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PIANO / KEYBOARD<br />

PIANO / KEYBOARD<br />

Repertoire Works<br />

Dvořák Antonín<br />

(<strong>18</strong>41–1904)<br />

From the Bohemian Forest<br />

(Ze Šumavy) Op. 68<br />

Cycle of six characteristic pieces<br />

Ed. A. Čubr<br />

BA 9565<br />

In the Spinning-room<br />

(Na přástkách), By the Black<br />

Lake (U Černého jezera),<br />

Walpurg's Night (Noc filipojakubská),<br />

In the Wait<br />

(Na čekání), Silent Woods<br />

(Klid), From Troublous Times<br />

(Z bouřlivých dob)<br />

In the third cycle for piano<br />

four hands, following Slavonic<br />

Dances and Legends, Dvořák<br />

drew his inspiration from the<br />

countryside that he enjoyed<br />

visiting in his free time.<br />

● Popular piano miniatures,<br />

which can be played also<br />

individually and are ideal<br />

as encore pieces<br />

● New preface by Hans-<br />

Joachim Hinrichsen and<br />

Ivana Rentsch (Ger/Eng/Cz)<br />

● Primo and Secondo parts<br />

printed on facing pages<br />

NEW 2016<br />

Slavonic Dances (Slovanské<br />

tance) Op. 46 and Op. 72<br />

Ed. J. Burghauser<br />

BA 9547 Op. 46 / Series I<br />

BA 9548 Op. 72 / Series II<br />

● Unique masterpieces of<br />

European music for domestic<br />

use and concert performance<br />

● New preface by Hans-Joachim<br />

Hinrichsen and Ivana Rentsch<br />

(Ger/Eng/Cz)<br />

● Newly engraved with Primo<br />

and Secondo parts printed on<br />

facing pages<br />

2<br />

10<br />

<br />

<br />

<br />

Fibich Zdeněk<br />

(<strong>18</strong>50–1900)<br />

Sonata in B-flat maj for Piano<br />

Four Hands Op. 28<br />

COPY<br />

Eds. A. Pokorný, K. Šolc<br />

H 3879<br />

Hurník Ilja<br />

(1922–2013)<br />

Innocenza<br />

Rev. by J. Němcová, V. Němec<br />

H 7717<br />

Hurník Lukáš<br />

(*1967)<br />

Hot-Suite<br />

Rev. by J. Němcová, V. Němec<br />

H 7638<br />

Janáček Leoš<br />

(<strong>18</strong>54–1928)<br />

Sinfonietta<br />

H 7741 piano reduction<br />

for four hands<br />

(František Jílek)<br />

Kabeláč Miloslav<br />

(1908–1979)<br />

Small Suite (Malá suita) Op. 42<br />

COPY<br />

H 3598<br />

From: Antonín Dvořák, Slavonic Dance No. 1 (furiant) from the Slavonic<br />

Dances Op. 46 four hands • BA 9547<br />

Presto<br />

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Presto<br />

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2<br />

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ff<br />

SECONDO<br />

1<br />

[ fz]<br />

Antonín Dvořák, Antonín op. 46 Dvořák, op. 46<br />

3<br />

4 <br />

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3<br />

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SECONDO<br />

1<br />

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Smetana Bedřich<br />

(<strong>18</strong>24–<strong>18</strong>84)<br />

Vltava (The Moldau)<br />

Symphonic poem from the cycle<br />

My Country (Má vlast) in the<br />

original version for piano duet<br />

Urtext / Ed. H. Macdonald<br />

Preface by O. Mojžíšová<br />

BA 9549<br />

● Informative preface<br />

including a contribution<br />

by Smetana scholar Olga<br />

Mojžíšová (Cz/Eng/Ger)<br />

● Primo and Secondo parts<br />

printed on facing pages<br />

(score and orchestral parts – see<br />

section ORCHESTRA)<br />

Voříšek Jan Václav Hugo<br />

(1791–<strong>18</strong>25)<br />

Symphony in D maj<br />

H 7323<br />

piano reduction<br />

for four hands<br />

(Karel Šolc)<br />

(score and orchestral parts – see<br />

section ORCHESTRA)<br />

Piano Concertos<br />

Bořkovec Pavel<br />

(<strong>18</strong>94–1972)<br />

Concerto No. 1 for Piano and<br />

Small Orchestra<br />

H 4985 study score ♦<br />

Dvořák Antonín<br />

(<strong>18</strong>41–1904)<br />

Concerto in G min for Piano and<br />

Orchestra Op. 33 COPY<br />

With two solo parts (scored in<br />

parallel) – the original by the<br />

composer and an arrangement<br />

by V. Kurz<br />

ADCE III/10<br />

H 1780 piano reduction ♦<br />

(Karel Šolc)<br />

(will be replaced by<br />

BA 10420-90)<br />

Concerto in G min<br />

for Piano and Orchestra Op. 33<br />

Urtext / Ed. R. van Steijn<br />

BA 10420 score<br />

BA 10420-90 piano reduction ♦<br />

