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BÄRENREITER PRAHA<br />

H 5094<br />

BÄRENREITER PRAHA<br />

H 5095<br />

SOLO VOICE<br />

SOLO VOICE<br />

Eben Petr<br />

(1929–2007)<br />

Songs for a Lute (Písně k loutně)<br />

for voice and lute / guitar<br />

to words of medieval and<br />

Renaissance love poetry<br />

(in original languages)<br />

(Cz/Eng/Fr/Ger)<br />

a small pendant to the cycle Six<br />

Songs of Love, suitable for an<br />

amateur singer and guitarist in<br />

one<br />

Rev. by J. Tichota<br />

H 6300<br />

Foerster Josef Bohuslav<br />

(<strong>18</strong>59–1951)<br />

Erotikon Op. 23<br />

Four songs for high voice<br />

and piano<br />

(Cz/Ger)<br />

H 7849<br />

Hanuš Jan<br />

(1915–2004)<br />

Umbrella from Piccadilly<br />

(Deštník z Piccadilly) Op. 103<br />

Three songs for bass and large<br />

orchestra<br />

to words by Jaroslav Seifert (Cz)<br />

(with literal English and German<br />

translations of the lyrics)<br />

H 7439 study score ♦<br />

Janáček Leoš<br />

(<strong>18</strong>54–1928)<br />

Four Ballads (Čtyři balady)<br />

for medium voice and piano<br />

to words of folk poetry<br />

(Cz/Ger)<br />

Rev. by J. Trojan<br />

H 6497<br />

Moravian Folk Poetry in Songs<br />

(Moravská lidová poezie<br />

v písních)<br />

for voice and piano<br />

(Cz/Ger)<br />

H 4570<br />

Silesian Songs (Slezské písně)<br />

for low voice and piano<br />

to words from a collection of folk<br />

songs by Helena Salichová<br />

(Cz)<br />

Rev. by B. Štědroň<br />

H 1403<br />

Janáček Leoš<br />

(<strong>18</strong>54–1928)<br />

NEW 2016<br />

The Diary of One Who<br />

Disappeared (Zápisník<br />

zmizelého)<br />

for tenor, alto, three female<br />

voices and piano<br />

to words by Ozef Kalda<br />

(Cz/Eng/Ger)<br />

Urtext / Ed. J. Zahrádka<br />

BA 9575 score<br />

(replaces H 935)<br />

arrangement for chamber<br />

orchestra by M. Štědroň and<br />

M. Orson Štědroň available<br />

on hire<br />

Janáček's intimate chambermusic<br />

drama about the passionate<br />

love of a simple farm boy<br />

6<br />

<br />

Tenore<br />

<br />

Pianoforte<br />

ne - sla sa<br />

lithe as a<br />

leicht schritt sie<br />

sf<br />

<br />

<br />

Andante (q . = 76)<br />

<br />

6<br />

16<br />

<br />

Ich<br />

ja - ko laň,<br />

deer was she,<br />

wie ein Reh,<br />

mf<br />

Po - tkal sem<br />

One day I<br />

traf ei - ne<br />

°<br />

I<br />

*)<br />

for a beautiful gypsy girl is one<br />

of his great vocal masterpieces.<br />

This cycle of 22 songs for tenor<br />

(an alto and three female voices<br />

are added in three numbers)<br />

was composed on a setting of<br />

poems that were published<br />

anonymously. It was not until 80<br />

years later that their author was<br />

identified as the regional poet<br />

and writer Ozef Kalda. The cycle<br />

also contains theatrical elements,<br />

such as the alto entrance and exit<br />

cues and lighting effects.<br />

Composed in 1917–19, the Diary<br />

was premiered in Brno in 1921<br />

from a manuscript prepared<br />

by Gustav Homola. The same<br />

manuscript served as a basis for<br />

the first edition which was issued<br />

by the Brno publisher Oldřich<br />

Pazdírek in 1921 as well as for this<br />

current first Urtext edition.<br />

● First Urtext edition<br />

● Detailed preface (Cz/Eng/Ger)<br />

with <strong>new</strong> information on the<br />

genesis of the work and critical<br />

commentary (Eng) by the editor<br />

● Numbers IX to XI which include<br />

the alto and three female voices<br />

behind the scene also available<br />

online in a PDF form on our<br />

<strong>web</strong>site for download<br />

accel.<br />

mla - dou<br />

met a<br />

jun - ge Zi<br />

ci - gán - ku,<br />

Gyp - sy girl,<br />

- geu - ne - rin,<br />

6<br />

16 <br />

pp<br />

2 2 2 2 2 2<br />

6<br />

16 <br />

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4 4 4<br />

přes<br />

black<br />

schwarz<br />

pr<br />

hair<br />

auf<br />

Leoš Janáček<br />

sf<br />

<br />

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2 2 2 2<br />

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sf<br />

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sa<br />

lay<br />

der<br />

cresc.<br />

2 2 2 2<br />

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<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

