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CZECHMUSIC<br />
SALES CATALOGUE <strong>2017</strong>/20<strong>18</strong><br />
b Bärenreiter Praha
Bärenreiter Urtext<br />
Your Your next next performance is is worth it. it.<br />
Bärenreiter Urtext Urtext is a is seal a seal of quality of quality assigned only only to to<br />
scholarly-critical editions. editions. It guarantees It that that the the musical musical<br />
text text represents the the current current state state of research, of prepared<br />
in accordance in with with clearly clearly defined defined editorial editorial guidelines.<br />
Bärenreiter Urtext: Urtext: the the last last word word in authentic in text text – –<br />
the the musicians' choice. choice.<br />
Bärenreiter Urtext also also offers<br />
the the best best of of <strong>Czech</strong> music.<br />
See See more more inside inside the the catalogue.
Your <strong>Music</strong> Dealer<br />
CONTENTS<br />
PIANO / KEYBOARD<br />
Piano Solo (piano two hands)3<br />
Piano Duet (piano four hands)11<br />
Piano Concertos 13<br />
HARPSICHORD<br />
Harpsichord Solo14<br />
Harpsichord Concertos14<br />
ORGAN<br />
Organ Solo14<br />
Organ Concertos 15<br />
ACCORDION 15<br />
VIOLIN<br />
Violin Solo 17<br />
2 Violins Solo<strong>18</strong><br />
Violin and Piano<strong>18</strong><br />
Violin Concertos 21<br />
VIOLA<br />
Viola Solo23<br />
Viola and Piano23<br />
Viola Concertos23<br />
VIOLONCELLO<br />
Violoncello Solo 24<br />
Violoncello and Piano 24<br />
Cello Concertos 25<br />
DOUBLE BASS26<br />
HARP32<br />
GUITAR32<br />
WINDS<br />
Recorder32<br />
Flute33<br />
Oboe (English Horn)33<br />
Clarinet 34<br />
Saxophone35<br />
Bassoon35<br />
French Horn36<br />
Trumpet36<br />
Trombone36<br />
Baerenreiter_COVER_A5+4mm 26.02.17 22:48 Stránka 1<br />
PERCUSSION37<br />
CHAMBER MUSIC BÄRENREITER URTEXT<br />
offering the best<br />
Piano Trio41<br />
of <strong>Czech</strong> music<br />
BÄRENREITER URTEXT is a seal of quality assigned only<br />
Piano Quartet41<br />
to scholarly-critical editions. It guarantees that the musical<br />
text represents the current state of research, prepared<br />
accordance with clearly defined editorial guidelines.<br />
Bärenreiter Urtext: the last word authentic text —<br />
Piano Quintet<br />
the musicians’ choice.<br />
42<br />
String Duo 42<br />
String Trio 42<br />
String Quartet 43<br />
String Quintet46<br />
String Sextet46<br />
Wind Ensembles46<br />
Wind Ensembles and Piano 47<br />
Miscellaneous Ensembles 47<br />
Miscellaneous Ensembles<br />
148<br />
and Piano49<br />
www.baerenreiter.cz info@baerenreiter.cz www.baerenreiter.com<br />
ORCHESTRA<br />
String Orchestra 51<br />
Chamber Orchestra 52<br />
Symphony Orchestra53<br />
SOLO VOICE (VOICES) 60<br />
CHORAL MUSIC / SACRED<br />
AND SECULAR WORKS<br />
Collections 66<br />
Children's Choir 67<br />
Female Choir 67<br />
Male Choir 67<br />
Mixed Choir68<br />
OPERA75<br />
THEMATIC CATALOGUES75<br />
Index of composers76<br />
Promotional Gifts77<br />
Index of edition numbers77<br />
The catalogue contains a<br />
wide selection of <strong>Czech</strong> music<br />
titles from the production of<br />
Bärenreiter music publishing<br />
house.<br />
For more information about the<br />
complete offer, please see our<br />
<strong>web</strong>site www.baerenreiter.cz /<br />
www.baerenreiter.com<br />
Bärenreiter Praha • SPA 314<br />
CZECHMUSIC<br />
SALES CATALOGUE <strong>2017</strong>/20<strong>18</strong><br />
b Bärenreiter Praha<br />
4mm 148<br />
This catalogue can be<br />
downloaded as a PDF from<br />
www.baerenreiter.cz<br />
www.baerenreiter.com<br />
www.youtube.com/<br />
BaerenreiterVerlag<br />
www.facebook.com/<br />
baerenreiter<br />
Contents valid as of February <strong>2017</strong>.<br />
Errors excepted and delivery terms<br />
subject to change without notice.<br />
Printed by Bärenreiter Praha s.r.o.,<br />
náměstí Jiřího z Poděbrad 112/19,<br />
130 00 Praha 3, <strong>Czech</strong> Republic,<br />
in March <strong>2017</strong>.<br />
www.baerenreiter.cz<br />
1
CONTACTS<br />
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ABBREVIATIONS AND KEY TO FIGURES<br />
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editions taken up from<br />
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with contemporary <strong>Czech</strong><br />
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TP<br />
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The Bohuslav Martinů<br />
Complete Edition<br />
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Edition [Complete Critical<br />
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Leoš Janáček]<br />
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For all inquiries, please use the<br />
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<strong>Czech</strong><br />
English<br />
French<br />
German<br />
Italian<br />
Latin<br />
Russian<br />
Spanish<br />
arr. arranged<br />
Ed. / Eds. Editor / Editors<br />
IMC International <strong>Music</strong><br />
Competition<br />
maj major<br />
min minor<br />
rev. revised<br />
Vol. Volume<br />
Piano Solo<br />
(piano two hands)<br />
Pieces for Children and<br />
Youth / Educational Works<br />
/ Collections<br />
Classici boemici II<br />
Dusík, Rejcha, Škroup, Tomášek,<br />
Voříšek<br />
Ed. V. J. Sýkora<br />
MAB I/20<br />
H 1356<br />
Classics and Their Contemporaries I<br />
Dusík, Rejcha, Škroup, Tomášek,<br />
Voříšek<br />
Rev. by A. Sarauer, D. Křížková<br />
H 4497<br />
Classics and Their Contemporaries II<br />
Beethoven, Cimarosa, Clementi,<br />
Czerny, Dušek, Haslinger, Haydn,<br />
W. A. Mozart, Mysliveček, Pleyel,<br />
Rössler, Steibelt, Vaňhal<br />
Rev. by A. Sarauer, D. Křížková<br />
H 5077<br />
<strong>Czech</strong> Piano <strong>Music</strong><br />
Dusík, Dvořák, Fibich, Janáček,<br />
Martinů, V. Novák, Smetana, Suk,<br />
Tomášek, Voříšek<br />
Rev. by K. Šolc<br />
H 5033<br />
<strong>Czech</strong> Sonatinas<br />
J. A. Benda, Dusík, Dušek,<br />
L. Koželuh, Mysliveček, Vaňhal,<br />
Voříšek<br />
Eds. K. Emingerová, O. Kredba<br />
MAB I/17<br />
H 1122<br />
Dlouhý Milan<br />
(*1938)<br />
Tell Me, Tell Me, Dandelion<br />
(Ptám se, ptám se, pampeliško)<br />
A cycle of instructive pieces<br />
(Cz/Ger/Eng)<br />
Rev. by J. Uxová<br />
H 7781<br />
Dusík Jan Ladislav<br />
(1760–<strong>18</strong>12)<br />
Twelve Melodic Studies for Piano<br />
Op. 16 COPY<br />
Ed. V. J. Sýkora<br />
MAB I/21<br />
H 907<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Largo from Symphony No. 9<br />
in E min “From the New World”<br />
Op. 95<br />
Arr. by L. Láska in an easy style<br />
H <strong>18</strong>10<br />
Dvořák Milan<br />
(*1934)<br />
Jazz Piano Studies<br />
(Cz/Ger/Eng)<br />
H 5020 Vol. 1<br />
H 7082 Vol. 2<br />
Eben Petr<br />
(1929–2007)<br />
The World of Children<br />
(Svět malých)<br />
20 little compositions<br />
Rev. by I. Hurník<br />
H 3211<br />
Three Pieces in C<br />
H 6421<br />
For Young People from Modern<br />
<strong>Czech</strong> Composers<br />
Ed. V. Jůzlová<br />
H 7591<br />
Graham Peter<br />
(*1952)<br />
Subversive Etudes (Jinakosti)<br />
BA 9585<br />
→ see more on the next page<br />
Hanuš Jan<br />
(1915–2004)<br />
Moments in Nature<br />
(Vteřiny v přírodě) Op. <strong>18</strong><br />
A cycle of ten miniatures for the<br />
youngest pianists<br />
Rev. by E. Doležalová<br />
H 2031<br />
The Story of Ten Brothers<br />
(O deseti bratrech) Op. 32<br />
Easy exercises and etudes for<br />
young fingers<br />
(Cz/Ger/Eng)<br />
H 2242<br />
Hradecký Emil<br />
(*1953)<br />
A Little Jazz Album<br />
(Cz/Ger/Eng)<br />
H 7325<br />
Jazz Etudes for Young Pianists<br />
Ed. Š. Krejčí<br />
(Cz/Ger/Eng)<br />
H 7974<br />
Hradecký Emil<br />
(*1953)<br />
NEW <strong>2017</strong><br />
Two-Part Piano Miniatures on<br />
One Page (Dvouhlasé klavírní<br />
skladbičky na jednu stránku)<br />
Illustrations (black-and-white)<br />
by Andrea Tachezy<br />
(Cz/Ger/Eng)<br />
H 8034<br />
To appear in August <strong>2017</strong><br />
This album offers imaginative<br />
piano miniatures of diverse<br />
character and style, which are<br />
easy to play, have interesting<br />
melodies, and are cleverly<br />
composed to really have just<br />
two parts, one for each hand.<br />
● 15 easy and short performance<br />
pieces for beginning pianists<br />
● Another original <strong>Czech</strong><br />
contribution to educational<br />
piano literature<br />
Hurník Ilja<br />
(1922–2013)<br />
Jazz piccolo (Džezík)<br />
easy piano pieces<br />
(Cz/Ger)<br />
H 6329<br />
Studies (Etudy)<br />
H 6474<br />
Korte Oldřich F.<br />
(1926–2014)<br />
Excursion (Exkurse)<br />
A cycle of instructive pieces<br />
(Cz/Ger/Eng)<br />
H 7948<br />
2 3
PIANO / KEYBOARD<br />
PIANO / KEYBOARD<br />
<br />
<br />
<br />
4<br />
For open-minded teachers<br />
and inquisitive kids<br />
Dětský karneval<br />
Children’s Carnival / Kinderfasching<br />
Vesele Merrily / Fröhlich<br />
<br />
4<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
f tak - tak<br />
<br />
- tak - tak<br />
<br />
- ta - ki ta - ki tak - tak<br />
<br />
-<br />
<br />
<br />
<br />
<br />
4 <br />
<br />
<br />
mp<br />
1.<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
ta - ki - ta ta - ki - ta ta - ka<br />
<br />
<br />
<br />
<br />
<br />
2.<br />
<br />
<br />
f<br />
<br />
<br />
f<br />
Graham Peter<br />
(*1952)<br />
Subversive Etudes (Jinakosti)<br />
for piano<br />
Illustrations by Andrea Tachezy<br />
BA 9585<br />
Graham’s witty piano miniatures<br />
offer a natural means of<br />
practising finger technique,<br />
rhythm, and aural imagination.<br />
The melodies are distinctive and<br />
appealing, and the rhythms are<br />
simple yet original. The short<br />
pieces help students to develop<br />
their sense of polyphony and<br />
flexibility of play, and they enrich<br />
the students’ range of expression<br />
in ways which are rarely found in<br />
piano teaching literature.<br />
<br />
<br />
These simple genre paintings offer<br />
glimpses into the musical cultures<br />
of different countries (e.g. Gamelan,<br />
Balkan Dance, African Games),<br />
music history and styles of composers<br />
like Janáček, Debussy, or Satie,<br />
and into musical genres (opera,<br />
film).<br />
Peter Graham (actually Jaroslav<br />
Šťastný) teaches composition<br />
at the Janáček Academy of Arts<br />
in Brno.<br />
● Miniature recital pieces for<br />
piano with amusing illustrations<br />
● A welcome addition to the<br />
piano teaching literature<br />
● Simple and entertaining<br />
genre paintings<br />
● Easy to moderate level of<br />
difficulty<br />
Martinů Bohuslav<br />
(<strong>18</strong>90–1959)<br />
NEW 2016<br />
Easy Piano Pieces and Dances<br />
Ed. L. Harasim Berná<br />
BA 9586<br />
Black Bottom H 165, Foxtrot<br />
H 126 bis , Crotchets and Quavers<br />
(Čtvrtky a osminky) H 257,<br />
One-step H 127 bis , Foxtrot<br />
Born “On the Corner” (Foxtrot<br />
narozený „Na růžku”) H 123 bis ,<br />
Christmas (Vánoce) H 167<br />
Though Bohuslav Martinů<br />
produced a lot of educational<br />
works for the piano, not all of<br />
them have been published and<br />
many delightful pieces have<br />
remained unknown.<br />
Martinů's four-part piano cycle<br />
Crotschets and Quavers, appears<br />
for the first time. The work,<br />
composed in Paris in 1937, was<br />
previously known only from his<br />
correspondence and was long<br />
considered lost until a copyist’s<br />
manuscript of it resurfaced<br />
in Brno in 2011. The jazz piece<br />
One-step, composed in 1921,<br />
is also made accessible here<br />
for the first time. It hitherto<br />
only existed in the composer’s<br />
autograph.<br />
● Six appealing pieces, two of<br />
them published for the first<br />
time<br />
● Preface (Cz/Eng/Ger) and<br />
fingering by the editor<br />
● Easy to moderate level of<br />
difficulty<br />
12<br />
7<br />
<br />
13<br />
<br />
19<br />
<br />
<br />
<br />
Moderato<br />
5 2<br />
mf<br />
3. Čtvrtky a osminky<br />
Crotchets and Quavers ● Viertel und Achtel<br />
I<br />
2<br />
2<br />
2 3 2<br />
4<br />
<br />
4 4<br />
[ <br />
<br />
]<br />
[ <br />
] <br />
[<br />
]<br />
3<br />
4 <br />
<br />
5<br />
2<br />
4 <br />
<br />
<br />
3<br />
4 <br />
<br />
2<br />
<br />
<br />
4 3<br />
<br />
4<br />
<br />
2<br />
4 3<br />
4 2 <br />
4 3 <br />
4 <br />
<br />
4<br />
4<br />
( )<br />
5<br />
2<br />
4<br />
3<br />
3<br />
<br />
<br />
<br />
<br />
4 4<br />
2 <br />
4<br />
3<br />
3<br />
[<br />
]<br />
4 <br />
<br />
[ ]<br />
4 <br />
<br />
[<br />
]<br />
<br />
1<br />
5<br />
2<br />
4<br />
2 3<br />
<br />
4<br />
<br />
4 [ <br />
] <br />
4 2 4 2<br />
<br />
<br />
<br />
2<br />
4<br />
2<br />
4<br />
3 2<br />
4 4 <br />
poco f mf mf<br />
<br />
2 3 2 <br />
4 4 <br />
4 5<br />
4 1 2<br />
<br />
<br />
3<br />
2<br />
3<br />
2 3<br />
4<br />
1 3 1 4 2 5 4<br />
From: Bohuslav<br />
<br />
Martinů,<br />
<br />
<br />
Crotchets <br />
4 and Quavers<br />
<br />
<br />
4 <br />
from<br />
<br />
<br />
Easy Piano Pieces<br />
4 1<br />
and<br />
Dances • BA 9586<br />
4<br />
Martinů 3Bohuslav<br />
2<br />
(<strong>18</strong>90–1959) 4 4<br />
<br />
<br />
<br />
Fables (Bajky) H. 138<br />
5 pieces in moderate<br />
25 2 1 2<br />
3<br />
2<br />
4 <br />
level of<br />
difficulty<br />
4 <br />
3<br />
2<br />
<br />
<br />
H 3363<br />
Christmas (Le Noël /Vánoce)<br />
H. 1674<br />
4<br />
<br />
<br />
<br />
<br />
Three pieces: Sleigh (Sáně),<br />
Christmas Carol (Vánoční koleda),<br />
Childern's Lullaby (Dětská<br />
ukolébavka)<br />
Rev. by K. Šolc<br />
H 5081<br />
Spring in the Garden<br />
(Jaro v zahradě) H. 125<br />
4 children's pieces<br />
Ed. A. Březina<br />
H 3257<br />
Slavický Klement<br />
(1910–1999)<br />
12 Small Studies<br />
Rev. by E. Kleinová<br />
H 4149<br />
Smetana Bedřich<br />
(<strong>18</strong>24–<strong>18</strong>84)<br />
A selection of Piano<br />
Compositions I<br />
Ed. V. Štěpán, rev. by K. Šolc<br />
moderate level of technical<br />
difficulty<br />
H 1979<br />
<br />
<br />
<br />
<br />
3 <br />
4<br />
1<br />
5<br />
<br />
poco f<br />
2<br />
4<br />
4<br />
4<br />
3<br />
4<br />
3<br />
4<br />
3<br />
2<br />
4 <br />
3<br />
4 4<br />
<br />
Innocence<br />
<br />
<br />
(Nevinnost), <br />
Love<br />
(Láska), Polka in E-flat maj (op.<br />
posth.), Album Leaves (Lístky<br />
do<br />
<br />
památníku) Op. 2 Nos.<br />
<br />
3<br />
4<br />
<br />
2,<br />
<br />
3,<br />
6, Polkas in E maj, in E-flat maj,<br />
in G min, in E min, Idyll (Idyla),<br />
Souvenir (Vzpomínka), A Pleasant<br />
Landscape (Přívětivá 3 krajina)<br />
<br />
4<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
BA 9586<br />
Treasure of Melodies II<br />
5 easy instructive pieces in<br />
increasing level of difficulty<br />
Ed. H. Séquardtová<br />
H 4499<br />
Sonatinas and Rondos I<br />
Clementi, Dusík, Kuhlau<br />
Rev. by V. Kurz<br />
H 235<br />
Suk Josef<br />
(<strong>18</strong>74–1935)<br />
About Mother (De maman /<br />
O matince) Op. 28 COPY<br />
“Simple piano pieces for my little<br />
son”<br />
Ed. B. Selva<br />
H 297<br />
Love Song (Píseň lásky) Op. 7<br />
No. 1<br />
Arr. by P. Blažek, rev. by K. Šolc<br />
H 2424<br />
Repertoire Works<br />
Benda Jiří Antonín<br />
(1722–1795)<br />
Sonate I–XVI<br />
Ed. V. J. Sýkora<br />
MAB I/24<br />
H 1796<br />
Dusík Jan Ladislav<br />
(1760–<strong>18</strong>12)<br />
Sonate I–VII COPY<br />
Ed. V. J. Sýkora<br />
MAB I/46<br />
H 3099<br />
Sonate VIII–XVI COPY<br />
Ed. V. J. Sýkora<br />
MAB I/53<br />
H 3289<br />
Sonate XVII–XXIII<br />
Ed. V. J. Sýkora<br />
MAB I/59<br />
H 3413<br />
Sonate XXIV–XXIX<br />
Ed. V. J. Sýkora<br />
MAB I/63<br />
H 3756<br />
Dušek František Xaver<br />
(1731–1799)<br />
NEW 2016<br />
Complete Sonatas for Keyboard<br />
Urtext / Ed. V. Spurný<br />
BA 11513 Vol. I<br />
BA 11514 Vol. II<br />
→ see more on the next page<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Dumka Op. 35, Furiant Op. 12,<br />
Two Little Pearls (Dvě perličky)<br />
B 156<br />
ADCE V/3<br />
H 6676<br />
Humoresque in G-flat maj<br />
Op. 101 No. 7<br />
Urtext / Eds. P. Kvasničková,<br />
M. Štědronská<br />
Preface (Cz/Eng/Ger), critical<br />
commentary (Cz/Eng) and<br />
facsimile pages<br />
BA 9503<br />
Humoresques Op. 101<br />
ADCE V/4<br />
H 1274<br />
Impromptu B 129, Humoresque<br />
B 138<br />
ADCE V/3<br />
H 2850<br />
4 5
PIANO / KEYBOARD<br />
PIANO / KEYBOARD<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Mazurkas Op. 56<br />
ADCE V/2<br />
H 2907<br />
Piano Compositions 1 COPY<br />
H 7040-01<br />
Dumka Op. 35, Eclogues B 103,<br />
Furiants Op. 42, Piano Pieces<br />
Op. 52, Silhouettes Op. 8, Tema con<br />
variazioni Op. 36, Waltzes Op. 54<br />
Piano Compositions 2 COPY<br />
H 7040-02<br />
Mazurkas Op. 56, Impromptu<br />
in D min B 129, Dumka and Furiant<br />
Op. 12, Poetic Tone-Pictures Op. 85,<br />
Suite in A maj Op. 98, Humoresques<br />
Op. 101, Dances: Polka in E maj B 3,<br />
Minuets Op. 28 and Scottish Dances<br />
Op. 41, Album Leaves B 109/2,<br />
B 128a, B 158, B 109/1/2/4, B 116,<br />
Humoresque in F-sharp maj B 138,<br />
Two Little Pearls B 156, Lullaby,<br />
Capriccio B <strong>18</strong>8/1, 2<br />
Piano Compositions Op. 52<br />
Eclogue, Gigue, Impromptu,<br />
Intermezzo<br />
ADCE V/2<br />
H 3177<br />
Poetic Tone-Pictures<br />
(Poetické nálady) Op. 85<br />
Eds. J. Burghauser, A. Čubr<br />
ADCE V/3<br />
H 338<br />
Silhouettes Op. 8<br />
12 piano pieces<br />
ADCE V/1<br />
H 1763<br />
Slavonic Dances Op. 46 (Series I)<br />
Arr. by K. Šolc<br />
H 1359<br />
Slavonic Dances Op. 72 (Series II)<br />
Arr. by K. Šolc<br />
H 1428<br />
COPY<br />
Suite in A maj Op. 98<br />
ADCE V/4<br />
H 2226<br />
Symphony No. 9 in E min<br />
“From the New World” Op. 95<br />
Arr. by K. Šolc<br />
H 1110<br />
Tema con variazioni Op. 36 COPY<br />
ADCE V/1<br />
H 1126<br />
Waltzes Op. 54<br />
ADCE V/2<br />
H 1498<br />
Dušek František Xaver<br />
(1731–1799)<br />
NEW 2016<br />
Complete Sonatas for Keyboard<br />
Urtext / Ed. V. Spurný<br />
BA 11513 Vol. I<br />
BA 11514 Vol. II<br />
The <strong>Czech</strong> composer František<br />
Xaver Dušek was one of the<br />
leading figures in the musical<br />
life of late <strong>18</strong>th century Prague.<br />
He was an outstanding pianist,<br />
composer and teacher whose<br />
pupils included Leopold Koželuch.<br />
7<br />
<br />
13<br />
<br />
19<br />
<br />
<br />
Sonata XI<br />
This edition in two volumes<br />
contains all 23 of his surviving<br />
piano sonatas, many of which<br />
were previously accessible only<br />
in old prints or manuscripts.<br />
They are presented in chronological<br />
order by publication date.<br />
A commentary by the editor<br />
offers useful tips on performance<br />
practice.<br />
Vol. I comprises 10 sonatas that<br />
where published in Dušek's<br />
lifetime by Breitkopf. The original<br />
prints of eight of them were<br />
lost. Thus the only sources for<br />
the current critical edition were<br />
period copies of the works.<br />
Vol. II contains 13 sonatas left<br />
unpublished in Dušek's lifetime<br />
and preserved in manuscript<br />
form. Three of them appear here<br />
for the first time.<br />
● First complete scholarlycritical<br />
edition<br />
● Five previously unpublished<br />
sonatas<br />
● Preface (Cz/Eng/Ger) and<br />
critical commentary (Eng)<br />
by the editor<br />
● Easy to play and suitable for<br />
teaching purposes<br />
Allegro<br />
2<br />
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2 <br />
4<br />
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František Xaver Dušek<br />
(1731‒1799)<br />
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[ ]<br />
[ ]<br />
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[ <br />
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<br />
<br />
<br />
<br />
Eben Petr<br />
(1929–2007)<br />
Universi<br />
Liturgical movement for piano<br />
Prague Spring IMC Commission<br />
(2004)<br />
H 7917<br />
Veni creator spiritus<br />
Improvisation on the Gregorian<br />
Theme<br />
H 7744<br />
Fibich Zdeněk<br />
(<strong>18</strong>50–1900)<br />
Images, Impressions et Souvenirs<br />
(Nálady, dojmy a upomínky)<br />
Op. 41<br />
Rev. by K. Šolc<br />
H 384 Vol. I<br />
H 425 Vol. II<br />
H 675 Vol. III<br />
H 676 Vol. IV<br />
Fišer Luboš<br />
(1935–1999)<br />
Complete Sonatas for Piano<br />
by one of the most distinctive<br />
figures of <strong>Czech</strong> music of the<br />
20th century. His 2nd Sonata<br />
(1957) was subsequently removed<br />
from his compositional<br />
repertoire by the composer<br />
himself.<br />
6<br />
7<br />
<br />
<br />
<br />
H 7911<br />
H 7957<br />
H 7988<br />
H 7757<br />
H 7758<br />
H 7766<br />
H 7989<br />
Sonata I<br />
Sonata III<br />
Sonata IV<br />
Sonata V<br />
Sonata VI “Fras”<br />
(The Devil)<br />
Sonata VII<br />
Sonata VIII<br />
Fišer Luboš<br />
(1935–1999)<br />
Dreams and Waltzes<br />
(Sny a valčíky)<br />
H 7795<br />
Janáček Leoš<br />
(<strong>18</strong>54–1928)<br />
A Recollection (Vzpomínka)<br />
COPY<br />
Ed. J. Trojan<br />
H 5781<br />
NEW 20<strong>18</strong><br />
Complete Works<br />
for Pianoforte<br />
New Urtext edition<br />
Ed. O. Pivoda<br />
BA 11545 (replaces H 6070p)<br />
In preparation<br />
In the Mists (V mlhách)<br />
Urtext with fingering<br />
Eds. J. Burghauser, L. Kundera<br />
Fingering by R. Kvapil<br />
New preface by J. Zahrádka<br />
BA 9500<br />
Lachian Dances (Lašské tance)<br />
Arr. by J. Máslo<br />
H 6065<br />
On an Overgrown Path<br />
(Po zarostlém chodníčku)<br />
Series I–II<br />
Urtext with fingering<br />
Eds. J. Burghauser, L. Kundera<br />
Fingering by R. Kvapil<br />
New preface by J. Zahrádka<br />
BA 9502<br />
Sonata 1. X. 1905<br />
Urtext with fingering<br />
Eds. J. Burghauser, L. Kundera<br />
Fingering by R. Kvapil<br />
New preface by J. Zahrádka<br />
BA 9501<br />
Tema con variazioni (Zdenkas<br />
Variations / Zdenčiny variace)<br />
Rev. by R. Kvapil<br />
H 6070-01<br />
Ježek Jaroslav<br />
(1906–1942)<br />
Bugatti Step<br />
H 3156<br />
A virtuosic piano foxtrot (1931)<br />
was influenced by the composer's<br />
fascination with the Bugatti car.<br />
Jírovec Vojtěch<br />
(1763–<strong>18</strong>50)<br />
12 Waltzes for Piano<br />
Ed. V. Müllerová<br />
H 4738<br />
Kabeláč Miloslav<br />
(1908–1979)<br />
Eight Preludes for Piano Op. 30<br />
COPY<br />
H 2461<br />
Motifs from Exotic Lands<br />
(Cizokrajné motivy) Op. 38<br />
Ed. Z. Nouza †<br />
MKCE V/4<br />
H 7906<br />
Seven Pieces for Piano Op. 14<br />
Ed. Z. Nouza †<br />
MKCE V/5<br />
H 7857<br />
Short Pieces for Piano<br />
(Drobné skladby pro klavír)<br />
Ed. Z. Nouza †<br />
MKCE V/6<br />
H 7842<br />
Kalabis Viktor<br />
(1923–2006)<br />
Entrata, aria e toccata Op. 41<br />
COPY<br />
H 6354<br />
Piano Sonata No. 3 Op. 57<br />
H 7415
PIANO / KEYBOARD<br />
PIANO / KEYBOARD<br />
Korte Oldřich F.<br />
(1926–2014)<br />
Sonata<br />
H <strong>18</strong>42<br />
Koželuh Leopold<br />
(1747–<strong>18</strong><strong>18</strong>)<br />
Complete Sonatas for Keyboard<br />
Urtext / Ed. Ch. Hogwood †<br />