(Antonín Dvořák)<br />

(will replace H 1780)<br />

In preparation<br />

Dvořak's Piano Concerto in<br />

G minor Op. 33 (<strong>18</strong>76) acquired<br />

a reputation as a thankless,<br />

pianistically difficult and<br />

ineffective work and has<br />

therefore led a wallflower<br />

existence in the shadow of his<br />

Violin and Cello Concertos. Today,<br />

it is considered inadvisable to<br />

‘remedy’ Dvořak’s music in any<br />

way, and we prefer to return<br />

unconditionally to the authentic<br />

text, avoiding all adjustments<br />

and ‘improvements’.<br />

This <strong>new</strong> edition proceeds from<br />

the autograph score and the<br />

complete printed edition issued<br />

by Hainauer of Breslau in <strong>18</strong>83. It<br />

also includes an edition of the<br />

composer’s original piano<br />

reduction, with a second piano<br />

taking the place of the orchestra.<br />

Fišer Luboš<br />

(1935–1999)<br />

Concerto da camera<br />

for piano and chamber<br />

orchestra<br />

H 5422 score ♦<br />

Janáček Leoš<br />

(<strong>18</strong>54–1928)<br />

Capriccio for Piano Left Hand<br />

and Wind Ensemble<br />

flute / piccolo, 2 trumpets, 3<br />

trombones, tenor tuba ossia<br />

French horn<br />

Eds. L. Faltus, J. Procházková<br />

<br />

<br />

<br />

<br />

<br />

<br />

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<br />

<br />

<br />

Legends (Legendy) Op. 59<br />

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<br />

<br />

Eds. F. Bartoš, A. Pokorný, K. Šolc<br />

<strong>18</strong> 1. 2.<br />

ADCE V/6<br />

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<strong>18</strong><br />

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1.<br />

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2.<br />

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<strong>18</strong><br />

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H <strong>18</strong>01<br />

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p pp p<br />

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<strong>18</strong><br />

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p<br />

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♦ Performance material<br />

available on hire<br />

12<br />

28<br />

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pp ]<br />

[ poco a poco cresc.<br />

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[ pp ] poco fz a cresc. fz<br />

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poco a poco cresc.<br />

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pp ] poco fz a<br />

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13<br />

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3<br />

4 <br />

ff<br />

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1 1<br />

Antonín Dvořák, op. 46<br />

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Presto <br />

Presto<br />

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3<br />

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4 <br />

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PRIMO PRIMO 3<br />

3<br />

10 <br />

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fz<br />

fz<br />

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ff<br />

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<br />

NEW 20<strong>18</strong><br />

Antonín Dvořák, op. 46<br />

<br />

LJCE E/5<br />

BA 6856•<br />

cloth bound score<br />

with parts<br />

Urtext / Eds. L. Faltus,<br />

J. Procházková<br />

Preface by J. Procházková<br />

BA 9535<br />

score and parts in<br />

slipcover<br />

The Capriccio was written in<br />

the autumn of 1926 at the suggestion<br />

of the pianist Otakar<br />

Hollmann, an invalid from the<br />

First World War. Like his contemporary<br />

Paul Wittgenstein,<br />

Hollmann urged composers to<br />

write something for piano left<br />

hand; he succeeded in persuading<br />

Bohuslav Martinů, Erwin<br />

Schulhoff and Janáček to do<br />

this. Janáček did not want, as<br />

he put it, to compose a “dance<br />

for one leg”, but finally wrote<br />

a four-movement work with<br />

associations to military music.

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