SPA314_Czech Music_2017-18_web_new
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VIOLA / VIOLONCELLO<br />
VIOLONCELLO<br />
Martinů Bohuslav<br />
(<strong>18</strong>90–1959)<br />
NEW 20<strong>18</strong><br />
Rhapsody-Concerto for Viola and<br />
Orchestra H. 337<br />
Eds. S. Bergmannová, J. Franková,<br />
P. Silverthorne<br />
BMCE III/1, 7 (in one volume with<br />
Concerto da camera H. 285)<br />
BA 10578-01 cloth bound score<br />
In preparation<br />
Vaňhal Jan Křtitel<br />
(1739–<strong>18</strong>13)<br />
NEW 2016<br />
Concerto in C maj for Viola<br />
and Orchestra<br />
Viola part rev. by J. Plichta<br />
BA 11531-90 piano reduction ♦<br />
(replaces H 3586) (Vilém Blažek)<br />
The Bohemian composer Jan<br />
Křtitel Vaňhal/Johann Baptist<br />
Vanhal (1739–<strong>18</strong>13) settled in<br />
Vienna around 1763. There<br />
he wrote several concertos<br />
for various instruments, of<br />
which two for viola have<br />
survived. Both are evidently<br />
not original compositions, but<br />
arrangements of Vaňhal's own<br />
works by his contemporaries.<br />
The Viola Concerto in C major is<br />
based on Vaňhal's cello concerto<br />
in the same key.<br />
● Popular repertoire piece from<br />
the Viennese Classical period<br />
available once again<br />
● Solo part with cadenzas for<br />
each movement<br />
● New preface by Phillip<br />
Schmidt (Ger/Cz/Eng)<br />
Violoncello Solo<br />
Educational Works<br />
Ševčík Otakar<br />
(<strong>18</strong>52–1934)<br />
NEW 20<strong>18</strong><br />
School of Bowing Technique<br />
for Violoncello Op. 2<br />
originally for violin, now<br />
in transcription for violoncello<br />
Ed. T. Jamník<br />
BA 11547 Book 1<br />
BA 11548 Book 2<br />
BA 11549 Book 3<br />
In preparation<br />
Repertoire Works<br />
Kukal Ondřej<br />
(*1964)<br />
Violoncelliana – 2nd Rhapsody<br />
for Solo Violoncello Op. 32<br />
Prague Spring IMC Commission<br />
(2012)<br />
H 8021<br />
Tichý Vladimír<br />
(*1946)<br />
Exclamation<br />
Prague Spring IMC Commission<br />
(2006)<br />
H 7949<br />
Violoncello and Piano<br />
Repertoire Works<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Cello Compositions<br />
Slavonic Dances Op. 46 Nos. 3, 8,<br />
Polonaise in A maj B 94<br />
Ed. J. Burghauser<br />
Cello part rev. by J. Chuchro<br />
ADCE IV/3<br />
H 5305 score with part<br />
Polonaise in A maj Op. post.<br />
(B 94)<br />
Ed. K. Storck<br />
BA 6965• score with part<br />
Rondo in G min Op. 94<br />
ADCE IV/3<br />
H 1487 score with part<br />
Silent Woods (Klid) Op. 68 No. 5<br />
Ed. A. Čubr<br />
ADCE IV/3<br />
H 1532 score with part<br />
NEW <strong>2017</strong><br />
Slavonic Dances Op. 46<br />
for violoncello and piano<br />
Arr. by J. Gemrot<br />
BA 9568 score with part<br />
In <strong>18</strong>91 Dvořák arranged the<br />
final, eighth dance of his<br />
popular first set of the Slavonic<br />
Dances Op. 46 for violoncello<br />
and piano. The <strong>Czech</strong> composer<br />
Jiří Gemrot (b. 1957) has<br />
followed his example and<br />
has arranged the remaining<br />
dances for the same scoring.<br />
However in order to approach<br />
Dvořák's ideal sound Gemrot<br />
based his arrangements on the<br />
composer's orchestral score.<br />
Dvořák's own arrangement of<br />
Slavonic Dance No. 8 has been<br />
taken from the ADCE IV/3 (see<br />
Cello Compositions H 5305).<br />
● First complete edition of the<br />
first set of Slavonic Dances<br />
arranged for violoncello and<br />
piano by Jiří Gemrot<br />
● A welcome addition to the<br />
violoncello repertoire<br />
● Includes Dvořák's own<br />
arrangement of Dance No. 8<br />
● With fingering and bowing<br />
