● Notation based on the LJCE 

D/7 

PIANO 

ORGAN 

VIOLONCELLO 

FLUTE 

PERCUSSION 

Find your inspiration for the 2018/2019 concert season 

in the Bärenreiter catalogue 

ORCHESTRAL WORKS available on hire (selection) 

• Symphony No. 1 in D Op. 11 (for strings and percussion) 

• Symphony No. 2 in C Op. 15 (for large orchestra) 

• Symphony No. 3 in F Op. 33 (for organ, brass and timpani) 

• Symphony No. 4 in A “Camerata” Op. 36 (for chamber orchestra) 

• Symphony No. 5 in B-flat minor “Dramatic” Op. 41 (for soprano solo 

and large orchestra) 

• Symphony No. 7 Op. 52 (for reciter and large orchestra) 

• Symphony No. 8 “Antiphonies” Op. 54 (for soprano solo, mixed 

choir, percussion and organ) 

Premiere recording of complete Kabeláč symphonies now 

on Supraphon (2016) 

• Overture No. 2 Op. 17 (for large orchestra) 

• Mystery of Time Op. 31 (for large orchestra) 

• Reflections Op. 49 (for large orchestra) 

• Eufemias Mysterion Op. 50 (for chamber orchestra and 

soprano solo) 

• Metamorphoses II Op. 58 (for large orchestra and piano solo) 

● With a new preface by 

Jiří Zahrádka (Cz/Eng/Ger) 

The Fiddler's Child 

(Šumařovo dítě) 

Ballad for Orchestra 

Eds. J. Burghauser, R. Eliška 

LJCE D/6 


H 6798-02 score ♦ 


edition) ♦ 


(1908–1979) 

Mystery of Time 

(Mysterium času) Op. 31 COPY 

Passacaglia per grande orchestra 



(1923–2006) 

Symphony No. 2 – Sinfonia pacis 

Op. 18 



(1926–2014) 

Concerto grosso 


The Story of the Flutes 

(Příběh fléten) COPY 


Krejčí Iša 

(1904–1968) 

XX variazioni per orchestra 

to an original theme in folk song 

style 

H 5553 score 

• 


56 57 


Sinfonia concertante H. 322 

for oboe, basson, violin, violoncello 

and small orchestra 

Eds. Ch. Hogwood †, M. Pechač, 

P. Žůrek 

BMCE III/2/4 (in one volume 

with Concerto for String 

Quartet and Orchestra H. 207) 



Symphony No. 4 H. 305 

Ed. S. A. Choa 

BMCE II/1, 4 



edition 



(Eng/Cz) 

→ see more about BMCE on 

pp. 38-39 


(1910–1999) 

Moravian Dance Fantasias 

(Moravské taneční fantazie) 


Rhapsodic Variations 

(Rapsodické variace) 

for large orchestra 


Symfonietta III 

Concerto per orchestra 


My Country (Má vlast) 

the most representative and 

best-known cycle of tone poems 

in Czech music 

Urtext / Ed. F. Bartoš 


M. Ottlová 


My Country (Má vlast) 

Practical performance revision of 

each of the tone poems based on 

the critical edition 


Vyšehrad COPY 

H 6427-01 score ♦ 

Vltava COPY 

H 6427-02 score ♦ 

Šárka COPY 

H 6427-03 score ♦ 

From Bohemian Fields and 

Groves (Z českých luhů a hájů) 

COPY 

H 6427-04 score ♦ 

Tábor 

H 6427-05 score ♦ 

Blaník COPY 

H 6427-06 score ♦ 

March for the Shakespeare 

Celebration (Pochod ke slavnosti 

Shakespearově) 


Prague Carnival 

(Pražský karneval) 



available on hire


ISMN 979-0-2601-0248-4 

9790260 102484 

ORCHESTRA 

ORCHESTRA 

New Urtext editions of Smetana's famous symphonic poems 



Vltava / The Moldau 


BA 9558 score 

° 


(the composer's own version for 

piano four hands – see section 

Piano Duet) 

Vyšehrad and Vltava (The 

Moldau), the first two 

symphonic poems of the sixpart 

cycle My Country, were 

composed in quick succession 

in 1874. 

They were first published in 

the composer’s arrangement 

four hands in December 1879, 

followed by the score and 

orchestral parts, which were 

proofread by Smetana himself, 

in the first half of 1880. 

Owing to the large number of 

misprints in the Urbánek first 

edition of The Moldau, Hugh 

Macdonald has based his new 

edition on the autograph score, 

with cross-references to the 

first edition and the composer’s 

own version for piano duet. 

● Preface on the creation and 

reception of the work by Olga 


● Note on the edition (Cz/Eng/ 

Ger) and a detailed critical 

commentary (Eng) by the 

editor 




Šárka 


BA 11532 score ♦ 

To appear in December 2017 

Smetana composed Šárka, 

the third work of the cycle My 

Country, in January and February 

1875. While the composer's own 

arrangement four hands was 

published by Urbánek in 1880, 

the score was not printed 

until 1888, four years after the 

composer's death. 

Due to the grave defects of the 

posthumous first edition of the 

score, the editor assessed the 

main source to be the autograph 

score with markings by conductor 

Adolf Čech, who headed the 

premiere of Šárka on 17 March 

1877. The autograph and printed 

versions for piano duet served as 

referential sources. 

● Preface by the eminent 

Smetana scholar Olga 


● Note on the edition (Cz/Eng/ 

Ger) and a detailed critical 

commentary (Eng) by the editor 


From Bohemian Fields and 

Groves (Z českých luhů a hájů) 




Suk Josef 



“Asrael” Symphony Op. 27 


Scherzo fantastique Op. 25 

Rev. by V. Musil 

H 5183 score 

The Winter's Tale (Pohádka 

zimního večera) Op. 9 COPY 

Concert overture for large 

orchestra 

HM 941 score ♦ 

Radúz and Mahulena Op. 13 

Music to a Slovak fairy tale in 

4 acts by Julius Zeyer 


piano reductin only 

(Roman Veselý) 

Teml Jiří 

(*1935) 

Concerto grosso 

(Hommage à Haendel) 



BOHEMICA 

34 

JAN VÁCLAV (HUGO) VOŘÍŠEK 

SINFONIA 

Re maggiore 

PARTITURA 



Symphony in D maj 

2 flutes, 2 oboes, 2 clarinets, 

2 bassoons, 2 French horns, 

2 trumpets, timpani, strings 

Ed. J. Racek, rev. by F. Bartoš 

MAB I/34 

H 2262 

H 7323 

score ♦ 



(Karel Šolc) 


° 

on sale 



First scholarly-critical edition of “Asrael” 

the famous symphony in memory of Dvořák and his daughter 

Suk Josef 



“Asrael” Symphony Op. 27 

Urtext / Ed. J. Hájek 




When Antonín Dvořák died 

on 1 May 1904, his son-in-law 

Josef Suk decided to honour 

his memory with a funeral 

symphony. Suk began drafting 

his second symphony around 

February 1905, but his work 

was interrupted by another 

tragedy – the death of his 

beloved wife Otilie. This event 

had a significant impact on 

the composition (he discarded 

his initial draft of the fourth 

movement and replaced it 

with a completely new one). 

The five-movement symphony 

named after the Angel of Death 

is dedicated to Dvořák and his 

daughter. 

“Asrael” Symphony was 

premiered in the National 

Theatre in Prague on 3 February 

1907 under the baton of Karel 

Kovařovic. The score was 

published by Breitkopf & Härtel 

in Leipzig that very year, the 

piano reduction by Roman 

Veselý found its way to print five 

years later. 

The main source of the 

present edition is the first 

print, supplemented by Suk’s 

September 1921 corrections, 

which were sparked by Václav 

Talich, chief conductor of the 

Czech Philharmonic. Talich 

made note of the corrections 

in his own printed copy of the 

score. The biggest change is the 

addition of the fifth and sixth 

horn ad libitum to the orchestra. 

[I. díl / Part I / I. Teil] 

Josef Suk, op. 27 

Andante sostenuto 

I 

1 

più largamente 

° 

Flauto piccolo 3 

(Flauto grande) 4 

I 3 

Flauto grande 4 

II 

3 

Oboe 

I 4 

II 

3 

Corno inglese 4 

 

mf 

Clarinetto 3 

I 

I 

in Sib/B 4 

II 

 

 

 

p molto cresc. 

Clarinetto basso 3 

in Sib/B 4 

 

 

 

 

 

 

 

 

 

 

 

pp p dim. poco pp pp cresc. molto cresc. 

 

I 

I 3 

 

Fagotto 

II 4 

p molto cresc. 

3 

Contraffagotto ¢ 4 

° 

 

3 

4 

Corno I 

in Fa/F II 

 

3 

4 

Corno III 

in Fa/F IV 

 

3 

4 

Corno 

V 

in Fa/F 

VI 

(ad lib.) 

 

3 

4 

Tromba I 

in Do/C II 

 

3 

4 

III 

Tromba 

in Do/C 

3 4 

I 

Trombone 

II 

3 

¢ 4 

III 

Trombone 

Tuba 

° 

¢ 

3 

4 

p 

 

pp 

 

ppp 

 

Timpani 

3 

4 

Gran Cassa 

Piatti 

Andante sostenuto 

più largamente 

° 3 

4 

Violino I 

Violino II 

Viola 

BA 9532 

BA 9532 

Vznešené památce Dvořákově a Otilčině. 

Dem teuren Andenken Anton Dvořáks und seiner Tochter, meiner Gattin Otilie. 

Symfonie / Symphony / Symphonie 

(Asrael) 

3 

4 

sul G 

3 

4 

 

 

 

 

 

 

 

 

 

pp p dim. poco pp pp poco cresc. molto cresc. 

poco 

3 

 

 

4 

 

 

 

 

 

Violoncello 

pp p dim. 

pp pp poco cresc. molto cresc. 

pizz. 

3 

 

4 

 

 

 

 

 

 

 

 

pp p 

 

dim. ppp 

pizz. 

3 

¢ 

 

4 

p 

 

 

 

pp p dim. ppp 

 

 

Contrabbasso 

● First-ever scholarly-critical 

edition 


and critical commentary (Eng) 

by the editor 

● Contains Suk's later 

corrections, including the fifth 

and sixth horn ad libitum 

DVOŘÁK · Dumky · op. 90 Bärenreiter 

SUK 


Symfonie / Symphony / Symphonie 

„Asrael“ 

op. 27 

Partitura / Score / Partitur 

Bärenreiter 

© 2017 by Bärenreiter Praha 


U R T E X T 

58 59

SOLO VOICE 

SOLO VOICE 

Solo Voice (Voices) 



Biblical Songs (Biblické písně) 

Op. 99 

for voice and piano 

to words from the Book of 

Psalms (Cz/Ger/Eng) 

Ed. A. Čubr 

ADCE VI/2 

H 1758-96 for high voice 

H 1560-97 for low voice 

(will be replaced by BA 10425, 

BA 10426) 

orchestral arrangement by 

A. Dvořák (the first five songs) 

and J. Burghauser with J. Hanuš 

(the second five songs) available 

on hire (only for low voice) 


Biblical Songs (Biblické písně) 

Op. 99 


to words from the Book of 

Psalms (Cz/Eng/Ger) 

Urtext / Ed. Eva Velická 

Preface by D. R. Beveridge 

BA 10425 for high voice 


BA 10426 for low voice 



A masterpiece of Dvořák’s song 

oeuvre. The cycle of ten Biblical 

Songs was composed in New York 

in spring 1894. While still in New 

York, Dvořák prepared orchestral 

arrangements of the first five 

songs in the first January week 

1895. The original piano version 

of the cycle was first published 

by Simrock in Berlin in early 1895. 