BA 9511 Vol. I<br />
BA 9512 Vol. II<br />
BA 9513 Vol. III<br />
BA 9514 Vol. IV<br />
BA 9515 Set of all 4 volumes<br />
(special set price)<br />
50 keyboard sonatas from<br />
Leopold Koželuch (also Koželuh),<br />
the foremost representative<br />
of <strong>Czech</strong> music in the <strong>18</strong>th<br />
century Vienna, span his entire<br />
career and mark not only the<br />
transition from the harpsichord<br />
and clavichord manner to the<br />
fully idiomatic forte-piano<br />
style, but also the evolution of<br />
the “classical sonata” during<br />
three decades (1773–<strong>18</strong>06). The<br />
sonatas are presented chronologically<br />
according to the date<br />
of their first publication.<br />
● First complete scholarlycritical<br />
edition<br />
● Fills a gap in <strong>Czech</strong> and<br />
Central-European Classical<br />
repertoire<br />
● Suitable for amateurs as well<br />
as professionals; ideal for<br />
teaching purposes<br />
● Detailed preface (Eng/Cz/Ger),<br />
critical commentary (Eng) by<br />
the editor and facsimile<br />
pages<br />
Martinů Bohuslav<br />
(<strong>18</strong>90–1959)<br />
Film en miniature H. 148<br />
Cycle of six pieces<br />
Ed. V. Kafková<br />
H 5709<br />
Puppets (Loutky) I-III<br />
H. 137, H. 116, H. 92<br />
Ed. A. Březina<br />
H 7875 Vol. I<br />
H 7946 Vol. II<br />
H 7963<br />
H 7970<br />
Vol. III<br />
All 3 volumes<br />
combined<br />
The charming pieces composed<br />
between 1912 and 1925 differ<br />
from one another in character.<br />
They take characters of Italian<br />
commedia dell´arte as their<br />
theme: Pierrot, Colombina and<br />
Harlequin.<br />
● Detailed preface and critical<br />
commentary by the editor<br />
(Cz/Ger/Eng/Fr)<br />
● Fingering by Giorgio Koukl<br />
Quatre Mouvements H. 170<br />
Rev. by I. Popelka<br />
H 6156<br />
Mysliveček Josef<br />
(1737–1781)<br />
Six Sonatas<br />
Rev. by V. Němec<br />
Preface on the composer<br />
and his works by<br />
O. Zuckerová (Cz/Ger/Eng)<br />
H 7330<br />
Novák Vítězslav<br />
(<strong>18</strong>70–1949)<br />
Sonatinas Op. 54 Nos. 1, 2<br />
Rev. by F. Rauch<br />
H 475<br />
Rejcha Antonín<br />
(1770–<strong>18</strong>36)<br />
36 Fugues for Piano<br />
Ed. V. J. Sýkora<br />
Preface by R. Dykast<br />
(Cz/Eng/Ger)<br />
BA 9541<br />
The <strong>Czech</strong> composer Antonín<br />
Rejcha (also Anton Reicha)<br />
was famous as both an<br />
experimental composer and<br />
a teacher and theorist. His<br />
36 Fugues for Piano testify to<br />
this experimentalism; they<br />
can be seen as a type of “Well-<br />
Tempered Piano of the <strong>new</strong><br />
ages”, basing the traditional<br />
Baroque fugue on radically<br />
<strong>new</strong> fundaments.<br />
Simon Ladislav<br />
(1929–2011)<br />
Piano Sonata No. 2<br />
H 7445<br />
Schulhoff Erwin<br />
(<strong>18</strong>94–1942)<br />
Jazz Inspired Works<br />
Urtext / Ed. M. Kube<br />
BA 9559<br />
Partita (1922) / Cinq études<br />
de jazz (1926) / Esquisses de<br />
jazz: Six pièces faciles pour<br />
piano (1927) / Hot <strong>Music</strong>: Ten<br />
Syncopated Studies (1928) /<br />
Suite dansante en jazz (1931)<br />
Sonatas Nos. 1 – 3<br />
Urtext/ Ed. M. Kube<br />
BA 9560<br />
Erwin Schulhoff was a<br />
Prague German-speaking<br />
composer. His compositions<br />
of the 1920s, with their blend<br />
of traditional genres, jazz<br />
syncopations, dance rhythms<br />
and moderately expanded<br />
tonality, were fully attuned to<br />
the tenor of the times.<br />
● First Urtext editions<br />
● Prefaces (Ger/Cz/Eng) and<br />
critical commentaries<br />
(Eng) by the editor<br />
Smetana Bedřich<br />
(<strong>18</strong>24–<strong>18</strong>84)<br />
A selection of Piano<br />
Compositions III<br />
Ed V. Štěpán, rev. by K. Šolc<br />
advanced level of technical<br />
difficulty<br />
H 3374<br />
Macbeth and the Witches<br />
(Macbeth a čarodějnice) Op.<br />
posth., On the Seashore (Na<br />
břehu mořském), Bohemian<br />
Harvest (Slavnost českých<br />
sedláků), selection from <strong>Czech</strong><br />
Dances: Polka in F maj, Furiant,<br />
Medvěd, Slepička, Obkročák<br />
Album Leaves<br />
(Lístky do památníku)<br />
Urtext with fingering /<br />
Ed. J. Novotný<br />
New preface by J. Gabrielová<br />
(Cz/Eng/Ger)<br />
BA 9525<br />
Album Leaves (Lístky<br />
do památníku) Opp. 2, 3, Sketches<br />
(Črty) Opp. 4, 5, Posthumous<br />
Compositions (Skladby<br />
z pozůstalosti), Compositions<br />
for Various Occasions (Skladby<br />
příležitostně uplatněné)<br />
<strong>Czech</strong> Dances<br />
Urtext with fingering /<br />
Ed. J. Novotný<br />
New preface by J. Gabrielová<br />
(Cz/Eng/Ger)<br />
BA 9507 (replaces H 7308)<br />
Series I: Polkas in F-sharp min,<br />
in A min, in F maj, in B-flat maj,<br />
Series II: Furiant, Slepička, Oves,<br />
Medvěd, Cibulička, Dupák, Hulán,<br />
Obkročák, Sousedská, Skočná<br />
Early Piano Works<br />
Urtext with fingering /<br />
Ed. J. Novotný<br />
New preface by J. Gabrielová<br />
(Cz/Eng/Ger)<br />
BA 9527<br />
Compositions from the<br />
years <strong>18</strong>40–<strong>18</strong>49: Bagatelles<br />
et impromptus, Six morceaux<br />
caractéristiques Op. 1, Wedding<br />
Scenes (Svatební scény), first<br />
Polkas: Louisa's (Louisina), Dahlia<br />
(Jiřinková), From the Student<br />
Life (Ze studentského života),<br />
Souvenir of Plzeň (Vzpomínka<br />
na Plzeň), Polka in E-flat maj<br />
NEW 20<strong>18</strong><br />
Macbeth and the Witches<br />
(Macbeth a čarodějnice)<br />
Op. posth.<br />
Sketch to a scene from<br />
Shakespeare<br />
Urtext / Ed. J. Gabrielová<br />
BA 11537<br />
In preparation<br />
● First-ever scholarly-critical<br />
edition<br />
Macbeth and the Witches is one<br />
of Smetana's virtuosic ‘Lisztian’<br />
compositions. Based on motifs<br />
from the opening scene of Act<br />
IV of Shakespeare's tragedy, it<br />
originated in <strong>18</strong>59 as a piano<br />
sketch and was probably<br />
meant to be orchestrated. It<br />
falls into Smetana's Swedish<br />
period, which gave rise to three<br />
symphonic poems, including one<br />
on Shakespeare's Richard III. Later<br />
the work took hold as a piano<br />
piece and was orchestrated by<br />
Jarmil Burghauser.<br />
On the Seashore (Na břehu<br />
mořském) / Concert Etude in<br />
C maj (Koncertní etuda C dur)<br />
/ Fantasia on <strong>Czech</strong> Folksongs<br />
(Fantasie na české národní písně)<br />
included also Allegro capriccioso<br />
and Etude in A min<br />
Urtext with fingering /<br />
Ed. J. Novotný<br />
New preface by J. Gabrielová<br />
(Cz/Eng/Ger)<br />
BA 9519<br />
8 9
PIANO / KEYBOARD<br />
PIANO / KEYBOARD<br />
Smetana Bedřich<br />
(<strong>18</strong>24–<strong>18</strong>84)<br />
Piano Compositions 1<br />
Ed. J. Novotný<br />
H 7333<br />
Bagatelles et impromptus and<br />
other early piano compositions:<br />
Polkas (Betty's, Louisa's, Dahlia,<br />
Polka in E-flat maj), Duet, Impromptu<br />
I, Impromptu II, Impromptu<br />
III, Composition without name,<br />
Apparation at the Ball (Vidění<br />
na plese), From the Student Life<br />
(Ze studentského života), Souvenir<br />
of Plzeň (Vzpomínka na Plzeň)<br />
Piano Compositions 5<br />
Ed. J. Novotný<br />
H 7460<br />
Six morceaux caractéristiques<br />
Op. 1, The Curious One (Zvědavý),<br />
Forest Emotions and Impressions<br />
(Lesní city a dojmy), Waltzes,<br />
Album Leaves (Skladby psané<br />
do památníku)<br />
Piano Compositions 6<br />
Ed. J. Novotný<br />
H 7215<br />
Dreams (Rêves / Sny),<br />
Wedding Scenes (Svatební scény),<br />
Treasury of Melodies I (Poklad<br />
melodií I)<br />
Polkas<br />
Urtext with fingering /<br />
Ed. J. Novotný<br />
New preface by J. Gabrielová<br />
(Cz/Eng/Ger)<br />
BA 9506<br />
Three Drawing-Room Polkas<br />
(Tři salonní polky) Op. 7, Three<br />
Poetic Polkas (Tři poetické polky)<br />
Op. 8, Souvenir of Bohemia in the<br />
Form of Polkas (Vzpomínka na<br />
Čechy ve formě polek) Opp. 12, 13,<br />
Polkas from the <strong>18</strong>50s (Polky z let<br />
padesátých)<br />
Spring (Jaro) Op. 22a<br />
8<br />
Five pieces for piano<br />
a tempo<br />
41<br />
Rev.<br />
sempre<br />
by<br />
p<br />
K.<br />
molto<br />
Šolc<br />
<br />
<br />
<br />
H 298<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
4<br />
p dim.<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
44<br />
<br />
poco pp<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
2 2<br />
pp<br />
<br />
Rêves (Dreams <br />
/ Sny) <br />
<br />
<br />
<br />
<br />
<br />
Six morceaux caractéristiques<br />
poco<br />
<br />
<br />
pour le piano<br />
Urtext with fingering /<br />
Ed. J. Gabrielová <br />
48<br />
<br />
BA 9529<br />
<br />
<br />
<br />
Things Lived and Dreamt<br />
The six pieces<br />
<br />
<br />
*)<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
of “Rêves” were<br />
(Životem a snem) Op. 30<br />
pp leggiero<br />
written in <strong>18</strong>75, when Smetana Ten Pieces for Piano<br />
had already<br />
<br />
lost his hearing.<br />
Urtext / Ed. J. Gabrielová<br />
This significant <br />
work <br />
by the<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
BA 9561<br />
<br />
<br />
composer was not included<br />
in the Complete Edition of<br />
The cycle Things Lived and<br />
Works for Piano. This <strong>new</strong><br />
edition is based on the first<br />
Dreamt (Životem a snem)<br />
poco sostenuto<br />
printed edition of <strong>18</strong>79 by<br />
has been called <br />
the “diary<br />
51<br />
Emanuel Starý. <br />
<br />
of an artist”. Although Suk's<br />
<br />
musical language never<br />
● First critical<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
edition<br />
dim.<br />
pp<br />
exceeds the bounds of tonality,<br />
● Preface (Cz/Eng/Ger) <br />
and<br />
his wealth of resources, the<br />
<br />
critical commentary <br />
<br />
<br />
<br />
<br />
(Eng) <br />
flexible harmony, chords of<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
by the editor<br />
stacked thirds and <br />
meticulous <br />
<br />
<br />
*) See Critical Report.<br />
performance instructions were<br />
<strong>new</strong> to the Bohemia of his day.<br />
● With the historical fingering<br />
by Smetana's contemporary,<br />
Jindřich Kàan z Albestů<br />
Suk Josef<br />
(<strong>18</strong>74–1935)<br />
Lullabies (Ukolébavky) Op. 33<br />
Rev. by K. Šolc<br />
H 4154<br />
Piano Compositions Op. 7<br />
Rev. by K. Šolc<br />
H 5766<br />
Love Song (Píseň lásky),<br />
Humoresque, Recollections<br />
(Vzpomínky), Idylls (Idylky),<br />
Dumka, Capriccietto<br />
Radúz and Mahulena Op. 13<br />
<strong>Music</strong> to a Slovak fairy tale in<br />
4 acts by Julius Zeyer<br />
H <strong>18</strong>79<br />
piano reductin<br />
(Roman Veselý)<br />
The autograph contains many<br />
cuts, overwritings and barely<br />
decipherable passages, yet it is<br />
carefully prepared and largely<br />
identical to the first edition of<br />
1909. This first scholarly-critical<br />
edition takes all source variants<br />
into account for the first time.<br />
● Magnum opus of Suk's piano<br />
music<br />
● First ever scholarly-critical<br />
edition<br />
● Preface (Cz/Eng/Ger) and<br />
critical commentary (Eng)<br />
by the editor<br />
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9<br />
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17<br />
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25<br />
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9<br />
III<br />
(Tajemně a velmi vzdušně)<br />
(Mysterious and very airy)<br />
Andante sostenuto (Geheimnisvoll und sehr duftig)<br />
6<br />
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8 <br />
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pp poco<br />
Vivace<br />
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sempre dolcissimo<br />
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poco<br />
dolce<br />
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pp<br />
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poco<br />
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poco<br />
poco<br />
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pp<br />
sempre pp e dolcissimo<br />
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poco marcato ma pp poco marc.<br />
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32<br />
<br />
Tomášek Václav Jan<br />
Voříšek Jan Václav Hugo<br />
(1774–<strong>18</strong>50) <br />
<br />
From: Josef <br />
<br />
Suk,<br />
Things<br />
<br />
<br />
Lived <br />
and <br />
Dreamt <br />
Op. 30 • BA 9561 <br />
pp<br />
mf marcato il basso<br />
<br />
perdendosi pp<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
(1791–<strong>18</strong>25) <br />
<br />
Eclogues pour le pianoforte I<br />
COPY<br />
(Opp. 35, 39, 47, 51)<br />
Ed. A. Borková<br />
dim.<br />
Composizioni per piano solo<br />
Ed. O. Zuckerová<br />
MAB I/52<br />
H 3237<br />
MAB I/73<br />
Impromptus Op. 7<br />
H 4872<br />
Ed. V. Helfert<br />
Eclogues pour le pianoforte II<br />
COPY<br />
MAB I/1<br />
H 2<strong>18</strong>2<br />
(Opp. 63, 66, 83)<br />
XII rhapsodies pour le pianoforte<br />
Ed. A. Borková<br />
Op. 1, Vol. I (Rhapsodies I–VI)<br />
MAB I/74<br />
Ed. V. J. Sýkora<br />
H 5390<br />
MAB I/78<br />
H 6036<br />
Vaňhal Jan Křtitel<br />
(1739–<strong>18</strong>13)<br />
Twelve Sonatines<br />
(Dodici Sonatine)<br />
Rev. by V. Němec<br />
Preface by O. Zuckerová<br />
(Cz/Ger/Eng)<br />
H 7461<br />
<br />
<br />
XII rhapsodies pour le pianoforte<br />
Op. 1, Vol. II (Rhapsodies VII–XII)<br />
COPY<br />
Ed. V. J. Sýkora<br />
MAB I/79<br />
H 6114<br />
Sonata in B-flat min Op. 20<br />
Ed. O. Zuckerová<br />
MAB I/4<br />
H 7133<br />
Piano Duet<br />
(piano four hands)<br />
Pieces for Children and<br />
Youth / Educational Works<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Scottish Dances Op. 41<br />
piano four hands arrangement<br />
of the original piece for two<br />
hands (in piano album Dances,<br />
ADCE V/1)<br />
(Cz/Ger/Eng)<br />
H 5851<br />
Eben Petr<br />
(1929–2007)<br />
The Little Green Forest<br />
(Hájíčku zelený)<br />
Arrangements of Folk Songs<br />
(Cz/Ger/Eng)<br />
Rev. by J. Němcová, V. Němec<br />
H 6657<br />
Hradecký Emil<br />
(*1953)<br />
Jazz Pieces for Twenty Fingers<br />
(Cz/Ger/Eng)<br />
piano four hands arrangements<br />
of popular dances – Waltz,<br />
Ragtime, Samba, Tango etc.<br />
H 7975<br />
Hurník Ilja<br />
(1922–2013)<br />
Playing with Four Hands<br />
(Cz/Ger)<br />
H 6155<br />
Kopelent Marek<br />
(*1932)<br />
Two (Dva)<br />
H 6474<br />
10 11
PIANO / KEYBOARD<br />
PIANO / KEYBOARD<br />
Repertoire Works<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
From the Bohemian Forest<br />
(Ze Šumavy) Op. 68<br />
Cycle of six characteristic pieces<br />
Ed. A. Čubr<br />
BA 9565<br />
In the Spinning-room<br />
(Na přástkách), By the Black<br />
Lake (U Černého jezera),<br />
Walpurg's Night (Noc filipojakubská),<br />
In the Wait<br />
(Na čekání), Silent Woods<br />
(Klid), From Troublous Times<br />
(Z bouřlivých dob)<br />
In the third cycle for piano<br />
four hands, following Slavonic<br />
Dances and Legends, Dvořák<br />
drew his inspiration from the<br />
countryside that he enjoyed<br />
visiting in his free time.<br />
● Popular piano miniatures,<br />
which can be played also<br />
individually and are ideal<br />
as encore pieces<br />
● New preface by Hans-<br />
Joachim Hinrichsen and<br />
Ivana Rentsch (Ger/Eng/Cz)<br />
● Primo and Secondo parts<br />
printed on facing pages<br />
NEW 2016<br />
Slavonic Dances (Slovanské<br />
tance) Op. 46 and Op. 72<br />
Ed. J. Burghauser<br />
BA 9547 Op. 46 / Series I<br />
BA 9548 Op. 72 / Series II<br />
● Unique masterpieces of<br />
European music for domestic<br />
use and concert performance<br />
● New preface by Hans-Joachim<br />
Hinrichsen and Ivana Rentsch<br />
(Ger/Eng/Cz)<br />
● Newly engraved with Primo<br />
and Secondo parts printed on<br />
facing pages<br />
2<br />
10<br />
<br />
<br />
<br />
Fibich Zdeněk<br />
(<strong>18</strong>50–1900)<br />
Sonata in B-flat maj for Piano<br />
Four Hands Op. 28<br />
COPY<br />
Eds. A. Pokorný, K. Šolc<br />
H 3879<br />
Hurník Ilja<br />
(1922–2013)<br />
Innocenza<br />
Rev. by J. Němcová, V. Němec<br />
H 7717<br />
Hurník Lukáš<br />
(*1967)<br />
Hot-Suite<br />
Rev. by J. Němcová, V. Němec<br />
H 7638<br />
Janáček Leoš<br />
(<strong>18</strong>54–1928)<br />
Sinfonietta<br />
H 7741 piano reduction<br />
for four hands<br />
(František Jílek)<br />
Kabeláč Miloslav<br />
(1908–1979)<br />
Small Suite (Malá suita) Op. 42<br />
COPY<br />
H 3598<br />
From: Antonín Dvořák, Slavonic Dance No. 1 (furiant) from the Slavonic<br />
Dances Op. 46 four hands • BA 9547<br />
Presto<br />
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Presto<br />
3 <br />
4 <br />
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3<br />
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4 <br />
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ff<br />
2<br />
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ff<br />
SECONDO<br />
1<br />
[ fz]<br />
Antonín Dvořák, Antonín op. 46 Dvořák, op. 46<br />
3<br />
4 <br />
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3<br />
4 <br />
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SECONDO<br />
1<br />
[ fz]<br />
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<br />
Smetana Bedřich<br />
(<strong>18</strong>24–<strong>18</strong>84)<br />
Vltava (The Moldau)<br />
Symphonic poem from the cycle<br />
My Country (Má vlast) in the<br />
original version for piano duet<br />
Urtext / Ed. H. Macdonald<br />
Preface by O. Mojžíšová<br />
BA 9549<br />
● Informative preface<br />
including a contribution<br />
by Smetana scholar Olga<br />
Mojžíšová (Cz/Eng/Ger)<br />
● Primo and Secondo parts<br />
printed on facing pages<br />
(score and orchestral parts – see<br />
section ORCHESTRA)<br />
Voříšek Jan Václav Hugo<br />
(1791–<strong>18</strong>25)<br />
Symphony in D maj<br />
H 7323<br />
piano reduction<br />
for four hands<br />
(Karel Šolc)<br />
(score and orchestral parts – see<br />
section ORCHESTRA)<br />
Piano Concertos<br />
Bořkovec Pavel<br />
(<strong>18</strong>94–1972)<br />
Concerto No. 1 for Piano and<br />
Small Orchestra<br />
H 4985 study score ♦<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Concerto in G min for Piano and<br />
Orchestra Op. 33 COPY<br />
With two solo parts (scored in<br />
parallel) – the original by the<br />
composer and an arrangement<br />
by V. Kurz<br />
ADCE III/10<br />
H 1780 piano reduction ♦<br />
(Karel Šolc)<br />
(will be replaced by<br />
BA 10420-90)<br />
Concerto in G min<br />
for Piano and Orchestra Op. 33<br />
Urtext / Ed. R. van Steijn<br />
BA 10420 score<br />
BA 10420-90 piano reduction ♦<br />
(Antonín Dvořák)<br />
(will replace H 1780)<br />
In preparation<br />
Dvořak's Piano Concerto in<br />
G minor Op. 33 (<strong>18</strong>76) acquired<br />
a reputation as a thankless,<br />
pianistically difficult and<br />
ineffective work and has<br />
therefore led a wallflower<br />
existence in the shadow of his<br />
Violin and Cello Concertos. Today,<br />
it is considered inadvisable to<br />
‘remedy’ Dvořak’s music in any<br />
way, and we prefer to return<br />
unconditionally to the authentic<br />
text, avoiding all adjustments<br />
and ‘improvements’.<br />
This <strong>new</strong> edition proceeds from<br />
the autograph score and the<br />
complete printed edition issued<br />
by Hainauer of Breslau in <strong>18</strong>83. It<br />
also includes an edition of the<br />
composer’s original piano<br />
reduction, with a second piano<br />
taking the place of the orchestra.<br />
Fišer Luboš<br />
(1935–1999)<br />
Concerto da camera<br />
for piano and chamber<br />
orchestra<br />
H 5422 score ♦<br />
Janáček Leoš<br />
(<strong>18</strong>54–1928)<br />
Capriccio for Piano Left Hand<br />
and Wind Ensemble<br />
flute / piccolo, 2 trumpets, 3<br />
trombones, tenor tuba ossia<br />
French horn<br />
Eds. L. Faltus, J. Procházková<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Legends (Legendy) Op. 59<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Eds. F. Bartoš, A. Pokorný, K. Šolc<br />
<strong>18</strong> 1. 2.<br />
ADCE V/6<br />
<br />
<strong>18</strong><br />
<br />
1.<br />
<br />
<br />
<br />
<br />
2.<br />
<br />
<strong>18</strong><br />
1.<br />
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H <strong>18</strong>01<br />
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p pp p<br />
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<strong>18</strong><br />
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<br />
1.<br />
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p<br />
[ ]<br />
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p pp p<br />
pp<br />
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p<br />
[ ] pp<br />
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<br />
♦ Performance material<br />
available on hire<br />
12<br />
28<br />
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28<br />
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[<br />
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26 2.<br />
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pp ]<br />
[ poco a poco cresc.<br />
[ p ]<br />
[ pp ] poco fz a cresc. fz<br />
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26 2.<br />
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pp ]<br />
poco a poco cresc.<br />
[ p ]<br />
[<br />
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pp ] poco fz a<br />
<br />
poco cresc. fz<br />
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13<br />
10<br />
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3<br />
4 <br />
ff<br />
<br />
1 1<br />
Antonín Dvořák, op. 46<br />
<br />
Presto <br />
Presto<br />
<br />
<br />
3<br />
<br />
<br />
<br />
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4 <br />
<br />
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3<br />
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3<br />
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4 <br />
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PRIMO PRIMO 3<br />
3<br />
10 <br />
<br />
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<br />
<br />
<br />
<br />
<br />
<br />
fz<br />
fz<br />
<br />
<br />
<br />
ff<br />
<br />
<br />
NEW 20<strong>18</strong><br />
Antonín Dvořák, op. 46<br />
<br />
LJCE E/5<br />
BA 6856•<br />
cloth bound score<br />
with parts<br />
Urtext / Eds. L. Faltus,<br />
J. Procházková<br />
Preface by J. Procházková<br />
BA 9535<br />
score and parts in<br />
slipcover<br />
The Capriccio was written in<br />
the autumn of 1926 at the suggestion<br />
of the pianist Otakar<br />
Hollmann, an invalid from the<br />
First World War. Like his contemporary<br />
Paul Wittgenstein,<br />
Hollmann urged composers to<br />
write something for piano left<br />
hand; he succeeded in persuading<br />
Bohuslav Martinů, Erwin<br />
Schulhoff and Janáček to do<br />
this. Janáček did not want, as<br />
he put it, to compose a “dance<br />
for one leg”, but finally wrote<br />
a four-movement work with<br />
associations to military music.
