SPA314_Czech Music_2017-18_web_new
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ORCHESTRA<br />
ORCHESTRA<br />
Suk Josef<br />
(<strong>18</strong>74–1935)<br />
Sousedská<br />
[A type of <strong>Czech</strong> folk dance]<br />
violin I–V, double bass /<br />
violoncello, cymbals, triangle,<br />
snare drum and bass drum<br />
Ed. Z. Nouza †<br />
H 7954 score and parts<br />
Šesták Zdeněk<br />
(*1925)<br />
Concerto per orchestra d'archi<br />
violin I II, viola, violoncello,<br />
double bass<br />
H 6429 score<br />
Vodička Václav<br />
(1720–1774)<br />
Sinfonia in C<br />
violin I II, viola, violoncello,<br />
double bass, harpsichord<br />
Rev. by H. Krupka, J. Snížková<br />
H 3740 score ♦<br />
Zach Jan<br />
(1699–1773)<br />
Cinque sinfonie d'archi<br />
violin I II, viola, double bass<br />
Ed. J. Pohanka<br />
MAB I/43<br />
H 2852 score and parts<br />
Chamber Orchestra<br />
(concertos with chamber orchestra<br />
– see individual instruments)<br />
Benda Jiří Antonín<br />
(1722–1795)<br />
Sinfonie I–III<br />
in D maj, in G maj, in C maj<br />
flute, oboe, French horn I II, violin<br />
I II, viola, violoncello, double bass,<br />
harpsichord<br />
Ed. J. Pohanka<br />
MAB I/58<br />
H 3555 score and parts<br />
Sinfonie IV–VI<br />
in F maj, in G maj, in E-flat maj<br />
flute I II, oboe I II, French horn<br />
I II, violin solo, violin I II, viola,<br />
violoncello, double bass,<br />
harpsichord<br />
Ed. J. Pohanka<br />
MAB I/62<br />
H 3789 score and parts<br />
♦ Performance material<br />
available on hire<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
NEW 2016<br />
Serenade Op. 44<br />
for Wind Instruments,<br />
Violoncello and Double Bass<br />
Urtext / Ed. R. Tait<br />
BA 10424 score<br />
(replaces H 1928)<br />
BA 10424-22 set of parts<br />
in slipcover<br />
In <strong>18</strong>78 Dvořák visited Vienna<br />
and was so impressed by a<br />
performance of Mozart's Wind<br />
Serenade in B-flat major K. 361<br />
that he wrote his own wind<br />
serenade within the space of two<br />
weeks after his return. Taking<br />
Mozart's piece as his model, he<br />
supplemented the wind bound<br />
Moderato quasi Marcia<br />
Antonín Dvořák, op. 44<br />
a2<br />
<br />
Oboe I, II c<br />
<br />
<br />
<br />
<br />
f<br />
Clarinetto I, II c<br />
in Sib/B <br />
<br />
<br />
<br />
<br />
<br />
<br />
f<br />
<br />
a2<br />
<br />
<br />
[ ]<br />
[<br />
Fagotto I, II c<br />
]<br />
<br />
<br />
[<br />
<br />
f<br />
<br />
<br />
<br />
<br />
]<br />
Contraffagotto [ <br />
]<br />
c<br />
(ad libitum) <br />
<br />
<br />
f<br />
<br />
<br />
<br />
<br />
Corno I, II c<br />
in Fa/F <br />
<br />
<br />
<br />
f<br />
<br />
Corno III c<br />
in Sib/B basso <br />
<br />
<br />
<br />
f<br />
[ <br />
]<br />
Violoncello c <br />
<br />
<br />
f<br />
[ <br />
]<br />
Contrabbasso c<br />
<br />
<br />
[<br />
6 a2<br />
a2<br />
<br />
]<br />
<br />
<br />
Ob I, II <br />
<br />
<br />
<br />
p<br />
Clar I, II<br />
in Sib/B [ ]<br />
<br />
<br />
p<br />
]<br />
[<br />
]<br />
Fag I, II <br />
[ <br />
<br />
<br />
<br />
[ ] [ <br />
<br />
]<br />
<br />
p<br />
]<br />
<br />
[ <br />
Cfag <br />
<br />
Cor I, II <br />
in Fa/F <br />
[ <br />
]<br />
<br />
p<br />
[ ]<br />
<br />
Cor III <br />
in Sib/B basso <br />
<br />
p<br />
]<br />
[ <br />
Vc <br />
<br />
p<br />
]<br />
[ <br />
Cb <br />
<br />
BA 10424<br />
f<br />
Herrn Louis Ehlert zugeeignet<br />
Serenade<br />
I<br />
with a bass part for violoncello<br />
and double bass.<br />
The Serenade Op. 44, which also<br />
delighted Johannes Brahms, was<br />
issued by Dvořák's publisher<br />
Simrock shortly after its<br />
premiere. Our <strong>new</strong> Urtext edition<br />
draws on this first print while<br />
using the autograph to correct<br />
a number of mistakes and<br />
above all inconsistencies in<br />
articulation.<br />
● First Urtext edition of Dvořák's<br />
popular wind serenade<br />
● Detailed preface by Dvořák<br />
expert David R. Beveridge<br />
(Eng/Cz/Ger)<br />
● Critical commentary by the<br />
editor (Eng)<br />
p<br />