Cypresses (Cypřiše) B 11 

for tenor and piano 

Song cycle to words by Gustav 

Pfleger-Moravský (Cz) 

Urtext / Ed. A. Frese 

BA 9569 

● First ever Urtext edition of 18 

love songs by young Dvořák 

● Literal translations of the 

lyrics included (Eng/Ger) 

● With a detailed preface by 

David R. Beveridge (Eng/Ger/ 

Cz) and a critical commentary 


Evening Songs (Večerní písně) 

Opp. 3, 9 COPY 


to words by Vítězslav Hálek 

(Cz/Eng) 

Ed. A. Čubr 

ADCE VI/1 

H 553 

(will be replaced by a new Urtext 

edition as part of the volume 

Songs I – BA 11515, BA 11516) 

Gypsy Songs (Cigánské melodie) 

Op. 55 


to words by Adolf Heyduk 

(Cz/Eng/Ger) 

Ed. A. Čubr 

ADCE VI/1 

H 1559 for high voice 

H 1739 for low voice 

(will be replaced by BA 10431, 

BA 10432) 

orchestral arrangement by J. Teml 

available on hire (only for low 

voice) 


Gypsy Songs (Cigánské 

melodie) Op. 55 


to words by Adolf Heyduk 

(Cz/Eng/Ger) 

Urtext / Ed. V. Vejvodová 


(replace H 1559) 



To appear in October 2017 

1. I chant my lay, a hymn 

of love (Má píseň zas mi láskou 

zní), 2. Hark, how my triangle 

(Aj! Kterak trojhranec můj 

přerozkošně zní), 3. Silent 

and lone the woods around 

(A les je tichý kolem kol), 

4. Songs my mother taught me 

(Když mne stará matka), 

5. Tune thy strings, oh gipsy! 

(Struna naladěna), 6. In his 

wide and ample, airy linen 

vesture (Široké rukávy), 

7. Cloudy heights of Tatra 

(Dejte klec jestřábu) 

Dvořák composed the song 

cycle Gypsy Songs Op. 55 to 

the words by Czech poet Adolf 

Heyduk in early 1880 by request 

of the tenor Gustav Walter, a 

member of the Vienna Court 

Opera, to whom the cycle is 

dedicated. Dvořák wrote the 

music directly for the German 

translations of the poems, 

which were provided for this 

purpose by the poet himself. 

The songs were first published 

by Simrock in German in 

summer 1880; the same 

publisher released another 

version including lyrics in 

Czech and English a year later. 

Editor Veronika Vejvodová 

chose the first edition as 

the main source. The cycle is 

published in two transpositions 

for high and low voice. 

● Third volume of the new 

five-volume Urtext edition 

of Dvořák’s complete songs 


● One of the most popular and 

most famous Romantic song 

cycles 




Moravian Duets (Moravské 

dvojzpěvy) Opp. 20, 32, 38 

for two voices (soprano and 

tenor / soprano and alto) 

and piano 

to words of Moravian folk songs 

(Cz/Ger/Eng) 

Ed. A. Čubr 

ADCE VI/3 

H 337 

Rusalka's Song to the Moon 

(Píseň Rusalky o měsíčku) 

Aria for soprano and piano from 

the 1st act of the opera Rusalka 

Text by Jaroslav Kvapil 

(Cz/Ger/Eng) 

H 4460 

vocal score ♦ 

(Karel Šolc) 

Russian Songs (Ruské písně) 

COPY 

for two female voices and piano 

(Cz/Ru) 

ADCE VII/5 

H 441 


Songs I (Písně I) 


Lyrics: Cz/Eng/Ger 





Two Songs for Baritone 

(Dvě písně pro baryton) s. op. 

(B 13), Songs to Words by Eliška 

Krásnohorská (Písně na slova 

Elišky Krásnohorské) s. op. 

(B 23), The Orphan (Sirotek) 

Op. 5, Rosemary (Rozmarýna) 

s. op. (B 24bis), Four Songs to 

the Words of Serbian Folk Poems 

(Čtyři písně na slova srbské lidové 

poezie) Op. 6, Songs from the 

Dvůr Králové Manuscript (Písně 

z Rukopisu královédvorského) 

Op. 7, Evening Songs (Večerní 

písně) Opp. 3, 9 

This volume includes songs from 

Dvořák's early period, many of 

them are almost unknown and 

rarely performed. Some songs 

were previously unpublished. 

Now they appear in the first 

Urtext edition. 



DVOŘÁK SONG PROJECT 

A new five-volume Urtext edition 

Antonín Dvořák's complete vocal works 

for solo voice and piano 

Cypresses B 11 

18 love songs for tenor and piano 

by young Dvořák in their original 

form 

Songs I 

An album of songs from 

composer's early period, 

unknown pieces included 

Songs II 

An album of songs from 

composer’s late period, unknown 

pieces included 

Gypsy Songs Op. 55 

One of the most popular and 

most famous Romantic song 

cycles 

Biblical Songs Op. 99 

Dvořák’s last song cycle, a 

masterpiece of his song oeuvre 

● Three song cycles and two 

albums with songs issued 

in chronological order 

● New Urtext and first Urtext 

editions, with some songs 

published for the first time ever 

● Each volume published in two 

versions – for high and low voice 

(except for Cypresses, written 

for tenor) 

● Lyrics in three languages (Cz/ 

Eng/Ger) for each vocal part in 

all volumes (except for Cypresses 

in Czech with literal translations 

in English and German) 

● Detailed prefaces (Cz/Eng/ 

Ger) and critical commentaries 

(Eng) by the editors Veronika 

Vejvodová (Songs I, Songs II, 

Gypsy Songs), Eva Velická 

(Biblical Songs) and Andreas 

Frese (Cypresses) 

National Museum – Czech Museum of Music 

60 61

SOLO VOICE 



Songs II (Písně II) 


Lyrics: Cz/Eng/Ger 



BA 11518 for low voice 

To appear in May 2017 

Three Modern Greek Songs 

(Tři novořecké básně) Op. 50 

(B 84a, B 84b), Songs on Poems 

by Gustav Pfleger-Moravský 

(Písně na slova Gustava Pflegra- 

Moravského) Op. 2 (B 123–124), 

Two Czech Folk Poems (Dvě písně 

na lidové texty) s. op. (B 142), In 

Folk Style (V národním tónu) Op. 

73 (B 146), Four Songs (Čtyři písně) 

Op. 82 (B 157), Love Songs (Písně 

milostné) Op. 83 (B 160), Lullaby 

(Ukolébavka) s. op. (B 160), Song 

from The Smith of Lešetín (Zpěv 

z Lešetínského kováře) op. posth. 

(B 204) 

Songs II comprises mature 

works from Dvořák's late period. 

Besides the well-known cycle 

Love Songs, the volume also 

contains some less-known or 

entirely unknown and previously 

unpublished pieces. 

● Second volume of the new 

five-volume Urtext edition of 

Dvořák's complete songs for 

voice and piano 

● First Urtext edition with 

detailed preface (Cz/Eng/Ger) 



● First-ever print of some of 

the songs 


7 

 

100 

 

3 

 

8 

noc se 

Night has 

dun - kle 

Andante 

p 

Spi, mé 

Sleep, my 

Schlaf, mein 

p 

Ukolébavka/Lullaby/Wiegenlied 

3 

 

8 

 

 

3 

8 

tem - ná 

fal - len 

Nacht kommt 

zla - té 

ten - der 

gol - dnes 

kva-pem 

blí - ží, 

dark and som - bre, 

ei - lig nä - her, 

bou - be - le - té 

lit - tle gol - den 

wo - nne-vo 

- lles 

spá - 

eye - 

Schlaf 

ma - lé 

che - rub, 

klei - nes 

dě - ťá 

child of 

Kin - de 

 

 

 

From: Antonín in tempo 

rit. 

14 

pp 

Dvořák, Lullaby (published for the first time) from the volume 

Songs II • BA 11517 

 

 

 

- ží, 

spi, 

mé 

pou - pát - ko! 

- ber, 

sleep, 

my 

Songs from the Dvůr Králové Eben 

ce 

Petr 

- lan - dine! 

- der, 

schlaf, 

mein 

Her - ze - lein! 

Manuscript (Písně z Rukopisu (1929–2007) 

královedvorského) Op. 7 COPY 

Nursery Songs (Říkanky) 


for soprano and piano 

(Cz/Ger/Eng) 

Ed. 

 

 

pp 

 

A. 

 

 

to words of English limericks 

Čubr 

 

children's favourite 

songs, 

ADCE VI/1 

 

suitable for teaching English 

H 3082 

(Eng/Cz) 

(will be replaced by a new Urtext 

H 7810 


Songs I – BA 11515, BA 11516) 

Secret Songs (Písně nejtajnější / 

Heimliche Lieder) 

Songs to Words by Eliška 

for low voice and piano 

Krásnohorská B 23 COPY 

Love songs to words by various 


authors 

(Cz/Ger/Eng) 

(Cz/Ger) 


H 3533 

ADCE VI/1 

H 2632 

Six Songs of Love (Šestero piesní 

(will be replaced by a new Urtext milostných / Sechs Minnelieder) 



Songs I – BA 11515, BA 11516) 

Six songs to original medieval 

love poetry (in 5 original languages 

with translations into Czech) 

Three Spiritual Songs 

(Tři duchovní zpěvy) Op. 19b 

(Cz/Eng/Ger/Ital/Fr) 

for low voice and organ (Lat) 

H 2464 


ADCE VI/1 

Songs from Teschen (Písně 

H 4956 

z Těšínska / Lieder aus dem 

Teschnerland) 

Ave Maria, Hymnus ad 

for lower voice and piano 

laudes in festo SS. Trinitatis, Ave to words of Silesian folk songs 

maris stella 

(Cz/Ger) 

H 5311 

mf 

nek ví - čka ma - lá 

lids droop with hea - vy 

be - schwert die Au - gen 

 

 

 

mf 

 

 

 

 

 

 

Antonín Dvořák, B 194 

- 

- 

- 

tko; 

mine. 

lein; 

 

p 

 

tí 

slum 

lie 

 

rit. 