HARPSICHORD / ORGAN / ACCORDION<br />
ORGAN / ACCORDION<br />
Janáček Leoš<br />
(<strong>18</strong>54–1928)<br />
Concertino<br />
for piano, 2 violins, viola, clarinet,<br />
French horn and bassoon<br />
H 4342 score with parts<br />
Martinů Bohuslav<br />
(<strong>18</strong>90–1959)<br />
Concerto for Piano and Orchestra<br />
No. 4 “Incantation” H. 358<br />
BA 43<strong>18</strong>-90•<br />
Harpsichord Solo<br />
piano reduction ♦<br />
(Karel Šolc)<br />
Dušek František Xaver<br />
(1731–1799)<br />
Sonate per il clavicembalo<br />
in F, C, G, G, D, A, F, E-flat maj<br />
Rev. by M. Knotková, A. Němec<br />
MAB I/8<br />
H 380<br />
Harpsichord<br />
Concertos<br />
Benda Jiří Antonín<br />
(1722–1795)<br />
Concerto in G min for<br />
Harpsichord and Strings<br />
violin I II, viola, violoncello<br />
(double bass)<br />
Ed. V. Bělský<br />
MAB I/10<br />
H 7438 score with parts ♦<br />
Due concerti per cembalo COPY<br />
violin I II, viola, violoncello<br />
(double bass)<br />
in F maj, in G maj<br />
Ed. V. Bělský<br />
MAB I/77<br />
H 5805 score ♦<br />
Tre concerti per cembalo<br />
violin I II, viola, violoncello<br />
(double bass)<br />
in F min, in B min, in G maj<br />
Ed. V. Bělský<br />
MAB I/45<br />
H 2981<br />
score<br />
(♦ only in F and B min)<br />
Organ Solo<br />
Černohorský Bohuslav Matěj<br />
(1684–1742)<br />
Composizioni per organo COPY<br />
Ed. J. Šafařík<br />
MAB I/3<br />
H 4346<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Largo from the Symphony No. 9<br />
in E min “From the New World”<br />
Op. 95<br />
Arr. by M. Kampelsheimer in an<br />
easy style<br />
H <strong>18</strong>09<br />
Symphony No. 9 in E min “From<br />
the New World” Op. 95<br />
Transcription for organ by<br />
Z. Szathmáry<br />
BA 8472•<br />
● Welcome addition to the organ<br />
repertoire<br />
● Outstanding virtuoso organ<br />
writing<br />
Preludes and Fugues for Organ<br />
B 302<br />
Eds. J. Burghauser, A. Čubr<br />
ADCE VII/3<br />
H 6334<br />
Eben Petr<br />
(1929–2007)<br />
<strong>Music</strong>a dominicalis<br />
(Nedělní hudba)<br />
(Cz/Ger/Eng)<br />
H 3761<br />
● Eben's most famous<br />
composition for organ<br />
● Revised edition with notes<br />
on interpretation by Jan<br />
Hora in cooperation with<br />
the composer<br />
Ten Chorale Preludes<br />
H 7845<br />
Fišer Luboš<br />
(1935–1999)<br />
Relief<br />
H 7967<br />
Janáček Leoš<br />
(<strong>18</strong>54–1928)<br />
Organ Works<br />
Eds. M. Buček, L. Faltus<br />
LJCE F/2<br />
BA 6852-01• cloth bound score<br />
Urtext / Eds. M. Buček, L. Faltus<br />
With preface by J. Zahrádka<br />
(Cz/Eng/Ger)<br />
BA 9524<br />
Three Pieces for Organ from<br />
Prague Studies in <strong>18</strong>74–<strong>18</strong>75<br />
(Overture, Varyto, Choral Fantasy),<br />
Two Pieces for Organ selfpublished<br />
in <strong>18</strong>84, Postludium<br />
– the penultimate part of the<br />
famous Glagolitic Mass<br />
Novák Jan<br />
(1921–1984)<br />
Iubilationes per organo<br />
H 7865<br />
Old <strong>Czech</strong> Organ Christmas<br />
Josef Seger, Jakub V. Paus,<br />
František X. Brixi, Jiří I. Linek, Jan<br />
K. Vaňhal, Jan K. Kuchař, Karel B.<br />
Kopřiva<br />
Ed. J. Smolka<br />
H 7690<br />
Organ Compositions of Old <strong>Czech</strong><br />
Masters<br />
František X. Brixi, Jan K. Vaňhal,<br />
Jan K. Kuchař, Karel F. Pitsch<br />
Ed. B. Geist, rev. by<br />
M. Kampelsheimer<br />
H 4506<br />
Seger Josef Ferdinand Norbert<br />
(1716-1782)<br />
Composizioni per organo<br />
(Preludi e fughe) COPY<br />
Ed. V. Bělský<br />
MAB I/56<br />
H 3364<br />
Slavický Milan<br />
(1947–2009)<br />
Sursum corda<br />
H 7873<br />
Organ Concertos<br />
Brixi František Xaver<br />
(1732–1771)<br />
Concerto Fa maggiore per<br />
organo principale<br />
2 French horns, violin I II, viola,<br />
basso continuo<br />
Ed. J. Reinberger<br />
MAB I/26<br />
H <strong>18</strong>52 score ♦<br />
Due concerti per organo<br />
2 clarinas in D, violin I II, viola,<br />
violoncello and double bass<br />
in D maj, in G maj<br />
Ed. V. Bělský<br />
MAB I/75<br />
H 4923 score ♦<br />
Accordion<br />
Gemrot Jiří<br />
(*1957)<br />
Plays for Harpsichord<br />
(Hry pro cembalo)<br />
Prague Spring IMC Commission<br />
(2005)<br />
H 7896<br />
Rychlík Jan<br />
(1916–1964)<br />
Hommaggi gravicembalistici<br />
per cembalo<br />
Rev. by K. Šrom<br />
H 53<strong>18</strong><br />
SOUBORNÉ<br />
•<br />
Bärenreiter-Verlag Kassel production<br />
From: Petr Eben, <strong>Music</strong>a dominicalis • H 3761<br />
Kabeláč Miloslav<br />
(1908–1979)<br />
14 15<br />
V/12<br />
NEW <strong>2017</strong><br />
Two Phantasies<br />
Ed. J. Hora<br />
H 8028<br />
Miloslav<br />
KABELÁČ<br />
KRITICKÉ VYDÁNÍ<br />
KRITISCHE GESAMTAUSGABE<br />
COMPLETE CRITICAL EDITION<br />
Dvě fantazie<br />
Zwei Fantasien<br />
Two Fantasias<br />
op. 32<br />
ORGAN<br />
H 8028<br />
BÄRENREITER PRAHA<br />
Štědroň Miloš<br />
(*1942)<br />
Claudio Monteverde: Praga 1595<br />
Prague Spring IMC Commission<br />
(2006)<br />
H 7969<br />
Teml Jiří<br />
(*1935)<br />
The Alchemists (Alchymisté)<br />
H 7976<br />
Havlíček Ilja – Machalíčková<br />
Františka – Ondruš Ján<br />
School of Accordion Playing<br />
(Cz/Ger)<br />
H 3204<br />
♦ Performance material<br />
available on hire
arva papíru Salzer<br />
k · op. 1<br />
1/1 - líc: HKS 41 K, rub: barva papíru Salzer<br />
1/1 - líc: HKS 41 K, rub: barva papíru Salzer<br />
BA 9553<br />
k, Škola houslové techniky / School of Violin Technique / Schule der Violintechnik · op. 1<br />
Sešit 2 / Book 2 / Heft 2<br />
ISMN 979-0-2601-0712-0<br />
BA 9554<br />
Ševčík, Škola houslové techniky / School of Violin Technique / Schule der Violintechnik · op. 1<br />
Sešit 3 / Book 3 / Heft 3<br />
Bärenreiter Praha · www.baerenreiter.cz<br />
ISMN 979-0-2601-0721-2<br />
Bärenreiter-Verlag · Kassel · www.baerenreiter.com<br />
BA 9555<br />
Ševčík, Škola houslové techniky / School of Violin Technique / Schule der Violintechnik · op. 1<br />
Sešit 4 / Book 4 / Heft 4<br />
Bärenreiter Praha · www.baerenreiter.cz<br />
ISMN 979-0-2601-0722-9<br />
Bärenreiter-Verlag · Kassel · www.baerenreiter.com<br />
1 · 14<br />
Bärenreiter Praha · www.baerenreiter.cz<br />
Bärenreiter-Verlag · Kassel · www.baerenreiter.com<br />
1 · 14<br />
át = HKS 41 K / barva papíru Salzer<br />
p. 1<br />
1/1 - líc: 1/1 - líc: černý plát = HKS 41 K / barva papíru Salzer<br />
BA 9552<br />
kola houslové techniky / School of Violin Technique / Schule der Violintechnik · op. 1<br />
Svazek 1 / Volume 1 / Band 1<br />
ISMN 979-0-2601-0711-3<br />
BA 9552<br />
Škola houslové techniky / School of Violin Technique / Schule der Violintechnik · op. 1<br />
Svazek 1 / Volume 1 / Band 1<br />
Bärenreiter Praha · www.baerenreiter.cz<br />
ISMN 979-0-2601-0711-3<br />
Bärenreiter-Verlag · Kassel · www.baerenreiter.com<br />
1 · 14<br />
Bärenreiter Praha · www.baerenreiter.cz<br />
Bärenreiter-Verlag · Kassel · www.baerenreiter.com<br />
BA 9557<br />
Ševčík, Výměny poloh a průprava ke cvičení stupnic / Changes of Position and Preparatory Scale Studies /<br />
Lagenwechsel und Tonleiter-Vorstudien · op. 8<br />
ISMN 979-0-2601-0727-4<br />
1 · 15<br />
1 · 15<br />
Bärenreiter Praha · www.baerenreiter.cz<br />
Bärenreiter-Verlag · Kassel · www.baerenreiter.com<br />
BA 9556<br />
Ševčík, Průprava k trylku a výcvik prstového úhozu /<br />
Preparatory Trill Studies and the Development of Double-Stopping /<br />
Triller-Vorstudien und Entwicklung des Finger-Anschlags · op. 7<br />
ISMN 979-0-2601-0760-1<br />
Bärenreiter Praha · www.baerenreiter.cz<br />
Bärenreiter-Verlag · Kassel · www.baerenreiter.com<br />
BÄRENREITER PRAHA<br />
H 5993<br />
K LAVÍR<br />
NEW BÄRENREITER PUBLICATIONS<br />
OF ŠEVČÍK'S PRINCIPAL WORKS<br />
Edited by Jaroslav Foltýn<br />
based on authentic sources from the early 20th century and Ševčík's posthumous papers<br />
Violin Solo<br />
(with accompaniment)<br />
Educational Works<br />
ŠKOLA HOUSLOVÝCH ETUD I<br />
ETÜDENSCHULE FÜR DIE VIOLINE I<br />
VIOLIN<br />
Violin School for Beginners Op. 6<br />
Ed. N. Kubát<br />
H 257 Book 1<br />
H 54 Book 4<br />
H 55 Book 5<br />
H 258 Book 7<br />
I. POLOHA • I. LAGE<br />
od v K.-černá<br />
ŠEVČÍK<br />
Škola houslové techniky<br />
School of Violin Technique<br />
Schule der Violintechnik<br />
op. 1<br />
Sešit 1 / Book 1 / Heft 1<br />
1. poloha / 1 st Position / 1. Lage<br />
Bärenreiter<br />
ŠEVČÍK<br />
Škola houslové techniky<br />
School of Violin Technique<br />
Schule der Violintechnik<br />
op. 1<br />
Sešit 2 / Book 2 / Heft 2<br />
2.– 7. poloha / 2 nd – 7 th Position / 2.– 7. Lage<br />
Bärenreiter<br />
School of Violin Technique Op. 1<br />
BA 9552 Book 1: 1st Position<br />
BA 9553 Book 2: 2nd–7th Position<br />
BA 9554 Book 3: Changing Positions<br />
BA 9555 Book 4: Exercises in Double<br />
Stops and Harmonics<br />
pozor kod v K.-černá<br />
ŠEVČÍK<br />
Škola smyčcové techniky<br />
School of Bowing Technique<br />
Schule der Bogentechnik<br />
op. 2<br />
Svazek 1 / Volume 1 / Band 1<br />
Bärenreiter<br />
pozor kod v K.-černá<br />
ŠEVČÍK<br />
Škola smyčcové techniky<br />
School of Bowing Technique<br />
Schule der Bogentechnik<br />
op. 2<br />
Svazek 2 / Volume 2 / Band 2<br />
Bärenreiter<br />
School of Bowing Technique Op. 2<br />
BA 9591 Book 1: Exercises for the<br />
Right Arm<br />
BA 9592 Book 2: Exercises for the<br />
Wrist I<br />
BA 9593 Book 3: Exercises for the<br />
Wrist II<br />
ŠEVČÍK<br />
Škola houslové techniky<br />
School of Violin Technique<br />
Schule der Violintechnik<br />
op. 1<br />
Sešit 3 / Book 3 / Heft 3<br />
Výměny poloh / Changing Positions / Lagenwechsel<br />
Bärenreiter<br />
ŠEVČÍK<br />
Škola houslové techniky<br />
School of Violin Technique<br />
Schule der Violintechnik<br />
op. 1<br />
Sešit 4 / Book 4 / Heft 4<br />
Cvičení dvojhmatová a flažoletová<br />
Exercises in Double Stops and Harmonics<br />
Übungen mit Doppelgriffen und Flageolett -Tönen<br />
Bärenreiter<br />
● The pivotal work of a leading<br />
violin pedagogue<br />
● The most frequently used system<br />
of practising scales and broken<br />
chords worldwide to this day<br />
● For intermediate and advanced<br />
violinists<br />
● Lifelong study material even for<br />
professionals<br />
ŠEVČÍK<br />
Škola smyčcové techniky<br />
School of Bowing Technique<br />
Schule der Bogentechnik<br />
op. 2<br />
Svazek 3 / Volume 3 / Band 3<br />
Bärenreiter<br />
● An exceptional work of<br />
educational violin literature for<br />
the right hand<br />
● The famous “four thousand”<br />
variations of systematically<br />
ordered bowing exercises<br />
● Divided into three sections,<br />
this <strong>new</strong> edition combines the<br />
original six volumes in groups<br />
of two<br />
● Increasing order of difficulty:<br />
easy – moderate – advanced<br />
ŠEVČÍK<br />
Výměny poloh a průprava<br />
ke cvičení stupnic<br />
Changes of Position and<br />
Preparatory Scale Studies<br />
Lagenwechsel und<br />
Tonleiter-Vorstudien<br />
op. 8<br />
Bärenreiter<br />
Changes of Position and<br />
Preparatory Scale Studies Op. 8<br />
BA 9557<br />
● Exercises devoted to changes of<br />
position and preparatory studies<br />
for scales over three octaves (in<br />
thirds, sixths, octaves and tenths)<br />
● Moderate level of difficulty<br />
ŠEVČÍK<br />
Průprava k trylku a výcvik<br />
prstového úhozu<br />
Preparatory Trill Studies and<br />
the Development of Double-Stopping<br />
Triller-Vorstudien und Entwicklung<br />
des Finger-Anschlags<br />
op. 7<br />
Bärenreiter<br />
Preparatory Trill Studies and the<br />
Development of Double-Stopping<br />
Op. 7<br />
BA 9556<br />
● Exercises dealing with the<br />
position of the fingers, their<br />
placement on the strings,<br />
practising finger-stopping and<br />
shifting along the fingerboard<br />
in the basic positions<br />
● Moderate to advanced level<br />
of difficulty<br />
Gola Zdeněk<br />
(*1929)<br />
Violin Technique<br />
(Cz/Ger/Eng)<br />
BA 9550 Vol. 1<br />
BA 9551 Vol. 2<br />
The exercises in this two-part<br />
textbook are intended for<br />
violinists who already have<br />
a basic knowledge of how to<br />
shift position and how to play<br />
double stops. The method<br />
used in both volumes is<br />
fundamentally different from<br />
those of other violin textbooks,<br />
and it brings a <strong>new</strong> approach<br />
to exercising finger technique.<br />
The author sees the left hand<br />
technique as constituting the<br />
basis of violin play.<br />
● New method for practising<br />
left hand technique<br />
● Around 500 position<br />
combinations<br />
● Progressive method for<br />
achieving, re<strong>new</strong>ing and<br />
maintaining confidence<br />
in both positioning and<br />
intonation<br />
● Preface and commentaries<br />
to the exercises (Cz/Ger/Eng)<br />
● Advanced level of technical<br />
difficulty<br />
SEŠIT • HEFT<br />
1– 2<br />
Krůček Václav<br />
(*1927)<br />
School of Violin Studies I<br />
1st Position<br />
(Cz/Ger)<br />
H 5993 Vol. 1, 2<br />
School of Violin Studies II<br />
Playing in Positions<br />
(Cz/Ger)<br />
H 6<strong>18</strong>7 Vol. 3, 4<br />
Ševčík Otakar<br />
(<strong>18</strong>52–1934)<br />
Changes of Position and<br />
Preparatory Scale Studies Op. 8<br />
Ed. J. Foltýn<br />
BA 9557<br />
→ see more on the facing page<br />
Preparatory Trill Studies and<br />
the Development of Double-<br />
Stopping Op. 7<br />
Ed. J. Foltýn<br />
BA 9556 <br />
→ see more on the facing page<br />
Preparatory Exercises in Double-<br />
Stopping Op. 9<br />
Ed. N. Kubát<br />
H 2090<br />
School of Violin Technique Op. 1<br />
Ed. J. Foltýn<br />
BA 9552 Book 1<br />
BA 9553 Book 2<br />
BA 9554 Book 3<br />
BA 9555 Book 4<br />
→ see more on the facing page<br />
School of Bowing Technique<br />
Op. 2<br />
Ed. J. Foltýn<br />
BA 9591 Book 1<br />
BA 9592 Book 2<br />
BA 9593 Book 3<br />
→ see more on the facing page<br />
DVOŘÁK · Dumky · op. 90 Bärenreiter<br />
NEW <strong>2017</strong><br />
ŠEVČÍK<br />
Čtyřicet variací pro housle<br />
Forty Variations for the Violin<br />
Vierzig Variationen für Violine<br />
op. 3<br />
Bärenreiter<br />
Forty Variations for Violin Op. 3<br />
Ed. P. Kudelásek<br />
BA 11521 (replaces H 2627)<br />
To appear in November <strong>2017</strong><br />
This relatively small one-volume<br />
work by Otakar Ševčík holds a<br />
special place in his extensive<br />
educational oeuvre. It follows<br />
up on his systematic “stepby-step”<br />
work with the right<br />
hand, which is meticulously<br />
detailed in the preceding Opus<br />
2, but it can also be seen as an<br />
independent source of stimuli<br />
for the violinist's daily chores or<br />
as an extremely effective and<br />
condensed means of mastering<br />
the broad range of motions of<br />
the right hand – from basic to<br />
virtuoso. An ideal set of exercises<br />
for the hurried age of today.<br />
● New edition of another of<br />
Ševčík's works for practising<br />
the right hand<br />
● Follows up on the School<br />
of Bowing Technique Op. 2<br />
● Preface (Cz/Eng/Ger) by the<br />
editor, the prominent Prague<br />
Conservatoire pedagogue<br />
Pavel Kudelásek<br />
● Moderate to advanced level<br />
of difficulty<br />
16 17
VIOLIN<br />
VIOLIN<br />
Repertoire Works<br />
Benda František<br />
(1709–1786)<br />
Caprice COPY<br />
for violin solo<br />
Rev. by J. Čeleda<br />
H 3133<br />
Fišer Luboš<br />
(1935–1999)<br />
Crux<br />
for violin, timpani and bells<br />
Reproduction of the autograph<br />
from the property of I. Štraus<br />
H 7966 performance score<br />
Hanuš Jan<br />
(1915–2004)<br />
A Zest for Life (Chuť žít) Op. 127<br />
A Fantasy Variation for Solo Violin<br />
in Response to Pierre Teilhard de<br />
Chardin's Thoughts<br />
Rev. by P. Maceček<br />
H 7881<br />
Loudová Ivana<br />
(*1941)<br />
Canto solitario<br />
for violin solo<br />
Prague Spring IMC Commission<br />
(2003)<br />
H 7859<br />
Šporcl Pavel<br />
(* 1973)<br />
NEW <strong>2017</strong><br />
Where Is My Home (Kde domov<br />
můj)<br />
virtuoso variations on the <strong>Czech</strong><br />
national anthem for violin solo<br />
H 8039<br />
2 Violins<br />
(solo / with accompaniment)<br />
Educational Works<br />
Micka Josef<br />
(1903–1993)<br />
Elementary Studies<br />
for violin with the 2nd violin<br />
accompaniment<br />
H 5450<br />
First Encounter with Masters<br />
14 short pieces for violin in the<br />
1st position with the 2nd violin<br />
accompaniment (or piano<br />
accompaniment)<br />
H 3089<br />
Repertoire Works<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Humoresque in G-flat maj<br />
Op. 101 No. 7<br />
for two violins<br />
Arr. by J. Žemla<br />
H 1591-03 parts<br />
Feld Jindřich<br />
(1925–2007)<br />
Sonatina for Two Violins<br />
H 1927 parts<br />
Kramář-Krommer František Vincenc<br />
(1759–<strong>18</strong>31)<br />
Six Duettini<br />
for soprano and alto recorders /<br />
2 violins / 2 clarinets<br />
Arr. by L. Daniel<br />
H 5862<br />
score with 1 part<br />
(alto recorder)<br />
Martinů Bohuslav<br />
(<strong>18</strong>90–1959)<br />
Concerto for Two Violins and<br />
Orchestra H. 329<br />
Duo concertante for Two Violins<br />
and Orchestra H. 264<br />
(both works – see section Violin<br />
Concertos)<br />
Suk Josef<br />
(<strong>18</strong>74–1935)<br />
Melody<br />
for two violins<br />
Ed. Z. Nouza †<br />
H 7951 score with parts<br />
Tůma František Ignác Antonín<br />
(1704–1774)<br />
Composizioni strumentali<br />
Sonatas / Partitas / Sinfonias<br />
for two violins and basso<br />
continuo<br />
Ed. V. Bělský<br />
MAB I/69<br />
H 4376 score<br />
Violin and Piano<br />
Pieces for Children<br />
and Youth<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Humoresque in G-flat maj<br />
Op. 101 No. 7<br />
Rev. by L. Láska, A. Pokorný<br />
H 1592 score with part<br />
Largo from Symphony No. 9 in<br />
E min “From the New World”<br />
Op. 95<br />
Arr. by A. Pokorný<br />
in an easy style<br />
H <strong>18</strong>11 score with part<br />
Slavonic Dances Op. 46 Nos. 1–4<br />
Arr. by A. Pokorný<br />
H 3235 score with part<br />
Two Waltzes Op. 54 Nos. 1, 4<br />
for violin / viola and piano<br />
Arr. by J. Kocian, viola part rev. by<br />
K. Moravec<br />
H <strong>18</strong>90 score (violin version)<br />
with viola part<br />
Eben Petr<br />
(1929–2007)<br />
Sonatina semplice<br />
for violin / flute and piano<br />
Rev. by B. Purger, V. Žilka<br />
H 2414 score with parts<br />
Martinů Bohuslav<br />
(<strong>18</strong>90–1959)<br />
Intermezzo H. 261<br />
4 compositions for violin with<br />
piano accompaniment<br />
Rev. by V. Nopp, K. Šolc<br />
H 5259 score with part<br />
Sonatina H. 262<br />
Rev. by V. Nopp<br />
H 2172 score with part<br />
Micka Josef<br />
(1903–1993)<br />
First Encounter with Masters<br />
14 short pieces for violin in<br />
the 1st position with piano<br />
accompaniment (or the 2nd<br />
violin accompaniment)<br />
H 3089<br />
Suk Josef<br />
(<strong>18</strong>74–1935)<br />
Compositions for Violin and<br />
Piano<br />
Arr. by J. Suk, J. Kocian<br />
in an easy style<br />
H 7823 score with part<br />
Melody (Melodie), Bagatelle<br />
(Bagatela), Lullaby (Ukolébavka),<br />
Evening Mood (Večerní nálada),<br />
Village Serenade (Vesnická<br />
serenáda), Song of Love (Píseň<br />
lásky<br />
Repertoire Works<br />
Benda František<br />
(1709–1786)<br />
Quatro sonate<br />
in A maj, in A min, in G maj,<br />
in A maj<br />
Eds. J. Štědroň, B. Štědroň<br />
MAB I/57<br />
H 3578 score with part<br />
Dusík Jan Ladislav<br />
(1760–<strong>18</strong>12)<br />
Sonatas Op. 69 Nos. 1, 2<br />
Eds. J. Štědroň, B. Štědroň<br />
MAB I/41<br />
H 2704 score with part<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Capriccio B 81<br />
Concert Rondo<br />
Eds. J. Burghauser, A. Čubr<br />
ADCE IV/1<br />
H 5543 score with part<br />
Mazurek Op. 49<br />
Eds. J. Hanuš, K. Šolc<br />
ADCE IV/1<br />
H 1550 score with part<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Romance in F min Op. 11<br />
Urtext / Ed. J. Hájek<br />
BA 9571 score with part<br />
Originally written for violin and<br />
orchestra between <strong>18</strong>73 and <strong>18</strong>77,<br />
Dvořák's Romance immediately<br />
followed his String Quartet in<br />
F minor (<strong>18</strong>73) and draws on the<br />
theme from its slow movement.<br />
Our edition is the first to avail<br />
itself of the autograph of<br />
Dvořák's own version for violin<br />
and piano. Compared to the<br />
well-known piano reduction<br />
by Josef Zubatý, it differs from<br />
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the orchestral version in several<br />
important respects and is also<br />
one bar shorter.<br />
Our <strong>new</strong> edition, containing<br />
the composer's more authentic<br />
version, can nevertheless also<br />
serve as a piano reduction to<br />
the orchestral version.<br />
<br />
<br />
<br />
● First edition of a piano<br />
version based on Dvořák's<br />
autograph of the piano part<br />
● Detailed preface by David R.<br />
Beveridge (Cz/Eng/Ger)<br />
● Critical commentary (Eng)<br />
by the editor<br />
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<strong>18</strong> 19
VIOLIN<br />
VIOLIN<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Romantic Pieces<br />
(Romantické kusy) Op. 75<br />
Eds. A. Pokorný, K. Šolc<br />
New preface by D. R. Beveridge<br />
and fingering by J. Micka<br />
BA 9576 score with part<br />
Sonata in F maj Op. 57 COPY<br />
Eds. A. Pokorný, K. Šolc<br />
Violin part rev. by S. Novák<br />
ADCE IV/1<br />
H 2178 score with part<br />
Sonatina in G maj Op. 100<br />
Ed. A. Čubr<br />
Violin part rev. by J. Feld<br />
ADCE IV/1<br />
H 1364 score with part<br />
Fibich Zdeněk<br />
(<strong>18</strong>50–1900)<br />
Idyll (Selanka) Op. 16<br />
for clarinet / violin and piano<br />
Violin transcription by the<br />
composer<br />
H 3754 score with parts<br />
Sonatina Op. 27<br />
Violin part rev. by V. Snítil<br />
H 1442 score with part<br />
Fišer Luboš<br />
(1935–1999)<br />
Hands (Ruce)<br />
Sonata for Violin and Piano<br />
Violin part rev. by I. Štraus<br />
H 3884 score with part<br />
Hanuš Jan<br />
(1915–2004)<br />
Suite to the Paintings of Mánes<br />
(Suita podle Mánesových<br />
obrazů) Op. 22<br />
Rev. by S. Šorm<br />
H 465 score with part<br />
Janáček Leoš<br />
(<strong>18</strong>54–1928)<br />
A Blown-Away Leaf<br />
(Lístek odvanutý)<br />
from the piano cycle On an<br />
Overgrown Path<br />
Arr. by J. Štědroň<br />
H 2043 score with part<br />
Dumka<br />
Revised version based on<br />
composer's autograph of the<br />
violin part<br />
Ed. A. Němcová<br />
H 7743 score with part<br />
Janáček Leoš<br />
(<strong>18</strong>54–1928)<br />
Works for Violin and Piano<br />
Romance, Dumka, Sonata<br />
Eds. J. Krejčí, A. Němcová<br />
LJCE E/1<br />
BA 6849• cloth bound score<br />
with part<br />
Works for Violin and Piano<br />
Romance, Dumka, Sonata<br />
Urtext / Eds. J. Krejčí, A. Němcová<br />
New preface by A. Němcová<br />
BA 11512 score with part<br />
● With a revised version<br />
of Dumka with original<br />
dynamic markings<br />
Kocian Jaroslav<br />
(<strong>18</strong>83–1950)<br />
Serenade in D maj<br />
Violin part rev. by V. Snítil<br />
H 7938 score with part<br />
Three Compositions for Violin<br />
and Piano Op. 19 Nos. 1, 2, 3<br />
Mélodie, Chanson printanière,<br />
Lullaby<br />
H 7874 score with part<br />
