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CHAMBER MUSIC<br />

ORCHESTRA<br />

Hurník Ilja<br />

(1922–2013)<br />

Sonata da camera<br />

for flute, oboe / violin,<br />

violoncello, harpsichord / piano<br />

H 3002 score with parts<br />

Hurník Lukáš<br />

(*1967)<br />

Fusion <strong>Music</strong><br />

for oboe, clarinet, bassoon and<br />

piano<br />

H 7863 score with parts<br />

Janáček Leoš<br />

(<strong>18</strong>54–1928)<br />

Concertino<br />

for piano, 2 violins, viola, clarinet,<br />

French horn and bassoon<br />

H 4342 score with parts<br />

Martinů Bohuslav<br />

(<strong>18</strong>90–1959)<br />

Les Rondes H. 200<br />

for oboe, clarinet, bassoon,<br />

trumpet, 2 violins and piano<br />

H 208 study score ♦<br />

Sonata for Flute, Violin and<br />

Piano H. 254<br />

BA 3326• score with piano<br />

Suk Josef<br />

(<strong>18</strong>74–1935)<br />

Bagatelle “Carrying a Bouquet”<br />

(„S kyticí v ruce“)<br />

for flute (violin ad lib.), violin and<br />

piano<br />

H 7820 score with parts<br />

Škroup František Jan<br />

(<strong>18</strong>01–<strong>18</strong>62)<br />

Trio in E-flat maj Op. 27<br />

for piano, clarinet / violin and<br />

violoncello<br />

Urtext / Ed. M. Harlow<br />

BA 9521 score with parts<br />

● First Urtext edition<br />

● Two alternative versions and<br />

scorings of the work<br />

● Preface (Eng/Ger/Cz ) and<br />

critical commentary (Eng)<br />

by the editor<br />

The Bärenreiter film …<br />

Renowned conductor and musicologist<br />

Christopher Hogwood takes you on a<br />

journey through Bärenreiter. Come<br />

with us behind the scenes.<br />

22<br />

Viol I<br />

Viol II<br />

Va<br />

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[a tempo]<br />

1<strong>18</strong><br />

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You will be given an insight into<br />

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pizz.<br />

p<br />

the editorial and production process<br />

of an Urtext edition. The history of this<br />

129<br />

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Viol I<br />

family-owned <br />

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company is also revealed.<br />

cresc. molto<br />

… at www.baerenreiter.com<br />

Viol II<br />

dolce<br />

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dolce<br />

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cresc. molto f pp<br />

fz<br />

String Orchestra<br />

(concertos with string orchestra –<br />

see individual instruments)<br />

Dvořák Antonín<br />

(<strong>18</strong>41–1904)<br />

Va <br />

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Two versions published in<br />

cresc. f pp<br />

see section About us<br />

arco<br />

♦ Performance material<br />

two separate editions<br />

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Vc <br />

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Performance material available<br />

°<br />

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on sale 164<br />

available on hire<br />

f<br />

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arco<br />

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50 Viol I <br />

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NEW 2016<br />

Serenade in E maj for String<br />

Orchestra Op. 22<br />

Urtext / Ed. R. Tait<br />

BA 10423 score °<br />

(replaces H 971)<br />

Dvořák's Serenade in E major<br />

Op. 22 is one of his most popular<br />

and frequently played works.<br />

It was written in the spring of<br />

<strong>18</strong>75. The score and parts were<br />

published by Bote & Bock, Berlin,<br />

in <strong>18</strong>79.<br />

Viol I<br />

Viol II<br />

Va<br />

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Cb<br />

153<br />

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This Urtext edition is based on<br />

the composer's autograph score.<br />

It corrects numerous mistakes<br />

in articulation and dynamic<br />

markings that the composer<br />

himself noted into his own<br />

Bote & Bock (1st edition) copy<br />

of the work. For the first time,<br />

the editor incorporates omitted<br />

passages from the autograph,<br />

marking them with Vi-de. This<br />

reconstruction makes it possible<br />

to clarify the piece’s structure.<br />

The instructive preface by<br />

Kateřina Nová offers profound<br />

insight into the work, its<br />

manuscript history, and the<br />

mystery of Dvořák's revision of<br />

the work.<br />

● Dvořák's original concept<br />

presented for the first time<br />

● Included Vi-de passages (in<br />

both score and parts) omitted<br />

by the composer in the<br />

autograph score (see example)<br />

● Detailed preface (Cz/Eng/Ger)<br />

by Kateřina Nová, Head of the<br />

Dvořák Museum in Prague, and<br />

critical commentary (Eng) by<br />

the editor<br />

molto espressivo<br />

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molto espressivo<br />

p fz dim. p<br />

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dim. p<br />

p mf dim. p<br />

p mf p<br />

p fz p<br />

f dim. p<br />

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23<br />

Feld Jindřich<br />

(1925–2007)<br />

Sinfonietta da camera per archi<br />

violin I II, viola, violoncello,<br />

double bass<br />

H 5643 score ♦<br />

Suk Josef<br />

(<strong>18</strong>74–1935)<br />

Ella-Polka<br />

violin I II, viola, violoncello,<br />

double bass and triangle<br />

for string orchestra arr. by the<br />

composer<br />

Ed. M. Nový<br />

H 7953 score and parts<br />

Suk Josef<br />

(<strong>18</strong>74–1935)<br />

NEW 2016<br />

Meditation on the Old <strong>Czech</strong><br />

Hymn “St Wenceslas” Op. 35a<br />

for String Orchestra<br />

Urtext / Ed. Z. Nouza †<br />

BA 9584 °<br />

(Chamber version – see section<br />

String Quartet)<br />

This first Urtext edition was<br />

prepared in two scorings – one<br />

for string quartet and another<br />

for string orchestra. The<br />

orchestral arrangement differs<br />

from the quartet version in some<br />

details in connection with the<br />

added part for double bass.<br />

● First Urtext edition<br />

● Informative preface (Cz/Eng/<br />

Ger) and critical commentary<br />

(Eng) by the editor

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