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SOLO VOICE / CHORAL MUSIC / SACRED AND SECULAR WORKS<br />

CHORAL MUSIC / SACRED AND SECULAR WORKS<br />

Mysliveček Josef<br />

(1737–1781)<br />

Tre notturni COPY<br />

for 2 sopranos, 2 clarinets, 2<br />

French horns and strings<br />

(Ital)<br />

Ed. V. Bělský<br />

MAB II/7<br />

H 5<strong>18</strong>2 score ♦<br />

Petrarch Songs (Písně na Petrarku)<br />

Songs for medium voice and<br />

piano on poems by Francesco<br />

Petrarca<br />

19 songs in different languages<br />

from 19 European composers<br />

from <strong>18</strong>th to 20th centuries<br />

(Ital/Fr/Cz/Eng/Ger)<br />

Ed. M. Bruns<br />

H 7934<br />

Plánický Josef Antonín<br />

(1691–1732)<br />

Opella ecclesiastica<br />

Twelve sacred cantatas (Lat)<br />

for soprano, alto and bass solo,<br />

2 bassoons, strings, and organ<br />

Ed. J. Sehnal<br />

MAB II/3<br />

H 4496 score<br />

Rychlík Jan<br />

(1914–1964)<br />

South Bohemian Folk Songs<br />

(Jihočeské písně a písničky)<br />

for voice, violin, clarinet, bass<br />

clarinet and piano<br />

(Cz/Ger)<br />

H 5489 score with parts<br />

Sluka Luboš<br />

(*1928)<br />

Renaissance Songs<br />

(Písně renesanční)<br />

Three songs for mezzo-soprano /<br />

baritone and piano<br />

(Cz/Ger)<br />

H 3402<br />

Smetana Bedřich<br />

(<strong>18</strong>24–<strong>18</strong>84)<br />

Evening Songs (Večerní písně)<br />

for low voice (arr. by<br />

J. E. Zelinka) and piano<br />

Five songs to words by<br />

Vítězslav Hálek<br />

(Cz/Ger/Eng)<br />

Rev. by K. Šolc<br />

H 2844<br />

Collections<br />

<strong>Music</strong> of the Piarist Monasteries I<br />

Moravian church compositions<br />

of the 17th and <strong>18</strong>th centuries<br />

for mixed choir, 2 horns, strings<br />

and organ<br />

(Lat)<br />

Ed. T. Hanzlík<br />

H 7905 score COPY<br />

Repertorium troporum<br />

bohemiae medii aevi, pars I–IV<br />

Tropi proprii missae – pars I<br />

(Lat)<br />

Ed. H. Vlhová-Wörner<br />

H 7878<br />

Tropi ordinarii missae – pars II<br />

Kyrie eleison<br />

Gloria in excelsis Deo<br />

(Lat)<br />

Ed. H. Vlhová-Wörner<br />

H 7959<br />

Tropi ordinarii missae – pars III<br />

Sanctus<br />

(Lat)<br />

Ed. H. Vlhová-Wörner<br />

H 8017<br />

Tropi ordinarii missae – pars IV<br />

Agnus Dei<br />

(Lat)<br />

Ed. H. Vlhová-Wörner<br />

H 8030<br />

Pastorelle boemiche<br />

<strong>Czech</strong> Christmas Pastorals<br />

Daniel A. F. Milčinský (instrumental<br />

), Tomáš N. Koutník,<br />

Jiří I. Linek, Jan Michalička<br />

for soloists (soprano, tenor,<br />

bass), mixed choir and chamber<br />

orchestra (Cz)<br />

Ed. J. Berkovec<br />

MAB I/23<br />

H <strong>18</strong>19 score ♦<br />

The five volume editorial project<br />

Repertorium troporum<br />

bohemiae medii aevi introduces<br />

the texts and musical editions<br />

of mass tropes from <strong>Czech</strong><br />

sources from the 11th–16th<br />

centuries. The tropes are edited<br />

along with their native chants;<br />

as such, these publications<br />

would interest both the academic<br />

community, as well as those<br />

interested in performance.<br />

Many of the texts and melodies<br />

are made accessible for the very<br />

first time. The edition contains<br />

numerous commentaries, introductory<br />

studies (Cz/Eng) and<br />

enclosed facsimilies.<br />

The internationally respected<br />

musicologist Hana Vlhová-Wörner<br />

is the author of numerous<br />

publications on church music<br />

and Latin liturgical poetry in<br />

Bohemia and Central Europe<br />

from the 11th to 16th centuries<br />

and one of the editors of the<br />

Jistebnice Hymnal.<br />

Children's Choir<br />

Eben Petr<br />

(1929–2007)<br />

Alleluia<br />

Epilogue from the oratorio<br />

Apologia Sokratus for children's<br />

and mixed choir and organ<br />