Trois pièces d'impression pour<br />
violin et piano Op. <strong>18</strong> Nos. 1, 2, 3<br />
Méditation du soir, Intermezzo<br />
pittoresque, Hymne au<br />
printemps<br />
H 7825 score with part<br />
Two Compositions for Violin and<br />
Piano Op. 17 Nos. 1, 2<br />
Serenade in G maj, Humoresque<br />
Violin part rev. by V. Snítil<br />
H 7802 score with part<br />
Korte Oldřich F.<br />
(1926–2014)<br />
Dialoghi filosofici<br />
(Philosofical Dialogues)<br />
Violin part rev. by I. Štraus<br />
H 6582 score with part<br />
Kubelík Jan<br />
(<strong>18</strong>80–1940)<br />
Burlesque<br />
Violin part rev. by V. Snítil<br />
H 7914 score with part<br />
Minuet<br />
H 7817 score with part<br />
♦<br />
•<br />
Bärenreiter-Verlag Kassel production<br />
Kubička Miroslav<br />
(*1951)<br />
Sonata<br />
H 7916 score with part<br />
Martinů Bohuslav<br />
(<strong>18</strong>90–1959)<br />
Impromptu H. 166<br />
Three Compositions for Violin<br />
and Piano<br />
Ed. I. Popelka<br />
H 5906 score with part<br />
Matys Jiří<br />
(*1927)<br />
Capriccio<br />
Violin part rev. by B. Kotmel<br />
H 5317 score with part<br />
Novák Jan<br />
(1921–1984)<br />
Sonata super “Hoson Zes…”<br />
for violin / flute and piano<br />
Ed. J. Čižmář<br />
H 7855 score with 2 parts<br />
Ondříček František<br />
(<strong>18</strong>57–1922)<br />
Scherzo capriccioso Op. <strong>18</strong><br />
Violin part rev. by V. Snítil<br />
H 7915 score with part<br />
Smetana Bedřich<br />
(<strong>18</strong>24–<strong>18</strong>84)<br />
From the Homeland<br />
(Z domoviny)<br />
Two Duets for Violin and Piano<br />
Urtext / Eds. F. Bartoš, J. Plavec,<br />
K. Šolc<br />
Violin part rev. by I. Štraus<br />
New preface by M. Ottlová<br />
BA 9526 score with part<br />
Vaňhal Jan Křtitel<br />
(1739–<strong>18</strong>13)<br />
Sonata per il pianoforte con<br />
violino obligato<br />
Rev. by J. Panocha, A. Dítětová<br />
H 5445 score with part<br />
Voříšek Jan Václav Hugo<br />
(1791–<strong>18</strong>25)<br />
Sonata in G maj Op. 5 COPY<br />
Eds. J. Štědroň, B. Štědroň<br />
MAB I/30<br />
H 2078 score with part<br />
Performance material<br />
available on hire<br />
Violin Concertos<br />
(solo / 2 violins)<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
20 21<br />
NEW <strong>2017</strong><br />
Concerto in A min for Violin and<br />
Orchestra Op. 53<br />
→ see more on the next page<br />
Feld Jindřich<br />
(1925–2007)<br />
Concerto for Violin and<br />
Orchestra<br />
H 6696 piano reduction ♦<br />
Janáček Leoš<br />
(<strong>18</strong>54–1928)<br />
The Wandering of a Little Soul<br />
(Putování dušičky)<br />
Violin Concerto<br />
Eds. L. Faltus, M. Štědroň<br />
LJCE H/4<br />
H 7738<br />
H 7504<br />
score ♦<br />
piano reduction<br />
(Leoš Faltus)<br />
Kalabis Viktor<br />
(1923–2006)<br />
Concerto No. 2 for Violin and<br />
Piano Op. 49<br />
Violin part rev. by J. Suk<br />
H 6674 score ♦<br />
Kaprálová Vítězslava<br />
(1915–1940)<br />
Concertino for Violin, Clarinet<br />
and Orchestra Op. 21<br />
COPY<br />
Based on the composer's draft,<br />
realised by M. Štědroň, L. Faltus<br />
H 7919 score ♦<br />
Bohuslav Martinů<br />
(<strong>18</strong>90–1959)<br />
NEW 2016<br />
Key violin concertos<br />
of the 20th century<br />
Concerto No. 1 for Violin and<br />
Orchestra H. 226<br />
Violin part rev. by J. Suk<br />
BA 11527-90 piano reduction ♦<br />
(replaces H 5797) (Karel Šolc)<br />
[The score for Concerto No. 1<br />
(BA 6720 / H 5798) also available<br />
on sale]<br />
● Solo parts of both concertos<br />
revised by leading <strong>Czech</strong><br />
violinists and internationally<br />
respected performers of<br />
Martinů's music<br />
Violino<br />
NEW 2016<br />
Concerto No. 2 for Violin and<br />
Orchestra H. 293<br />
Violin part rev. by B. Bělčík<br />
BA 11529-90 piano reduction ♦<br />
(replaces H 5286) (Karel Šolc)<br />
The Violin Concerto No. 1<br />
(written in Paris 1932–33) was<br />
never performed during the<br />
composer's lifetime and was<br />
even considered lost after his<br />
death. It was not until 1961 that<br />
this concerto was discovered.<br />
The world premiere was given<br />
by <strong>Czech</strong> violinist Josef Suk with<br />
the Chicago Symphony under<br />
G. Solti in 1973.<br />
After hearing the Boston<br />
Symphony Orchestra perform<br />
Martinů's Symphony No. 1<br />
in New York, Mischa Elman<br />
commissioned the composer to<br />
write a violin concerto for him.<br />
Martinů thereupon composed<br />
his Violin Concerto No. 2 in 1943.<br />
That same year Elman played the<br />
solo part at the world premiere<br />
with S. Koussevitzky conducting<br />
the Boston Symphony.<br />
● Both concertos with <strong>new</strong><br />
prefaces by Martinů scholar<br />
Sandra Bergmannová<br />
(Cz/Eng/Ger)<br />
Koncert č. 2 / Concerto No. 2 / Konzert Nr. 2<br />
35<br />
30<br />
25<br />
I<br />
20<br />
Bohuslav Martinů<br />
(<strong>18</strong>90–1959)<br />
45
VIOLIN<br />
VIOLIN / VIOLA<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
NEW <strong>2017</strong><br />
Concerto in A min for Violin<br />
and Orchestra Op. 53<br />
Urtext / Ed. I. Cividini<br />
BA 10422 score °<br />
(replaces H 1597)<br />
BA 10422-90 piano reduction<br />
(Antonín Dvořák?)<br />
(replaces H 1005)<br />
TP 422 study score<br />
(TP 422 appears in November <strong>2017</strong>)<br />
Dvořák's Violin Concerto was<br />
composed between <strong>18</strong>79 and<br />
<strong>18</strong>82, with the active assistance of<br />
Joseph Joachim, and was issued<br />
by the publisher Fritz Simrock,<br />
Berlin in <strong>18</strong>83. Its premiere took<br />
place in October of that same<br />
year with František Ondříček as<br />
soloist.<br />
This <strong>new</strong> Urtext edition is based<br />
on the first edition (score, solo<br />
violin part, piano reduction<br />
and orchestral parts). It also<br />
takes Dvořák's autograph which<br />
served as a master copy for the<br />
engraving into consideration.<br />
A fresh assessment of Dvořák's<br />
manuscript made it possible<br />
to reconstruct several variants<br />
ignored in the first and subsequent<br />
editions and to clarify<br />
ambiguities in the notation and<br />
articulation.<br />
An important component of our<br />
Urtext edition is the original<br />
piano reduction, which probably<br />
stems from Dvořák himself, and<br />
in which we published Joseph<br />
Joachim's fingering.<br />
● First Urtext edition of the<br />
original piano reduction<br />
● Variants in the solo part<br />
rendered as ossia passages<br />
● Preface on the work's genesis<br />
(Ger/Cz/Eng) and detailed<br />
critical commentary (Eng) by<br />
the editor<br />
New Urtext edition<br />
of a romantic concerto masterpiece<br />
Violino solo<br />
Joseph Joachim zugeeignet<br />
Koncert pro housle<br />
Violin Concerto<br />
Konzert für Violine<br />
I<br />
Allegro ma non troppo<br />
Antonín Dvořák, op. 53<br />
Viol. I<br />
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DVOŘÁK<br />
B Ä R E N R E I T E R<br />
Koncert a moll<br />
pro housle a orchestr<br />
Concerto in A minor<br />
for Violin and Orchestra<br />
Konzert a-Moll<br />
für Violine und Orchester<br />
op. 53<br />
Bärenreiter<br />
U R T E X T<br />
<br />
dim.<br />
© <strong>2017</strong> by Bärenreiter Praha<br />
Performance material<br />
°<br />
available on sale<br />
3<br />
3<br />
Martinů Bohuslav<br />
(<strong>18</strong>90–1959)<br />
Concerto da camera H. 285<br />
for violin, string orchestra, piano<br />
and percussion<br />
Eds. S. Bergmannová, J. Franková,<br />
P. Silverthorne<br />
BMCE III/1, 7 (in one volume with<br />
Rhapsody-Concerto for Viola and<br />
Orchestra H. 337)<br />
BA 10578-01 cloth bound score<br />
In preparation<br />
Concerto for Two Violins and<br />
Orchestra H. 329<br />
BA 3842• study score ♦<br />
BA 3842-90• piano reduction<br />
(Karel Šolc)<br />
NEW 20<strong>18</strong><br />
Slavický Milan<br />
(1947–2009)<br />
The Way of the Heart<br />
(Cesta srdce)<br />
Story for violin solo, winds,<br />
percussion, celesta and harp<br />
H 6931 score – facsimile ♦<br />
Vranický Antonín<br />
(1761–<strong>18</strong>20)<br />
Concerto in B-flat maj for Violin<br />
and Orchestra<br />
Eds. F. Krejčí, V. Straka<br />
Violin part rev. by F. Krejčí<br />
MAB I/16<br />
H 916 piano reduction<br />
Duo concertant for Two Violins<br />
and Orchestra H. 264<br />
♦ Performance material<br />
BA 4317• study score ♦<br />
available on hire<br />
BA 4317-90• Bärenreiter piano reduction Study Score Reader<br />
(Karel Šolc)<br />
•<br />
Bärenreiter-Verlag Kassel production<br />
Bärenreiter Study Score Reader<br />
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New Issue Title<br />
39 New Publications 2/2014 · The Programme<br />
New Issue Title<br />
Viola Solo<br />
Educational Works<br />
Kolář Augustin<br />
School of Viola Playing for<br />
Beginners<br />
(Cz/Ger)<br />
H 6791<br />
four books<br />
in slipcover<br />
Viola and Piano<br />
Pieces for Children and<br />
Youth<br />
Feld Jindřich<br />
(1925–2007)<br />
Little Sonatina for Viola and<br />
Piano COPY<br />
H 5850<br />
Repertoire Works<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Two Waltzes Op. 54 Nos. 1, 4<br />
for violin / viola and piano<br />
Arr. by J. Kocian, viola part rev. by<br />
K. Moravec<br />
H <strong>18</strong>90 score (violin version)<br />
with viola part<br />
Feld Jindřich<br />
(1925–2007)<br />
Concertante <strong>Music</strong> for Viola and<br />
Piano<br />
H 7528 score with part<br />
Viola Concertos<br />
Feld Jindřich<br />
(1925–2007)<br />
Concerto for Viola and Orchestra<br />
H 7987 piano reduction ♦<br />
Martinů Bohuslav<br />
(<strong>18</strong>90–1959)<br />
Rhapsody-Concerto for Viola and<br />
Orchestra H. 337<br />
BA 4316• study score ♦<br />
BA 4316-90• piano reduction<br />
(Jürgen Sommer)<br />
39 New Publications 2/2014 · The Programme<br />
22 23
VIOLA / VIOLONCELLO<br />
VIOLONCELLO<br />
Martinů Bohuslav<br />
(<strong>18</strong>90–1959)<br />
NEW 20<strong>18</strong><br />
Rhapsody-Concerto for Viola and<br />
Orchestra H. 337<br />
Eds. S. Bergmannová, J. Franková,<br />
P. Silverthorne<br />
BMCE III/1, 7 (in one volume with<br />
Concerto da camera H. 285)<br />
BA 10578-01 cloth bound score<br />
In preparation<br />
Vaňhal Jan Křtitel<br />
(1739–<strong>18</strong>13)<br />
NEW 2016<br />
Concerto in C maj for Viola<br />
and Orchestra<br />
Viola part rev. by J. Plichta<br />
BA 11531-90 piano reduction ♦<br />
(replaces H 3586) (Vilém Blažek)<br />
The Bohemian composer Jan<br />
Křtitel Vaňhal/Johann Baptist<br />
Vanhal (1739–<strong>18</strong>13) settled in<br />
Vienna around 1763. There<br />
he wrote several concertos<br />
for various instruments, of<br />
which two for viola have<br />
survived. Both are evidently<br />
not original compositions, but<br />
arrangements of Vaňhal's own<br />
works by his contemporaries.<br />
The Viola Concerto in C major is<br />
based on Vaňhal's cello concerto<br />
in the same key.<br />
● Popular repertoire piece from<br />
the Viennese Classical period<br />
available once again<br />
● Solo part with cadenzas for<br />
each movement<br />
● New preface by Phillip<br />
Schmidt (Ger/Cz/Eng)<br />
Violoncello Solo<br />
Educational Works<br />
Ševčík Otakar<br />
(<strong>18</strong>52–1934)<br />
NEW 20<strong>18</strong><br />
School of Bowing Technique<br />
for Violoncello Op. 2<br />
originally for violin, now<br />
in transcription for violoncello<br />
Ed. T. Jamník<br />
BA 11547 Book 1<br />
BA 11548 Book 2<br />
BA 11549 Book 3<br />
In preparation<br />
Repertoire Works<br />
Kukal Ondřej<br />
(*1964)<br />
Violoncelliana – 2nd Rhapsody<br />
for Solo Violoncello Op. 32<br />
Prague Spring IMC Commission<br />
(2012)<br />
H 8021<br />
Tichý Vladimír<br />
(*1946)<br />
Exclamation<br />
Prague Spring IMC Commission<br />
(2006)<br />
H 7949<br />
Violoncello and Piano<br />
Repertoire Works<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Cello Compositions<br />
Slavonic Dances Op. 46 Nos. 3, 8,<br />
Polonaise in A maj B 94<br />
Ed. J. Burghauser<br />
Cello part rev. by J. Chuchro<br />
ADCE IV/3<br />
H 5305 score with part<br />
Polonaise in A maj Op. post.<br />
(B 94)<br />
Ed. K. Storck<br />
BA 6965• score with part<br />
Rondo in G min Op. 94<br />
ADCE IV/3<br />
H 1487 score with part<br />
Silent Woods (Klid) Op. 68 No. 5<br />
Ed. A. Čubr<br />
ADCE IV/3<br />
H 1532 score with part<br />
NEW <strong>2017</strong><br />
Slavonic Dances Op. 46<br />
for violoncello and piano<br />
Arr. by J. Gemrot<br />
BA 9568 score with part<br />
In <strong>18</strong>91 Dvořák arranged the<br />
final, eighth dance of his<br />
popular first set of the Slavonic<br />
Dances Op. 46 for violoncello<br />
and piano. The <strong>Czech</strong> composer<br />
Jiří Gemrot (b. 1957) has<br />
followed his example and<br />
has arranged the remaining<br />
dances for the same scoring.<br />
However in order to approach<br />
Dvořák's ideal sound Gemrot<br />
based his arrangements on the<br />
composer's orchestral score.<br />
Dvořák's own arrangement of<br />
Slavonic Dance No. 8 has been<br />
taken from the ADCE IV/3 (see<br />
Cello Compositions H 5305).<br />
● First complete edition of the<br />
first set of Slavonic Dances<br />
arranged for violoncello and<br />
piano by Jiří Gemrot<br />
● A welcome addition to the<br />
violoncello repertoire<br />
● Includes Dvořák's own<br />
arrangement of Dance No. 8<br />
● With fingering and bowing<br />
by Tomáš Jamník<br />
● Preface by Eva Velická<br />
(Cz/Eng/Ger)<br />
From:<br />
•<br />
Bärenreiter-Verlag Kassel production<br />
27Antonín Dvořák, arr. by Jiří Gemrot, Slavonic Dances Op. 46 for<br />
<br />
violoncello <br />
<br />
<br />
and piano • BA <br />
9568<br />
<br />
<br />
<br />
<br />
p molto espress.<br />
Eben Petr<br />
Kabeláč Miloslav<br />
<br />
<br />
<br />
(1929–2007)<br />
(1908–1979)<br />
Suita balladica<br />
Sonata Op. 9<br />
H <br />
<br />
<br />
<br />
p dolce<br />
p molto espress.<br />
<br />
<br />
<br />
<br />
<br />
2156 score with<br />
<br />
<br />
part<br />
<br />
<br />
<br />
<br />
Ed. Z. Nouza † <br />
<br />
<br />
Cello part rev. by D. Veis<br />
Fišer Luboš<br />
MKCE IV/3<br />
(1935–1999)<br />
H 7793 score with part<br />
Sonata COPY<br />
H 7778 score with part<br />
Janáček Leoš<br />
(<strong>18</strong>54–1928)<br />
Works for Violoncello<br />
and Piano<br />
A Tale (Pohádka), Presto<br />
Urtext / Eds. J. Fukač, B. Havlík,<br />
J. Zahrádka<br />
Preface by J. Zahrádka<br />
(Cz/Eng/Ger)<br />
BA 9509 score with part<br />
● With the four-movement<br />
version of A Tale<br />
♦ Performance material<br />
available on hire<br />
Kaprálová Vítězslava<br />
(1915–1940)<br />
Ritornel Op. 25<br />
Eds. M. Štědroň, L. Faltus<br />
H 7827 score with part<br />
Kopelent Marek<br />
(*1932)<br />
Karrak<br />
Cello part rev. by J. Bárta<br />
H 7725 score (facsimile)<br />
with part<br />
Martinů Bohuslav<br />
(<strong>18</strong>90–1959)<br />
Sonata No. 3 H. 340<br />
Ed. A. Březina,<br />
Cello part rev. by M. Sedlák<br />
H 7893 score with part<br />
Variations on a Slovakian Theme<br />
H. 378<br />
BA 3969• score with part<br />
Cello Concertos<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Concerto in A maj for Violoncello<br />
and Orchestra B 10 COPY<br />
Eds. J. Burghauser, K. Šolc<br />
Cello part rev. by M. Sádlo<br />
ADCE VII/2<br />
H 5674 piano reduction by<br />
the composer ♦<br />
Concerto in B min for<br />
Violoncello and Orchestra<br />
Op. 104<br />
Urtext / Ed. J. Del Mar<br />
BA 9045• score °<br />
BA 9045-40• critical<br />
commentary<br />
(Eng)<br />
BA 9045-90• piano reduction<br />
by the composer<br />
TP 620• study score<br />
● With Dvořák's final and<br />
definitive version of the solo<br />
cello part, now published<br />
for the first time since <strong>18</strong>96<br />
● With hundreds of corrections<br />
in the solo cello part as well<br />
as the orchestral parts<br />
● With hitherto unknown<br />
details regarding the<br />
collaboration between<br />
Dvořák and Wihan<br />
● With Dvořák's original piano<br />
reduction<br />
● With Feuermann's and<br />
Casals' alternatives to<br />
a passage in the first<br />
movement<br />
24 25<br />
<br />
32<br />
<br />
<br />
Allegro vivace<br />
2 <br />
<br />
<br />
<br />
<br />
4 <br />
<br />
<br />
<br />
p fz fz fz fz cresc. f<br />
10<br />
<br />
<br />
<br />
<br />
p<br />
dim.<br />
<br />
<br />
<br />
dim.<br />
<br />
<br />
<br />
<br />
<br />
<br />
V<br />
2<br />
<br />
<br />
4 <br />
<br />
<br />
<br />
<br />
<br />
p<br />
cresc.<br />
p<br />
f<br />
<br />
2<br />
4 <br />
<strong>18</strong><br />
<br />
<br />
<br />
<br />
fz fz dim.<br />
<br />
<br />
<br />
<br />
dim. pp fz<br />
<br />
<br />
<br />
<br />
<br />
<br />
fz<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
p
VIOLONCELLO / DOUBLE BASS<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Concerto in B min for Violoncello<br />
and Orchestra Op. 104<br />
Cello part rev. by L. Zelenka<br />
Piano part by the composer rev.<br />
by K. Šolc<br />
ADCE III/12<br />
H 1598<br />
H 1200<br />
score COPY<br />
piano reduction by<br />
the composer ♦<br />
Martinů Bohuslav<br />
(<strong>18</strong>90–1959)<br />
Sonata da camera H. 283<br />
for violoncello and chamber<br />
orchestra<br />
BA 4319• study score ♦<br />
BA 4319-90• piano reduction<br />
Vaňhal Jan Křtitel<br />
(1739–<strong>18</strong>13)<br />
Concerto in A maj for Violoncello<br />
and Orchestra<br />
H 6973<br />
Double Bass<br />
piano reduction<br />
(Josef Rut)<br />
Educational Works<br />
Černý František<br />
(<strong>18</strong>61–1940)<br />
Technical Studies for Double Bass<br />
(Cz/Ger)<br />
H 4179<br />
Repertoire Works<br />
Kubička Miroslav<br />
(*1951)<br />
Fierce and Frolicsome<br />
(Hrátky hravé i dravé)<br />
Rondo for double bass and piano<br />
H 7982 score with part<br />
Hertl František<br />
(1906–1973)<br />
NEW 2016<br />
Sonata for Double Bass<br />
and Piano<br />
Double bass part rev. by J. Hudec<br />
BA 11530 score with part<br />
(replaces H 2068)<br />
The renowned <strong>Czech</strong> bass<br />
player, composer and<br />
conductor František Hertl<br />
(1906–1973) led the double<br />
bass section of the <strong>Czech</strong><br />
Philharmonic during the Václav<br />
Talich era and later taught at<br />
the Conservatoire and the<br />
Contrabbasso<br />
Pianoforte<br />
Sonáta / Sonata / Sonate<br />
I<br />
Academy of <strong>Music</strong> in Prague.<br />
An outstanding virtuoso, he<br />
had a consummate mastery<br />
of his instrument’s expressive<br />
potential and sound qualities.<br />
He also wrote successful concert<br />
and educational works for his<br />
instrument.<br />
Composed in 1946, Hertl’s only<br />
Sonata for Double Bass and Piano<br />
in three movements is a work of<br />
artistic and technical challenges<br />
that has maintained its place<br />
in the double bass repertoire to<br />
the present day. The musical text<br />
of our edition is based on the<br />
original publication (1956), this<br />
time with a <strong>new</strong> revision of the<br />
solo part by Jiří Hudec, the first<br />
double bass player of the present<br />
<strong>Czech</strong> Philharmonic.<br />
● New edition of a major<br />
repertoire piece for double bass<br />
● Solo part revised by respected<br />
<strong>Czech</strong> double bass virtuoso Jiří<br />
Hudec<br />
● Preface by Hertl’s last pupil,<br />
Jan Balcar (Cz/Eng/Ger)<br />
František Hertl<br />
(1906–1973)<br />
BÄRENREITER URTEXT<br />
offering the best<br />
of <strong>Czech</strong> music<br />
Bärenreiter Urtext is a seal of quality assigned only to<br />
scholarly-critical editions. It guarantees that the musical<br />
text represents the current state of research, prepared<br />
in accordance with clearly defined editorial guidelines.<br />
Bärenreiter Urtext: the last word in authentic text –<br />
the musicians' choice.<br />
Your next performance is worth it.<br />
www.baerenreiter.cz<br />
•<br />
Bärenreiter-Verlag Kassel production<br />
♦ Performance material<br />
available on hire<br />
26 27
K LAVÍR<br />
KLAVÍR<br />
Why choose Bärenreiter<br />
Urtext?<br />
Think of the time you spend practising and<br />
What else can I expect<br />
from a Bärenreiter Urtext<br />
edition?<br />
rehearsing for lessons and concerts. Can you<br />
really be sure that the music you play from<br />
reflects what the composer wanted?<br />
A trustworthy musical text alone does not yet<br />
justify the label of Bärenreiter Urtext. Integral<br />
parts of Bärenreiter Urtext editions are:<br />
Indeed, works have always been edited<br />
reflecting the taste of the time, often leading<br />
to a gradual deviation from what the composer<br />
had in mind. Most copied or downloaded music<br />
comes from old, heavily edited or even faulty<br />
editions. How disappointing to realise that you<br />
have wasted your time and energy on a musical<br />
text you cannot trust.<br />
With Bärenreiter Urtext editions you can have<br />
confidence in the validity of the musical text.<br />
But what is an urtext<br />
edition?<br />
At Bärenreiter the label “urtext” describes a<br />
scholarly-critical edition based on all known<br />
sources.<br />
In the past, it has often been difficult for<br />
musicians to really know if what they were<br />
playing was true to the composer's intentions.<br />
Publications were heavily elaborated with<br />
editors' own – often questionable – additions<br />
and interpretations. In order to adequately<br />
judge the quality of an edition, musicians<br />
would need to examine manuscripts and<br />
sources themselves.<br />
Bärenreiter takes on all this background work<br />
for you, our aim being to produce urtext editions<br />
reflecting the latest musicological research.<br />
Our editors, experts in their field, strive to<br />
set down a work as closely as possible to the<br />
composer's intentions. This isn't as easy as it<br />
sounds. Bärenreiter's musicologists often have<br />
to travel around the world to track down sources<br />
for a composition. They work like detectives,<br />
deciphering manuscripts which are sometimes<br />
almost illegible and evaluating conflicting<br />
sources.<br />
Isn't urtext just a copy<br />
of the autograph?<br />
As a musician you certainly can appreciate how<br />
difficult it can be to grasp what the composer<br />
actually intended, especially when we have no<br />
recordings of the performances. Simply looking<br />
at the autograph – assuming it exists – is not<br />
enough. What if the composer made corrections<br />
in the first printed edition? Obviously in this<br />
case the autograph only provides part of the<br />
story of a composition. As many sources as<br />
possible need to be assessed in order to compile<br />
a Bärenreiter Urtext edition including sketches,<br />
letters, autographs, manuscript copies, proofs,<br />
first editions, first editions with autograph<br />
corrections, contemporary reviews and<br />
comments by contemporaries.<br />
No cost or effort is spared by Bärenreiter when it<br />
comes to amassing and piecing together all the<br />
available information. An indispensable part of<br />
every urtext edition is the critical commentary<br />
where all editorial decisions and discrepancies<br />
between the sources are meticulously recorded.<br />