 

p 

 

 

- 

- 

- 

 

 

TREASURY OF THE GREATEST CZECH MUSIC 

KABELÁČ / THE COMPLETE SYMPHONIES 

Prague Radio Symphony Orchestra 

conductor Marko Ivanović 

The first complete recording 

MARTINŮ / CANTATAS 

Prague Philharmonic Choir 

conductor Lukáš Vasilek 

Gramophone Editor’s Choice 

BBC Music Magazine Choral & Song Choice 

MARTINŮ / THE COMPLETE 

PIANO TRIOS 

Smetana Trio 

Diapason d´Or 

BBC Music Magazine Disc of the Month 

BBC Music Magazine Award Nomination 

Sunday Times Album of the Week 

MARTINŮ – HUSA – KALABIS – FELD 

VIOLA SONATAS 

Kristina Fialová viola 

Igor Ardašev piano 

DVOŘÁK / SONGS 

CYPRESSES, EVENING SONGS, 

GYPSY SONGS 

Pavol Breslik tenor 

Robert Pechanec piano 

SUPRAPHON LION IN THE WORLD OF MUSIC 

SUPRAPHON a. s. 

www.supraphon.com | info@supraphon.com 

62 

www.facebook.com/SupraphonClassics | www.twitter.com/SupraphonCZ | Available on 

63 

SU 4202-2 

SU 4198-2 

SU 4211-2 

MARTINŮ / ARIANE, 

DOUBLE CONCERTO 

Simona Šaturová soprano 

Essener Philharmoniker 

conductor Tomáš Netopil 

Sunday Times Album of the Week 

SU 4205-2 

SU 4197-2 

SU 4215-2


H 5094 


H 5095 

SOLO VOICE 

SOLO VOICE 

Eben Petr 

(1929–2007) 

Songs for a Lute (Písně k loutně) 

for voice and lute / guitar 

to words of medieval and 

Renaissance love poetry 

(in original languages) 

(Cz/Eng/Fr/Ger) 

a small pendant to the cycle Six 

Songs of Love, suitable for an 

amateur singer and guitarist in 

one 

Rev. by J. Tichota 

H 6300 

Foerster Josef Bohuslav 


Erotikon Op. 23 

Four songs for high voice 

and piano 

(Cz/Ger) 

H 7849 

Hanuš Jan 

(1915–2004) 

Umbrella from Piccadilly 

(Deštník z Piccadilly) Op. 103 

Three songs for bass and large 

orchestra 

to words by Jaroslav Seifert (Cz) 

(with literal English and German 

translations of the lyrics) 




Four Ballads (Čtyři balady) 

for medium voice and piano 

to words of folk poetry 

(Cz/Ger) 

Rev. by J. Trojan 

H 6497 

Moravian Folk Poetry in Songs 

(Moravská lidová poezie 

v písních) 


(Cz/Ger) 

H 4570 

Silesian Songs (Slezské písně) 


to words from a collection of folk 

songs by Helena Salichová 

(Cz) 

Rev. by B. Štědroň 

H 1403 



NEW 2016 

The Diary of One Who 

Disappeared (Zápisník 

zmizelého) 

for tenor, alto, three female 

voices and piano 

to words by Ozef Kalda 

(Cz/Eng/Ger) 

Urtext / Ed. J. Zahrádka 

BA 9575 score 


arrangement for chamber 

orchestra by M. Štědroň and 

M. Orson Štědroň available 

on hire 

Janáček's intimate chambermusic 

drama about the passionate 

love of a simple farm boy 

6 

 

Tenore 

 

Pianoforte 

ne - sla sa 

lithe as a 

leicht schritt sie 

sf 

 

 

Andante (q . = 76) 

 

6 

16 

 

Ich 

ja - ko laň, 

deer was she, 

wie ein Reh, 

mf 

Po - tkal sem 

One day I 

traf ei - ne 

° 

I 

*) 

for a beautiful gypsy girl is one 

of his great vocal masterpieces. 

This cycle of 22 songs for tenor 

(an alto and three female voices 

are added in three numbers) 

was composed on a setting of 

poems that were published 

anonymously. It was not until 80 

years later that their author was 

identified as the regional poet 

and writer Ozef Kalda. The cycle 

also contains theatrical elements, 

such as the alto entrance and exit 

cues and lighting effects. 

Composed in 1917–19, the Diary 

was premiered in Brno in 1921 

from a manuscript prepared 

by Gustav Homola. The same 

manuscript served as a basis for 

the first edition which was issued 

by the Brno publisher Oldřich 

Pazdírek in 1921 as well as for this 

current first Urtext edition. 



with new information on the 

genesis of the work and critical 

commentary (Eng) by the editor 

● Numbers IX to XI which include 

the alto and three female voices 

behind the scene also available 

online in a PDF form on our 

website for download 

accel. 

mla - dou 

met a 

jun - ge Zi 

ci - gán - ku, 

Gyp - sy girl, 

- geu - ne - rin, 

6 

16 

pp 

2 2 2 2 2 2 

6 

16 

 

 

 

 

 

 

 

 

4 4 4 

přes 

black 

schwarz 

pr 

hair 

auf 

Leoš Janáček 

sf 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

2 2 2 2 

 

 

 

 

 

 

 

 

 

 

 

 

sf 

 

 

- 

sa 

lay 

der 

cresc. 

2 2 2 2 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


(1923–2006) 

Five Romantic Songs about 

Love to Words by R. M. Rilke 

(Pět romantických písní o lásce 

na slova R. M. Rilka) Op. 38 

for high voice and piano 

(Ger/Cz) 

H 7841 


(1915–1940) 

Love Carol (Koleda milostná) 

for medium / high voice and 

piano (together with Love 

Carol by Bohuslav Martinů) 

(Cz/Ger) 


H 5585 


(*1932) 

Excited Song (Zjitřený zpěv) 

for baritone and brass quintet 

(2 trumpets, French horn, 

2 trombones) 

to words by Josef Hora 

(Cz) 




Four Songs on Czech Folk Poetry 

(Čtyři písně na slova české lidové 

poezie) H. 282 bis 


(Cz/Ger/Eng) 


H 7809 

Love Carol (Koleda milostná) 

H. 259 

for medium / high voice and 

piano (together with Love Carol 

by Vítězslava Kaprálová) 

(Cz/Ger) 


H 5585 

New Chap-Book (Nový Špalíček) 

H. 288 


Eight songs on Moravian folk 

poetry 

(Cz/Ger) 


H 6132 


LIEDER AUF EINER SEITE 

SONGS ON ONE PAGE 

Canto e Piano 

Songs on One Page (Písničky 

na jednu stránku) H. 294 


Seven songs on Moravian folk 

poetry 

(Cz/Eng) 

H 5094 

orchestral arrangement by 

J. Teml available on hire 


LIEDER AUF ZWEI SEITEN 

SONGS ON TWO PAGES 

Canto e Piano 

Songs on Two Pages (Písničky 

na dvě stránky) H. 302 


Seven songs on Moravian folk 

poetry 

(Cz/Eng) 

H 5095 

Two Songs to the Text of Negro 

Folk Poetry (Dvě písně na texty 

negerské poezie) H. 232 bis 


(Cz/Ger) 


H 5988 

Michna Adam Václav 

z Otradovic 

(1600–1676) 


The Czech Lute (Loutna česká) 

A collection of 13 songs for two 

voices, two violins and basso 

continuo 

to words by the composer (Cz) 

Ed. P. Daněk 

H 8040 parts with particell 

in slipcover 


The Czech Lute is a 1653 collection 

of 13 strophic songs. Each 

of them is introduced by an 

instrumental ritornel; the cycle 

represents the first occurrence 

of ritornel songs in Czech. 

Until recently the notation of 

the instrumental ritornels was 

unknown because the parts of 

the first and second violins were 

lost. The discovery of the part of 

the first violin in January 2014 

by the editor of this edition was 

unique accomplishment that 

enabled the first reliable reconstruction 

of the work with the 

help of the basso continuo part, 

even though the notation of the 

second violin remains missing. 

The premiere CD recording of 

this authentic version of The 

Czech Lute was created by Adam 

Viktora and Ensemble Inégal for 

Nibiru in 2015. 

● Most famous song collection 

of the Czech Baroque 

● Reconstruction of the work 

based on the newly discovered 

part of the first violin 

● First-ever edition of 

instrumental ritornels with 

the reconstructed part of the 

second violin and the fully 

notated basso continuo by 

Adam Viktora 



by the editor 

4 4 

4 

4 


° ° 


11 

 

 

 

 

 

 

 

 

 

čer - né 

le - lí - ky a o - či bez dna zhlaň. 

64 on her shoul - ders, her eyes were deep as the 

see. 

65 

Brust die Zöp - fe, das Au - ge ein finst - rer 

See.

SOLO VOICE / CHORAL MUSIC / SACRED AND SECULAR WORKS 

CHORAL MUSIC / SACRED AND SECULAR WORKS 


(1737–1781) 

Tre notturni COPY 

for 2 sopranos, 2 clarinets, 2 

French horns and strings 

(Ital) 


MAB II/7 

H 5182 score ♦ 

Petrarch Songs (Písně na Petrarku) 

Songs for medium voice and 

piano on poems by Francesco 

Petrarca 

19 songs in different languages 

from 19 European composers 

from 18th to 20th centuries 

(Ital/Fr/Cz/Eng/Ger) 

Ed. M. Bruns 

H 7934 

Plánický Josef Antonín 

(1691–1732) 

Opella ecclesiastica 

Twelve sacred cantatas (Lat) 

for soprano, alto and bass solo, 

2 bassoons, strings, and organ 

Ed. J. Sehnal 

MAB II/3 

H 4496 score 

Rychlík Jan 

(1914–1964) 

South Bohemian Folk Songs 

(Jihočeské písně a písničky) 

for voice, violin, clarinet, bass 

clarinet and piano 

(Cz/Ger) 


Sluka Luboš 

(*1928) 

Renaissance Songs 

(Písně renesanční) 

Three songs for mezzo-soprano / 

baritone and piano 

(Cz/Ger) 

H 3402 



Evening Songs (Večerní písně) 

for low voice (arr. by 

J. E. Zelinka) and piano 

Five songs to words by 

Vítězslav Hálek 

(Cz/Ger/Eng) 


H 2844 

Collections 

Music of the Piarist Monasteries I 

Moravian church compositions 

of the 17th and 18th centuries 

for mixed choir, 2 horns, strings 

and organ 

(Lat) 

Ed. T. Hanzlík 

H 7905 score COPY 

Repertorium troporum 

bohemiae medii aevi, pars I–IV 

Tropi proprii missae – pars I 

(Lat) 

Ed. H. Vlhová-Wörner 

H 7878 

Tropi ordinarii missae – pars II 

Kyrie eleison 

Gloria in excelsis Deo 

(Lat) 


H 7959 

Tropi ordinarii missae – pars III 

Sanctus 

(Lat) 


H 8017 

Tropi ordinarii missae – pars IV 

Agnus Dei 

(Lat) 


H 8030 

Pastorelle boemiche 

Czech Christmas Pastorals 

Daniel A. F. Milčinský (instrumental 

), Tomáš N. Koutník, 

Jiří I. Linek, Jan Michalička 

for soloists (soprano, tenor, 

bass), mixed choir and chamber 

orchestra (Cz) 

Ed. J. Berkovec 

MAB I/23 

H 1819 score ♦ 

The five volume editorial project 

Repertorium troporum 

bohemiae medii aevi introduces 

the texts and musical editions 

of mass tropes from Czech 

sources from the 11th–16th 

centuries. The tropes are edited 

along with their native chants; 

as such, these publications 

would interest both the academic 

community, as well as those 

interested in performance. 

Many of the texts and melodies 

are made accessible for the very 

first time. The edition contains 

numerous commentaries, introductory 

studies (Cz/Eng) and 

enclosed facsimilies. 

The internationally respected 

musicologist Hana Vlhová-Wörner 

is the author of numerous 

publications on church music 

and Latin liturgical poetry in 

Bohemia and Central Europe 

from the 11th to 16th centuries 

and one of the editors of the 

Jistebnice Hymnal. 

