SPA314_Czech Music_2017-18_web_new
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PIANO / KEYBOARD<br />
PIANO / KEYBOARD<br />
Repertoire Works<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
From the Bohemian Forest<br />
(Ze Šumavy) Op. 68<br />
Cycle of six characteristic pieces<br />
Ed. A. Čubr<br />
BA 9565<br />
In the Spinning-room<br />
(Na přástkách), By the Black<br />
Lake (U Černého jezera),<br />
Walpurg's Night (Noc filipojakubská),<br />
In the Wait<br />
(Na čekání), Silent Woods<br />
(Klid), From Troublous Times<br />
(Z bouřlivých dob)<br />
In the third cycle for piano<br />
four hands, following Slavonic<br />
Dances and Legends, Dvořák<br />
drew his inspiration from the<br />
countryside that he enjoyed<br />
visiting in his free time.<br />
● Popular piano miniatures,<br />
which can be played also<br />
individually and are ideal<br />
as encore pieces<br />
● New preface by Hans-<br />
Joachim Hinrichsen and<br />
Ivana Rentsch (Ger/Eng/Cz)<br />
● Primo and Secondo parts<br />
printed on facing pages<br />
NEW 2016<br />
Slavonic Dances (Slovanské<br />
tance) Op. 46 and Op. 72<br />
Ed. J. Burghauser<br />
BA 9547 Op. 46 / Series I<br />
BA 9548 Op. 72 / Series II<br />
● Unique masterpieces of<br />
European music for domestic<br />
use and concert performance<br />
● New preface by Hans-Joachim<br />
Hinrichsen and Ivana Rentsch<br />
(Ger/Eng/Cz)<br />
● Newly engraved with Primo<br />
and Secondo parts printed on<br />
facing pages<br />
2<br />
10<br />
<br />
<br />
<br />
Fibich Zdeněk<br />
(<strong>18</strong>50–1900)<br />
Sonata in B-flat maj for Piano<br />
Four Hands Op. 28<br />
COPY<br />
Eds. A. Pokorný, K. Šolc<br />
H 3879<br />
Hurník Ilja<br />
(1922–2013)<br />
Innocenza<br />
Rev. by J. Němcová, V. Němec<br />
H 7717<br />
Hurník Lukáš<br />
(*1967)<br />
Hot-Suite<br />
Rev. by J. Němcová, V. Němec<br />
H 7638<br />
Janáček Leoš<br />
(<strong>18</strong>54–1928)<br />
Sinfonietta<br />
H 7741 piano reduction<br />
for four hands<br />
(František Jílek)<br />
Kabeláč Miloslav<br />
(1908–1979)<br />
Small Suite (Malá suita) Op. 42<br />
COPY<br />
H 3598<br />
From: Antonín Dvořák, Slavonic Dance No. 1 (furiant) from the Slavonic<br />
Dances Op. 46 four hands • BA 9547<br />
Presto<br />
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Presto<br />
3 <br />
4 <br />
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3<br />
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4 <br />
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ff<br />
2<br />
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ff<br />
SECONDO<br />
1<br />
[ fz]<br />
Antonín Dvořák, Antonín op. 46 Dvořák, op. 46<br />
3<br />
4 <br />
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3<br />
4 <br />
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10<br />
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SECONDO<br />
1<br />
[ fz]<br />
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<br />
Smetana Bedřich<br />
(<strong>18</strong>24–<strong>18</strong>84)<br />
Vltava (The Moldau)<br />
Symphonic poem from the cycle<br />
My Country (Má vlast) in the<br />
original version for piano duet<br />
Urtext / Ed. H. Macdonald<br />
Preface by O. Mojžíšová<br />
BA 9549<br />
● Informative preface<br />
including a contribution<br />
by Smetana scholar Olga<br />
Mojžíšová (Cz/Eng/Ger)<br />
● Primo and Secondo parts<br />
printed on facing pages<br />
(score and orchestral parts – see<br />
section ORCHESTRA)<br />
Voříšek Jan Václav Hugo<br />
(1791–<strong>18</strong>25)<br />
Symphony in D maj<br />
H 7323<br />
piano reduction<br />
for four hands<br />
(Karel Šolc)<br />
(score and orchestral parts – see<br />
section ORCHESTRA)<br />
Piano Concertos<br />
Bořkovec Pavel<br />
(<strong>18</strong>94–1972)<br />
Concerto No. 1 for Piano and<br />
Small Orchestra<br />
H 4985 study score ♦<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Concerto in G min for Piano and<br />
Orchestra Op. 33 COPY<br />
With two solo parts (scored in<br />
parallel) – the original by the<br />
composer and an arrangement<br />
by V. Kurz<br />
ADCE III/10<br />
H 1780 piano reduction ♦<br />
(Karel Šolc)<br />
(will be replaced by<br />
BA 10420-90)<br />
Concerto in G min<br />
for Piano and Orchestra Op. 33<br />
Urtext / Ed. R. van Steijn<br />
BA 10420 score<br />
BA 10420-90 piano reduction ♦<br />
(Antonín Dvořák)<br />
(will replace H 1780)<br />
In preparation<br />
Dvořak's Piano Concerto in<br />
G minor Op. 33 (<strong>18</strong>76) acquired<br />
a reputation as a thankless,<br />
pianistically difficult and<br />
ineffective work and has<br />