Only in this way can the true genius of the<br />
composer and his work be revealed.<br />
• Information on the genesis and history of<br />
the work<br />
• A description of the sources<br />
• Valuable notes on performance practice<br />
• A critical commentary explaining all source<br />
discrepancies and editorial decisions.<br />
But it's not all about musicology. Bärenreiter<br />
also satisfies your practical needs as a<br />
performer. Bärenreiter Urtext editions offer:<br />
• Page turns, fold-out pages, and cues where<br />
you need them<br />
• For solo string works additional parts with<br />
fingering and bowing<br />
• In the case of solo concertos and vocal scores,<br />
straightforward piano reductions<br />
• A well-presented layout and a user-friendly<br />
format<br />
• Excellent print quality<br />
• Superior paper and binding<br />
• Solid, “Made in Germany” quality<br />
What does the word<br />
urtext mean?<br />
The German prefix ur- literally means “original”<br />
or “earliest”. The earliest use of the term urtext<br />
goes back to the 19th century, where it appeared<br />
in connection with literary texts. It referred to<br />
the original texts of writers such as Goethe or<br />
Shakespeare which scholars tried to restore and<br />
free from editorial additions. In music, urtext is<br />
now a label used for scholarly-critical editions<br />
based on all known sources.<br />
28 29
K LAVÍR<br />
A<br />
B<br />
C<br />
illegible wedge<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
KLAVÍR<br />
[ ]<br />
<br />
<br />
<br />
<br />
<br />
<br />
92<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
D<br />
ff<br />
<br />
ff<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
ff<br />
ff<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
[ ff ]<br />
ff<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
ff<br />
ff<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
[ ]<br />
95 <br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Let's take this as an<br />
<br />
<br />
ff<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
the initial<br />
<br />
<br />
fortissimo in the piano part. Seeing<br />
<br />
<br />
<br />
<br />
<br />
that this omission was almost certainly not<br />
ff<br />
example<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
intentional,<br />
<br />
but rather <br />
a mere oversight, in our<br />
<br />
<br />
edition (picture D ) we return to the dynamic<br />
markings of the first edition. As we can see, it<br />
<br />
<br />
was not possible <br />
<br />
to merely<br />
<br />
reprint the second<br />
<br />
edition of the quartet from 1924; <br />
<br />
a study of the<br />
<br />
sources shows that even that edition was not<br />
without errors, due to inconsistent proofreading.<br />
Suk's Piano Quartet Op. 1 was published twice ff<br />
in the composer's <br />
<br />
lifetime. The second<br />
edition<br />
<br />
incorporated the composer's revision, noted by<br />
Otakar Šourek into a copy of the first <br />
edition <br />
(which was used as the engraver's copy for the<br />
[ ff ]<br />
second edition). The altered<br />
<br />
<br />
<br />
<br />
<br />
first<br />
movement was<br />
condensed with string-instrument imitation <br />
and with semiquaver passages in the piano, and<br />
<br />
this compositional arrangement of fifteen bars<br />
(Suk's autograph of the changes is missing) had<br />
to be re-engraved. But an oversight caused the<br />
omission of several dynamic markings, although<br />
these certainly still belong in the modified version<br />
of the passage. Therefore, the Urtext edition<br />
re-inscribes these markings according to the first<br />
edition and comments on this decision in the<br />
critical commentary.<br />
<br />
<br />
4<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
This shows one of many examples that Bärenreiter<br />
Urtext is not simply a copy of the autograph<br />
or a re-engraving of the first edition; it represents<br />
a thorough examination of all aspects of<br />
a work enriching our understanding of it with<br />
conclusive results.<br />
Think of your next<br />
performance<br />
missing ff<br />
missing wedge<br />
In picture A we see the version from the first<br />
edition from <strong>18</strong>92. Every two bars the crescendo<br />
wedge and ff marking confirm that the music<br />
should retain a strong dynamic. Otakar Šourek<br />
(and possibly Suk himself before that) marked<br />
these wedges only into the piano part of the<br />
amended section (picture B ). This sole wedge is<br />
also somewhat illegible because that area of the<br />
page is muddled by the boundary between two<br />
glued pieces of paper. The second edition (picture<br />
C ) omitted even this last wedge, together with<br />
With print-outs from downloads you miss out.<br />
Your performances miss out.<br />
Don't waste time by messing with loose paper<br />
copies. Build your personal music library with<br />
Bärenreiter Urtext editions. Make our editions<br />
your own. Take advantage of our expertise and<br />
complement it with your personal markings and<br />
comments which you will be able to refer to all<br />
your life.<br />
Make a Bärenreiter Urtext edition a lifetime<br />
investment. Your next performance is worth it.<br />
30 31
BÄRENREITER PRAHA<br />
H 1748<br />
BÄRENREITER PRAHA<br />
HARP / GUITAR / WINDS<br />
WINDS<br />
Harp<br />
MUSICA ANTIQUA<br />
BOHEMICA<br />
22<br />
JAN LADISLAV DUSÍK<br />
SIX SONATINES<br />
POUR LA HARPE<br />
Dusík Jan Ladislav<br />
(1760–<strong>18</strong>12)<br />
Six Sonatinas for Harp<br />
Ed. M. Zunová<br />
MAB I/22<br />
H 1748<br />
Teml Jiří<br />
(*1935)<br />
Calligrams (Kaligramy)<br />
7 compositions for harp<br />
Rev. by M. Šimečková-Spitzerová<br />
H 7414<br />
Guitar<br />
Educational Works / Pieces<br />
for Children and Youth<br />
Jirmal Jiří<br />
(*1925)<br />
School of Guitar Playing for<br />
Beginners<br />
(Cz/Ger)<br />
H 5194<br />
Rak Štěpán<br />
(*1945)<br />
Minute Solos (Minutová sóla)<br />
Short Compositions for Guitar<br />
Beginners<br />
(Cz/Ger/Eng)<br />
H 7236<br />
Zelenka Milan – Obrovská Jana<br />
(*1939 / 1930–1987)<br />
Collection for Guitar I<br />
(Album pro kytaru I)<br />
Short performance pieces<br />
from easy to advanced level of<br />
difficulty<br />
(Cz/Ger)<br />
H 6415<br />
Repertoire Works<br />
Hybler Martin<br />
(*1977)<br />
The Scent of Faded Shades<br />
(Vůně vyhaslých stínů) Op. 14<br />
H 7876<br />
Jirmal Jiří<br />
(*1925)<br />
Happy Waltz<br />
H 7792<br />
Joy of Bossa Nova<br />
H 7796<br />
Prelude in Jazz / Canzonetta<br />
Prelude in Jazz for solo guitar<br />
Canzonetta for solo guitar with<br />
the 2nd guitar ad lib.<br />
H 7828<br />
Suite Azure<br />
(Recuerdos para Laurindo<br />
Almeida)<br />
H 7869<br />
Losy Jan Antonín<br />
(1650–1721)<br />
Pièces de guitare<br />
Ed. J. Pohanka<br />
MAB I/38<br />
H 2498<br />
Recorder / 2 Recorders<br />
(solo / with accompaniment)<br />
Pieces for Children and<br />
Youth / Educational Works<br />
Kramář-Krommer František Vincenc<br />
(1759–<strong>18</strong>31)<br />
Six Duettini<br />
for soprano and alto recorders /<br />
2 violins / 2 clarinets<br />
Arr. by L. Daniel<br />
H 5862<br />
score with 1 part (alto<br />
recorder)<br />
Nykl Jan<br />
35 Studies for Soprano Recorder<br />
for intermediate players, can<br />
also be used for the flute and<br />
other wind instruments<br />
H 7132<br />
Repertoire Works<br />
Finger Gottfried<br />
(1656–1730)<br />
Sonata in F maj<br />
for alto recorder and basso<br />
continuo<br />
Ed. M. Klement<br />
H 7850 score with parts<br />
Flute Solo<br />
Repertoire Works<br />
Kabeláč Miloslav<br />
(1908–1979)<br />
Compositions for Flute Solo<br />
Ed. Z. Nouza †<br />
MKCE IV/5<br />
H 7910<br />
Short Suite (Partita piccola)<br />
Op. 13, Improvisation on the<br />
Own Theme Op. 29b (from Six<br />
Lullabies Op. 29 No. 3)<br />
Flute / 2 Flutes<br />
and Piano<br />
Pieces for Children and<br />
Youth<br />
Eben Petr<br />
(1929–2007)<br />
Sketch for C.B.<br />
(Skica pro C. B.)<br />
for 2 flutes and piano<br />
H 7135 score<br />
Sonatina semplice<br />
for flute / violin and piano<br />
Rev. by V. Žilka, B. Purger<br />
H 2414 score with parts<br />
Hradecký Emil<br />
(*1953)<br />
Jazz Winds<br />
for jazz flute / jazz trumpet<br />
/ jazz trombone with piano<br />
accompaniment<br />
H 7931 score with parts<br />
Repertoire Works<br />
Feld Jindřich<br />
(1925–2007)<br />
Three Compositions<br />
for oboe / flute / clarinet and<br />
piano<br />
H 4557 score with parts<br />
Hlaváč Miroslav<br />
(1923–2008)<br />
Two Pastorales<br />
for flute and piano<br />
H 7149 score with part<br />
Hurník Ilja<br />
(1922–2013)<br />
Partita in A per flauto e piano<br />
H 3819 score with part<br />
Kubička Miroslav<br />
(*1951)<br />
Sonatina for Flute and Piano<br />
H 7890<br />
Novák Jan<br />
(1921–1984)<br />
Sonata super “Hoson Zes…”<br />
for flute / violin and piano<br />
Ed. J. Čižmář<br />
H 7855 score with 2 parts<br />
Other chamber works with flute<br />
– see section CHAMBER MUSIC<br />
Flute Concertos<br />
Benda František<br />
(1709–1786)<br />
Tre concerti per flauto traverso<br />
ed orchestra da camera COPY<br />
in G maj, in E min, in A maj<br />
Ed. V. Bělský<br />
MAB I/80<br />
H 6211 score ♦<br />
JINDŘICH FELD<br />
KONCERT<br />
PRO FLÉTNU A SMYČCOVÝ ORCHESTR,<br />
KLAVÍR, HARFU A BICÍ NÁSTROJE<br />
KON Z ERT<br />
FÜR FLÖTE, STREICHORCHESTER,<br />
KLAVIER, HARFE UND SCHLAGZEUG<br />
CONCERTO<br />
FOR FLUTE AND STRING ORCHESTRA,<br />
PIANO, HARP AND PERCUSSIONS<br />
KLAVÍRNÍ VÝTAH<br />
KLAVIERAUSZUG<br />
PIANO REDUCTION<br />
Feld Jindřich<br />
(1925–2007)<br />
Concerto for Flute<br />
and string orchestra, piano, harp<br />
and percussions<br />
H 3869 piano reduction ♦<br />
Fils Antonín<br />
(1733–1760)<br />
Concerto Re maggiore per flauto<br />
ed orchestra<br />
Eds. H. Kašlík, F. Suchý<br />
With cadenza by F. Suchý<br />
MAB I/<strong>18</strong><br />
H 53<br />
piano reduction<br />
(František Suchý)<br />
with part ♦<br />
Mysliveček Josef<br />
(1737–1781)<br />
Concerto in D maj for Flute and<br />
Orchestra<br />
Ed. M. Munclinger<br />
H 4721 score ♦<br />
Oboe (English Horn)<br />
and Piano<br />
Pieces for Children and<br />
Youth<br />
Rychlík Jan<br />
(1916–1964)<br />
Studies for English Horn<br />
with piano<br />
Lullaby, Rondo<br />
H 1276 score with part<br />
Repertoire Works<br />
Feld Jindřich<br />
(1925–2007)<br />
Three Compositions<br />
for oboe / flute / clarinet and<br />
piano<br />
H 4557 score with parts<br />
Pelikán Jaroslav<br />
(*1970)<br />
Sonatina for Oboe and Piano<br />
Prague Spring IMC Commission<br />
(2008)<br />
H 7991 score with part<br />
♦ Performance material<br />
available on hire<br />
32 33
BÄRENREITER PRAHA<br />
WINDS<br />
WINDS<br />
KLEMENT SLAVICKÝ<br />
SU I TA<br />
PRO HOBOJ A KLAVÍR<br />
SUITE<br />
FÜR OBOE UND KLAVIER<br />
SUITE<br />
FOR OBOE AND PIANO<br />
Slavický Klement<br />
(1910–1999)<br />
Suite for Oboe and Piano<br />
H 3723 score with part<br />
Other chamber works with oboe<br />
– see section CHAMBER MUSIC<br />
Oboe Concertos<br />
Kramář-Krommer František Vincenc<br />
(1759–<strong>18</strong>31)<br />
Concerto in F maj for Oboe and<br />
Orchestra Op. 52<br />
Ed. F. Suchý<br />
MAB I/27<br />
H 1933<br />
piano reduction<br />
(František Suchý)<br />
with part ♦<br />
Clarinet / 2–3 Clarinets<br />
Solo<br />
Pieces for Children and<br />
Youth / Educational Works<br />
Kramář-Krommer František Vincenc<br />
(1759–<strong>18</strong>31)<br />
Six Duettini<br />
for soprano and alto recorders /<br />
2 violins / 2 clarinets<br />
Arr. by L. Daniel<br />
H 5862<br />
score with 1 part (alto<br />
recorder)<br />
Teml Jiří<br />
(*1935)<br />
Chap-Book (Špalíček)<br />
easy pieces for two clarinets<br />
Rev. by J. Krejčí<br />
H 7830 score<br />
Zákostelecký Bedřich<br />
(*1942)<br />
School of Clarinet Playing<br />
(Cz/Ger)<br />
H 5631 Vol. 1<br />
H 6339 Vol. 2<br />
Repertoire Works<br />
Husa Karel<br />
(1921–2016)<br />
Three Studies for Solo Clarinet<br />
Prague Spring IMC Commission<br />
(2008)<br />
H 7992<br />
Nudera Vojtěch<br />
(1746–<strong>18</strong>11)<br />
Four Polonaises<br />
for 3 basset horns or clarinets<br />
(Cz/Ger)<br />
Ed. J. Kratochvíl<br />
H 7750 score with 3 parts<br />
Clarinet and Piano<br />
Repertoire Works<br />
Feld Jindřich<br />
(1925–2007)<br />
Three Compositions<br />
for oboe / flute / clarinet and<br />
piano<br />
H 4557 score with parts<br />
Fibich Zdeněk<br />
(<strong>18</strong>50–1900)<br />
Idyll (Selanka) Op. 16<br />
for clarinet / violin and piano<br />
Clarinet part rev. by<br />
M. Kostohryz<br />
H 3754 score with parts<br />
Janáček Leoš<br />
(<strong>18</strong>54–1928)<br />
Sonata for Clarinet and Piano<br />
(after the Sonata for Violin and<br />
Piano)<br />
Arr. by S. Brill<br />
BA 9581 score with part<br />
● Welcome addition to the<br />
clarinetist's repertoire<br />
● Janáček's masterpiece in a<br />
convincing arrangement for<br />
clarinet based on the LJCE,<br />
Vol. E/1<br />
● Preface by the arranger,<br />
Israeli clarinetist Shirley Brill<br />
(Eng/Cz/Ger)<br />
● A competition piece of the<br />
Leoš Janáček International<br />
Competition 2014 in Brno<br />
(<strong>Czech</strong> Republic)<br />
Klusák Jan<br />
(*1934)<br />
Recitativo e canto per clarinetto<br />
e piano<br />
Prague Spring IMC Commission<br />
(2002)<br />
H 7867 score with part<br />
Matějů Zbyněk<br />
(*1958)<br />
Smorfia (Grimace /Škleb)<br />
for clarinet and piano<br />
H 7788 score with part<br />
Other chamber works with<br />
clarinet – see section CHAMBER<br />
MUSIC<br />
Clarinetto in Sib/B<br />
28<br />
Con moto (h. = 60) a tempo<br />
4<br />
3<br />
senza rigore <br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
f<br />
Clarinet 49 Concertos<br />
Kaprálová *) optional; also Vítězslava<br />
in b. 78<br />
(1915–1940)<br />
BA 9581<br />
Concertino for Violin, Clarinet<br />
and Orchestra Op. 21 COPY<br />
Based on the composer's draft,<br />
realised by M. Štědroň, L. Faltus<br />
H 7919 score ♦<br />
Kramář-Krommer František Vincenc<br />
(1759–<strong>18</strong>31)<br />
Concerto in E-flat maj for<br />
Clarinet and Orchestra Op. 36<br />
Ed. J. Kratochvíl<br />
MAB I/13<br />
H 888<br />
mf sf<br />
8 <br />
<br />
<br />
<br />
Adagio<br />
cresc.<br />
Meno mosso (q = 94)<br />
3 <br />
<br />
mf<br />
espress.<br />
rit. Adagio rit.<br />
piano reduction ♦<br />
(Ladislav Simon)<br />
(practical edition)<br />
Kukal Ondřej<br />
(*1964)<br />
Clarinettino – Concertino for<br />
Clarinet and Strings<br />
H 7898<br />
piano reduction<br />
(Radek Škeřík) with<br />
part ♦<br />
Sonáta / Sonata / Sonate<br />
16<br />
slap tongue*)<br />
1<br />
<br />
<br />
3<br />
Tempo I, un poco più mosso<br />
accel.<br />
22<br />
1<br />
<br />
<br />
<br />
<br />
<br />
<br />
f<br />
dim. p p dolce 3<br />
sf<br />
p<br />
Saxophone<br />
a tempo (q = 90)<br />
1.<br />
(q = 160) accel. Un poco meno<br />
42a<br />
From: Leoš 2. Janáček, arr. by Shirley <br />
Brill, Sonata for Clarinet and Piano •<br />
sf f cresc. p<br />
(q = 160) accel.<br />
Un poco meno<br />
f cresc. p<br />
I<br />
<br />
<br />
<br />
<br />
Gruber Rudolf<br />
(*1944)<br />
Etudes for Saxophone<br />
(Cz/Ger)<br />
H 5215<br />
© 2014 by Bärenreiter Praha<br />
♦ Performance material<br />
available on hire<br />
Leoš Janáček (<strong>18</strong>54–1928)<br />
Arr. Shirley Brill<br />
1 <br />
<br />
<br />
<br />
<br />
<br />
<br />
37<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
BA 9581<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
1<br />
<br />
<br />
<br />
1<br />
<br />
<br />
<br />
<br />
<br />
Bassoon Solo<br />
55<br />
Educational Works<br />
<br />
f espress.<br />
Pivoňka Karel<br />
(1907–1986)<br />
62<br />
Rhytmical Etudes for Bassoon<br />
H 3291 <br />
<br />
Virtuoso Etudes for Bassoon<br />
H 1217<br />
Bassoon and Piano<br />
74<br />
Repertoire Works<br />
Other chamber rit. works Meno with mosso (q = 94)<br />
88<br />
bassoon – see section CHAMBER<br />
MUSIC <br />
<br />
<br />
<br />
<br />
<br />
Bassoon 95 Concertos<br />
1 <br />
<br />
<br />
<br />
<br />
<br />
f<br />
Neruda Jan Křtitel Jiří<br />
(1707–1780)<br />
a tempo (q = 90) Meno<br />
102<br />
Concerto Do maggiore<br />
per fagotto 2 3<br />
<br />
ed archi <br />
Ed. E. Drápela<br />
f<br />
H 7567 score<br />
H 7646 piano reduction<br />
(Julie Drápelová)<br />
Pauer Jiří<br />
(1919–2007)<br />
Concerto per fagotto ed<br />
orchestra COPY<br />
Bassoon part rev. by K. Bidlo<br />
H 2544 piano reduction ♦<br />
(Jiří Pauer)<br />
Pelikán Jaroslav<br />
(*1970)<br />
Concertino<br />
Variazioni per fagotto, orchestra<br />
d'archi, arpa e timpani<br />
Prague Spring IMC Commission<br />
(2002)<br />
H 7854<br />
(q = 160)<br />
3 3<br />
67<br />
<br />
<br />
<br />
<br />
<br />
p<br />
3 3 3<br />
<br />
4<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Gemrot Jiří<br />
(*1957)<br />
Rapsodia<br />
81<br />
per fagotto<br />
e pianoforte <br />
1 <br />
<br />
H 7406 score with part<br />
mf<br />
dim.<br />
piano reduction<br />
(Miloš Bok) with part<br />
<br />
<br />
Clarinetto in S<br />
<br />
<br />
<br />
<br />
3<br />
<br />
<br />
<br />
34 35
WINDS<br />
WINDS / PERCUSSION<br />
French Horn /<br />
2–4 French Horns Solo<br />
Educational Works /<br />
Collections<br />
Kaucký Emanuel – Petr Miloš<br />
Short Studies for Horn<br />
H 6837<br />
Old Hunting Fanfares<br />
Anonymous, Ondřej Anton,<br />
Leopold Koželuh, Albín Mašek,<br />
Leopold E. Měchura<br />
for 4 French horns<br />
Ed. O. Zuckerová, rev. by J. Štefan<br />
H 4562 score<br />
Repertoire Works<br />
Kalabis Viktor<br />
(1923–2006) 21<br />
Invocation Op. 90<br />
H 7804<br />
Stich-Punto Jan Václav<br />
(1746–<strong>18</strong>03)<br />
24 Duets for French Horns<br />
Ed. F. Šolc<br />
H 4422 score<br />
Other chamber works with French<br />
horn – see section CHAMBER MUSIC<br />
French Horn Concertos<br />
Pauer Jiří<br />
(1919–2007)<br />
Concerto for French Horn and<br />
Orchestra COPY<br />
H 2955<br />
piano reduction ♦<br />
(Jiří Pauer)<br />
Repertoire Works<br />
● Inspired by Chagall's stainedglass<br />
windows for the<br />
synagogue in Jerusalem<br />
Eben Petr<br />
(1929–2007)<br />
Windows (Okna)<br />
Four Movements for Trumpet<br />
and Organ after Marc Chagall<br />
Trumpet part rev. by L. Kozderka<br />
Organ part rev. by M. Šlechta<br />
H 6390 score with part<br />
● One of the composer's most<br />
frequently performed pieces<br />
worldwide since its creation<br />
in 1976<br />
● both instruments retain a<br />
great deal of independence,<br />
progressing in their<br />
own rhythmic patterns,<br />
intersecting in places<br />
21<br />
Trombone and Piano<br />
Pieces for Children and<br />
Youth<br />
Hradecký Emil<br />
(*1953)<br />
Jazz Winds<br />
for jazz flute / jazz trumpet /<br />
jazz trombone with piano<br />
accompaniment<br />
H 7931 score with parts<br />
H 7931 ncd score with parts + CD<br />
Repertoire Works<br />
Simon Ladislav<br />
(1929–2011)<br />
Fantasia per trombone<br />
e pianoforte<br />
Prague Spring IMC Commission<br />
(2004)<br />
H 7913 score with part<br />
Other chamber works with<br />
trombone – see section CHAMBER<br />
MUSIC<br />
Percussion<br />
Educational Works<br />
Kubánek Libor<br />
(*1964)<br />
School of Percussion Playing<br />
(Cz/Ger)<br />
H 7745<br />
School of Side Drum Playing<br />
(Cz/Ger)<br />
Easy to advanced level of<br />
difficulty<br />
H 7753<br />
Tuzar Josef<br />
Studies for Side Drum<br />
(Cz)<br />
H 4156<br />
Repertoire Works<br />
Fišer Luboš<br />
(1935–1999)<br />
Crux<br />
for violin, timpani and bells<br />
reproduction of the autograph<br />
from the property of I. Štraus<br />
H 7966 performance score<br />
Ištvan Miloslav<br />
(1928–1990)<br />
Capriccio<br />
for vibraphone, marimba and<br />
percussion<br />
H 7932 score with parts<br />
From: Miloslav Kabeláč,<br />
82<br />
8 invenzioni Op. 45 (final bars) •<br />
H 7993<br />
Kabeláč Miloslav<br />
(1908–1979)<br />
8 invenzioni Op. 45<br />
per strumenti a percussione<br />
for 6 players<br />
Ed. Z. Nouza †<br />
MKCE IV/10<br />
H 7993 score<br />
8 ricercari Op. 51<br />
per strumenti a percussione<br />
for 1–6 players<br />
Ed. Z. Nouza †<br />
MKCE IV/11<br />
H 7994 score<br />
● 8 invenzioni – one of the<br />
composer's most famous<br />
works<br />
● 8 ricercari – first printed<br />
edition<br />
● Both compositions written<br />
for and premiered by Les<br />
Percussions de Strasbourg<br />
Trumpet<br />
and Piano / Organ<br />
Pieces for Children and<br />
Youth<br />
Hradecký Emil<br />
(*1953)<br />
Jazz Winds<br />
for jazz flute / jazz trumpet /<br />
jazz trombone with piano<br />
accompaniment<br />
H 7931 score with parts<br />
H 7931 ncd score with parts + CD<br />
Kučera Jan<br />
(*1977)<br />
The Joker<br />
for trumpet nad piano<br />
Prague Spring IMC Commission<br />
(2010)<br />
H 8001<br />
Other chamber works with<br />
trumpet – see section CHAMBER<br />
MUSIC<br />
H 6390<br />
Trombone Solo<br />
Repertoire Works<br />
Kurz Ivan<br />
(*1947)<br />
A Soloist's Sustenance<br />
(Sólistův chléb)<br />
for tenor trombone<br />
Prague Spring IMC Commission<br />
(2011)<br />
Rev. by J. Sušický<br />
H 8019<br />
Trombone Concertos<br />
Matěj Josef<br />
(1922–1992)<br />
Concerto No. 1 for Trombone<br />
and Orchestra COPY<br />
H 2726<br />
piano reduction<br />
(with part) by the<br />
composer ♦<br />
♦ Performance material<br />
available on hire<br />
36 37
K LAVÍR<br />
BOHUSLAV MARTINŮ<br />
KLAVÍR<br />
The First Ten Volumes<br />
THE COMPLETE EDITION<br />
Subscription offer<br />
Bärenreiter is publishing The Bohuslav Martinů Complete<br />
Edition, a scholarly-critical edition that will present<br />
the complete oeuvre of this major twentieth century<br />
composer for the first time.<br />
Martinů’s works in all their versions and arrangements,<br />
as well as <strong>new</strong>ly discovered and previously unpublished<br />
compositions will be included.<br />
Series VI/2, 1 The Epic of Gilgamesh, H 351, Ed. Aleš Březina already published BA 10571-01<br />
Series II/1, 4 Symphony No. 4, H 305, Ed. Sharon Andrea Choa already published BA 10572-01<br />
Series IV/4, 1 Les Rondes, H 200, Serenade No. 1, H 217, Serenade No. 3,<br />
H 2<strong>18</strong>, Stowe Pastorals, H 335, Nonet No. 2, H 374,<br />
Ed. Jitka Zichová already published BA 10574-01<br />
Series VI/2, 3 Otvírání studánek (The Opening of the Springs), H 354,<br />
Legenda z dýmu bramborové nati (The Legend of the<br />
Smoke from Potato Tops), H 360, Romance z pampelišek<br />
(A Dandelion Romance), H 364,<br />
Mikeš z hor (Mikesh from the Mountains), H 375 already published BA 10575-01<br />
Series IV/3, 2 String Quartet No. 4, H 256, String Quartet No. 5, H 268,<br />
String Quartet No. 6, H 312, String Quartet No. 7, H 314 <strong>2017</strong> BA 10576-01<br />
Series III/2, 4 Concerto for String Quartet and Orchestra, H 207,<br />
Sinfonia concertante, H 322 20<strong>18</strong> BA 10577-01<br />
Series III/1, 7 Concerto da camera for Violin, String Orchestra,<br />
Piano and Percussion, H 285,<br />
Rhapsody-Concerto for Viola and Orchestra, H 337 20<strong>18</strong> BA 10578-01<br />
Series III/1, 6 Incantation. Concerto for Piano and Orchestra No. 4, H 358, Concerto<br />