Children's Choir 

Eben Petr 

(1929–2007) 

Alleluia 

Epilogue from the oratorio 

Apologia Sokratus for children's 

and mixed choir and organ 

Organ version arr. by Ph. Brunelle 

(original Greek of Plato's 

Apologia Sokratus) 

H 7900 score 

The Twig Grows Green 

(Zelená se snítka) 

14 songs for children's choir and 

piano 

(Cz/Ger) 

H 2335 score 

Hurník Ilja 

(1922–2013) 

Children's Choruses 

A selection from the author's 

cycles of children's choruses 

a cappella 

(Cz) 

H 7136 choral score 

Missa Vinea Crucis 

for children's / female choir and 

orchestra or organ 

(Lat) 

H 7768 score (organ version) 

orchestral version available 

on hire 

Pololáník Zdeněk 

(*1935) 

Cantus laetitiae 

for children's or female choir 

a cappella 

(Lat) 


Female Choir 

Eben Petr 

(1929–2007) 

Of Swallows and Girls 

(O vlaštovkách a dívkách) 

Nine folk songs for female choir 

a cappella 

(Cz) 




Eben Petr 

(1929–2007) 

Greek Dictionary 

(Řecký slovník) 

Nine female choruses with harp/ 

piano accompaniment 

(to single Greek words) 

Harp part rev. by L. Váchalová 

H 6145 score 

Hurník Ilja 

(1922–2013) 

Missa Vinea Crucis 

for children's / female choir and 

orchestra or organ (Lat) 

H 7768 score (organ version) 

orchestral version available 

on hire 



Hradčany Songs 

(Hradčanské písničky) 

for female choir with flute 

and harp accompaniment 

to words by František 

S. Procházka 

(Cz/Ger/Eng) 

H 4248 score 

Kašpar Rucký 

Ballad for female choir a cappella 

with soprano solo 


S. Procházka 

(Cz/Ger) 


The Wolf's Track 

(Vlčí stopa) 

for female choir and piano 

to words by Jaroslav Vrchlický 

(Cz/Ger) 

H 4515 score 



Opening of the Wells 

(Otvírání studánek) H. 354 

Cantata for soprano, alto and 

baritone solos, reciter, female 

choir, 2 violins, viola and piano 

to words by Miloslav Bureš 

(Cz/Eng/Ger) 

H 2122 score with 

instrumental parts 

→ see more on p. 73 

Pololáník Zdeněk 

(*1935) 

Cantus laetitiae 

for children's or female choir 

a cappella 

(Lat) 




Female Choruses 

Three three-part female choruses 

a cappella 

Má hvězda, Přiletěly vlaštovičky, 

Za hory slunce zapadá (Cz) 


Male Choir 



Choral Songs (Sborové písně) 

B 66 COPY 

for male choir 

(Cz) 

HM 150 choral score 

Eben Petr 

(1929–2007) 

In honorem Caroli 

Cantata for male choir and 

orchestra to words from the 

Foundation Charter of Charles 

University (Cz/Lat/Ger) 




Ave Maria COPY 

for male choir a cappella 

to words by Lord Byron (Cz) 

Ed. J. Trojan 


Čarták on Soláň 

(Na Soláni čarták) 

Cantata for male choir and 

orchestra 

to words by Martin Kurt (pseudonym 

of Maxmilián Kunert) 

(Cz/Ger/Eng) 

Eds. J. Hanuš, M. Štědroň 

LJCE B/3 



edition) ♦ 

H 2576-90 vocal score 

(Břetislav Bakala) 

66 67


KLAVÍR 



Echoes of Folk Songs 

(Ohlas národních písní) 

for male choir a cappella (Cz) 

Ed. J. Trojan 


True Love (Láska opravdivá), 

I Am Most Astonished (Divím se 

milému), The Sunken Garland 

(Vínek stonulý) 

Four Male Partsongs 

(Čtveřice mužských sborů) 


H 2486 choral score (Cz) 

H 2486-01 choral score (Ger) 

The Threat (Výhrůžka), Oh 

Love! (Ó lásko), Oh, Army (Ach, 

vojna, vojna), Your Beautiful Eyes 

(Krásné oči tvé) 

Four Moravian Male Choruses 

(Čtvero mužských sborů 

moravských) 

for male choir a cappella to words 

of Moravian folk poetry (Cz) 


You Know (Dež viš), 

Mosquitoes (Komáři), The Evening 

Witch (Klekánica), Parting 

(Rozloučení) 

Male Choruses I (Mužské sbory I) 


(Cz/Ger/Eng) 

Eds. L. Faltus, P. Oliva 

LJCE C/1 

BA 6847• 

cloth bound choral 

score 

Ploughing (Orání), Fickleness 

of Love (Nestálost lásky), 

Lonesome without Solace I 

(Osamělá bez těchy I), True Love 

(Láska opravdivá), I am most 

astonished (Divím se milému), 

The Sunken Garland (Vínek 

stonulý), Wailing Melancholy 

(Zpěvná duma), You Cannot 

Escape from Fate (Osudu 

neujdeš), Two Doves in a Fir 

Tree (Na košatej jedli), At the 

Ferry (Na prievoze), Four Male 

Partsongs (Čtveřice mužských 

sborů): The Threat (Výhrůžka), 

Oh Love! (Ó lásko), Oh, Army (Ach, 

vojna, vojna), Your Beautiful Eyes 

(Krásné oči tvé), Parting (Loučení), 

The Dove (Holubička), The Jealous 

Lover (Žárlivec), Birch Tree (Což ta 

naše bříza), Seek Repose (Odpočiň 

si), Festive Chorus (Slavnostní 

sbor), Lonesame without Solace II 

(Osamělá bez těchy II) 

Male Choruses II (Mužské sbory II) 


(Cz/Ger/Eng) 

Eds. L. Faltus, P. Oliva 

LJCE C/2 


choral score 

Ave Maria, The Wreath 

(Vínek), Four Moravian Male- 

Voice Choruses on Moravian 

folk poetry (Čtvero mužských 

sborů moravských): You Know 

(Dež viš), Mosquitoes (Komáři), 

The Evening Witch (Klekánica), 

Parting (Rozloučení), Halfar the 

Schoolmaster (Kantor Halfar), 

Maryčka Magdónova (1st 

version), Maryčka Magdónova 

(2nd version), The Seventy 

Thousand (Sedmdesát tisíc), 

The Eiderdown (Perina), The 

Czech Legion (Česká legie), The 

Wandering Madman (Potulný 

šílenec), Our Flag (Naše vlajka), 

Chorus for laying the foundation 

stone of the Masaryk University 

in Brno, various supplements 

The Wandering Madman 

(Potulný šílenec) 

for male choir a cappella with 

soprano solo to words by 

Rabindranath Tagore (Cz/Ger) 


The Seventy Thousand 

(Sedmdesát tisíc) 

for mail choir a cappella 

to words by Petr Bezruč (Cz) 


True Love (Láska opravdivá) 



(Ger/Eng) 


Wailing Melancholy 

(Zpěvná duma) 



L. Čelakovský (Cz/Ger) 

Ed. J. Trojan 



• 





Brigand Songs (Zbojnické písně) 

H. 361 COPY 

Ten male choruses a cappella 

to words of Moravian folk poetry 

(Cz/Ger/Eng) 


Field Mass (Polní mše) H. 279 

COPY 

Cantata for male choir with 

baritone solo and orchestra to 

words by Jiří Mucha 

(Cz) 

literal translations of the lyrics 

(Ru/Eng/Fr) included 




Festive Chorus (Slavnostní sbor) 

COPY 


to words by Emanuel Züngel 

(Cz) 


Mixed Choir 

Brixi Šimon 

(1693–1735) 

Magnificat 

Cantata for mixed choir, 2 

trumpets (clarinas), strings and 

organ 

(Lat) 


MAB II/2 

H 4151 score 



Hymnus “Heirs of the White 

Mountain” („Dědicové Bílé 

Hory“) Op. 30 

Short cantata for mixed choir 

and orchestra 


(Cz/Ger/Eng) 

ADCE II/5 

H 3530 

H 3750 

score ♦ COPY 

vocal score 

(Karel Šolc) COPY 

In Nature's Realm (V přírodě) 

Op. 63 COPY 

for mixed choir a cappella 


(Cz) 

ADCE VI/4 


See our website at 

www.philharmonicchoir.cz 

TRUSTEE 

We’ve been with you for 

over eight decades now 

68 69





Mass in D maj Op. 86 

(organ version) 

for soloists, mixed choir and 

organ 

(Lat) 

Eds. J. Burgauser, A. Čubr 

ADCE II/7 

H 4952 

score (with preface 

by J. Burghauser) 

(will be replaced by BA 10434) 


Mass in D maj Op. 86 

(organ version) 


organ 

(Lat) 

Urtext / Ed. H. Utidijan 

BA 10434 score (with newly 

discovered cello and 

double bass parts) 


BA 10435 


choral score with 

organ 

Psalm 149 (Žalm 149) Op. 79 

for mixed choir and orchestra 

(Cz/Ger/Eng) 

ADCE II/6 

H 4508 


(Karel Šolc) 

Requiem Op. 89 


chamber orchestra 

Arr. by J. Linckelmann 

(Lat) 


● Standard choral work with 

a manageable reduced 

orchestration 

● A stylistically appropriate 

as well as tried and tested 

arrangement 

● In keeping with the vocal 

score H 2924-90 

Requiem Op. 89 


orchestra 

(Lat) 

ADCE II/4 

H 2924-90 vocal score ♦ 

(Karel Šolc) 

Six Moravian Duets 

(Šest moravských dvojzpěvů) 

for mixed choir and piano 

to words of Moravian folk songs 

(Cz/Ger) 

Arr. by L. Janáček, with original 

piano part 

Ed. V. Němec 

H 7718 choral score 

(will be replaced by BA 10429) 


Urtext / Ed. K. Viktorová 

BA 10429 choral score 

(will replace H 7718) 


St Ludmila (Svatá Ludmila) Op. 71 

Oratorio for soloists, mixed choir 

and orchestra 


(Cz/Ger/Eng) 

ADCE II/3 

H 4027 


(František Bartoš) 

Stabat Mater Op. 58 

Cantata for soloists, mixed choir 

and orchestra 

(Lat) 

Ed. A. Čubr 

ADCE II/1 

H 2268 


study score ♦ 

vocal score 

(Karel Šolc) 

Stabat Mater Op. 58 

Cantata for soloists, mixed choir 

and orchestra 

(Lat) 

Vocal score based on Dvořák's 

original piano version 

Urtext / Eds. J. Kachlík, M. Srnka 

H 7920 vocal score by the 

composer ♦ 

° 

• 


Te Deum Op. 103 

for solo soprano and bass, mixed 

choir and orchestra 

(Lat) 

ADCE II/6 

H 4522 score COPY 

H 4523-90 vocal score ♦ 

(Karel Šolc) 

The Spectre's Bride 

(Svatební košile) Op. 69 

Ballad to words by Karel Jaromír 

Erben for soloists, mixed choir 

and orchestra 

(Cz/Ger/Eng) 

ADCE II/2 

With a new preface by D. Philippi 

BA 9544-90 vocal score ♦ 

(Karel Šolc) 

Eben Petr 

(1929–2007) 

Alleluia 

Epilogue from the oratorio 

Apologia Sokratus for children's 

and mixed choir and organ 

Organ version arr. by Ph. Brunelle 

(original Greek of Plato's 

Apologia Sokratus) 

H 7900 score 

Love and Death (Láska a smrt) 

COPY 



(CZ/Ger) 


Salve Regina / Cantico delle 

creature 

Canticle of the Sun of Francis 

of Assisi 


(Lat/Ital [Umbrian]) 

