SPA314_Czech Music_2017-18_web_new
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HARPSICHORD / ORGAN / ACCORDION<br />
ORGAN / ACCORDION<br />
Janáček Leoš<br />
(<strong>18</strong>54–1928)<br />
Concertino<br />
for piano, 2 violins, viola, clarinet,<br />
French horn and bassoon<br />
H 4342 score with parts<br />
Martinů Bohuslav<br />
(<strong>18</strong>90–1959)<br />
Concerto for Piano and Orchestra<br />
No. 4 “Incantation” H. 358<br />
BA 43<strong>18</strong>-90•<br />
Harpsichord Solo<br />
piano reduction ♦<br />
(Karel Šolc)<br />
Dušek František Xaver<br />
(1731–1799)<br />
Sonate per il clavicembalo<br />
in F, C, G, G, D, A, F, E-flat maj<br />
Rev. by M. Knotková, A. Němec<br />
MAB I/8<br />
H 380<br />
Harpsichord<br />
Concertos<br />
Benda Jiří Antonín<br />
(1722–1795)<br />
Concerto in G min for<br />
Harpsichord and Strings<br />
violin I II, viola, violoncello<br />
(double bass)<br />
Ed. V. Bělský<br />
MAB I/10<br />
H 7438 score with parts ♦<br />
Due concerti per cembalo COPY<br />
violin I II, viola, violoncello<br />
(double bass)<br />
in F maj, in G maj<br />
Ed. V. Bělský<br />
MAB I/77<br />
H 5805 score ♦<br />
Tre concerti per cembalo<br />
violin I II, viola, violoncello<br />
(double bass)<br />
in F min, in B min, in G maj<br />
Ed. V. Bělský<br />
MAB I/45<br />
H 2981<br />
score<br />
(♦ only in F and B min)<br />
Organ Solo<br />
Černohorský Bohuslav Matěj<br />
(1684–1742)<br />
Composizioni per organo COPY<br />
Ed. J. Šafařík<br />
MAB I/3<br />
H 4346<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Largo from the Symphony No. 9<br />
in E min “From the New World”<br />
Op. 95<br />
Arr. by M. Kampelsheimer in an<br />
easy style<br />
H <strong>18</strong>09<br />
Symphony No. 9 in E min “From<br />
the New World” Op. 95<br />
Transcription for organ by<br />
Z. Szathmáry<br />
BA 8472•<br />
● Welcome addition to the organ<br />
repertoire<br />
● Outstanding virtuoso organ<br />
writing<br />
Preludes and Fugues for Organ<br />
B 302<br />
Eds. J. Burghauser, A. Čubr<br />
ADCE VII/3<br />
H 6334<br />
Eben Petr<br />
(1929–2007)<br />
<strong>Music</strong>a dominicalis<br />
(Nedělní hudba)<br />
(Cz/Ger/Eng)<br />
H 3761<br />
● Eben's most famous<br />
composition for organ<br />
● Revised edition with notes<br />
on interpretation by Jan<br />
Hora in cooperation with<br />
the composer<br />
Ten Chorale Preludes<br />
H 7845<br />
Fišer Luboš<br />
(1935–1999)<br />
Relief<br />
H 7967<br />
Janáček Leoš<br />
(<strong>18</strong>54–1928)<br />
Organ Works<br />
Eds. M. Buček, L. Faltus<br />
LJCE F/2<br />
BA 6852-01• cloth bound score<br />
Urtext / Eds. M. Buček, L. Faltus<br />
With preface by J. Zahrádka<br />
(Cz/Eng/Ger)<br />
BA 9524<br />
Three Pieces for Organ from<br />
Prague Studies in <strong>18</strong>74–<strong>18</strong>75<br />
(Overture, Varyto, Choral Fantasy),<br />
Two Pieces for Organ selfpublished<br />
in <strong>18</strong>84, Postludium<br />
– the penultimate part of the<br />
famous Glagolitic Mass<br />
Novák Jan<br />
(1921–1984)<br />
Iubilationes per organo<br />
H 7865<br />
Old <strong>Czech</strong> Organ Christmas<br />
Josef Seger, Jakub V. Paus,<br />
František X. Brixi, Jiří I. Linek, Jan<br />
K. Vaňhal, Jan K. Kuchař, Karel B.<br />
Kopřiva<br />
Ed. J. Smolka<br />
H 7690<br />
Organ Compositions of Old <strong>Czech</strong><br />
Masters<br />
František X. Brixi, Jan K. Vaňhal,<br />
Jan K. Kuchař, Karel F. Pitsch<br />
Ed. B. Geist, rev. by<br />
M. Kampelsheimer<br />
H 4506<br />
Seger Josef Ferdinand Norbert<br />
(1716-1782)<br />
Composizioni per organo<br />
(Preludi e fughe) COPY<br />
Ed. V. Bělský<br />
MAB I/56<br />
H 3364<br />
Slavický Milan<br />
(1947–2009)<br />
Sursum corda<br />
H 7873<br />
Organ Concertos<br />
Brixi František Xaver<br />
(1732–1771)<br />
Concerto Fa maggiore per<br />
organo principale<br />
2 French horns, violin I II, viola,<br />
basso continuo<br />
Ed. J. Reinberger<br />
MAB I/26<br />
H <strong>18</strong>52 score ♦<br />
Due concerti per organo<br />
2 clarinas in D, violin I II, viola,<br />
violoncello and double bass<br />
in D maj, in G maj<br />
Ed. V. Bělský<br />
MAB I/75<br />
H 4923 score ♦<br />
Accordion<br />
Gemrot Jiří<br />
(*1957)<br />
Plays for Harpsichord<br />
(Hry pro cembalo)<br />
Prague Spring IMC Commission<br />
(2005)<br />
H 7896<br />
Rychlík Jan<br />
(1916–1964)<br />
Hommaggi gravicembalistici<br />
per cembalo<br />
Rev. by K. Šrom<br />
H 53<strong>18</strong><br />
SOUBORNÉ<br />
•<br />
Bärenreiter-Verlag Kassel production<br />
From: Petr Eben, <strong>Music</strong>a dominicalis • H 3761<br />
Kabeláč Miloslav<br />
(1908–1979)<br />
14 15<br />
V/12<br />
NEW <strong>2017</strong><br />
Two Phantasies<br />
Ed. J. Hora<br />
H 8028<br />
Miloslav<br />
KABELÁČ<br />
KRITICKÉ VYDÁNÍ<br />
KRITISCHE GESAMTAUSGABE<br />
COMPLETE CRITICAL EDITION<br />
Dvě fantazie<br />
Zwei Fantasien<br />
Two Fantasias<br />
op. 32<br />
ORGAN<br />
H 8028<br />
BÄRENREITER PRAHA<br />
Štědroň Miloš<br />
(*1942)<br />
Claudio Monteverde: Praga 1595<br />
Prague Spring IMC Commission<br />
(2006)<br />
H 7969<br />
Teml Jiří<br />
(*1935)<br />
The Alchemists (Alchymisté)<br />
H 7976<br />
Havlíček Ilja – Machalíčková<br />
Františka – Ondruš Ján<br />
School of Accordion Playing<br />
(Cz/Ger)<br />
H 3204<br />
♦ Performance material<br />
available on hire
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