in B-flat for Piano and Orchestra (Fantasia concertante), H 366 BA 10579-01<br />
Series VI/2, 2 Svatební košile (The Spectre's Bride), H 214.I A,<br />
Polní mše (Field Mass), H 279, Ed. Paul Wingfield BA 10573-01<br />
Series I/1, 12 Ariane, Lyric Opera in One Act, H 370 BA 10580-01<br />
The Edition<br />
Commissioned by the<br />
Bohuslav Martinů<br />
Foundation (Prague).<br />
Edited by the Bohuslav<br />
Martinů Institute (Prague).<br />
Director: Aleš Březina<br />
The Structure<br />
Eight series (indicated<br />
by Roman numerals)<br />
divided into subseries<br />
(indicated by Arabic<br />
numerals). Approx.<br />
100 volumes in total.<br />
The Subscription<br />
Available on complete subscription or partial subscription by series at reduced prices.<br />
The volumes can also be purchased individually.<br />
Each volume includes<br />
a detailed Foreword<br />
and a Critical Report,<br />
both in English and <strong>Czech</strong>,<br />
format: 25.5 x 32.5 cm,<br />
cloth bound.<br />
Editorial Board<br />
Peter Ackermann, Sandra<br />
Bergmannová, Dietrich Berke (†),<br />
Aleš Březina, Klaus Döge (†),<br />
Jarmila Gabrielová, Jonáš Hájek,<br />
Christopher Hogwood (†),<br />
Adéla Kovářová, Kateřina<br />
Maýrová, Marek Pechač,<br />
Daniela Philippi, Ivana Rentsch,<br />
Giselher Schubert,<br />
Arne Stollberg, Eva Velická,<br />
Paul Wingfield, Jitka Zichová,<br />
Vít Zouhar, Pavel Žůrek<br />
I Stage works and<br />
film music<br />
II Orchestral music<br />
III Concertos and other<br />
concertato works<br />
IV Chamber music<br />
V Keyboard works<br />
VI Choral works and<br />
songs<br />
VII Piano reductions<br />
by the composer<br />
VIII Supplements and<br />
varia<br />
Please ask for the brochure<br />
“Bohuslav Martinů · The Complete Edition”<br />
(Eng/Ger) · SPA 275<br />
38 39
CHAMBER MUSIC<br />
16<br />
4_<br />
Emmanuel<br />
Villaume<br />
Charles IV and <strong>Music</strong><br />
Contempuls / Space & Sound<br />
<strong>Music</strong> in the Stalinist Era<br />
CZECH MUSIC QUARTERLY<br />
16<br />
Richard Šeda<br />
1 _<br />
Improvised <strong>Music</strong><br />
South Pole<br />
Rudolfine Prague Composers<br />
16<br />
2 _<br />
Clara Nováková<br />
Leopold Koželuh<br />
Socialist Realism<br />
<strong>Czech</strong> Ear Project<br />
16<br />
3 _<br />
Jiří Nekvasil<br />
Pavel Haas<br />
Socialist realism in <strong>Czech</strong>oslovakia?<br />
<strong>Czech</strong> <strong>Music</strong> Quarterly is a magazine<br />
in English focused on <strong>Czech</strong> classical music.<br />
<strong>Czech</strong> <strong>Music</strong> Quarterly provides a wide<br />
spectrum of information for music professionals<br />
and the general music public alike.<br />
<strong>Czech</strong> <strong>Music</strong> Quarterly offers interviews<br />
and portraits of <strong>Czech</strong> composers and<br />
performers, often with a special focus<br />
on contemporary classical music, information<br />
about current events, reviews and wide-ranging<br />
articles from leading <strong>Czech</strong> musicologists.<br />
<strong>Czech</strong> <strong>Music</strong> Quarterly has been published every 3 months since 1995.<br />
Published by <strong>Czech</strong> <strong>Music</strong> Information Centre<br />
Besední 3, 1<strong>18</strong> 00 Prague 1, <strong>Czech</strong> Republic<br />
info@czech-music.net<br />
www.musica.cz<br />
Piano Trio<br />
(piano, violin, violoncello – if not<br />
mentioned otherwise)<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
NEW 2016<br />
Dumky Op. 90<br />
Urtext / Ed. Ch. Flamm<br />
BA 9567 score with parts<br />
(replaces H 1551)<br />
The dumka is a Slavic folk song<br />
or dance of a melancholy character.<br />
Dvořák's magnum opus<br />
in the piano trio genre takes its<br />
name from its dumka movements,<br />
which he composed in<br />
Prague in <strong>18</strong>90-91. After long<br />
hesitation Dvořák also prepared<br />
a piano arrangement four hands<br />
while he was in the United States<br />
in the summer of <strong>18</strong>93.<br />
Our <strong>new</strong> edition draws on the<br />
original Simrock print while carefully<br />
confronting the various<br />
reissues with the autograph and<br />
taking note of Dvořák's sketches<br />
as well as his later four-hand<br />
piano arrangement. A critical<br />
commentary provides detailed<br />
information on the work's sources,<br />
tempo markings and formal<br />
divisions of the movements.<br />
● Urtext edition reflecting the<br />
latest musicological research<br />
● Detailed preface (Ger/Cz/Eng)<br />
and critical commentary<br />
(Eng) by the editor<br />
● Supplemented by the initial,<br />
draft version of dumka No. 3<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
NEW 2016<br />
Piano Trio in B-flat maj Op. 21<br />
Ed. A. Čubr<br />
With a <strong>new</strong> preface by<br />
D. R. Beveridge<br />
(Eng/ Cz/Ger)<br />
BA 9578 score with parts<br />
(replaces H 1128)<br />
Piano Trio in F min Op. 65<br />
Ed. F. Bartoš<br />
With a <strong>new</strong> preface by<br />
H.-J. Hinrichsen and I. Rentsch<br />
(Ger/ Cz/ Eng)<br />
BA 9564 score with parts<br />
Piano Trio in G min Op. 26<br />
Eds. A. Pokorný, K. Šolc<br />
With a <strong>new</strong> preface by E. Velická<br />
(Cz/Eng/Ger)<br />
BA 9538 score with parts<br />
Feld Jindřich<br />
(1925–2007)<br />
Trio for Violin / Flute, Violoncello<br />
and Piano<br />
H 7962 score with parts<br />
Hanuš Jan<br />
(1915–2004)<br />
Frescoes (Fresky) Op. 51<br />
H 7860 score with parts<br />
Martinů Bohuslav<br />
(<strong>18</strong>90–1959)<br />
Concertino for Piano Trio and<br />
String Orchestra H. 232 COPY<br />
H 284 score ♦<br />
Smetana Bedřich<br />
(<strong>18</strong>24–<strong>18</strong>84)<br />
Piano Trio in G min<br />
Urtext / Eds. F. Bartoš, J. Plavec,<br />
K. Šolc<br />
BA 95<strong>18</strong> score with parts<br />
Suk Josef<br />
(<strong>18</strong>74–1935)<br />
Elegy Op. 23[a]<br />
“Under the Influence of Zeyer's<br />
Vyšehrad”<br />
the composer's own arrangement<br />
for piano trio<br />
H 7807 score with parts<br />
(original version – see section<br />
Miscellaneous Ensembles)<br />
Škroup František Jan<br />
(<strong>18</strong>01–<strong>18</strong>62)<br />
Trio in E-flat maj Op. 27<br />
for piano, violin / clarinet and<br />
violoncello<br />
Urtext / Ed. M. Harlow<br />
BA 9521 score with parts<br />
● First Urtext edition<br />
● Two alternative versions and<br />
scorings of the work<br />
● Preface (Eng/Ger/Cz ) and<br />
critical commentary (Eng)<br />
by the editor<br />
Piano Quartet<br />
(piano, violin, viola, violoncello –<br />
if not mentioned otherwise)<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Bagatelles (Maličkosti) Op. 47<br />
for two violins, violoncello<br />
and piano / harmonium<br />
Eds. A. Pokorný, K. Šolc<br />
ADCE IV/10<br />
H 2271 score with parts<br />
♦ Performance material<br />
available on hire<br />
40 41
CHAMBER MUSIC<br />
CHAMBER MUSIC<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
NEW <strong>2017</strong><br />
Piano Quartet in D maj Op. 23<br />
Urtext / Ed. R. Tait<br />
BA 9574 score with parts in<br />
slipcover<br />
(replaces H 2552)<br />
To appear in May <strong>2017</strong><br />
Dvořak's Piano Quartet in D<br />
major, though composed at the<br />
height of his artistic maturity,<br />
is to date unjustly overshadowed<br />
by his more popular<br />
works. It was written within<br />
the space of <strong>18</strong> days in the<br />
summer of <strong>18</strong>75 and was later<br />
revised, probably in preparation<br />
for its publication. This revision,<br />
which was also taken into<br />
account for the first edition<br />
issued by the publisher Schlesinger,<br />
Berlin in <strong>18</strong>80, serves as<br />
the primary source for this <strong>new</strong><br />
Urtext edition. The premiere<br />
took place in Prague in <strong>18</strong>80.<br />
● New Urtext edition<br />
● Detailed preface (Eng/Cz/Ger)<br />
by Dvořák scholar David R.<br />
Beveridge<br />
● Critical commentary (Eng) by<br />
the editor<br />
Piano Quartet in E-flat maj<br />
Op. 87<br />
Eds. A. Pokorný, K. Šolc<br />
With a <strong>new</strong> preface by<br />
E. Velická<br />
(Cz/Eng/Ger)<br />
BA 9537 score and parts<br />
in slipcover<br />
Fibich Zdeněk<br />
(<strong>18</strong>50–1900)<br />
Quartet Op. 11 COPY<br />
for violin, viola, violoncello and<br />
piano<br />
H 3331 score with parts<br />
Suk Josef<br />
(<strong>18</strong>74–1935)<br />
Piano Quartet in A min Op. 1<br />
Urtext / Ed. Z. Nouza †<br />
BA 9546 score with parts<br />
● First scholarly-critical edition<br />
● Preface (Cz/Eng/Ger) and<br />
critical commentary (Eng) by<br />
the editor<br />
Piano Quintet<br />
(piano, 2 violins, viola, violoncello)<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Piano Quintet in A maj Op. 5<br />
Eds. J. Burghauser, K. Šolc<br />
With a <strong>new</strong> preface by D. R.<br />
Beveridge (Eng/Cz/Ger)<br />
BA 11539<br />
score with parts<br />
in slipcover<br />
(replaces H 2783)<br />
To appear in June <strong>2017</strong><br />
NEW <strong>2017</strong><br />
In <strong>18</strong>87 Dvořák revised several of<br />
his works from the <strong>18</strong>60s and<br />
<strong>18</strong>70s, most of them he then<br />
published for the first time.<br />
He thoroughly revised also his<br />
Piano Quintet in A major Op. 5,<br />
but he declined to publish it.<br />
Instead, he wrote a <strong>new</strong> one in<br />
the same key – the famous Op.<br />
81. Dvořak's first Piano Quintet<br />
in A major was never published<br />
during his lifetime.<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Piano Quintet in A maj<br />
Op. 81<br />
Ed. A. Čubr<br />
With a <strong>new</strong> preface by<br />
D. R. Beveridge<br />
(Eng/Ger/Cz)<br />
BA 9573<br />
score with parts<br />
in slipcover<br />
Eben Petr<br />
(1929–2007)<br />
Piano Quintet<br />
H 7719 score with parts<br />
Fibich Zdeněk<br />
(<strong>18</strong>50–1900)<br />
Quintet in D maj Op. 42 COPY<br />
for violin I, clarinet / violin II,<br />
French horn / viola, violoncello<br />
and piano<br />
H 3998 score with parts<br />
Suk Josef<br />
(<strong>18</strong>74–1935)<br />
Quintet Op. 8 COPY<br />
for two violins, viola, violoncello<br />
and piano<br />
Ed. by V. Musil<br />
H 5330 score with parts<br />
String Duo<br />
Kukal Ondřej<br />
(*1964)<br />
Present – Duo for Violin<br />
and Violoncello<br />
H 7964 score with parts<br />
String Trio<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Miniatures (Drobnosti) Op. 75a /<br />
Gavotte B 164<br />
Miniatures – for two violins and<br />
viola<br />
Gavotte – for three violins<br />
ADCE IV/4<br />
H 3392-01 parts in slipcover<br />
Terzetto in C maj Op. 74<br />
for two violins and viola<br />
Composed as an occasional<br />
composition for amateurs<br />
Ed. J. Burghauser<br />
BA 9543 parts in slipcover<br />
Martinů Bohuslav<br />
(<strong>18</strong>90–1959)<br />
Serenade No. 2 H. 216 COPY<br />
for two violins and viola<br />
H 1501 parts<br />
H 6508 score<br />
String Trio No. 1 H. 136<br />
for violin, viola and violoncello<br />
Ed. E. Velická<br />
Preface and critical commentary<br />
by the editor<br />
(Cz/Ger/Eng/Fr)<br />
H 7965-22 parts in slipcover<br />
H 7965 study score<br />
Mysliveček Josef<br />
(1737–1781)<br />
Trio in G maj COPY<br />
for violin, violoncello and<br />
double bass<br />
H 5649 score with parts<br />
Teml Jiří<br />
(*1935)<br />
Koledníček<br />
popular <strong>Czech</strong> and Moravian<br />
Christmas songs for 2 violins /<br />
clarinets and violoncello<br />
string parts rev. by M. Škampa<br />
H 7852 parts in slipcover<br />
String Quartet<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Cypresses (Cypřiše) B 152<br />
Ed. F. Bartoš<br />
ADCE IV/7<br />
H 6663 parts in slipcover<br />
H 2306 study score<br />
Quartet Movement in F maj<br />
B 120<br />
ADCE IV/7<br />
H 6902-01 parts in slipcover<br />
String Quartet No. 1 in A maj<br />
Op. 2<br />
Eds. J. Burghauser, A. Čubr<br />
Original Burghauser's preface<br />
updated and expanded by<br />
H. Schick<br />
BA 9539 parts in slipcover<br />
TP 539 study score<br />
String Quartet No. 2 in B-flat<br />
maj B 17<br />
Eds. A. Pokorný, K. Šolc<br />
BA 9540 parts in slipcover<br />
TP 540 study score<br />
String Quartet No. 3 in D maj B <strong>18</strong><br />
ADCE IV/5<br />
H 3813 parts in slipcover<br />
String Quartet No. 4 in E min B 19<br />
ADCE IV/5<br />
H 4592 parts in slipcover<br />
String Quartet No. 5 in F min<br />
Op. 9<br />
Eds. J. Burghauser, A. Čubr<br />
Original Burghauser's preface<br />
updated and expanded by<br />
H. Schick<br />
BA 9545 parts in slipcover<br />
TP 535 study score<br />
String Quartet No. 6 in A min<br />
Op. 12<br />
ADCE IV/5<br />
H 6549 parts in slipcover<br />
String Quartet No. 7 in A min<br />
Op. 16<br />
ADCE IV/6<br />
H 2849 parts in slipcover<br />
String Quartet No. 8 in E maj<br />
Op. 80<br />
ADCE IV/6<br />
H <strong>18</strong>34 parts in slipcover<br />
H <strong>18</strong>35 study score<br />
String Quartet No. 9 in D min<br />
Op. 34<br />
ADCE IV/6<br />
H 1481 parts in slipcover<br />
String Quartet No. 10 in E-flat<br />
maj Op. 51<br />
ADCE IV/6<br />
H 1595 parts in slipcover<br />
String Quartet No. 11 in C maj<br />
Op. 61<br />
ADCE IV/7<br />
H 1791 parts in slipcover<br />
String Quartet No. 12 in F maj<br />
Op. 96 “American”<br />
ADCE IV/7<br />
H 1594 parts in slipcover<br />
H 1304 study score<br />
String Quartet No. 13 in G maj<br />
Op. 106<br />
ADCE IV/7<br />
H 1732 parts in slipcover<br />
String Quartet No. 14 in A-flat<br />
maj Op. 105<br />
ADCE IV/7<br />
H 1569 parts in slipcover<br />
Two Waltzes Op. 54<br />
No. 1 in A maj, No. 4 in D-flat maj<br />
ADCE IV/6<br />
H 2803 parts in slipcover<br />
Feld Jindřich<br />
(1925–2007)<br />
String Quartet No. 6<br />
H 7764 score with parts<br />
Fibich Zdeněk<br />
(<strong>18</strong>50–1900)<br />
String Quartet in A maj COPY<br />
H 100 parts<br />
Fišer Luboš<br />
(1935–1999)<br />
Variations on an Unknown<br />
Theme (Variace na neznámé<br />
téma)<br />
for string quartet<br />
First printed edition<br />
H 8023 score with parts<br />
Janáček Leoš<br />
(<strong>18</strong>54–1928)<br />
On an Overgrown Path<br />
(Po zarostlém chodníčku)<br />
Arr. by J. Burghauser<br />
H 6173 score with parts<br />
String Quartet No. 1 “Inspired by<br />
Tolstoy's Kreutzer Sonata”<br />
Urtext / Eds. L. Faltus, M. Štědroň<br />
BA 9520 parts in slipcover<br />
TP 520 study score<br />
String Quartet No. 2 “Intimate<br />
Letters”<br />
Eds. L. Faltus, M. Štědroň<br />
LJCE E/4<br />
BA 6857 / H 7832<br />
cloth bound score with parts<br />
Urtext / Eds. L. Faltus, M. Štědroň<br />
BA 9533 parts in slipcover<br />
TP 533 study score<br />
42 43
CHAMBER MUSIC<br />
CHAMBER MUSIC<br />
Janáček Leoš<br />
(<strong>18</strong>54–1928)<br />
NEW <strong>2017</strong><br />
Youth (Mládí)<br />
for String Quartet<br />
(after the wind sextet Youth)<br />
Arr. by K. Mařatka<br />
BA 11543 parts in slipcover<br />
TP 521 study score<br />
To appear in November <strong>2017</strong><br />
The French-based <strong>Czech</strong> composer<br />
Kryštof Mařatka (b. 1972)<br />
is a great admirer of Janáček,<br />
and with his arrangement of<br />
Janáček's wind sextet Youth he<br />
hopes to expand the repertoire<br />
options for string quartets.<br />
Janáček's masterpiece was<br />
written in the height of his<br />
creativity in 1924. Mařatka was<br />
able to transform the zestful<br />
nature of the winds, which give<br />
the work its unique character,<br />
into the vibrant timbre of<br />
strings, thus creating the “third<br />
string quartet” of Leoš Janáček.<br />
● A welcome addition to the<br />
string quartet repertoire<br />
● Janáček's wind sextet<br />
masterpiece in a convincing<br />
arrangement for string quartet<br />
● Preface by the arranger, <strong>Czech</strong><br />
composer Kryštof Mařatka<br />
(Cz/Eng/Ger)<br />
Kukal Ondřej<br />
(*1964)<br />
JANÁČEK<br />
Mládí<br />
úprava pro smyčcové kvarteto<br />
Youth<br />
arrangement for String Quartet<br />
Die Jugend<br />
Bearbeitung für Streichquartett<br />
Mládí<br />
úprava pro smyčcové kvarteto<br />
Hlasy / Parts / Stimmen<br />
Youth<br />
arrangement for String Quartet<br />
Die Jugend<br />
Bearbeitung für Streichquartett<br />
Bärenreiter<br />
JANÁČEK<br />
Bärenreiter<br />
Martinů Bohuslav<br />
(<strong>18</strong>90–1959)<br />
NEW 20<strong>18</strong><br />
Concerto for String Quartet<br />
and Orchestra H. 207<br />
Eds. Ch. Hogwood †, M. Pechač,<br />
P. Žůrek<br />
BMCE III/2/4 (in one volume<br />
with Sinfonia concertante<br />
H. 322)<br />
BA 10577-01 cloth bound score<br />
In preparation<br />
NEW <strong>2017</strong><br />
String Quartets Nos. 4–7<br />
No. 4 H. 256 (1937), No. 5 H. 268<br />
(1938), No. 6 H. 312 (1946), No. 7<br />
H. 314 (1947)<br />
Ed. A. Březina and the Bohuslav<br />
Martinů Institute<br />
BMCE IV/3/2<br />
BA 10576-01 cloth bound score<br />
To appear in June <strong>2017</strong><br />
→ see more about the BMCE<br />
on pp. 38-39<br />
With eight string quartets,<br />
Martinů is one of the major<br />
representatives of the genre<br />
in twentieth-century music.<br />
The present critical edition<br />
differs considerably from all<br />
the previous practical editions,<br />
including the recent Urtext<br />
ones, as it was preceded by<br />
thorough heuristic research,<br />
which helped uncover<br />
numerous <strong>new</strong> musical and<br />
non-musical sources.<br />
Knowledge of this complete<br />
source material enabled the<br />
creation of editions of the<br />
utmost precision and also elucidated<br />
the aesthetic and formal<br />
foundations of the works. In the<br />
light of these findings, Martinů's<br />
string quartets can be seen as a<br />
systematically developed series<br />
of compositions that share an<br />
ingenuously structured and<br />
innovative connection of form<br />
and musical matter.<br />
● First ever scholarly-critical<br />
edition<br />
● Detailed preface (Aleš Březina)<br />
and critical commentary by<br />
the editors from the Bohuslav<br />
Martinů Institute (Eng/Cz)<br />
Martinů Bohuslav<br />
(<strong>18</strong>90–1959)<br />
String Quartet No. 4 H. 256<br />
Eds. A. Březina, I. Štraus<br />
H 7844-22 parts in slipcover<br />
H 7844 study score<br />
String Quartet No. 5 H. 268<br />
Eds. A. Březina, A. Klemens<br />
H 7941-22 parts in slipcover<br />
H 7941 study score<br />
String Quartet No. 6 H. 312<br />
Eds. A. Březina, I. Štraus<br />
H 7968-22 parts in slipcover<br />
H 7968 study score<br />
Matys Jiří<br />
(*1927)<br />
String Quartet No. 1 Op. 21<br />
H 6428 score with parts<br />
String Quartet No. 3 Op. 37<br />
H 3986 score with parts<br />
String Quartet No. 6<br />
Prague Spring IMC Commission<br />
(2005)<br />
H 7944-22 parts in slipcover<br />
H 7944 study score<br />
Smetana Bedřich<br />
(<strong>18</strong>24–<strong>18</strong>84)<br />
String Quartet No. 1 in E min<br />
“From My Life”<br />
Urtext / Eds. F. Bartoš, J. Plavec,<br />
K. Šolc<br />
BA 9516 parts in slipcover<br />
TP 516 study score<br />
String Quartet No. 2 in D min<br />
Urtext / Eds. F. Bartoš, J. Plavec,<br />
K. Šolc<br />
BA 9517 parts in slipcover<br />
TP 517 study score<br />
Suk Josef<br />
(<strong>18</strong>74–1935)<br />
Minuet COPY<br />
for string quartet<br />
Ed. M. Nový<br />
H 6967 score with parts<br />
Suk Josef<br />
(<strong>18</strong>74–1935)<br />
NEW 2016<br />
Meditation on the Old <strong>Czech</strong><br />
Hymn “St Wenceslas” Op. 35a<br />
for String Quartet<br />
Urtext / Ed. Z. Nouza †<br />
BA 9583 parts in slipcover<br />
TP 583 study score<br />
(Orchestral version – see section<br />
String Orchestra)<br />
Josef Suk played the 2nd violin<br />
in the Bohemian String Quartet.<br />
Since 1914 the ensemble was<br />
obliged to perform the Austrian<br />
national anthem at the opening<br />
of every concert. Suk decided to<br />
supplement this obligatory<br />
piece with a work inspired by<br />
the ancient sacred Bohemian<br />
St Wenceslas hymn. The hymn's<br />
message – a plea for the wellbeing<br />
of the <strong>Czech</strong> people,<br />
directed at their patron saint –<br />
was immediately understood<br />
by the audience.<br />
The Bohemian String Quartet<br />
performed this single-movement<br />
Meditation for the first time on<br />
27 September 1914 (the version<br />
for string orchestra in November<br />
1914). That same year the piece<br />
was published by Fr. A. Urbánek<br />
together with arrangements for<br />
piano and organ.<br />
This first Urtext edition was<br />
prepared in two scorings – one<br />
for string quartet and another<br />
for string orchestra. The<br />
orchestral arrangement differs<br />
from the quartet version in some<br />
details in connection with the<br />
added part for double bass.<br />
● First Urtext edition<br />
● Informative preface (Cz/Eng/<br />
Ger) and critical commentary<br />
(Eng) by the editor<br />
● Two versions published in two<br />
separate editions<br />
Josef Suk, op. 35a<br />
Adagio, ma con moto<br />
<br />
Violino I c 2<br />
4 <br />
con sord.<br />
c <br />
7<br />
poco<br />
<br />
<br />
<br />
3<br />
<br />
2 <br />
c <br />
Suk Josef<br />
(<strong>18</strong>74–1935)<br />
String Quartet No. 1 in B-flat maj<br />
Op. 11<br />
Urtext / Ed. Z. Nouza †<br />
BA 9530 parts in slipcover<br />
TP 530 study score<br />
● First Urtext edition<br />
● Includes both versions of the<br />
4th movement – the original<br />
one from <strong>18</strong>96 and the late<br />
revision from 1915, which could<br />
be played also separately as an<br />
encore<br />
● Preface (Cz/Eng/Ger) and<br />
critical commentary (Eng)<br />
by the editor<br />
String Quartet No. 2 Op. 31<br />
Urtext / Ed. Z. Nouza †<br />
BA 9536 parts in slipcover<br />
TP 536 study score<br />
The single-movement String<br />
Quartet No. 2 by Josef Suk<br />
was written at the height of<br />
his compositional powers.<br />
Completed in Křečovice in May<br />
1911, this demanding work,<br />
with its complex harmonies<br />
and motivic structure, seemed<br />
avant-garde for its day: the Berlin<br />
premiere of November 1912<br />
was accompanied by protests<br />
from the audience.<br />
● First Urtext edition<br />
●<br />
<br />
3 <br />
<br />
2 c<br />
Preface (Cz/Eng/Ger) and<br />
cresc.<br />
critical commentary (Eng)<br />
String Quartet Op. 9<br />
by the editor<br />
12<br />
H 7958 score with parts<br />
2<br />
<br />
4 c <br />
<br />
f dim. molto dim. molto p dim. perdendo<br />
<br />
poco cresc.<br />
molto p<br />
44<br />
dim.<br />
2<br />
45<br />
<br />
4 c<br />
<br />
<br />
<br />
<br />
Violino II<br />
ru<br />
Prof. D<br />
Ferd. Pečírkovi v upřímném přátelství<br />
Meditace<br />
na staročeský chorál „Svatý Václave“<br />
sempre molto p<br />
con sord.<br />
c 2<br />
4 c <br />
con sord.<br />
sempre molto p<br />
Viola c 2<br />
4 c <br />
<br />
<br />
p espress.<br />
<br />
Violoncello c 2<br />
<br />
4 <br />
sempre molto p<br />
con sord. <br />
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<br />
<br />
sempre molto p<br />
3<br />
<br />
<br />
2 c<br />
<br />
<br />
cresc.<br />
cresc.<br />
<br />
3<br />
<br />
2 <br />
c<br />
cresc. <br />
<br />
<br />
<br />
<br />
cresc.<br />
cresc.<br />
f dim. molto dim. molto p dim.<br />
2<br />
molto p<br />
poco cresc. dim.