BA 6429• choral score 

The Night (Noc) 


to words by Karel Hynek Mácha 

(Cz/Ger/Eng) 


Ubi caritas et amor 


to words by anonymous 

(Lat/Ital) 


Fišer Luboš 

(1935–1999) 

Caprichos 

double-chorus composition 

a cappella for chamber and 

mixed choirs 

H 4439 score 



Amarus 

Cantata for soloists, mixed 



(Cz/Ger/Eng) 

Eds. L. Faltus, M. Kučerová, 

M. Štědroň 

LJCE B/1 

BA 6851• cloth bound score 

H 7382-01 score 

H 7735 


(Zdeněk Král) 

Elegy on the Death of 

My Daughter Olga 

(Elegie na smrt dcery Olgy) 

Cantata for tenor solo, mixed 

choir and piano 

to words by Marie N. Vevericová 

(Cz/Ger/Eng) 

Ed. T. Straková 

H 2572 score 

Festive Chorus (Slavnostní sbor) 

for male solo quartet, female and 

male choir with piano 

to words by K. Kučera 

(Cz/Ger) 

Ed. J. Trojan 

H 5264 score 

Glagolitic Mass (Glagolská mše / 

Mša glagolskaja) 

for soloists, mixed choir, organ 

and orchestra 

(Old Church Slavonic text) 

Eds. L. Faltus, J. Zahrádka 

LJCE B/5–I 

Preface (Cz/Ger/Eng/Fr/Ru) and 

critical commentary (Cz/Ger) by 

J. Zahrádka 


score, final authorised version ♦ 

LJCE B/5–II 


score, “September 1927” version ♦ 

Urtext / Eds. L. Faltus, J. Zahrádka 

(final authorised version) 

Preface (Cz/Eng/Ger) by 

J. Zahrádka 

With translation of an Old 

Church Slavonic text into Cz/Ger/ 

Eng in the vocal score 


BA 6862-90 vocal score 

(Martin Zehn) 

Graduale in festo Purificationis 

B. V. M. 

for mixed choir a cappella (Lat) 

Ed. J. Trojan 


Hail Mary (Zdrávas Maria) 

Ave Maria for soprano / tenor, 

mixed choir (ad lib.), violin, 

piano / organ 

(Cz/Ger) 

Ed. B. Bakala 

H 6252 score 

Mass in B-flat maj 

According to “Messe pour orgue” 

by F. Liszt for mixed choir and 

organ (Lat) 


H 6239 score 

Mass in E-flat maj 

(Unfinished Mass) 


organ (Lat) 

Ed. J. Trojan, Credo completed by 

V. Petrželka 


Lord Have Mercy upon Us 

(Hospodine!) 

for soloists, 2 mixed choirs, 4 

trumpets, trombone, tuba, harp 

and organ 

(Cz/Ger) 

Ed. J. Trojan 

H 4700 

score (with 

harp part) ♦ 

BA 6079• score ° 

The Eternal Gospel 

(Věčné evangelium) 

Cantata for soloists, mixed 



(Cz/Ger/Eng) 


LJCE B/4 


H 7736-01 score ♦ 



(Leoš Faltus) 

The Lord's Prayer (Otčenáš) 

for mixed choir with tenor solo, 

harp and organ 

(Cz/Ger) 

Ed. B. Štědroň 

H 3712 

H 3712-64 

score 

harp part 


on sale 

Three Mixed Choruses 


(Cz/Ger) 

Ed. J. Trojan 


Píseň v jeseni (Herbstlied), 

Kačena divoká (Die Wildente), 

Naše píseň (Unser Lied) 

Kopřiva Václav Jan 

(1708–1789) 

Offertorium ex D “Vox clamantis 

in deserto” 

for mixed choir, chamber 

orchestra (2 trumpets – clarinas, 

strings) and organ 

(Lat) 

Ed. Z. Šesták 

H 7442 score 

Linek Jiří Ignác 

(1725–1791) 

Missa pastoralis ex F / Pastorella 

for mixed choir with solos, 2 

horns, strings and organ 

(Missa: Lat, Pastorella: Cz/Ger) 

Ed. J. Berkovec 

MAB II/13 


Madelka Simon Bar Jona 

(cca 1550–1598) 

Seven Penitential Psalms 

(Sedm kajících žalmů) 

For five voices 

(Lat) 





70 71






Opening of the Springs 

(Otvírání studánek) H. 354 

The Legend of the Smoke from 

Potato Tops (Legenda z dýmu 

bramborové nati) H. 360 

A Dandelion Romance 

(Romance z pampelišek) H. 364 

Mikesh from the Mountains 

(Mikeš z hor) H. 375 

Lyrics in the original Czech 

Ed. V. Zouhar 

BMCE VI/2/3 



on pp. 38-39 

Martinů was often inspired by 

Czech and Moravian folk music 

in his compositions. However, 

in the late 1950s his intense 

focus on the poems of Bureš, 

which drew on folk customs, had 

another, personal dimension. 

26 

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Through these four cantatas, 

Martinů could return to his 

homeland at least in a spiritual 

way. The cantatas are primarily 

choral works augmented 

with solo voices or minor 

instrumental accompaniment. 

The need for a critical edition of 

these cantatas stems from the 

fact that the composer did not 

participate in the publication of 

any of them, aside from his 

cursory post-publication proofreading 

of Opening of the Springs. 

The previous editions of these 

works contained numerous 

minor errors, inconsistencies and 

solutions that went against the 

intentions of the composer. 


edition 



(Eng/Cz) 

● Literal translation of the lyrics 

by Adam Prentis included (Eng) 

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The Epic of Gilgamesh 

(Epos o Gilgamešovi) H. 351 

Oratorio for soloists, narrator, 

mixed choir and orchestra 

Libretto in original English 

version 


BMCE VI/2, 1 



on pp. 38-39 

For fourteen long years Martinů 

mused over a composition 

“of the genre of Cavalieri's 

‘Rappresentatione di anima e 

di corpo'”, before finally composing 

his masterly choral work 

at the turn of December 1954 

and January 1955, thus creating 

one of the most impressive 

choral scores of the 20th century. 

He compiled the libretto 

from the texts of one of the 

oldest extant works of literature, 

the Ancient Babylonian Epic 

of Gilgamesh. 

The greatest contribution of 

this critical edition is the discovery 

and first publication of 

the composer's detailed requirements 

for a semi-theatrical 

staging of the work and the 

extension of the Narrator's role 

in accordance with Martinů's 

original intentions. 


edition 



(Eng/Cz) 



Legend from the Smoke of 

Potato Fires (Legenda z dýmu 

bramborové nati) H. 360 

Cantata for solo soprano, alto 

and baritone, mixed choir and 

instrumental ensemble (flute, 

clarinet, French horn, accordion, 

piano) 


(Cz/Eng/Ger) 

H 2996 score 

H 2996-22 instrumental parts 

Madrigals (Part-Song Book) 

H. 380 

Four madrigals for mixed choir 

a cappella on Moravian folk 

songs (Cz/Ger) 

1. Am Donaustrom 

(Tam s tej strany Dunaja) 


2. Ej, steht ein Wäldchen 

(Ej, jeden hájek) 


• 


3. Auf der Erde hat nichts Weile 

(Na tom světě nic stálého) 


4. Glaubst du, daß ich wohl 

nichts wüßte? (A ty si myslíš) 


Mikesh from the Hills 

(Mikeš z hor) H. 375 

Cantata for solo soprano and 

tenor, mixed choir, 2 violins, viola 

and piano 


(Cz/Eng/Ger) 

H 2992 score 

H 2992-22 instrumental parts 

Romance from the Dandelions 

(Romance z pampelišek) H. 364 

Cantata for mixed choir with 

soprano solo 


(Cz/Eng/Ger) 




Bureš Cantatas – Martinů choral masterpieces 

practical editions: H 2122 / H 2992 / H 2996 / H 2997 

● The cycle of Martinů's chamber cantatas frequently performed 

worldwide 

● All four masterpieces are written to words by Miloslav Bureš, 

a fellow native of the composer from Polička 

● Bureš Cantatas, composed between 1955–59, express the 

composer's deep feeling of homesickness, especially in the Opening 

of the Wells, the most known and the most popular of them 

Michna Adam Václav z Otradovic 

(1600–1676) 

Czech Marian Music 

(Česká mariánská muzika) 

Cantilenae sacre bohemicae ad 

honorem Beatae Mariae Virginis 

63 four-part songs (Cz) 

Ed. J. Sehnal, texts rev. by 

L. Štukavec 

AMO 1 


Holy Year Music 

(Svatoroční muzika) 

Cantiones sacre per tempus 

totius anni 

118 four-part songs (Cz) 

Eds. F. Malý, J. Sehnal, texts rev. 

by L. Štukavec 

AMO 5 


Missa Sancti Wenceslai 

for mixed choir and instrumental 

ensemble 

(Lat) 

Ed. J. Sehnal 

MAB II/1 


Officium vespertinum – pars I: 

Psalmi I 


ensemble 

(Lat) 

Eds. J. Sehnal, V. Bělský 

AMO 6 


Officium vespertinum – pars II: 

Psalmi II 


ensemble 

(Lat) 


AMO 7 


Officium vespertinum – pars III: 

Compositiones ad honorem 

B. M. V. / Falsi burdoni a due core 


ensemble 

(Lat) 


AMO 8 


Sacra et litaniae – pars I: Missa I 


ensemble (Lat) 


AMO 2 


72 73


OPERA / THEMATIC CATALOGUES 

Michna Adam Václav z Otradovic 

(1600–1676) 

Sacra et litaniae – pars II: Missa II 




AMO 3 


Sacra et litaniae – pars III: Missa III 




AMO 4 


Sacra et litaniae – pars IV: Missa IV 




AMO 9 


Sacra et litaniae – pars V: Missa V 




AMO 10 


Sacra et litaniae – pars VI: Missa 

pro defunctis 




AMO 11 


Sacra et litaniae – pars VII, VIII, 

IX – Litaniae de SS. nomine Jesu, 

Litaniae B. M. V. / Te Deum 

for 4 soloists, mixed choir and 

instrumental ensemble (Lat) 


AMO 12 


Novák Jan 

(1921–1984) 

Aesopia (VI Phaedri fabellae 

cantatae atque saltatae cum 

prologo et epilogo) 

1st version for mixed choir, 

soloists and piano (Lat) 




Ryba Jakub Jan 


Czech Christmas Mass 

(Česká mše vánoční) 

for soloists, mixed choir, 

orchestra and organ 

the most popular Czech 

Christmas Mass of all times 

(Cz/Ger) 

H 5572 


(1910–1999) 


(Josef Hercl) 

Psalmi 

for solo voices, mixed choir and 

organ 

(Lat) 

H 7383 score 



Czech Song 

(Česká píseň) 

Cantata for mixed choir and 

orchestra to words by 

Jan z Hvězdy 

H 7402 vocal score ♦ 

(Karel Šolc) (Cz) 

H 7402n vocal score ♦ 

(Karel Šolc) (Ger) 

Šesták Zdeněk 

(*1925) 

Laudate Dominum, 

omnes gentes 


(Lat) 


Teml Jiří 

(*1935) 

Krédo 

Cycle of mixed choruses 

a cappella with baritone solo 

to words by Jan Tůma 

(Cz) 




Missa in B 

(Missa solemnis Op. 24) 

for mixed choir, solo voices and 

orchestra 

(Lat) 

Eds. J. Berkovec, O. Zuckerová 

MAB II/15 



(1679–1745) 

Missa Divi Xaverii ZWV 12 

for soloists, mixed choir 

and orchestra (Lat) 

Urtext / Ed. V. Luks 

BA 9594 score 

BA 9594-90 vocal score ♦ 

(Václav Luks) 

Missa Divi Xaverii ZWV 12, an 

expansive and unusually richly 

scored work, marks a highlight 

in Zelenka's œuvre. It was 

composed in 1729 while he was 

working at the Dresden court. 

