SPA314_Czech Music_2017-18_web_new
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VIOLONCELLO / DOUBLE BASS<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Concerto in B min for Violoncello<br />
and Orchestra Op. 104<br />
Cello part rev. by L. Zelenka<br />
Piano part by the composer rev.<br />
by K. Šolc<br />
ADCE III/12<br />
H 1598<br />
H 1200<br />
score COPY<br />
piano reduction by<br />
the composer ♦<br />
Martinů Bohuslav<br />
(<strong>18</strong>90–1959)<br />
Sonata da camera H. 283<br />
for violoncello and chamber<br />
orchestra<br />
BA 4319• study score ♦<br />
BA 4319-90• piano reduction<br />
Vaňhal Jan Křtitel<br />
(1739–<strong>18</strong>13)<br />
Concerto in A maj for Violoncello<br />
and Orchestra<br />
H 6973<br />
Double Bass<br />
piano reduction<br />
(Josef Rut)<br />
Educational Works<br />
Černý František<br />
(<strong>18</strong>61–1940)<br />
Technical Studies for Double Bass<br />
(Cz/Ger)<br />
H 4179<br />
Repertoire Works<br />
Kubička Miroslav<br />
(*1951)<br />
Fierce and Frolicsome<br />
(Hrátky hravé i dravé)<br />
Rondo for double bass and piano<br />
H 7982 score with part<br />
Hertl František<br />
(1906–1973)<br />
NEW 2016<br />
Sonata for Double Bass<br />
and Piano<br />
Double bass part rev. by J. Hudec<br />
BA 11530 score with part<br />
(replaces H 2068)<br />
The renowned <strong>Czech</strong> bass<br />
player, composer and<br />
conductor František Hertl<br />
(1906–1973) led the double<br />
bass section of the <strong>Czech</strong><br />
Philharmonic during the Václav<br />
Talich era and later taught at<br />
the Conservatoire and the<br />
Contrabbasso<br />
Pianoforte<br />
Sonáta / Sonata / Sonate<br />
I<br />
Academy of <strong>Music</strong> in Prague.<br />
An outstanding virtuoso, he<br />
had a consummate mastery<br />
of his instrument’s expressive<br />
potential and sound qualities.<br />
He also wrote successful concert<br />
and educational works for his<br />
instrument.<br />
Composed in 1946, Hertl’s only<br />
Sonata for Double Bass and Piano<br />
in three movements is a work of<br />
artistic and technical challenges<br />
that has maintained its place<br />
in the double bass repertoire to<br />
the present day. The musical text<br />
of our edition is based on the<br />
original publication (1956), this<br />
time with a <strong>new</strong> revision of the<br />
solo part by Jiří Hudec, the first<br />
double bass player of the present<br />
<strong>Czech</strong> Philharmonic.<br />
● New edition of a major<br />
repertoire piece for double bass<br />
● Solo part revised by respected<br />
<strong>Czech</strong> double bass virtuoso Jiří<br />
Hudec<br />
● Preface by Hertl’s last pupil,<br />
Jan Balcar (Cz/Eng/Ger)<br />
František Hertl<br />
(1906–1973)<br />
BÄRENREITER URTEXT<br />
offering the best<br />
of <strong>Czech</strong> music<br />
Bärenreiter Urtext is a seal of quality assigned only to<br />
scholarly-critical editions. It guarantees that the musical<br />
text represents the current state of research, prepared<br />
in accordance with clearly defined editorial guidelines.<br />
Bärenreiter Urtext: the last word in authentic text –<br />
the musicians' choice.<br />
Your next performance is worth it.<br />
www.baerenreiter.cz<br />
•<br />
Bärenreiter-Verlag Kassel production<br />
♦ Performance material<br />
available on hire<br />
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