Kalabis Viktor<br />

(1923–2006)<br />

Five Romantic Songs about<br />

Love to Words by R. M. Rilke<br />

(Pět romantických písní o lásce<br />

na slova R. M. Rilka) Op. 38<br />

for high voice and piano<br />

(Ger/Cz)<br />

H 7841<br />

Kaprálová Vítězslava<br />

(1915–1940)<br />

Love Carol (Koleda milostná)<br />

for medium / high voice and<br />

piano (together with Love<br />

Carol by Bohuslav Martinů)<br />

(Cz/Ger)<br />

Ed. I. Popelka<br />

H 5585<br />

Kopelent Marek<br />

(*1932)<br />

Excited Song (Zjitřený zpěv)<br />

for baritone and brass quintet<br />

(2 trumpets, French horn,<br />

2 trombones)<br />

to words by Josef Hora<br />

(Cz)<br />

H 7791 score with parts<br />

Martinů Bohuslav<br />

(<strong>18</strong>90–1959)<br />

Four Songs on <strong>Czech</strong> Folk Poetry<br />

(Čtyři písně na slova české lidové<br />

poezie) H. 282 bis<br />

for voice and piano<br />

(Cz/Ger/Eng)<br />

Ed. A. Březina<br />

H 7809<br />

Love Carol (Koleda milostná)<br />

H. 259<br />

for medium / high voice and<br />

piano (together with Love Carol<br />

by Vítězslava Kaprálová)<br />

(Cz/Ger)<br />

Ed. I. Popelka<br />

H 5585<br />

New Chap-Book (Nový Špalíček)<br />

H. 288<br />

for voice and piano<br />

Eight songs on Moravian folk<br />

poetry<br />

(Cz/Ger)<br />

Ed. I. Popelka<br />

H 6132<br />

Bohuslav Martinů<br />

LIEDER AUF EINER SEITE<br />

SONGS ON ONE PAGE<br />

Canto e Piano<br />

Songs on One Page (Písničky<br />

na jednu stránku) H. 294<br />

for high voice and piano<br />

Seven songs on Moravian folk<br />

poetry<br />

(Cz/Eng)<br />

H 5094<br />

orchestral arrangement by<br />

J. Teml available on hire<br />

Bohuslav Martinů<br />

LIEDER AUF ZWEI SEITEN<br />

SONGS ON TWO PAGES<br />

Canto e Piano<br />

Songs on Two Pages (Písničky<br />

na dvě stránky) H. 302<br />

for high voice and piano<br />

Seven songs on Moravian folk<br />

poetry<br />

(Cz/Eng)<br />

H 5095<br />

Two Songs to the Text of Negro<br />

Folk Poetry (Dvě písně na texty<br />

negerské poezie) H. 232 bis<br />

for voice and piano<br />

(Cz/Ger)<br />

Ed. I. Popelka<br />

H 5988<br />

Michna Adam Václav<br />

z Otradovic<br />

(1600–1676)<br />

NEW <strong>2017</strong><br />

The <strong>Czech</strong> Lute (Loutna česká)<br />

A collection of 13 songs for two<br />

voices, two violins and basso<br />

continuo<br />

to words by the composer (Cz)<br />

Ed. P. Daněk<br />

H 8040 parts with particell<br />

in slipcover<br />

To appear in December <strong>2017</strong><br />

The <strong>Czech</strong> Lute is a 1653 collection<br />

of 13 strophic songs. Each<br />

of them is introduced by an<br />

instrumental ritornel; the cycle<br />

represents the first occurrence<br />

of ritornel songs in <strong>Czech</strong>.<br />

Until recently the notation of<br />

the instrumental ritornels was<br />

unknown because the parts of<br />

the first and second violins were<br />

lost. The discovery of the part of<br />

the first violin in January 2014<br />

by the editor of this edition was<br />

unique accomplishment that<br />

enabled the first reliable reconstruction<br />

of the work with the<br />

help of the basso continuo part,<br />

even though the notation of the<br />

second violin remains missing.<br />

The premiere CD recording of<br />

this authentic version of The<br />

<strong>Czech</strong> Lute was created by Adam<br />

Viktora and Ensemble Inégal for<br />

Nibiru in 2015.<br />

● Most famous song collection<br />

of the <strong>Czech</strong> Baroque<br />

● Reconstruction of the work<br />

based on the <strong>new</strong>ly discovered<br />

part of the first violin<br />

● First-ever edition of<br />

instrumental ritornels with<br />

the reconstructed part of the<br />

second violin and the fully<br />

notated basso continuo by<br />

Adam Viktora<br />

● Preface (Cz/Eng/Ger) and<br />

critical commentary (Eng)<br />

by the editor<br />

4 4<br />

4<br />

4<br />

♦ Performance material<br />

° °<br />

available on hire<br />

11<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

čer - né<br />

le - lí - ky a o - či bez dna zhlaň.<br />

64 on her shoul - ders, her eyes were deep as the<br />

see.<br />

65<br />

Brust die Zöp - fe, das Au - ge ein finst - rer<br />

See.

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