by Tomáš Jamník<br />
● Preface by Eva Velická<br />
(Cz/Eng/Ger)<br />
From:<br />
•<br />
Bärenreiter-Verlag Kassel production<br />
27Antonín Dvořák, arr. by Jiří Gemrot, Slavonic Dances Op. 46 for<br />
<br />
violoncello <br />
<br />
<br />
and piano • BA <br />
9568<br />
<br />
<br />
<br />
<br />
p molto espress.<br />
Eben Petr<br />
Kabeláč Miloslav<br />
<br />
<br />
<br />
(1929–2007)<br />
(1908–1979)<br />
Suita balladica<br />
Sonata Op. 9<br />
H <br />
<br />
<br />
<br />
p dolce<br />
p molto espress.<br />
<br />
<br />
<br />
<br />
<br />
2156 score with<br />
<br />
<br />
part<br />
<br />
<br />
<br />
<br />
Ed. Z. Nouza † <br />
<br />
<br />
Cello part rev. by D. Veis<br />
Fišer Luboš<br />
MKCE IV/3<br />
(1935–1999)<br />
H 7793 score with part<br />
Sonata COPY<br />
H 7778 score with part<br />
Janáček Leoš<br />
(<strong>18</strong>54–1928)<br />
Works for Violoncello<br />
and Piano<br />
A Tale (Pohádka), Presto<br />
Urtext / Eds. J. Fukač, B. Havlík,<br />
J. Zahrádka<br />
Preface by J. Zahrádka<br />
(Cz/Eng/Ger)<br />
BA 9509 score with part<br />
● With the four-movement<br />
version of A Tale<br />
♦ Performance material<br />
available on hire<br />
Kaprálová Vítězslava<br />
(1915–1940)<br />
Ritornel Op. 25<br />
Eds. M. Štědroň, L. Faltus<br />
H 7827 score with part<br />
Kopelent Marek<br />
(*1932)<br />
Karrak<br />
Cello part rev. by J. Bárta<br />
H 7725 score (facsimile)<br />
with part<br />
Martinů Bohuslav<br />
(<strong>18</strong>90–1959)<br />
Sonata No. 3 H. 340<br />
Ed. A. Březina,<br />
Cello part rev. by M. Sedlák<br />
H 7893 score with part<br />
Variations on a Slovakian Theme<br />
H. 378<br />
BA 3969• score with part<br />
Cello Concertos<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Concerto in A maj for Violoncello<br />
and Orchestra B 10 COPY<br />
Eds. J. Burghauser, K. Šolc<br />
Cello part rev. by M. Sádlo<br />
ADCE VII/2<br />
H 5674 piano reduction by<br />
the composer ♦<br />
Concerto in B min for<br />
Violoncello and Orchestra<br />
Op. 104<br />
Urtext / Ed. J. Del Mar<br />
BA 9045• score °<br />
BA 9045-40• critical<br />
commentary<br />
(Eng)<br />
BA 9045-90• piano reduction<br />
by the composer<br />
TP 620• study score<br />
● With Dvořák's final and<br />
definitive version of the solo<br />
cello part, now published<br />
for the first time since <strong>18</strong>96<br />
● With hundreds of corrections<br />
in the solo cello part as well<br />
as the orchestral parts<br />
● With hitherto unknown<br />
details regarding the<br />
collaboration between<br />
Dvořák and Wihan<br />
● With Dvořák's original piano<br />
reduction<br />
● With Feuermann's and<br />
Casals' alternatives to<br />
a passage in the first<br />
movement<br />
24 25<br />
<br />
32<br />
<br />
<br />
Allegro vivace<br />
2 <br />
<br />
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4 <br />
<br />
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p fz fz fz fz cresc. f<br />
10<br />
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p<br />
dim.<br />
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dim.<br />
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2<br />
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4 <br />
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p<br />
cresc.<br />
p<br />
f<br />
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2<br />
4 <br />
<strong>18</strong><br />
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<br />
fz fz dim.<br />
<br />
<br />
<br />
<br />
dim. pp fz<br />
<br />
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fz<br />
<br />
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