CHAMBER MUSIC<br />
CHAMBER MUSIC<br />
Vranický Pavel<br />
(1756–<strong>18</strong>08)<br />
Quartetti per archi II Op. 16<br />
Nos. 1–6<br />
Ed. S. Ondráček<br />
Preface by O. Zuckerová<br />
(Cz/Ger/Eng)<br />
MAB I/84<br />
H 7481 score<br />
(parts for each individual quartet<br />
available upon request)<br />
Zámečník Evžen<br />
(*1939)<br />
Meditation<br />
for string quartet<br />
H 6406 score with parts<br />
String Quintet<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Nocturno in B maj Op. 40<br />
for 2 violins, viola, violoncello and<br />
double bass<br />
Eds. J. Burghauser, M. Nový<br />
ADCE III/24<br />
H 6590 score with parts<br />
String Quintet in A min Op. 1<br />
for 2 violins, 2 violas and<br />
violoncello<br />
ADCE IV/9<br />
H 6782-22 parts in slipcover<br />
String Quintet in E-flat maj<br />
Op. 97<br />
for 2 violins, 2 violas and<br />
violoncello<br />
Ed. F. Bartoš<br />
A <strong>new</strong> preface by D. R. Beveridge<br />
BA 9542 parts in slipcover<br />
TP 532 study score<br />
String Quintet in G maj Op. 77<br />
for 2 violins, viola, violoncello<br />
and double bass<br />
Eds. F. Bartoš, A. Pokorný<br />
BA 9577 parts in slipcover<br />
TP 577 study score<br />
● Dvořák's famous quintet with<br />
double bass<br />
● This edition also includes the<br />
Intermezzo from the original<br />
five-movement version of the<br />
quintet<br />
● Preface by David R. Beveridge<br />
(Eng/Cz/Ger)<br />
Kubička Miroslav<br />
(*1951)<br />
Dialogues (Rozhovory)<br />
for string quintet<br />
H 7923 score with parts<br />
Mysliveček Josef<br />
(1737–1781)<br />
Tre quintetti d'archi IV–VI COPY<br />
for 2 violins, 2 violas and double<br />
bass<br />
Ed. V. Bělský<br />
MAB I/83<br />
H 7037 score<br />
String Sextet<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
String Sextet in A maj Op. 48<br />
for 2 violins, 2 violas and 2<br />
violoncellos<br />
Eds. J. Burghauser, A. Čubr<br />
BA 9566 parts in slipcover<br />
Schulhoff Erwin<br />
(<strong>18</strong>94–1942)<br />
Sextet<br />
for 2 violins, 2 violas and 2<br />
violoncellos<br />
Ed. M. Rische<br />
BA 7488-22•parts in slipcover<br />
BA 7488• study score<br />
Wind Ensembles<br />
Blatný Pavel<br />
(*1931)<br />
Scena con ottoni<br />
(Scéna pro žestě)<br />
for 2 trumpets, 2 trombones and<br />
French horn<br />
H 6214 score with parts<br />
Dušek František Xaver<br />
(1731–1799)<br />
Six Parthias<br />
for 2 oboes and bassoon<br />
Ed. M. Klement<br />
H 5628 score with parts<br />
•<br />
Bärenreiter-Verlag Kassel production<br />
Eben Petr<br />
(1929–2007)<br />
Quintetto COPY<br />
(Variations on chorale)<br />
for 2 trumpets, French horn and<br />
2 trombones<br />
H 5166 score with parts<br />
Quintetto per stromenti a fiato<br />
COPY<br />
for flute, oboe, clarinet, French<br />
horn and bassoon<br />
H 4397 score with parts<br />
Feld Jindřich<br />
(1925–2007)<br />
Wind Quintet No. 2 COPY<br />
for flute, oboe, clarinet, French<br />
horn and bassoon<br />
H 5196 score with parts<br />
Hanuš Jan<br />
(1915–2004)<br />
<strong>Music</strong> of the Tower (Hudba věže)<br />
Op. 88<br />
(Tribute to Bohuslav Martinů)<br />
for 2 trumpets, French horn and<br />
2 trombones<br />
H 6477 score with parts<br />
Janáček Leoš<br />
(<strong>18</strong>54–1928)<br />
Youth (Mládí)<br />
Wind Sextet for flute / piccolo,<br />
oboe, clarinet, French horn,<br />
bassoon and bass clarinet<br />
Urtext / Eds. J. Doležal, L. Faltus<br />
BA 9528 parts in slipcover<br />
TP 528 study score<br />
Kabeláč Miloslav<br />
(1908–1979)<br />
Wind Sextet Op. 8 COPY<br />
for flute, English horn, 2 clarinets,<br />
French horn and bassoon<br />
H 2023 study score ♦<br />
Kalabis Viktor<br />
(1923–2006)<br />
Piccola musica da camera Op. 27<br />
for flute, oboe, clarinet, French<br />
horn and bassoon<br />
H 4757 score with parts<br />
Kramář-Krommer František Vincenc<br />
(1759–<strong>18</strong>31)<br />
Trio in F maj and Variations<br />
on Pleyel's Theme COPY<br />
for 2 oboes and French horn<br />
Ed. M. Klement<br />
H 5808 score with parts<br />
Mysliveček Josef<br />
(1737–1781)<br />
Tre ottetti per due oboi, due<br />
clarinetti, due corni e due fagotti<br />
COPY<br />
in E-flat maj, in E-flat maj, in<br />
B-flat maj<br />
Ed. C. Schoenbaum<br />
MAB I/55<br />
H 3406 score with parts<br />
Rejcha Antonín<br />
(1770–<strong>18</strong>36)<br />
Tre quintetti – Parte I, Op. 88<br />
No. 3 COPY<br />
for flute, oboe, clarinet, French<br />
horn and bassoon<br />
Eds. R. Hertl, V. Smetáček, rev. by<br />
M. Špeťko<br />
MAB I/33a<br />
H 7140 parts in slipcover<br />
Serenate Boëme, partite<br />
e notturni<br />
Antonín Kammel, Jiří Družecký,<br />
František X. Dušek, Vincenc<br />
Mašek<br />
for 2 oboes, 2 French horns and<br />
bassoon<br />
Ed. V. Bělský<br />
MAB I/35<br />
H 2304 score<br />
Trojan Václav<br />
(1907–1983)<br />
Divertimento per quintetto<br />
a fiato COPY<br />
for flute, oboe, clarinet, French<br />
horn and bassoon<br />
H 6250 score with parts<br />
Vranický Antonín<br />
(1761–<strong>18</strong>20)<br />
Marches for Wind Instruments<br />
for 2 oboes, 2 clarinets, 2 French<br />
horns, trumpet, 2 bassoons and<br />
contrabassoon<br />
Ed. A. Myslík<br />
H 4890 score with parts<br />
Wind Ensembles<br />
and Piano<br />
Eben Petr<br />
(1929–2007)<br />
<strong>Music</strong> for Oboe, Bassoon and<br />
Piano<br />
H 7452 score with parts<br />
Hanuš Jan<br />
(1915–2004)<br />
Impromptus Op. 45 COPY<br />
for trumpet / flute, oboe, clarinet<br />
and piano<br />
H 3843 score with parts<br />
Janáček Leoš<br />
(<strong>18</strong>54–1928)<br />
Capriccio for Piano Left Hand and<br />
Wind Ensemble<br />
flute / piccolo, 2 trumpets, 3<br />
trombones, tenor tuba ossia<br />
French horn<br />
Eds. L. Faltus, J. Procházková<br />
46 47<br />
LJCE E/5<br />
BA 6856•<br />
cloth bound score<br />
with parts<br />
Urtext / Eds. L. Faltus,<br />
J. Procházková<br />
Preface by J. Procházková<br />
BA 9535<br />
Miscellaneous<br />
Ensembles<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
NEW 2016<br />
score and parts in<br />
slipcover (French<br />
horn part included)<br />
Serenade in D min Op. 44<br />
for 2 oboes, 2 clarinets, 2<br />
bassoons, contrabassoon ad lib.,<br />
3 French horns, violoncello and<br />
double bass<br />
→ see more about the edition<br />
in section Chamber Orchestra<br />
on p. 51<br />
Fiala Josef<br />
(1748–<strong>18</strong>16)<br />
Two Duets<br />
for oboe and viola / violoncello<br />
Ed. M. Klement<br />
H 7787 score with parts<br />
Two Oboe Quartets COPY<br />
for oboe, violin, viola and<br />
violoncello<br />
Ed. and rev. by M. Klement<br />
H 4203 score with parts<br />
Fišer Luboš<br />
(1935–1999)<br />
Crux<br />
for violin, timpani and bells<br />
Reproduction of the autograph<br />
from the property of I. Štraus<br />
H 7966 performance score<br />
Kalabis Viktor<br />
(1923–2006)<br />
Nonet No. 2 “In Honour<br />
of Nature” Op. 44<br />
for flute, oboe, clarinet, bassoon,<br />
French horn, violin, viola,<br />
violoncello and double bass<br />
H 6465 score ♦<br />
Kramář-Krommer František Vincenc<br />
(1759–<strong>18</strong>31)<br />
Two Oboe Quartets<br />
in C maj, in F maj<br />
for oboe, violin, viola and<br />
violoncello<br />
Ed. J. Pohanka<br />
MAB I/42<br />
H 2705 score with parts<br />
Martinů Bohuslav<br />
(<strong>18</strong>90–1959)<br />
Chamber <strong>Music</strong> for 6-9<br />
Instruments I<br />
Ed. J. Zichová<br />
BMCE IV/4, 1<br />
BA 10574-01 cloth bound score<br />
Les Rondes H. 200 [with<br />
piano], Serenade No. 1 H. 217,<br />
Serenade No. 3 H. 2<strong>18</strong>, Stowe<br />
Pastorals (Pastorely ze Stowe)<br />
H. 335, Nonet No. 2 H. 374<br />
→ see more about BMCE<br />
on pp. 38-39<br />
♦ Performance material<br />
available on hire
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• Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic •<br />
sliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert •<br />
a František ORCHESTRA<br />
CHAMBER Ignác Antonín MUSIC • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan<br />
elenka Jan Dismas • Benda František MUSICA • Benda Jiří ANTIQUA Antonín • Brixi František BOHEMICA<br />
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ntišek Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Mich-<br />
Adam The z Otradovic <strong>Music</strong>a Antiqua • Mysliveček Bohemica Josef • Plánický of the Josef 17th Antonín and <strong>18</strong>th century • Rejcha and Antonín • In Rössler-Rosetti 1969 this instrumental František series Antonín • Seger<br />
ef Ferdinand (MAB) edition Norbert series • Tůma is a collection František Ignác at Antonín the courts • Vejvanovský of their domestic Pavel Josef • was Voříšek complemented Jan Václav by Hugo another, • Vranický Antonín •<br />
of the compositions of various nobility. The series has published vocal one, which includes signifinický<br />
Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík<br />
authors of <strong>Czech</strong> origin ranging critical editions of the works of Jiří cant representations of works by<br />
Ladislav from • the Dušek Baroque František period Xaver to that • Fils of Antonín Antonín • Koželuh Benda, Leopold Antonín Rejcha, • Kramář-Krommer Jan Dismas František Zelenka Vincenc and Jiří • Linek Anto-Jiřnín Benda; • Rejcha the Antonín youngest • author Rössler-Rosetti Fran-<br />
Ignác •<br />
y Jan early Antonín Romanticism. • Michna It Adam was begun z Otradovic • František Mysliveček Xaver Josef Dušek, • Plánický the most Josef Antonín<br />
k Antonín in 1934 • by Seger the Brno Josef musicologist<br />
Ferdinand Norbert revelational • Tůma František editorial Ignác impact Antonín can • Vejvanovský chronologically Pavel is Josef Jan Václav • Voříšek Hugo Jan Václav<br />
go • Vranický Vladimír Antonín Helfert; after • Vranický a wartime Pavel • Zach be Jan seen • in Zelenka the multi-volume Jan Dismas • Benda František Voříšek (1791–<strong>18</strong>25). • Benda Jiří Antonín • Brixi František<br />
ver • Brixi break Šimon and the • Dusík death Jan of the Ladislav original<br />
• Linek editor, Jiří it Ignác was taken • Losy up Jan by Antonín the • Michna Pavel Josef Adam Vejvanovský, z Otradovic Jan • Václav Mysliveček Although Josef • Plánický it is merely Josef an incomplete<br />
Antonín • Rejcha<br />
• Dušek inclusions František of Xaver Jan Ladislav • Fils Antonín Dusík, • Koželuh Leopold • Kramář-Krommer František<br />
cenc<br />
tonín Prague • Rössler-Rosetti publisher Supraphon František and Antonín • Seger Hugo Voříšek, Josef Ferdinand other Norbert authors • Tůma study František on <strong>Czech</strong> Ignác music Antonín history, • Vejvanovský the Pavel<br />
later Bärenreiter Praha, and its last who had previously been largely MAB edition series constitutes a<br />
ef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří<br />
volume was published in 2003. underestimated. It comprises<br />
unique anthology of compositions<br />
tonín • Brixi František Xaver • Brixi Šimon • compositions Dusík Jan Ladislav of all genres, • Dušek ranging František Xaver of the • given Fils Antonín period, thus • Koželuh acting as Leopold a • Krař-Krommer<br />
The first, František instrumental Vincenc series • Linek maps Jiří Ignác from • piano Losy Jan and Antonín violin works • Michna to Adam basic z Otradovic guideline • Mysliveček for further research Josef • Plánický<br />
ef Antonín the life • and Rejcha work Antonín of <strong>Czech</strong> • composers<br />
both in Pavel European Josef metropolises<br />
• Voříšek Jan Václav scores. Hugo • Vranický Antonín • Vranický of Pavel Central • Zach Europe. Jan • Zelenka Jan Dismas •<br />
Rössler-Rosetti chamber František music Antonín and symphonic • Seger Josef Ferdinand this field, Norbert especially • Tůma in the František region Ignác Anto-<br />
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NEW <strong>2017</strong><br />
Martinů Bohuslav<br />
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for clarinet, French horn, 3 violins<br />
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H 1500 parts<br />
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Serenade No. 3 H. 2<strong>18</strong> COPY<br />
for oboe, clarinet, 4 violins and<br />
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H 1502 parts<br />
H 365 study score<br />
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CHAMBER MUSIC<br />
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Notturno in D COPY<br />
for flute, violin, viola, violoncello<br />
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Ed. V. Bělský<br />
MAB I/32<br />
H 2171 score<br />
Suk Josef<br />
(<strong>18</strong>74–1935)<br />
Elegy Op. 23<br />
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for violin solo, violoncello solo,<br />
string quartet, harmonium and<br />
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H 7404 score with parts<br />
• Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic •<br />
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elenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek<br />
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TP 440 study score ♦<br />
Adam z Otradovic • Mysliveček Josef • PAVEL Plánický JOSEF VEJVANOVSKÝ Josef Antonín • Rejcha JAN Antonín DISMAS ZELENKA• Rössler-Rosetti František Antonín • Seger<br />
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ET<br />
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PAVEL JOSEF VEJVANOVSKÝ<br />
JAN DISMAS ZELENKA<br />
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y Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti Frank<br />
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a commission for the <strong>Czech</strong><br />
Tre quartetti Op. 98 Nos. 1–3<br />
in the last year of his life as<br />
H 7952 score with parts<br />
barvy - viz VZOR!!!<br />
MUSICA COMPOSIZIONI<br />
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5<br />
Parte seconda<br />
ver • Brixi Šimon • Dusík Jan Ladislav PAVEL JOSEF • Dušek VEJVANOVSKÝ František Xaver • Fils Antonín<br />
JAN<br />
• Koželuh<br />
DISMAS ZELENKALeopold • Kramář-Krommer František<br />
Festspiele on 27 July 1959.<br />
violoncello<br />
Koledníček<br />
OR!!! cenc • Linek Jiří Ignác • Losy Jan MUSICA Antonín COMPOSIZIONI<br />
ANTIQUA • Michna 3 přímé barvy Adam - viz VZOR!!! z Otradovic • Mysliveček MUSICA PSALMI Josef ANTIQUA • Plánický Josef Antonín • Rejcha<br />
per orchestra<br />
ET<br />
Nonet No. 2 was published<br />
Ed. K. Janetzki, rev. by J. Ruis<br />
popular <strong>Czech</strong> and Moravian<br />
tonín • Rössler-Rosetti František Antonín BOHEMICA • Seger Josef Ferdinand Norbert • Tůma MAGNIFICAT BOHEMICA František Ignác Antonín • Vejvanovský Pavel posthumously in autumn<br />
MAB I/65a<br />
Christmas songs for 2 violins /<br />
48 PARTITURA<br />
SERIA II<br />
ef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka<br />
PARTITURA<br />
5 Jan Dismas • Benda František • Benda Jiří later that year.<br />
H 3917-22 parts in slipcover<br />
Parte seconda<br />
PAVEL JOSEF VEJVANOVSKÝ<br />
clarinets and violoncello<br />
JAN DISMAS ZELENKA<br />
tonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Krař-Krommer<br />
František Vincenc • Linek The main source for the edition<br />
H 7852 parts in slipcover<br />
MUSICA COMPOSIZIONI<br />
ANTIQUA<br />
3 přímé barvy - viz VZOR!!!<br />
MUSICA PSALMIANTIQUA<br />
per orchestra Jiří Ignác • Losy Jan Antonín • Michna Adam z ET Otradovic • Mysliveček Josef • Plánický<br />
BOHEMICA<br />
MAGNIFICAT BOHEMICA<br />
is the autograph score. The<br />
ef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Anto-<br />
48 PARTITURA<br />
SERIA II<br />
PARTITURA<br />
5<br />
referential sources consists of<br />
Parte seconda<br />
• Vejvanovský Pavel Josef PAVEL • Voříšek JOSEF VEJVANOVSKÝ Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas •<br />
JAN DISMAS ZELENKA<br />
a copy of the autograph score,<br />
Miscellaneous<br />
nda František • Benda Jiří MUSICA Antonín COMPOSIZIONI<br />
ANTIQUA • Brixi František Xaver 3 přímé barvy - viz • VZOR!!! Brixi Šimon • Dusík Jan Ladislav MUSICA PSALMIANTIQUA<br />
• Dušek František Xaver • Fils Anto- the first printed edition, which<br />
per orchestra<br />
ET<br />
• Koželuh Leopold • Kramář-Krommer BOHEMICA František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic •<br />
contains partly authorised<br />
Ensembles and Piano<br />
MAGNIFICAT BOHEMICA<br />
48 PARTITURA<br />
SERIA II<br />
sliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín PARTITURA<br />
5 • Seger Josef Ferdinand Norbert • amendments by the <strong>Czech</strong><br />
Parte seconda<br />
PAVEL JOSEF VEJVANOVSKÝ<br />
JAN DISMAS ZELENKA<br />
a František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan Nonet, and corrections found<br />
Feld Jindřich<br />
MUSICA COMPOSIZIONI<br />
ANTIQUA<br />
elenka Jan Dismas • Benda František • Benda Jiří Antonín<br />
MAB<br />
3 přímé barvy - viz VZOR!!!<br />
MUSICA PSALMIANTIQUA<br />
• Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek<br />
in the extant correspondence<br />
per orchestra<br />
ET<br />
(1925–2007)<br />
BOHEMICA<br />
MAGNIFICAT BOHEMICA<br />
ntišek Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Mich- between Martinů and violinist<br />
48 PARTITURA<br />
SERIA II<br />
PARTITURA<br />
Emil Leichner, the artistic<br />
Trio for Flute / Violin, Violoncello<br />
5<br />
Parte seconda<br />
Adam z Otradovic • Mysliveček PAVEL JOSEF VEJVANOVSKÝ Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger<br />
JAN DISMAS ZELENKA<br />
director of the <strong>Czech</strong> Nonet.<br />
and Piano<br />
ef Ferdinand Norbert MUSICA COMPOSIZIONI<br />
• Tůma ANTIQUA František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín •<br />
3 přímé barvy - viz VZOR!!!<br />
MUSICA PSALMIANTIQUA<br />
Unlike the BMCE version, this<br />
H 7962 score with parts<br />
per orchestra<br />
ET<br />
nický Pavel • Zach Jan BOHEMICA • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi MAGNIFICAT František BOHEMICA Xaver • Brixi Šimon • Dusík edition transposes the clarinet<br />
48 PARTITURA<br />
SERIA II<br />
Ladislav • Dušek František Xaver • Fils Antonín ● A • Koželuh unique collection Leopold of • Kramář-Krommer František Vincenc • Linek Jiří Ignác •<br />
part to B-flat.<br />
Fibich Zdeněk<br />
PARTITURA<br />
5<br />
Parte seconda<br />
PAVEL JOSEF VEJVANOVSKÝ<br />
y Jan Antonín • Michna Adam z Otradovic • Mysliveček compositions Josef from • Plánický Central<br />
JAN DISMAS ZELENKA<br />
Josef Antonín • Rejcha Antonín • Rössler-Rosetti Frank<br />
Antonín • Seger Josef Ferdinand Norbert • Tůma -European František music Ignác of the Antonín 17th,<br />
MUSICA PSALMIANTIQUA<br />
• Vejvanovský Pavel Josef • Voříšek Jan Václav<br />
(<strong>18</strong>50–1900)<br />
MUSICA COMPOSIZIONI<br />
ANTIQUA<br />
3 přímé barvy - viz VZOR!!!<br />
● First Urtext edition based<br />
per orchestra<br />
ET<br />
on the Bohuslav Martinů<br />
Quintet in D maj Op. 42 COPY<br />
BOHEMICA<br />
Tre quartetti Op. 98 Nos. 4–6<br />
go • Vranický Antonín • Vranický Pavel • Zach Jan <strong>18</strong>th, • Zelenka and early Jan 19th Dismas century<br />
MAGNIFICAT BOHEMICA<br />
• Benda František • Benda Jiří Antonín • Brixi František<br />
Complete Edition IV/4/1<br />
for violin I, clarinet / violin II,<br />
48 PARTITURA<br />
SERIA II<br />
PARTITURA<br />
in E min, in A maj, in D maj<br />
5<br />
ver • Brixi Šimon • Dusík Parte seconda Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František<br />
(Chamber <strong>Music</strong> for 6–9<br />
French horn / viola, violoncello<br />
PAVEL JOSEF VEJVANOVSKÝ<br />
● All genres of instrumental<br />
JAN DISMAS ZELENKA<br />
for flute, violin, viola and<br />
cenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha<br />
Instruments I)<br />
and piano<br />
MUSICA COMPOSIZIONI<br />
ANTIQUA<br />
music and choral works<br />
MUSICA PSALMIANTIQUA<br />
violoncello<br />
per orchestra<br />
ET<br />
tonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel<br />
H 3998 score with parts<br />
BOHEMICA<br />
MAGNIFICAT BOHEMICA<br />
Ed. S. Ondráček<br />
●<br />
ef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří<br />
Clarinet part transposed to<br />
48 PARTITURA<br />
SERIA II<br />
● Each publication includes a<br />
PARTITURA<br />
MAB I/85, I/85a<br />
5<br />
Parte seconda<br />
PAVEL JOSEF VEJVANOVSKÝ<br />
B-flat<br />
JAN DISMAS ZELENKA<br />
tonín • Brixi František Xaver • Brixi Šimon • Dusík detailed Jan Ladislav preface • by Dušek the editor, František Xaver • Fils Antonín • Koželuh Leopold • Krař-Krommer<br />
František per orchestraVincenc • Linek Jiří Ignác • a Losy list of Jan sources Antonín and • relevant Michna Adam z Otradovic • Mysliveček ET Josef • Plánický<br />
H 7800-22 parts in slipcover<br />
● Preface (Cz/Eng/Ger) by the<br />
H 7800 score<br />
•<br />
Bärenreiter-Verlag Kassel production<br />
COMPOSIZIONI<br />
PSALMI<br />
♦<br />
editor<br />
Performance material<br />
ef Antonín • Rejcha Antonín • Rössler-Rosetti František literature, Antonín and a critical • Seger Josef Ferdinand Norbert<br />
MAGNIFICAT<br />
• Tůma František Ignác Anto-<br />
PARTITURA<br />
PARTITURA<br />
available on hire<br />
• Vejvanovský Pavel Parte seconda Josef • Voříšek Jan Václav Hugo commentary • Vranický (Cz/Ger/Eng) Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas •<br />
