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PIANO / KEYBOARD<br />

PIANO / KEYBOARD<br />

Smetana Bedřich<br />

(<strong>18</strong>24–<strong>18</strong>84)<br />

Piano Compositions 1<br />

Ed. J. Novotný<br />

H 7333<br />

Bagatelles et impromptus and<br />

other early piano compositions:<br />

Polkas (Betty's, Louisa's, Dahlia,<br />

Polka in E-flat maj), Duet, Impromptu<br />

I, Impromptu II, Impromptu<br />

III, Composition without name,<br />

Apparation at the Ball (Vidění<br />

na plese), From the Student Life<br />

(Ze studentského života), Souvenir<br />

of Plzeň (Vzpomínka na Plzeň)<br />

Piano Compositions 5<br />

Ed. J. Novotný<br />

H 7460<br />

Six morceaux caractéristiques<br />

Op. 1, The Curious One (Zvědavý),<br />

Forest Emotions and Impressions<br />

(Lesní city a dojmy), Waltzes,<br />

Album Leaves (Skladby psané<br />

do památníku)<br />

Piano Compositions 6<br />

Ed. J. Novotný<br />

H 7215<br />

Dreams (Rêves / Sny),<br />

Wedding Scenes (Svatební scény),<br />

Treasury of Melodies I (Poklad<br />

melodií I)<br />

Polkas<br />

Urtext with fingering /<br />

Ed. J. Novotný<br />

New preface by J. Gabrielová<br />

(Cz/Eng/Ger)<br />

BA 9506<br />

Three Drawing-Room Polkas<br />

(Tři salonní polky) Op. 7, Three<br />

Poetic Polkas (Tři poetické polky)<br />

Op. 8, Souvenir of Bohemia in the<br />

Form of Polkas (Vzpomínka na<br />

Čechy ve formě polek) Opp. 12, 13,<br />

Polkas from the <strong>18</strong>50s (Polky z let<br />

padesátých)<br />

Spring (Jaro) Op. 22a<br />

8<br />

Five pieces for piano<br />

a tempo<br />

41<br />

Rev.<br />

sempre<br />

by<br />

p<br />

K.<br />

molto<br />

Šolc<br />

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<br />

H 298<br />

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4<br />

p dim.<br />

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44<br />

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poco pp<br />

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2 2<br />

pp<br />

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Rêves (Dreams <br />

/ Sny) <br />

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<br />

<br />

<br />

Six morceaux caractéristiques<br />

poco<br />

<br />

<br />

pour le piano<br />

Urtext with fingering /<br />

Ed. J. Gabrielová <br />

48<br />

<br />

BA 9529<br />

<br />

<br />

<br />

Things Lived and Dreamt<br />

The six pieces<br />

<br />

<br />

*)<br />

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<br />

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<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

of “Rêves” were<br />

(Životem a snem) Op. 30<br />

pp leggiero<br />

written in <strong>18</strong>75, when Smetana Ten Pieces for Piano<br />

had already<br />

<br />

lost his hearing.<br />

Urtext / Ed. J. Gabrielová<br />

This significant <br />

work <br />

by the<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

BA 9561<br />

<br />

<br />

composer was not included<br />

in the Complete Edition of<br />

The cycle Things Lived and<br />

Works for Piano. This <strong>new</strong><br />

edition is based on the first<br />

Dreamt (Životem a snem)<br />

poco sostenuto<br />

printed edition of <strong>18</strong>79 by<br />

has been called <br />

the “diary<br />

51<br />

Emanuel Starý. <br />

<br />

of an artist”. Although Suk's<br />

<br />

musical language never<br />

● First critical<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

edition<br />

dim.<br />

pp<br />

exceeds the bounds of tonality,<br />

● Preface (Cz/Eng/Ger) <br />

and<br />

his wealth of resources, the<br />

<br />

critical commentary <br />

<br />

<br />

<br />

<br />

(Eng) <br />

flexible harmony, chords of<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