© 2016 by Bärenreiter Praha<br />
Eben Petr<br />
(1929–2007)<br />
Concertino pastorale<br />
for three solo instruments (flute,<br />
oboe, clarinet / violin) and string<br />
orchestra (violin I II III, viola,<br />
violoncello, double bass)<br />
H 7877 score<br />
H 7877-22 parts COPY<br />
Fils Antonín<br />
(1733–1760)<br />
Sei sinfonie per orchestra<br />
2 flutes, 2 French horns, violin I II,<br />
viola, double bass<br />
Ed. J. Pohanka<br />
MAB I/44<br />
H 2958 score ♦<br />
Koželuh Leopold<br />
(1747–<strong>18</strong><strong>18</strong>)<br />
Tre sinfonie<br />
in D maj, in F maj, in G min<br />
2 oboes, 2 bassoons, 2 French<br />
horns, strings<br />
Ed. M. Poštolka<br />
MAB I/72<br />
H 4585 score ♦<br />
Martinů Bohuslav<br />
(<strong>18</strong>90–1959)<br />
Divertimento (Serenade No. 4)<br />
H. 215<br />
violin solo, viola solo, 2 oboes,<br />
piano, strings<br />
H 1503 parts<br />
H 366 study score COPY<br />
(also available on hire)<br />
Rejcha Antonín<br />
(1770–<strong>18</strong>36)<br />
Symphony in E-flat maj Op. 41<br />
flute, 2 oboes, 2 bassoons, 2<br />
French horns, timpani, strings<br />
Ed. V. Bělský<br />
MAB I/76<br />
H 5270 score ♦<br />
Tomášek Václav Jan<br />
(1774–<strong>18</strong>50)<br />
Symphony in D maj Op. 30<br />
flute, 2 oboes, 2 clarinets, 2<br />
bassoons, 2 French horns,<br />
timpani, strings<br />
Ed. Š. Jedličková<br />
H 7568 score ♦<br />
°<br />
Performance material available<br />
on sale<br />
Vejvanovský Pavel Josef<br />
(1640–1693)<br />
Composizioni per orchestra<br />
Ed. J. Pohanka<br />
MAB 1/47–49<br />
H 3079 Vol. 1 score ♦<br />
H 3171 Vol. 2 score ♦<br />
H 3230 Vol. 3 score ♦<br />
Serenate e sonate per orchestra<br />
for 2 clarinas, strings and basso<br />
continuo<br />
Ed. J. Pohanka<br />
MAB I/36<br />
H 2334 score ♦<br />
Zelenka Jan Dismas<br />
(1679–1745)<br />
Composizioni per orchestra I<br />
Sinfonia, Hipocondrie,<br />
Capriccio I–V<br />
Eds. C. Schoenbaum, O. Pulkert<br />
MAB I/61<br />
H 3788 score ♦<br />
Symphony orchestra<br />
(concertos with symphony<br />
orchestra – see individual<br />
instruments)<br />
Blatný Pavel<br />
(*1931)<br />
Bells (Zvony)<br />
H 7311 study score ♦<br />
In modo classico<br />
Variations for string quartet and<br />
jazz orchestra<br />
H 6614 study score ♦<br />
Bořkovec Pavel<br />
(<strong>18</strong>94–1972)<br />
The Pied Piper (Krysař)<br />
Ballet in two scenes based on an<br />
old Saxon story<br />
(Cz/Ger)<br />
H 1648 score ♦<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
<strong>Czech</strong> Suite Op. 39 COPY<br />
ADCE III/17<br />
H 519 score ♦<br />
Josef Kajetán Tyl Op. 62<br />
Incidental music to the play by<br />
František Ferdinand Šamberk<br />
ADCE I/9<br />
H 5849 score ♦<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
NEW <strong>2017</strong><br />
Slavonic Rhapsody in D maj<br />
Op. 45/1<br />
Urtext / Ed. R. Simon<br />
BA 10401 score<br />
°<br />
To appear in June <strong>2017</strong><br />
NEW 20<strong>18</strong><br />
Slavonic Rhapsody in G min<br />
Op. 45/2<br />
Urtext / Ed. R. Simon<br />
BA 10402 score<br />
°<br />
In preparation<br />
NEW 20<strong>18</strong><br />
Slavonic Rhapsody in A-flat maj<br />
Op. 45/3<br />
Urtext / Ed. R. Simon<br />
BA 10403 score<br />
°<br />
In preparation<br />
Dvořák's Slavonic Rhapsodies<br />
Op. 45 were composed in <strong>18</strong>78<br />
and issued by the publisher<br />
Simrock, Berlin the following<br />
year. These three independent<br />
orchestral works were published<br />
with the same opus number<br />
and mark the beginning of his<br />
so-called Slavonic period.<br />
The Slavonic Rhapsody op. 45/1<br />
in D major now appears in an<br />
Urtext edition. The editor has<br />
made use of the first edition,<br />
authorised by the composer, as<br />
the principal source of his <strong>new</strong><br />
scholarly-critical edition.<br />
● A work marking the beginning<br />
of Dvořák’s so-called Slavonic<br />
period<br />
● Preface (Eng/Cz/Ger) and<br />
critical commentary (Eng)<br />
by the editor<br />
52 53
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