The principal source of this 

first edition is the damaged 

autograph score which had 

long been kept under lock and 

key. Passages missing because 

of its damaged condition 

have been supplemented 

using secondary sources or 

reconstructed by Václav Luks, 

clearly marked as such in the 

musical text. 

● Magnum opus of Zelenka's 

music and the Bohemian 

Baroque 

● Scholarly-critical first edition 

● Significant enrichment to 

sacred choral repertoire 

● Also suitable for ambitious 

amateur choirs 

● Instructive preface (Cz/Eng/ 

Ger) by J. Stockigt and critical 

commentary (Eng) by the 

editor 


(1679–1745) 

Psalmi et Magnificat 

for mixed choir, orchestra and 

organ 

(Lat) 


MAB II/5 

H 4974 score (♦ selection) 

Sub olea pacis et palma virtutis 

COPY 

(melodrama de Sancto 

Wenceslao) 

(Lat) 


MAB II/12 

H 6825 score 

Opera 



Kate and the Devil (Čert a Káča) 

Op. 112 COPY 

opera in 3 acts 

libretto by Adolf Wenig (Cz/Ger) 

Eds. J. Burghauser, A. Pokorný 

H 454 vocal score by the 

composer 

Rusalka Op. 114 

lyric fairy tale in 3 acts 

libretto by Jaroslav Kvapil 

(Cz/Ger/Eng) 

German translation by 

E. Schmidt, English translation 

by D. Rusbridge 


Urtext / Ed. J. Burghauser 


(Karel Šolc) 

The Jacobin (Jakobín) Op. 84 


libretto by Marie Červinková- 

Riegrová (Cz/Ger) 

Eds. F. Bartoš, A. Pokorný 

ADCE I/10 

H 3955 score in 2 volumes 



NEW 2016 

Fate (Osud) 


libretto by Leoš Janáček 

and Fedora Bartošová 

(Cz/Ger/Eng) 

Ed. J. Zahrádka 


C. H. Henneberg, English 

translation by R. Blumer 

Preface by the editor 

(Cz/Eng/Ger) 

LJCE A/5 

BA 9562-01 / H 8038-01 

cloth bound score ♦ 

Urtext / Ed. J. Zahrádka 

(Cz/Ger) 


(Rasmus Baumann) 


The Makropulos Case 

(Věc Makropulos) 

“Brno version” 

opera in 3 acts after the 

eponymous play by Karel Čapek 

libretto by Leoš Janáček 

(Cz/Ger) 

Ed. T. Hanus 

German translation by K. Lücker 

LJCE A/9 

BA 9579-01 

cloth bound 

score ♦ 


(David Švec) 




The Bartered Bride 

(Prodaná nevěsta) 

comic opera in 3 acts 

libretto by Karel Sabina 

(Cz/Ger) 


K. Honolka 

New preface by M. Ottlová 

Overture for piano solo arr. by 

Jindřich Kàan z Albestů 

Urtext / Ed. F. Bartoš 

BA 9534-90 

vocal score by the 

composer ♦ 

The Kiss (Hubička) COPY 


libretto by Eliška Krásnohorská 

(Cz) 


H 2819 vocal score by 

the composer 

The Secret (Tajemství) 


libretto by Eliška Krásnohorská 

(Cz) 


H 1630 vocal score 

(Karel Šolc) 

Thematic Catalogues 

Burghauser Jarmil 

Antonín Dvořák. Thematic 

Catalogue 

844 pages (Cz/Ger/Eng) 

Bibliography by J. Burghauser, 

J. Clapham 

H 7755 

Hudec Vladimír 

Zdeněk Fibich. Thematic 

Catalogue 

854 pages (Cz/Ger/Eng) 

H 7843 

Nouza Zdeněk – Nový Miroslav 

Josef Suk. Thematic Catalogue 

of the Works 

550 pages (Cz/Eng) 

H 7955 

Padrta Karel 

Franz Krommer. Thematischer 

Katalog seiner musikalischen 

Werke 

428 pages (Ger) 

H 7759 

Schnierer Miloš 

Rev. by L. Peřinová 

Vítězslav Novák. The Thematic 

and Bibliographical Catalogue 

522 pages (Cz/Eng) 

H 7814 

Zuckerová Olga 

Jan Hugo Voříšek. Thematic 

Catalogue 

96 pages (Eng) 

H 7777 



74 75

INDEX OF COMPOSERS 

INDEX OF EDITION NUMBERS 

B 

Benda František 18, 19, 33 

Benda Jiří Antonín 5, 14, 52 

Blatný Pavel 46, 53 

Bořkovec Pavel 13, 53 

Brixi František Xaver 15 

Brixi Šimon 68 

Burghauser Jarmil 75 

Č 

Černohorský Bohuslav Matěj 14 

Černý František 26 

D 

Dlouhý Milan 3 

Dusík Jan Ladislav 3, 5, 19, 32 

Dušek František Xaver 5, 6, 14, 46 

Dvořák Antonín 3, 5, 6, 11, 12, 13, 14, 

18, 19, 20, 21, 22, 23, 24, 25, 26, 41, 

42, 43, 46, 47, 51, 52, 53, 55, 60, 61, 

62, 67, 68, 70, 75 

Dvořák Milan 3 

E 

Eben Petr 3, 7, 11, 15, 18, 25, 33, 36, 

42, 46, 47, 53, 62, 64, 67, 70 

F 

Feld Jindřich 18, 21, 23, 33, 34, 41, 

43, 46, 49, 51, 55 

Fiala Josef 47 

Fibich Zdeněk 7, 12, 20, 34, 42, 

43, 49 

Fils Antonín 33, 53 

Finger Gottfried 32 

Fišer Luboš 7, 13, 15, 18, 20, 25, 37, 

43, 47, 70 

Foerster Josef Bohuslav 64 

G 

Gemrot Jiří 14, 35 

Gola Zdeněk 17 

Graham Peter 3, 4 

Gruber Rudolf 35 

H 

Hanuš Jan 3, 18, 20, 41, 46, 47, 55, 

64 

Havlíček Ilja – Machalíčková 

Františka – Ondruš Ján 15 

Hertl František 26 

Hlaváč Miroslav 33 

Hradecký Emil 3, 11, 33, 36, 37 

Hudec Vladimír 75 

Hurník Ilja 3, 11, 12, 33, 50, 55, 67 

Hurník Lukáš 12, 50 

Husa Karel 34 

Hybler Martin 32 

I 

Ištvan Miloslav 37 

J 

Janáček Leoš 7, 12, 13, 14, 15, 20, 21, 

25, 34, 43, 44, 46, 47, 50, 55, 57, 64, 

67, 68, 71, 75 

Ježek Jaroslav 7 

Jirmal Jiří 32 

Jírovec Vojtěch 7 

K 

Kabeláč Miloslav 7, 12, 15, 25, 33, 

37, 46, 57 

Kalabis Viktor 7, 21, 36, 47, 57, 65 

Kaprálová Vítězslava 21, 25, 35, 65 

Kaucký Emanuel – Petr Miloš 36 

Klusák Jan 34 

Kocian Jaroslav 20 

Kolář Augustin 23 

Kopelent Marek 11, 25, 65 

Kopřiva Václav Jan 71 

Korte Oldřich F. 3, 8, 20, 57 

Koželuh Leopold 8, 53 

Kramář-Krommer František 

Vincenc 18, 32, 34, 35, 47 

Krejčí Iša 57 

Krůček Václav 17 

Kubánek Libor 37 

Kubelík Jan 20 

Kubička Miroslav 20, 26, 33, 46 

Kučera Jan 36 

Kukal Ondřej 24, 35, 42, 44 

Kurz Ivan 36 

L 

Linek Jiří Ignác 71 

Losy Jan Antonín 32 

Loudová Ivana 18 

M 

Madelka Simon Bar Jona 71 

Martinů Bohuslav 4, 5, 8, 14, 18, 20, 

21, 23, 24, 25, 26, 41, 43, 44, 47, 49, 

50, 53, 57, 65, 67, 68, 72, 73 

Matěj Josef 37 

Matějů Zbyněk 34 

Matys Jiří 20, 44 

Micka Josef 18, 19 

Michna Adam Václav 

z Otradovic 65, 73, 74 

Mysliveček Josef 8, 33, 43, 46, 47, 

49, 66 

N 

Neruda Jan Křtitel Jiří 35 

Nouza Zdeněk – Nový Miroslav 75 

Novák Jan 15, 20, 33, 74 

Novák Vítězslav 8 

Nudera Vojtěch 34 

Nykl Jan 32 

O 

Ondříček František 20 

P 

Padrta Karel 75 

Pauer Jiří 35, 36 

Pelikán Jaroslav 33, 35 

Pivoňka Karel 35 

Plánický Josef Antonín 66 

Pololáník Zdeněk 67 

R 

Rak Štěpán 32 

Rejcha Antonín 8, 47, 49, 53 

Rössler-Rosetti František 

Antonín 49 

Ryba Jakub Jan 74 

Rychlík Jan 14, 33, 66 

S 

Seger Josef Ferdinand Norbert 15 

Schnierer Miloš 75 

Schulhoff Erwin 9, 46 

Simon Ladislav 8, 37 

Slavický Klement 5, 34, 57, 74 

Slavický Milan 15, 23 

Sluka Luboš 66 

Smetana Bedřich 5, 9, 10, 13, 20, 41, 

44, 57, 58, 66, 67, 68, 74, 75 

Stich-Punto Jan Václav 36 

Suk Josef 5, 10, 18, 19, 41, 42, 44, 45, 

49, 50, 51, 52, 58, 59 

Š 

Šesták Zdeněk 52, 74 

Ševčík Otakar 17, 24 

Škroup František Jan 41, 50 

Šporcl Pavel 18 

Štědroň Miloš 15 

T 

Teml Jiří 15, 32, 34, 43, 49, 58, 74 

Tichý Vladimír 24 

Tomášek Václav Jan 11, 53 

Trojan Václav 47 

Tůma František Ignác Antonín 18 

Tuzar Josef 37 

V 

Vaňhal Jan Křtitel 11, 20, 24, 26 

Vejvanovský Pavel Josef 53 

Vodička Václav 52 

Voříšek Jan Václav Hugo 11, 13, 20, 

58, 74 

Vranický Antonín 23, 47 

Vranický Pavel 46 

Z 

Zach Jan 52 

Zákostelecký Bedřich 34 

Zámečník Evžen 46 

Zelenka Jan Dismas 53, 74, 75 

Zelenka Milan – Obrovská Jana 32 

Zuckerová Olga 75 

Notes 


NEW 2016 


Bärenreiter 

Notes 

● A student lesson book 

● A general note book 

● A gift 

Format: DIN A 6 

(10.5 cm x 14.8 cm / 

4.1 inches x 5.8 inches) 