Organ version arr. by Ph. Brunelle<br />

(original Greek of Plato's<br />

Apologia Sokratus)<br />

H 7900 score<br />

The Twig Grows Green<br />

(Zelená se snítka)<br />

14 songs for children's choir and<br />

piano<br />

(Cz/Ger)<br />

H 2335 score<br />

Hurník Ilja<br />

(1922–2013)<br />

Children's Choruses<br />

A selection from the author's<br />

cycles of children's choruses<br />

a cappella<br />

(Cz)<br />

H 7136 choral score<br />

Missa Vinea Crucis<br />

for children's / female choir and<br />

orchestra or organ<br />

(Lat)<br />

H 7768 score (organ version)<br />

orchestral version available<br />

on hire<br />

Pololáník Zdeněk<br />

(*1935)<br />

Cantus laetitiae<br />

for children's or female choir<br />

a cappella<br />

(Lat)<br />

H 7885 choral score<br />

Female Choir<br />

Eben Petr<br />

(1929–2007)<br />

Of Swallows and Girls<br />

(O vlaštovkách a dívkách)<br />

Nine folk songs for female choir<br />

a cappella<br />

(Cz)<br />

H 4233 choral score<br />

♦ Performance material<br />

available on hire<br />

Eben Petr<br />

(1929–2007)<br />

Greek Dictionary<br />

(Řecký slovník)<br />

Nine female choruses with harp/<br />

piano accompaniment<br />

(to single Greek words)<br />

Harp part rev. by L. Váchalová<br />

H 6145 score<br />

Hurník Ilja<br />

(1922–2013)<br />

Missa Vinea Crucis<br />

for children's / female choir and<br />

orchestra or organ (Lat)<br />

H 7768 score (organ version)<br />

orchestral version available<br />

on hire<br />

Janáček Leoš<br />

(<strong>18</strong>54–1928)<br />

Hradčany Songs<br />

(Hradčanské písničky)<br />

for female choir with flute<br />

and harp accompaniment<br />

to words by František<br />

S. Procházka<br />

(Cz/Ger/Eng)<br />

H 4248 score<br />

Kašpar Rucký<br />

Ballad for female choir a cappella<br />

with soprano solo<br />

to words by František<br />

S. Procházka<br />

(Cz/Ger)<br />

H 6001 choral score<br />

The Wolf's Track<br />

(Vlčí stopa)<br />

for female choir and piano<br />

to words by Jaroslav Vrchlický<br />

(Cz/Ger)<br />

H 4515 score<br />

Martinů Bohuslav<br />

(<strong>18</strong>90–1959)<br />

Opening of the Wells<br />

(Otvírání studánek) H. 354<br />

Cantata for soprano, alto and<br />

baritone solos, reciter, female<br />

choir, 2 violins, viola and piano<br />

to words by Miloslav Bureš<br />

(Cz/Eng/Ger)<br />

H 2122 score with<br />

instrumental parts<br />

→ see more on p. 73<br />

Pololáník Zdeněk<br />

(*1935)<br />

Cantus laetitiae<br />

for children's or female choir<br />

a cappella<br />

(Lat)<br />

H 7885 choral score<br />

Smetana Bedřich<br />

(<strong>18</strong>24–<strong>18</strong>84)<br />

Female Choruses<br />

Three three-part female choruses<br />

a cappella<br />

Má hvězda, Přiletěly vlaštovičky,<br />

Za hory slunce zapadá (Cz)<br />

H 7811 choral score<br />

Male Choir<br />

Dvořák Antonín<br />

(<strong>18</strong>41–1904)<br />

Choral Songs (Sborové písně)<br />

B 66 COPY<br />

for male choir<br />

(Cz)<br />

HM 150 choral score<br />

Eben Petr<br />

(1929–2007)<br />

In honorem Caroli<br />

Cantata for male choir and<br />

orchestra to words from the<br />

Foundation Charter of Charles<br />

University (Cz/Lat/Ger)<br />

H 6615 score ♦<br />

Janáček Leoš<br />

(<strong>18</strong>54–1928)<br />

Ave Maria COPY<br />

for male choir a cappella<br />

to words by Lord Byron (Cz)<br />

Ed. J. Trojan<br />

H 6276 choral score<br />

Čarták on Soláň<br />

(Na Soláni čarták)<br />

Cantata for male choir and<br />

orchestra<br />

to words by Martin Kurt (pseudonym<br />

of Maxmilián Kunert)<br />

(Cz/Ger/Eng)<br />

Eds. J. Hanuš, M. Štědroň<br />

LJCE B/3<br />

BA 6844• cloth bound score ♦<br />

H 6450 score (practical<br />

edition) ♦<br />

H 2576-90 vocal score<br />

(Břetislav Bakala)<br />

66 67

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