therefore led a wallflower<br />
existence in the shadow of his<br />
Violin and Cello Concertos. Today,<br />
it is considered inadvisable to<br />
‘remedy’ Dvořak’s music in any<br />
way, and we prefer to return<br />
unconditionally to the authentic<br />
text, avoiding all adjustments<br />
and ‘improvements’.<br />
This <strong>new</strong> edition proceeds from<br />
the autograph score and the<br />
complete printed edition issued<br />
by Hainauer of Breslau in <strong>18</strong>83. It<br />
also includes an edition of the<br />
composer’s original piano<br />
reduction, with a second piano<br />
taking the place of the orchestra.<br />
Fišer Luboš<br />
(1935–1999)<br />
Concerto da camera<br />
for piano and chamber<br />
orchestra<br />
H 5422 score ♦<br />
Janáček Leoš<br />
(<strong>18</strong>54–1928)<br />
Capriccio for Piano Left Hand<br />
and Wind Ensemble<br />
flute / piccolo, 2 trumpets, 3<br />
trombones, tenor tuba ossia<br />
French horn<br />
Eds. L. Faltus, J. Procházková<br />
<br />
<br />
<br />
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<br />
Legends (Legendy) Op. 59<br />
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<br />
<br />
<br />
<br />
Eds. F. Bartoš, A. Pokorný, K. Šolc<br />
<strong>18</strong> 1. 2.<br />
ADCE V/6<br />
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<strong>18</strong><br />
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1.<br />
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2.<br />
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<strong>18</strong><br />
1.<br />
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H <strong>18</strong>01<br />
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p pp p<br />
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<strong>18</strong><br />
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1.<br />
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p<br />
[ ]<br />
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p pp p<br />
pp<br />
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p<br />
[ ] pp<br />
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♦ Performance material<br />
available on hire<br />
12<br />
28<br />
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28<br />
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[<br />
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26 2.<br />
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pp ]<br />
[ poco a poco cresc.<br />
[ p ]<br />
[ pp ] poco fz a cresc. fz<br />
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26 2.<br />
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pp ]<br />
poco a poco cresc.<br />
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[<br />
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pp ] poco fz a<br />
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poco cresc. fz<br />
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13<br />
10<br />
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3<br />
4 <br />
ff<br />
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1 1<br />
Antonín Dvořák, op. 46<br />
<br />
Presto <br />
Presto<br />
<br />
<br />
3<br />
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<br />
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4 <br />
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3<br />
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4 <br />
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3<br />
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4 <br />
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PRIMO PRIMO 3<br />
3<br />
10 <br />
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fz<br />
fz<br />
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<br />
ff<br />
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<br />
NEW 20<strong>18</strong><br />
Antonín Dvořák, op. 46<br />
<br />
LJCE E/5<br />
BA 6856•<br />
cloth bound score<br />
with parts<br />
Urtext / Eds. L. Faltus,<br />
J. Procházková<br />
Preface by J. Procházková<br />
BA 9535<br />
score and parts in<br />
slipcover<br />
The Capriccio was written in<br />
the autumn of 1926 at the suggestion<br />
of the pianist Otakar<br />
Hollmann, an invalid from the<br />
First World War. Like his contemporary<br />
Paul Wittgenstein,<br />
Hollmann urged composers to<br />
write something for piano left<br />
hand; he succeeded in persuading<br />
Bohuslav Martinů, Erwin<br />
Schulhoff and Janáček to do<br />
this. Janáček did not want, as<br />
he put it, to compose a “dance<br />
for one leg”, but finally wrote<br />
a four-movement work with<br />
associations to military music.