32 pages · binding: stapled 

BA 8100 Mozart red 

BA 8100-20 Schubert yellow 

BA 8100-21 Dvořák orange 

BA 8100-24 Telemann green 

Notes 

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The Musicians’ Choice 

BA 

BA 3326•...................................... 50 

BA 3327•.......................................49 

BA 3755•........................................73 

BA 3756•.......................................73 

BA 3757•........................................73 

BA 3758•.......................................73 

BA 3842•.......................................23 

BA 3842-90•................................23 

BA 3969•......................................25 

BA 4316•........................................23 

BA 4316-90•................................23 

BA 4317•........................................23 

BA 4317-90•.................................23 

BA 4318-90•................................ 14 

BA 4319•....................................... 26 

BA 4319-90• .............................. 26 

BA 5404•..................................... 70 

BA 6079•.......................................71 

BA 6171 / H 4657........................55 

BA 6429•..................................... 70 

BA 6842•......................................55 

BA 6844•..................................... 67 

BA 6845•.......................................55 

BA 6847•......................................68 

BA 6848•......................................57 

BA 6849•..................................... 20 

BA 6851•.........................................71 

BA 6852-01• ................................15 

BA 6856•................................13, 47 

BA 6857 / H 7832.......................43 

BA 6858 / H 7840 ....................68 

BA 6860•.......................................71 

BA 6860-90.................................71 

BA 6861 / H 7950......................55 

BA 6862 / H 7935.......................71 

BA 6862-90..................................71 

BA 6863 / H 8020......................71 

BA 6965•......................................24 

BA 7488•...................................... 46 

BA 7488-22•................................ 46 

BA 8100.........................................77 

BA 8100-20..................................77 

BA 8100-21...................................77 

BA 8100-24..................................77 

BA 8472•....................................... 14 

BA 9045•......................................25 

BA 9045-40• ..............................25 

BA 9045-90•...............................25 

BA 9500.......................................... 7 

BA 9501........................................... 7 

BA 9502........................................... 7 

BA 9503........................................... 5 

BA 9506........................................10 

BA 9507...........................................9 

BA 9509........................................25 

BA 9510-90..................................75 

BA 9511.............................................8 

76 77



BA 9512............................................8 

BA 9513............................................8 

BA 9514............................................8 

BA 9515............................................8 

BA 9516........................................ 44 

BA 9517......................................... 44 

BA 9518.......................................... 41 

BA 9519...........................................9 

BA 9520.........................................43 

BA 9521...................................41, 50 

BA 9524..........................................15 

BA 9525...........................................9 

BA 9526........................................ 20 

BA 9527...........................................9 

BA 9528........................................ 46 

BA 9529.........................................10 

BA 9530.........................................45 

BA 9532........................................ 59 

BA 9533.........................................43 

BA 9534-90..................................75 

BA 9535...................................13, 47 

BA 9536.........................................45 

BA 9537.........................................42 

BA 9538......................................... 41 

BA 9539.........................................43 

BA 9540........................................43 

BA 9541............................................8 

BA 9542........................................ 46 

BA 9543.........................................42 

BA 9544-90................................ 70 

BA 9545.........................................43 

BA 9546.........................................42 

BA 9547......................................... 12 

BA 9548......................................... 12 

BA 9549.........................................13 

BA 9550..........................................17 

BA 9551...........................................17 

BA 9552..........................................17 

BA 9553..........................................17 

BA 9554..........................................17 

BA 9555..........................................17 

BA 9556..........................................17 

BA 9557..........................................17 

BA 9558.........................................58 

BA 9559...........................................9 

BA 9560..........................................9 

BA 9561.........................................10 

BA 9562-01 / H 8038-01.........75 

BA 9562-90.................................75 

BA 9564........................................ 41 

BA 9565......................................... 12 

BA 9566....................................... 46 

BA 9567......................................... 41 

BA 9568........................................24 

BA 9569.......................................60 

BA 9571..........................................19 

BA 9573.........................................42 

BA 9574.........................................42 

BA 9575........................................64 

BA 9576........................................ 20 

BA 9577........................................ 46 

BA 9578 ........................................ 41 

BA 9579-01 .................................75 

BA 9579-90.................................75 

BA 9581..........................................34 

BA 9582........................................ 70 

BA 9583 ........................................45 

BA 9584 °.......................................51 

BA 9585.......................................3, 4 

BA 9586 .........................................4 

BA 9591..........................................17 

BA 9592..........................................17 

BA 9593..........................................17 

BA 9594........................................74 

BA 9594-90.................................74 

BA 10401.......................................53 

BA 10402......................................53 

BA 10403.......................................53 

BA 10417•......................................55 

BA 10417-40•...............................55 

BA 10420 ......................................13 

BA 10420-90................................13 

BA 10422.......................................22 

BA 10422-90................................22 

BA 10423........................................51 

BA 10424 ......................................52 

BA 10424-22.................................52 

BA 10425......................................60 

BA 10426 .....................................60 

BA 10429...................................... 70 

BA 10431.......................................60 

BA 10432......................................60 

BA 10434...................................... 70 

BA 10435...................................... 70 

BA 10571-01..................................72 

BA 10572-01 ...............................57 

BA 10574-01 ................................47 

BA 10575-01 ................................72 

BA 10576-01 ............................... 44 

BA 10577-01 .........................44, 57 

BA 10578-01 .........................23, 24 

BA 11512........................................ 20 

BA 11513....................................... 5, 6 

BA 11514...................................... 5, 6 

BA 11515..........................................61 

BA 11516.........................................61 

BA 11517......................................... 62 

BA 11518........................................ 62 

BA 11521..........................................17 

BA 11527-90................................. 21 

BA 11529-90................................. 21 

BA 11530....................................... 26 

BA 11531-90..................................24 

BA 11532.........................................58 

BA 11533.........................................58 

BA 11537...........................................9 

BA 11539........................................42 

BA 11543 ....................................... 44 

BA 11545 .......................................... 7 

BA 11547.........................................24 

BA 11548........................................24 

BA 11549........................................24 

H 

H 53.................................................33 

H 54.................................................17 

H 55..................................................17 

H 100..............................................43 

H 208............................................ 50 

H 235................................................ 5 

H 257...............................................17 

H 258...............................................17 

H 277.............................................68 

H 284.............................................. 41 

H 297................................................ 5 

H 298.............................................10 

H 337..............................................61 

H 338................................................6 

H 362.............................................49 

H 365 ............................................49 

H 366.............................................53 

H 380............................................. 14 

H 384................................................ 7 

H 425................................................ 7 

H 441..............................................61 

H 454..............................................75 

H 465............................................. 20 

H 475................................................8 

H 519..............................................53 

H 522.............................................68 

H 553.............................................60 

H 675................................................ 7 

H 676............................................... 7 

H 888.............................................35 

H 907............................................... 3 

H 916..............................................23 

H 1110...............................................6 

H 1122............................................... 3 

H 1126...............................................6 

H 1200.......................................... 26 

H 1211-66.......................................57 

H 1217.............................................35 

H 1274............................................... 5 

H 1276............................................33 

H 1304............................................43 

H 1356.............................................. 3 

H 1359..............................................6 

H 1364........................................... 20 

H 1403...........................................64 

H 1428 .............................................6 

H 1442........................................... 20 

H 1481.............................................43 

H 1487............................................24 

H 1498.............................................6 

H 1500..........................................49 

H 1501.............................................43 

H 1502...........................................49 

H 1503............................................53 

H 1532.............................................24 

H 1550............................................19 

H 1559...........................................60 

H 1560-97....................................60 

H 1569............................................43 

H 1591-03...................................... 18 

H 1592............................................ 18 

H 1594............................................43 

H 1595............................................43 

H 1598........................................... 26 

H 1630...........................................75 

H 1648...........................................53 

H 1732.............................................43 

H 1739...........................................60 

H 1748............................................32 

H 1758-96....................................60 

H 1763..............................................6 

H 1780.............................................13 

H 1791.............................................43 

H 1796.............................................. 5 

H 1801 ........................................... 12 

H 1809........................................... 14 

H 1810.............................................. 3 

H 1811.............................................. 18 

H 1819...........................................66 

H 1834............................................43 

H 1835............................................43 

H 1842..............................................8 

H 1852.............................................15 

H 1879.....................................10, 58 

H 1882........................................... 70 

H 1890.....................................18, 23 


H 1933............................................34 

H 1979.............................................. 5 

H 2023.......................................... 46 

H 2031.............................................. 3 

H 2043.......................................... 20 

H 2078.......................................... 20 

H 2090...........................................17 

H 2122........................................... 67 

H 2156............................................25 

H 2171............................................49 

H 2172............................................. 18 

H 2178........................................... 20 

H 2182............................................. 11 

H 2226.............................................6 

H 2242.............................................. 3 

H 2262...........................................58 

H 2268.......................................... 70 

H 2271............................................. 41 

H 2304...........................................47 

H 2306...........................................43 

H 2307...........................................55 

H 2334............................................53 

H 2335........................................... 67 

H 2414......................................18, 33 

H 2424............................................. 5 

H 2461.............................................. 7 

H 2464.......................................... 62 

H 2486..........................................68 

H 2486-01...................................68 

H 2498...........................................32 

H 2544 ..........................................35 

H 2572.............................................71 

H 2576-90................................... 67 

H 2632.......................................... 62 

H 2704...........................................19 

H 2705...........................................47 

H 2726...........................................37 

H 2741-66.....................................55 

H 2799...........................................57 

H 2803...........................................43 

H 2819 ...........................................75 

H 2844..........................................66 

H 2849...........................................43 

H 2850............................................. 5 

H 2852............................................52 

H 2880..........................................68 

H 2888...........................................57 

H 2907.............................................6 

H 2924-90................................... 70 

H 2955 ......................................... 36 

H 2958...........................................53 

H 2981............................................ 14 

H 2992...........................................73 

H 2992-22.....................................73 

H 2996..........................................73 

H 2996-22....................................73 

H 2997...........................................73 

H 3026..........................................68 

H 3079...........................................53 

H 3082.......................................... 62 

H 3089....................................18, 19 

H 3096-66...................................57 

H 3099............................................ 5 

H 3133............................................. 18 

H 3156.............................................. 7 

H 3171.............................................53 

H 3177...............................................6 

H 3204............................................15 

H 3211............................................... 3 

H 3230...........................................53 


H 3237............................................. 11 

H 3257.............................................. 5 

H 3289............................................. 5 

H 3291............................................35 

H 3331.............................................42 

H 3363.............................................. 5 

H 3364............................................15 

H 3374..............................................9 

H 3392-01.....................................42 

H 3402..........................................66 

H 3406..........................................47 

H 3413.............................................. 5 

H 3506...........................................55 

H 3530..........................................68 

H 3533........................................... 62 

H 3555............................................52 

H 3578............................................19 

H 3598........................................... 12 

H 3616............................................55 

H 3684...........................................57 

H 3712..............................................71 

H 3712-64.......................................71 

H 3723............................................34 

H 3740...........................................52 

H 3750..........................................68 

H 3754.................................... 20, 34 

H 3756.............................................. 5 

H 3759............................................57 

H 3761.............................................15 

H 3788...........................................53 

H 3789...........................................52 

H 3813............................................43 

H 3819............................................33 

H 3843...........................................47 

H 3863.......................................... 70 

H 3869...........................................33 

H 3879........................................... 12 

H 3884.......................................... 20 

H 3917-22.....................................49 

H 3955............................................75 

H 3986.......................................... 44 

H 3998...................................42, 49 

H 4027.......................................... 70 

H 4035...........................................73 

H 4054-66...................................57 

H 4149............................................. 5 

H 4151............................................68 

H 4154............................................10 

H 4156............................................37 

H 4179........................................... 26 

H 4203 ..........................................47 

H 4233........................................... 67 

H 4248.......................................... 67 