by the editor<br />

stacked thirds and <br />

meticulous <br />

<br />

<br />

*) See Critical Report.<br />

performance instructions were<br />

<strong>new</strong> to the Bohemia of his day.<br />

● With the historical fingering<br />

by Smetana's contemporary,<br />

Jindřich Kàan z Albestů<br />

Suk Josef<br />

(<strong>18</strong>74–1935)<br />

Lullabies (Ukolébavky) Op. 33<br />

Rev. by K. Šolc<br />

H 4154<br />

Piano Compositions Op. 7<br />

Rev. by K. Šolc<br />

H 5766<br />

Love Song (Píseň lásky),<br />

Humoresque, Recollections<br />

(Vzpomínky), Idylls (Idylky),<br />

Dumka, Capriccietto<br />

Radúz and Mahulena Op. 13<br />

<strong>Music</strong> to a Slovak fairy tale in<br />

4 acts by Julius Zeyer<br />

H <strong>18</strong>79<br />

piano reductin<br />

(Roman Veselý)<br />

The autograph contains many<br />

cuts, overwritings and barely<br />

decipherable passages, yet it is<br />

carefully prepared and largely<br />

identical to the first edition of<br />

1909. This first scholarly-critical<br />

edition takes all source variants<br />

into account for the first time.<br />

● Magnum opus of Suk's piano<br />

music<br />

● First ever scholarly-critical<br />

edition<br />

● Preface (Cz/Eng/Ger) and<br />

critical commentary (Eng)<br />

by the editor<br />

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9<br />

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17<br />

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25<br />

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9<br />

III<br />

(Tajemně a velmi vzdušně)<br />

(Mysterious and very airy)<br />

Andante sostenuto (Geheimnisvoll und sehr duftig)<br />

6<br />

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8 <br />

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pp poco<br />

Vivace<br />

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sempre dolcissimo<br />

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poco<br />

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poco<br />

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poco<br />

poco<br />

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sempre pp e dolcissimo<br />

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poco marcato ma pp poco marc.<br />

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32<br />

<br />

Tomášek Václav Jan<br />

Voříšek Jan Václav Hugo<br />

(1774–<strong>18</strong>50) <br />

<br />

From: Josef <br />

<br />

Suk,<br />

Things<br />

<br />

<br />

Lived <br />

and <br />

Dreamt <br />

Op. 30 • BA 9561 <br />

pp<br />

mf marcato il basso<br />

<br />

perdendosi pp<br />

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<br />

(1791–<strong>18</strong>25) <br />

<br />

Eclogues pour le pianoforte I<br />

COPY<br />

(Opp. 35, 39, 47, 51)<br />

Ed. A. Borková<br />

dim.<br />

Composizioni per piano solo<br />

Ed. O. Zuckerová<br />

MAB I/52<br />

H 3237<br />

MAB I/73<br />

Impromptus Op. 7<br />

H 4872<br />

Ed. V. Helfert<br />

Eclogues pour le pianoforte II<br />

COPY<br />

MAB I/1<br />

H 2<strong>18</strong>2<br />

(Opp. 63, 66, 83)<br />

XII rhapsodies pour le pianoforte<br />

Ed. A. Borková<br />

Op. 1, Vol. I (Rhapsodies I–VI)<br />

MAB I/74<br />

Ed. V. J. Sýkora<br />

H 5390<br />

MAB I/78<br />

H 6036<br />

Vaňhal Jan Křtitel<br />

(1739–<strong>18</strong>13)<br />

Twelve Sonatines<br />

(Dodici Sonatine)<br />

Rev. by V. Němec<br />

Preface by O. Zuckerová<br />

(Cz/Ger/Eng)<br />

H 7461<br />

<br />

<br />

XII rhapsodies pour le pianoforte<br />

Op. 1, Vol. II (Rhapsodies VII–XII)<br />

COPY<br />

Ed. V. J. Sýkora<br />

MAB I/79<br />

H 6114<br />

Sonata in B-flat min Op. 20<br />

Ed. O. Zuckerová<br />

MAB I/4<br />

H 7133<br />

Piano Duet<br />

(piano four hands)<br />

Pieces for Children and<br />

Youth / Educational Works<br />

Dvořák Antonín<br />

(<strong>18</strong>41–1904)<br />

Scottish Dances Op. 41<br />

piano four hands arrangement<br />

of the original piece for two<br />

hands (in piano album Dances,<br />

ADCE V/1)<br />

(Cz/Ger/Eng)<br />

H 5851<br />

Eben Petr<br />

(1929–2007)<br />

The Little Green Forest<br />

(Hájíčku zelený)<br />

Arrangements of Folk Songs<br />

(Cz/Ger/Eng)<br />

Rev. by J. Němcová, V. Němec<br />

H 6657<br />

Hradecký Emil<br />

(*1953)<br />

Jazz Pieces for Twenty Fingers<br />

(Cz/Ger/Eng)<br />

piano four hands arrangements<br />

of popular dances – Waltz,<br />

Ragtime, Samba, Tango etc.<br />

H 7975<br />

Hurník Ilja<br />

(1922–2013)<br />

Playing with Four Hands<br />

(Cz/Ger)<br />

H 6155<br />

Kopelent Marek<br />

(*1932)<br />

Two (Dva)<br />

H 6474<br />

10 11

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