SPA314_Czech Music_2017-18_web_new
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CHAMBER MUSIC<br />
ORCHESTRA<br />
Hurník Ilja<br />
(1922–2013)<br />
Sonata da camera<br />
for flute, oboe / violin,<br />
violoncello, harpsichord / piano<br />
H 3002 score with parts<br />
Hurník Lukáš<br />
(*1967)<br />
Fusion <strong>Music</strong><br />
for oboe, clarinet, bassoon and<br />
piano<br />
H 7863 score with parts<br />
Janáček Leoš<br />
(<strong>18</strong>54–1928)<br />
Concertino<br />
for piano, 2 violins, viola, clarinet,<br />
French horn and bassoon<br />
H 4342 score with parts<br />
Martinů Bohuslav<br />
(<strong>18</strong>90–1959)<br />
Les Rondes H. 200<br />
for oboe, clarinet, bassoon,<br />
trumpet, 2 violins and piano<br />
H 208 study score ♦<br />
Sonata for Flute, Violin and<br />
Piano H. 254<br />
BA 3326• score with piano<br />
Suk Josef<br />
(<strong>18</strong>74–1935)<br />
Bagatelle “Carrying a Bouquet”<br />
(„S kyticí v ruce“)<br />
for flute (violin ad lib.), violin and<br />
piano<br />
H 7820 score with parts<br />
Škroup František Jan<br />
(<strong>18</strong>01–<strong>18</strong>62)<br />
Trio in E-flat maj Op. 27<br />
for piano, clarinet / violin and<br />
violoncello<br />
Urtext / Ed. M. Harlow<br />
BA 9521 score with parts<br />
● First Urtext edition<br />
● Two alternative versions and<br />
scorings of the work<br />
● Preface (Eng/Ger/Cz ) and<br />
critical commentary (Eng)<br />
by the editor<br />
The Bärenreiter film …<br />
Renowned conductor and musicologist<br />
Christopher Hogwood takes you on a<br />
journey through Bärenreiter. Come<br />
with us behind the scenes.<br />
22<br />
Viol I<br />
Viol II<br />
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[a tempo]<br />
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You will be given an insight into<br />
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pizz.<br />
p<br />
the editorial and production process<br />
of an Urtext edition. The history of this<br />
129<br />
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Viol I<br />
family-owned <br />
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company is also revealed.<br />
cresc. molto<br />
… at www.baerenreiter.com<br />
Viol II<br />
dolce<br />
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cresc. molto f pp<br />
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String Orchestra<br />
(concertos with string orchestra –<br />
see individual instruments)<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Va <br />
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Two versions published in<br />
cresc. f pp<br />
see section About us<br />
arco<br />
♦ Performance material<br />
two separate editions<br />
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Vc <br />
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Performance material available<br />
°<br />
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on sale 164<br />
available on hire<br />
f<br />
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arco<br />
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NEW 2016<br />
Serenade in E maj for String<br />
Orchestra Op. 22<br />
Urtext / Ed. R. Tait<br />
BA 10423 score °<br />
(replaces H 971)<br />
Dvořák's Serenade in E major<br />
Op. 22 is one of his most popular<br />
and frequently played works.<br />
It was written in the spring of<br />
<strong>18</strong>75. The score and parts were<br />
published by Bote & Bock, Berlin,<br />
in <strong>18</strong>79.<br />
Viol I<br />
Viol II<br />
Va<br />
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Cb<br />
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This Urtext edition is based on<br />
the composer's autograph score.<br />
It corrects numerous mistakes<br />
in articulation and dynamic<br />
markings that the composer<br />
himself noted into his own<br />
Bote & Bock (1st edition) copy<br />
of the work. For the first time,<br />
the editor incorporates omitted<br />
passages from the autograph,<br />
marking them with Vi-de. This<br />
reconstruction makes it possible<br />
to clarify the piece’s structure.<br />
The instructive preface by<br />
Kateřina Nová offers profound<br />
insight into the work, its<br />
manuscript history, and the<br />
mystery of Dvořák's revision of<br />
the work.<br />
● Dvořák's original concept<br />
presented for the first time<br />
● Included Vi-de passages (in<br />
both score and parts) omitted<br />
by the composer in the<br />
autograph score (see example)<br />
● Detailed preface (Cz/Eng/Ger)<br />
by Kateřina Nová, Head of the<br />
Dvořák Museum in Prague, and<br />
critical commentary (Eng) by<br />
the editor<br />
molto espressivo<br />
p fz dim. p<br />
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molto espressivo<br />
p fz dim. p<br />
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dim. p<br />
p mf dim. p<br />
p mf p<br />
p fz p<br />
f dim. p<br />
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23<br />
Feld Jindřich<br />
(1925–2007)<br />
Sinfonietta da camera per archi<br />
violin I II, viola, violoncello,<br />
double bass<br />
H 5643 score ♦<br />
Suk Josef<br />
(<strong>18</strong>74–1935)<br />
Ella-Polka<br />
violin I II, viola, violoncello,<br />
double bass and triangle<br />
for string orchestra arr. by the<br />
composer<br />
Ed. M. Nový<br />
H 7953 score and parts<br />
Suk Josef<br />
(<strong>18</strong>74–1935)<br />
NEW 2016<br />
Meditation on the Old <strong>Czech</strong><br />
Hymn “St Wenceslas” Op. 35a<br />
for String Orchestra<br />
Urtext / Ed. Z. Nouza †<br />
BA 9584 °<br />
(Chamber version – see section<br />
String Quartet)<br />
This first Urtext edition was<br />
prepared in two scorings – one<br />
for string quartet and another<br />
for string orchestra. The<br />
orchestral arrangement differs<br />
from the quartet version in some<br />
details in connection with the<br />
added part for double bass.<br />
● First Urtext edition<br />
● Informative preface (Cz/Eng/<br />
Ger) and critical commentary<br />
(Eng) by the editor