H 4342....................................14, 50 

H 4346........................................... 14 

H 4376........................................... 18 

H 4397.......................................... 46 

H 4422.......................................... 36 

H 4439.......................................... 70 

H 4460..........................................61 

H 4496.........................................66 

H 4497............................................. 3 

H 4499............................................ 5 

H 4506...........................................15 

H 4508.......................................... 70 

H 4515........................................... 67 

H 4522........................................... 70 

H 4523-90................................... 70 

H 4557..................................... 33, 34 

H 4562.......................................... 36 

H 4570..........................................64 

H 4585...........................................53 

H 4592...........................................43 

H 4698...........................................71 

H 4700...........................................71 

H 4721............................................33 

H 4738.............................................. 7 

H 4757............................................47 

H 4872............................................ 11 

H 4890..........................................47 

H 4923............................................15 

H 4952.......................................... 70 

H 4956.......................................... 62 

H 4974...........................................75 

H 4985............................................13 

H 5020............................................. 3 

H 5033............................................. 3 

H 5077............................................. 3 

H 5081 ............................................. 5 

H 5086...........................................71 

H 5094......................................... 65 

H 5095.......................................... 65 

H 5166........................................... 46 

H 5182...........................................66 

H 5183............................................58 

H 5194............................................32 

H 5196........................................... 46 

H 5215.............................................35 


H 5264............................................71 

H 5270...........................................53 

H 5305...........................................24 

H 5311............................................ 62 

H 5317............................................ 20 

H 5318............................................ 14 

H 5330...........................................42 

H 5390............................................ 11 

H 5422.............................................13 

H 5445.......................................... 20 


H 5489..........................................66 

H 5543............................................19 

H 5553............................................57 

H 5561...........................................68 

H 5572............................................74 

H 5585........................................... 65 

H 5628.......................................... 46 

H 5631............................................34 

H 5643............................................51 

H 5649...........................................43 

H 5674...........................................25 

H 5709.............................................8 

H 5766...........................................10 

H 5781.............................................. 7 

H 5805........................................... 14 

H 5808...........................................47 

H 5849...........................................53 

H 5850...........................................23 

H 5851............................................. 11 

H 5862..............................18, 32, 34 

H 5906......................................... 20 

H 5951...........................................68 

H 5988.......................................... 65 

H 5993............................................17 

H 6001.......................................... 67 

H 6002.........................................68 

H 6003.........................................68 

H 6033..........................................49 

H 6036........................................... 11 

H 6065............................................ 7 

H 6070-01...................................... 7 

H 6114............................................. 11 

H 6132........................................... 65 

H 6145........................................... 67 

H 6154.............................................71 

H 6155............................................. 11 

H 6156..............................................8 

H 6173............................................43 

H 6187.............................................17 

H 6211.............................................33 

H 6214........................................... 46 

H 6239............................................71 

H 6250...........................................47 

H 6252............................................71 

H 6256..........................................68 

H 6276.......................................... 67 

H 6300.........................................64 

H 6329............................................. 3 

H 6334........................................... 14 

H 6339...........................................34 

H 6354............................................. 7 

H 6390......................................... 36 

H 6406......................................... 46 

H 6415............................................32 

H 6421.............................................. 3 

H 6427-01.....................................57 

H 6427-02....................................57 

H 6427-03....................................57 

H 6427-04....................................57 

H 6427-05....................................57 

H 6427-06....................................57 

H 6428.......................................... 44 

H 6429...........................................52 

H 6450......................................... 67 

H 6465...........................................47 

H 6474........................................3, 11 

H 6477.......................................... 46 

H 6497..........................................64 

H 6508..........................................43 

H 6549...........................................43 

H 6571............................................55 

H 6582.......................................... 20 

H 6590......................................... 46 

H 6614...........................................53 

H 6615........................................... 67 

H 6657 ........................................... 11 

H 6663..........................................43 

H 6674........................................... 21 

H 6676............................................ 5 

H 6696.......................................... 21 

H 6782-22.................................... 46 

H 6791............................................23 

H 6798-02....................................57 

H 6798...........................................57 

H 6825...........................................75 

H 6837.......................................... 36 

H 6902-01....................................43 

H 6931............................................23 

H 6967......................................... 44 

H 6973.......................................... 26 

H 7004..........................................57 

H 7037.......................................... 46 

H 7040-01......................................6 

H 7040-02.....................................6 

H 7082............................................. 3 

H 7132.............................................32 

78 79


H 7133.............................................. 11 

H 7135.............................................33 

H 7136........................................... 67 

H 7140............................................47 

H 7149............................................33 

H 7178............................................55 

H 7215.............................................10 

H 7226............................................71 

H 7236...........................................32 

H 7240...........................................73 

H 7311.............................................53 

H 7323......................................13, 58 

H 7325.............................................. 3 

H 7330.............................................8 

H 7332............................................73 

H 7333............................................10 

H 7382-01......................................71 

H 7383............................................74 

H 7402...........................................74 

H 7402n........................................74 

H 7404..........................................49 

H 7406...........................................35 

H 7414............................................32 

H 7415............................................... 7 

H 7438............................................ 14 

H 7439..........................................64 

H 7442.............................................71 

H 7445..............................................8 

H 7452............................................47 

H 7460...........................................10 

H 7461............................................. 11 

H 7481........................................... 46 

H 7504........................................... 21 

H 7505...........................................55 

H 7506...........................................55 

H 7528............................................23 

H 7531.............................................58 

H 7554............................................57 

H 7567............................................35 

H 7568...........................................53 

H 7591.............................................. 3 

H 7595............................................74 

H 7638........................................... 12 

H 7646...........................................35 

H 7690...........................................15 

H 7717............................................. 12 

H 7718........................................... 70 

H 7719............................................42 

H 7725............................................25 

H 7735.............................................71 

H 7736-01......................................71 

H 7738............................................ 21 

H 7739............................................74 

H 7741.......................................12, 55 

H 7743........................................... 20 

H 7744.............................................. 7 

H 7745............................................37 

H 7750...........................................34 

H 7753............................................37 

H 7755 ...........................................75 

H 7757.............................................. 7 

H 7758.............................................. 7 

H 7759............................................75 

H 7764...........................................43 

H 7766............................................. 7 

H 7768.......................................... 67 

H 7769..........................................68 

H 7777............................................75 

H 7778............................................25 

H 7781.............................................. 3 

H 7787............................................47 

H 7788...........................................34 

H 7791........................................... 65 

H 7792............................................32 

H 7793............................................25 

H 7795.............................................. 7 

H 7796...........................................32 

H 7800.........................................49 

H 7800-22...................................49 

H 7802.......................................... 20 

H 7803...........................................55 

H 7804.......................................... 36 

H 7807........................................... 41 

H 7808...........................................74 

H 7809......................................... 65 

H 7810........................................... 62 

H 7811............................................ 67 

H 7814............................................75 

H 7817........................................... 20 

H 7820.......................................... 50 

H 7823............................................19 

H 7824...........................................73 

H 7825........................................... 20 

H 7827............................................25 

H 7828...........................................32 

H 7830...........................................34 

H 7837............................................73 

H 7841........................................... 65 

H 7842............................................. 7 

H 7843...........................................75 

H 7844.......................................... 44 

H 7844-22.................................... 44 

H 7845............................................15 

H 7847........................................... 70 

H 7849..........................................64 

H 7850...........................................32 

H 7852.................................... 43, 49 

H 7854...........................................35 

H 7855.....................................20, 33 

H 7857.............................................. 7 

H 7858...........................................74 


H 7860.......................................... 41 

H 7863.......................................... 50 

H 7865............................................15 

H 7867...........................................34 

H 7869...........................................32 

H 7873.............................................15 

H 7874........................................... 20 

H 7875..............................................8 

H 7876...........................................32 

H 7877............................................53 

H 7877-22......................................53 

H 7878..........................................66 

H 7880...........................................73 


H 7882...........................................74 

H 7885.......................................... 67 

H 7890..........................................33 

H 7893...........................................25 

H 7896........................................... 14 

H 7898...........................................35 

H 7900...................................67, 70 

H 7905..........................................66 

H 7906............................................ 7 

H 7910...........................................33 

H 7911............................................... 7 

H 7913............................................37 

H 7914........................................... 20 

H 7915........................................... 20 

H 7916........................................... 20 

H 7917.............................................. 7 

H 7919......................................21, 35 

H 7920.......................................... 70 

H 7923.......................................... 46 

H 7924...........................................74 

H 7931.............................. 33, 36, 37 

H 7932...........................................37 

H 7934..........................................66 

H 7938.......................................... 20 

H 7941........................................... 44 

H 7941-22..................................... 44 

H 7944.......................................... 44 

H 7944-22.................................... 44 

H 7946.............................................8 

H 7948............................................. 3 

H 7949...........................................24 


H 7952..........................................49 

H 7953.............................................51 

H 7954...........................................52 

H 7955............................................75 

H 7957.............................................. 7 

H 7958.......................................... 44 

H 7959..........................................66 

H 7962....................................41, 49 

H 7963.............................................8 

H 7964...........................................42 

H 7965...........................................43 

H 7965-22.....................................43 

H 7966............................. 18, 37, 47 

H 7967............................................15 

H 7968.......................................... 44 

H 7968-22................................... 44 

H 7969...........................................15 

H 7970.............................................8 

H 7974............................................. 3 

H 7975 ............................................ 11 

H 7976............................................15 

H 7979...........................................73 

H 7982.......................................... 26 

H 7987...........................................23 

H 7988............................................. 7 

H 7989............................................. 7 

H 7990..........................................74 

H 7991............................................33 

H 7992...........................................34 

H 7993...........................................37 

H 7994...........................................37 

H 7995...........................................74 

H 7996..........................................74 

H 7997...........................................74 

H 7999...........................................71 

H 8001.......................................... 36 

H 8017...........................................66 

H 8019.......................................... 36 

H 8021............................................24 

H 8023...........................................43 

H 8028............................................15 

H 8030.........................................66 

H 8034............................................. 3 

H 8039.......................................... 18 

H 8040......................................... 65 

HM 150......................................... 67 

HM 941..........................................58 

TP 

TP 422............................................22 

TP 440..........................................49 

TP 501•...........................................55 

TP 502•..........................................55 

TP 503•..........................................55 

TP 504•..........................................55 

TP 505•..........................................55 

TP 506•.........................................55 

TP 507•..........................................55 

TP 508•..........................................55 

TP 509•.........................................55 

TP 516............................................ 44 

TP 517............................................ 44 

TP 520............................................43 

TP 521............................................ 44 

TP 528........................................... 46 

TP 530............................................45 

TP 532............................................ 46 

TP 533.............................................43 

TP 535.............................................43 

TP 536............................................45 

TP 539............................................43 

TP 540............................................43 

TP 557.............................................57 

TP 558 ...........................................58 

TP 577............................................ 46 

TP 583 ...........................................45 

TP 617•...........................................55 

TP 620•.........................................25 

TP 842............................................57 

TP 862.............................................71 

80

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