nda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Anto-<br />
48 49<br />
• Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic •<br />
sliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert •<br />
a František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan<br />
MARTINŮ<br />
B Ä R E N R E I T E R<br />
Nonet č. 2<br />
Nonet No. 2<br />
Nonett Nr. 2<br />
H 374<br />
Bärenreiter<br />
U R T E X T
CHAMBER MUSIC<br />
ORCHESTRA<br />
Hurník Ilja<br />
(1922–2013)<br />
Sonata da camera<br />
for flute, oboe / violin,<br />
violoncello, harpsichord / piano<br />
H 3002 score with parts<br />
Hurník Lukáš<br />
(*1967)<br />
Fusion <strong>Music</strong><br />
for oboe, clarinet, bassoon and<br />
piano<br />
H 7863 score with parts<br />
Janáček Leoš<br />
(<strong>18</strong>54–1928)<br />
Concertino<br />
for piano, 2 violins, viola, clarinet,<br />
French horn and bassoon<br />
H 4342 score with parts<br />
Martinů Bohuslav<br />
(<strong>18</strong>90–1959)<br />
Les Rondes H. 200<br />
for oboe, clarinet, bassoon,<br />
trumpet, 2 violins and piano<br />
H 208 study score ♦<br />
Sonata for Flute, Violin and<br />
Piano H. 254<br />
BA 3326• score with piano<br />
Suk Josef<br />
(<strong>18</strong>74–1935)<br />
Bagatelle “Carrying a Bouquet”<br />
(„S kyticí v ruce“)<br />
for flute (violin ad lib.), violin and<br />
piano<br />
H 7820 score with parts<br />
Škroup František Jan<br />
(<strong>18</strong>01–<strong>18</strong>62)<br />
Trio in E-flat maj Op. 27<br />
for piano, clarinet / violin and<br />
violoncello<br />
Urtext / Ed. M. Harlow<br />
BA 9521 score with parts<br />
● First Urtext edition<br />
● Two alternative versions and<br />
scorings of the work<br />
● Preface (Eng/Ger/Cz ) and<br />
critical commentary (Eng)<br />
by the editor<br />
The Bärenreiter film …<br />
Renowned conductor and musicologist<br />
Christopher Hogwood takes you on a<br />
journey through Bärenreiter. Come<br />
with us behind the scenes.<br />
22<br />
Viol I<br />
Viol II<br />
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[a tempo]<br />
1<strong>18</strong><br />
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You will be given an insight into<br />
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pizz.<br />
p<br />
the editorial and production process<br />
of an Urtext edition. The history of this<br />
129<br />
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Viol I<br />
family-owned <br />
<br />
<br />
<br />
company is also revealed.<br />
cresc. molto<br />
… at www.baerenreiter.com<br />
Viol II<br />
dolce<br />
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cresc. molto f pp<br />
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String Orchestra<br />
(concertos with string orchestra –<br />
see individual instruments)<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Va <br />
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Two versions published in<br />
cresc. f pp<br />
see section About us<br />
arco<br />
♦ Performance material<br />
two separate editions<br />
<br />
Vc <br />
<br />
Performance material available<br />
°<br />
<br />
<br />
on sale 164<br />
available on hire<br />
f<br />
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arco<br />
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NEW 2016<br />
Serenade in E maj for String<br />
Orchestra Op. 22<br />
Urtext / Ed. R. Tait<br />
BA 10423 score °<br />
(replaces H 971)<br />
Dvořák's Serenade in E major<br />
Op. 22 is one of his most popular<br />
and frequently played works.<br />
It was written in the spring of<br />
<strong>18</strong>75. The score and parts were<br />
published by Bote & Bock, Berlin,<br />
in <strong>18</strong>79.<br />
Viol I<br />
Viol II<br />
Va<br />
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Vi ‒<br />
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This Urtext edition is based on<br />
the composer's autograph score.<br />
It corrects numerous mistakes<br />
in articulation and dynamic<br />
markings that the composer<br />
himself noted into his own<br />
Bote & Bock (1st edition) copy<br />
of the work. For the first time,<br />
the editor incorporates omitted<br />
passages from the autograph,<br />
marking them with Vi-de. This<br />
reconstruction makes it possible<br />
to clarify the piece’s structure.<br />
The instructive preface by<br />
Kateřina Nová offers profound<br />
insight into the work, its<br />
manuscript history, and the<br />
mystery of Dvořák's revision of<br />
the work.<br />
● Dvořák's original concept<br />
presented for the first time<br />
● Included Vi-de passages (in<br />
both score and parts) omitted<br />
by the composer in the<br />
autograph score (see example)<br />
● Detailed preface (Cz/Eng/Ger)<br />
by Kateřina Nová, Head of the<br />
Dvořák Museum in Prague, and<br />
critical commentary (Eng) by<br />
the editor<br />
molto espressivo<br />
p fz dim. p<br />
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molto espressivo<br />
p fz dim. p<br />
p [ mf ]<br />
dim. p<br />
p mf dim. p<br />
p mf p<br />
p fz p<br />
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23<br />
Feld Jindřich<br />
(1925–2007)<br />
Sinfonietta da camera per archi<br />
violin I II, viola, violoncello,<br />
double bass<br />
H 5643 score ♦<br />
Suk Josef<br />
(<strong>18</strong>74–1935)<br />
Ella-Polka<br />
violin I II, viola, violoncello,<br />
double bass and triangle<br />
for string orchestra arr. by the<br />
composer<br />
Ed. M. Nový<br />
H 7953 score and parts<br />
Suk Josef<br />
(<strong>18</strong>74–1935)<br />
NEW 2016<br />
Meditation on the Old <strong>Czech</strong><br />
Hymn “St Wenceslas” Op. 35a<br />
for String Orchestra<br />
Urtext / Ed. Z. Nouza †<br />
BA 9584 °<br />
(Chamber version – see section<br />
String Quartet)<br />
This first Urtext edition was<br />
prepared in two scorings – one<br />
for string quartet and another<br />
for string orchestra. The<br />
orchestral arrangement differs<br />
from the quartet version in some<br />
details in connection with the<br />
added part for double bass.<br />
● First Urtext edition<br />
● Informative preface (Cz/Eng/<br />
Ger) and critical commentary<br />
(Eng) by the editor
ORCHESTRA<br />
ORCHESTRA<br />
Suk Josef<br />
(<strong>18</strong>74–1935)<br />
Sousedská<br />
[A type of <strong>Czech</strong> folk dance]<br />
violin I–V, double bass /<br />
violoncello, cymbals, triangle,<br />
snare drum and bass drum<br />
Ed. Z. Nouza †<br />
H 7954 score and parts<br />
Šesták Zdeněk<br />
(*1925)<br />
Concerto per orchestra d'archi<br />
violin I II, viola, violoncello,<br />
double bass<br />
H 6429 score<br />
Vodička Václav<br />
(1720–1774)<br />
Sinfonia in C<br />
violin I II, viola, violoncello,<br />
double bass, harpsichord<br />
Rev. by H. Krupka, J. Snížková<br />
H 3740 score ♦<br />
Zach Jan<br />
(1699–1773)<br />
Cinque sinfonie d'archi<br />
violin I II, viola, double bass<br />
Ed. J. Pohanka<br />
MAB I/43<br />
H 2852 score and parts<br />
Chamber Orchestra<br />
(concertos with chamber orchestra<br />
– see individual instruments)<br />
Benda Jiří Antonín<br />
(1722–1795)<br />
Sinfonie I–III<br />
in D maj, in G maj, in C maj<br />
flute, oboe, French horn I II, violin<br />
I II, viola, violoncello, double bass,<br />
harpsichord<br />
Ed. J. Pohanka<br />
MAB I/58<br />
H 3555 score and parts<br />
Sinfonie IV–VI<br />
in F maj, in G maj, in E-flat maj<br />
flute I II, oboe I II, French horn<br />
I II, violin solo, violin I II, viola,<br />
violoncello, double bass,<br />
harpsichord<br />
Ed. J. Pohanka<br />
MAB I/62<br />
H 3789 score and parts<br />
♦ Performance material<br />
available on hire<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
NEW 2016<br />
Serenade Op. 44<br />
for Wind Instruments,<br />
Violoncello and Double Bass<br />
Urtext / Ed. R. Tait<br />
BA 10424 score<br />
(replaces H 1928)<br />
BA 10424-22 set of parts<br />
in slipcover<br />
In <strong>18</strong>78 Dvořák visited Vienna<br />
and was so impressed by a<br />
performance of Mozart's Wind<br />
Serenade in B-flat major K. 361<br />
that he wrote his own wind<br />
serenade within the space of two<br />
weeks after his return. Taking<br />
Mozart's piece as his model, he<br />
supplemented the wind bound<br />
Moderato quasi Marcia<br />
Antonín Dvořák, op. 44<br />
a2<br />
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Oboe I, II c<br />
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in Sib/B <br />
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Contraffagotto [ <br />
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(ad libitum) <br />
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Corno I, II c<br />
in Fa/F <br />
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in Sib/B basso <br />
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p<br />
Clar I, II<br />
in Sib/B [ ]<br />
<br />
<br />
p<br />
]<br />
[<br />
]<br />
Fag I, II <br />
[ <br />
<br />
<br />
<br />
[ ] [ <br />
<br />
]<br />
<br />
p<br />
]<br />
<br />
[ <br />
Cfag <br />
<br />
Cor I, II <br />
in Fa/F <br />
[ <br />
]<br />
<br />
p<br />
[ ]<br />
<br />
Cor III <br />
in Sib/B basso <br />
<br />
p<br />
]<br />
[ <br />
Vc <br />
<br />
p<br />
]<br />
[ <br />
Cb <br />
<br />
BA 10424<br />
f<br />
Herrn Louis Ehlert zugeeignet<br />
Serenade<br />
I<br />
with a bass part for violoncello<br />
and double bass.<br />
The Serenade Op. 44, which also<br />
delighted Johannes Brahms, was<br />
issued by Dvořák's publisher<br />
Simrock shortly after its<br />
premiere. Our <strong>new</strong> Urtext edition<br />
draws on this first print while<br />
using the autograph to correct<br />
a number of mistakes and<br />
above all inconsistencies in<br />
articulation.<br />
● First Urtext edition of Dvořák's<br />
popular wind serenade<br />
● Detailed preface by Dvořák<br />
expert David R. Beveridge<br />
(Eng/Cz/Ger)<br />
● Critical commentary by the<br />
editor (Eng)<br />
p<br />
© 2016 by Bärenreiter Praha<br />
Eben Petr<br />
(1929–2007)<br />
Concertino pastorale<br />
for three solo instruments (flute,<br />
oboe, clarinet / violin) and string<br />
orchestra (violin I II III, viola,<br />
violoncello, double bass)<br />
H 7877 score<br />
H 7877-22 parts COPY<br />
Fils Antonín<br />
(1733–1760)<br />
Sei sinfonie per orchestra<br />
2 flutes, 2 French horns, violin I II,<br />
viola, double bass<br />
Ed. J. Pohanka<br />
MAB I/44<br />
H 2958 score ♦<br />
Koželuh Leopold<br />
(1747–<strong>18</strong><strong>18</strong>)<br />
Tre sinfonie<br />
in D maj, in F maj, in G min<br />
2 oboes, 2 bassoons, 2 French<br />
horns, strings<br />
Ed. M. Poštolka<br />
MAB I/72<br />
H 4585 score ♦<br />
Martinů Bohuslav<br />
(<strong>18</strong>90–1959)<br />
Divertimento (Serenade No. 4)<br />
H. 215<br />
violin solo, viola solo, 2 oboes,<br />
piano, strings<br />
H 1503 parts<br />
H 366 study score COPY<br />
(also available on hire)<br />
Rejcha Antonín<br />
(1770–<strong>18</strong>36)<br />
Symphony in E-flat maj Op. 41<br />
flute, 2 oboes, 2 bassoons, 2<br />
French horns, timpani, strings<br />
Ed. V. Bělský<br />
MAB I/76<br />
H 5270 score ♦<br />
Tomášek Václav Jan<br />
(1774–<strong>18</strong>50)<br />
Symphony in D maj Op. 30<br />
flute, 2 oboes, 2 clarinets, 2<br />
bassoons, 2 French horns,<br />
timpani, strings<br />
Ed. Š. Jedličková<br />
H 7568 score ♦<br />
°<br />
Performance material available<br />
on sale<br />
Vejvanovský Pavel Josef<br />
(1640–1693)<br />
Composizioni per orchestra<br />
Ed. J. Pohanka<br />
MAB 1/47–49<br />
H 3079 Vol. 1 score ♦<br />
H 3171 Vol. 2 score ♦<br />
H 3230 Vol. 3 score ♦<br />
Serenate e sonate per orchestra<br />
for 2 clarinas, strings and basso<br />
continuo<br />
Ed. J. Pohanka<br />
MAB I/36<br />
H 2334 score ♦<br />
Zelenka Jan Dismas<br />
(1679–1745)<br />
Composizioni per orchestra I<br />
Sinfonia, Hipocondrie,<br />
Capriccio I–V<br />
Eds. C. Schoenbaum, O. Pulkert<br />
MAB I/61<br />
H 3788 score ♦<br />
Symphony orchestra<br />
(concertos with symphony<br />
orchestra – see individual<br />
instruments)<br />
Blatný Pavel<br />
(*1931)<br />
Bells (Zvony)<br />
H 7311 study score ♦<br />
In modo classico<br />
Variations for string quartet and<br />
jazz orchestra<br />
H 6614 study score ♦<br />
Bořkovec Pavel<br />
(<strong>18</strong>94–1972)<br />
The Pied Piper (Krysař)<br />
Ballet in two scenes based on an<br />
old Saxon story<br />
(Cz/Ger)<br />
H 1648 score ♦<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
<strong>Czech</strong> Suite Op. 39 COPY<br />
ADCE III/17<br />
H 519 score ♦<br />
Josef Kajetán Tyl Op. 62<br />
Incidental music to the play by<br />
František Ferdinand Šamberk<br />
ADCE I/9<br />
H 5849 score ♦<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
NEW <strong>2017</strong><br />
Slavonic Rhapsody in D maj<br />
Op. 45/1<br />
Urtext / Ed. R. Simon<br />
BA 10401 score<br />
°<br />
To appear in June <strong>2017</strong><br />
NEW 20<strong>18</strong><br />
Slavonic Rhapsody in G min<br />
Op. 45/2<br />
Urtext / Ed. R. Simon<br />
BA 10402 score<br />
°<br />
In preparation<br />
NEW 20<strong>18</strong><br />
Slavonic Rhapsody in A-flat maj<br />
Op. 45/3<br />
Urtext / Ed. R. Simon<br />
BA 10403 score<br />
°<br />
In preparation<br />
Dvořák's Slavonic Rhapsodies<br />
Op. 45 were composed in <strong>18</strong>78<br />
and issued by the publisher<br />
Simrock, Berlin the following<br />
year. These three independent<br />
orchestral works were published<br />
with the same opus number<br />
and mark the beginning of his<br />
so-called Slavonic period.<br />
The Slavonic Rhapsody op. 45/1<br />
in D major now appears in an<br />
Urtext edition. The editor has<br />
made use of the first edition,<br />
authorised by the composer, as<br />
the principal source of his <strong>new</strong><br />
scholarly-critical edition.<br />
● A work marking the beginning<br />
of Dvořák’s so-called Slavonic<br />
period<br />
● Preface (Eng/Cz/Ger) and<br />
critical commentary (Eng)<br />
by the editor<br />
52 53
ORCHESTRA<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Suite in A maj Op. 98b COPY<br />
ADCE III/17<br />
H 2307 score ♦<br />
Symphony No. 1 in C min B 9<br />
“The Bells of Zlonice”<br />
(„Zlonické zvony“)<br />
Ed. F. Bartoš<br />
TP 501• study score ♦<br />
Symphony No. 2 in B-flat maj<br />
Op. 4<br />
Ed. F. Bartoš<br />
TP 502• study score ♦<br />
Symphony No. 3 in E-flat maj<br />
Op. 10<br />
Ed. F. Bartoš<br />
TP 503• study score ♦<br />
Symphony No. 4 in D min Op. 13<br />
Ed. F. Bartoš<br />
TP 504• study score ♦<br />
Symphony No. 5 in F maj Op. 76<br />
Ed. F. Bartoš<br />
TP 505• study score ♦<br />
Symphony No. 6 in D maj Op. 60<br />
Ed. F. Bartoš<br />
TP 506• study score ♦<br />
Symphony No. 7 in D min<br />
Op. 70<br />
Urtext / Ed. J. Del Mar<br />
BA 10417• score °<br />
BA 10417-40•<br />
critical commentary (Eng)<br />
TP 617• study score<br />
Dvořák's Symphony No. 7 received<br />
its premiere on 22 April<br />
<strong>18</strong>85 in London conducted by<br />
the composer himself. The<br />
following June the 2nd movement<br />
was shortened by some<br />
40 bars and the work was<br />
published in this form in <strong>18</strong>85<br />
by Simrock.<br />
The editor of this <strong>new</strong> scholarly-critical<br />
edition has drawn<br />
on all the available sources<br />
including letters. The original<br />
version of the 2nd movement<br />
appears in the appendix as well<br />
as in the performance material.<br />
● First Urtext edition<br />
● Contains the original London<br />
version of the 2nd movement<br />
● Detailed preface by the editor<br />
(Cz/Eng/Ger)<br />
Symphony No. 7 in D min Op. 70<br />
Ed. F. Bartoš<br />
TP 507• study score ♦<br />
Symphony No. 8 in G maj Op. 88<br />
Ed. F. Bartoš<br />
TP 508• study score ♦<br />
Symphony No. 9 in E min Op. 95<br />
“From the New World”<br />
Ed. F. Bartoš<br />
TP 509• study score ♦<br />
Feld Jindřich<br />
(1925–2007)<br />
Symphony No. 2<br />
H 7178 score ♦<br />
Hanuš Jan<br />
(1915–2004)<br />
Symphony No 3 Op. 38<br />
H 2741-66 study score ♦<br />
Symphony No. 4 for Large<br />
Orchestra Op. 49<br />
H 3506 study score ♦<br />
Hurník Ilja<br />
(1922–2013)<br />
Con brio per orchestra<br />
H 7803 score ♦<br />
Janáček Leoš<br />
(<strong>18</strong>54–1928)<br />
The Danube (Dunaj)<br />
symphony (with soprano solo)<br />
critical reconstruction of<br />
the composer's unfinished<br />
symphony<br />
Eds. L. Faltus, M. Štědroň<br />
LJCE H/3<br />
BA 6861 / H 7950 cloth bound<br />
score ♦<br />
The Danube symphony with<br />
four movements was written<br />
intermittently over the course<br />
of five years from 1923 to 1928.<br />
Janáček's death prevented it<br />
from being finished. Based on<br />
the composer’s autograph draft<br />
and other sources, the score was<br />
completed by leading Janáček<br />
experts and eminent editors of<br />
the LJCE, Miloš Štědroň and Leoš<br />
Faltus. This is the first time the<br />
complete score was published<br />
in print.<br />
Two Dances<br />
Cossack Dance (Kozáček), Serbian<br />
Reel (Srbské kolo)<br />
Ed. J. Burghauser<br />
BA 6171 / H 4657 score ♦<br />
Lachian Dances (Lašské tance)<br />
Eds. J. Burghauser, R. Eliška<br />
LJCE D/4<br />
BA 6845• cloth bound score ♦<br />
H 6571 score (practical<br />
edition) ♦<br />
Entr'actes from the opera<br />
The Cunning Little Vixen<br />
(Meziaktní hudba z opery<br />
Příhody lišky Bystroušky)<br />
Arr. by F. Jílek<br />
H 7505 study score<br />
Suite from the opera<br />
From the House of the Death<br />
(Suita z opery Z mrtvého domu)<br />
Arr. by F. Jílek<br />
H 7506 study score<br />
Sinfonietta<br />
H 7741 piano reduction<br />
for four hands only<br />
(František Jílek) ♦<br />
Taras Bulba<br />
Rhapsody for Orchestra<br />
Eds. J. Burghauser, J. Hanuš<br />
LJCE D/7<br />
BA 6842• cloth bound score ♦<br />
H 3616 score (practical<br />
edition) ♦<br />
•<br />
Bärenreiter-Verlag Kassel production<br />
♦ Performance material<br />
available on hire<br />
Performance material available<br />
°<br />
on sale<br />
54 55
ORCHESTRA<br />
KABELÁČ YEAR 20<strong>18</strong><br />
Discover the eminent<br />
<strong>Czech</strong> composer<br />
Janáček Leoš<br />
(<strong>18</strong>54–1928)<br />
Taras Bulba<br />
Rhapsody for Orchestra<br />
Urtext / Eds. J. Burghauser,<br />
J. Hanuš<br />
TP 842 study score ♦<br />
● 20th century repertoire piece<br />
available in a <strong>new</strong> study score<br />
Martinů Bohuslav<br />
(<strong>18</strong>90–1959)<br />
Smetana Bedřich<br />
(<strong>18</strong>24–<strong>18</strong>84)<br />
Miloslav Kabeláč (1908–1979)<br />
● Notation based on the LJCE<br />
D/7<br />
PIANO<br />
ORGAN<br />
VIOLONCELLO<br />
FLUTE<br />
PERCUSSION<br />
Find your inspiration for the 20<strong>18</strong>/2019 concert season<br />
in the Bärenreiter catalogue<br />
ORCHESTRAL WORKS available on hire (selection)<br />
• Symphony No. 1 in D Op. 11 (for strings and percussion)<br />
• Symphony No. 2 in C Op. 15 (for large orchestra)<br />
• Symphony No. 3 in F Op. 33 (for organ, brass and timpani)<br />
• Symphony No. 4 in A “Camerata” Op. 36 (for chamber orchestra)<br />
• Symphony No. 5 in B-flat minor “Dramatic” Op. 41 (for soprano solo<br />
and large orchestra)<br />
• Symphony No. 7 Op. 52 (for reciter and large orchestra)<br />
• Symphony No. 8 “Antiphonies” Op. 54 (for soprano solo, mixed<br />
choir, percussion and organ)<br />
Premiere recording of complete Kabeláč symphonies now<br />
on Supraphon (2016)<br />
• Overture No. 2 Op. 17 (for large orchestra)<br />
• Mystery of Time Op. 31 (for large orchestra)<br />
• Reflections Op. 49 (for large orchestra)<br />
• Eufemias Mysterion Op. 50 (for chamber orchestra and<br />
soprano solo)<br />
• Metamorphoses II Op. 58 (for large orchestra and piano solo)<br />
● With a <strong>new</strong> preface by<br />
Jiří Zahrádka (Cz/Eng/Ger)<br />
The Fiddler's Child<br />
(Šumařovo dítě)<br />
Ballad for Orchestra<br />
Eds. J. Burghauser, R. Eliška<br />
LJCE D/6<br />
BA 6848• cloth bound score ♦<br />
H 6798-02 score ♦<br />
H 6798 score (practical<br />
edition) ♦<br />
Kabeláč Miloslav<br />
(1908–1979)<br />
Mystery of Time<br />
(Mysterium času) Op. 31 COPY<br />
Passacaglia per grande orchestra<br />
H 2799 study score ♦<br />
Kalabis Viktor<br />
(1923–2006)<br />
Symphony No. 2 – Sinfonia pacis<br />
Op. <strong>18</strong><br />
H 3759 study score ♦<br />
Korte Oldřich F.<br />
(1926–2014)<br />
Concerto grosso<br />
H 7554 study score ♦<br />
The Story of the Flutes<br />
(Příběh fléten) COPY<br />
H 3684 study score ♦<br />
Krejčí Iša<br />
(1904–1968)<br />
XX variazioni per orchestra<br />
to an original theme in folk song<br />
style<br />
H 5553 score<br />
•<br />
Bärenreiter-Verlag Kassel production<br />
56 57<br />
NEW 20<strong>18</strong><br />
Sinfonia concertante H. 322<br />
for oboe, basson, violin, violoncello<br />
and small orchestra<br />
Eds. Ch. Hogwood †, M. Pechač,<br />
P. Žůrek<br />
BMCE III/2/4 (in one volume<br />
with Concerto for String<br />
Quartet and Orchestra H. 207)<br />
BA 10577-01 cloth bound score<br />
In preparation<br />
Symphony No. 4 H. 305<br />
Ed. S. A. Choa<br />
BMCE II/1, 4<br />
BA 10572-01 cloth bound score<br />
● First ever scholarly-critical<br />
edition<br />
● Detailed preface and critical<br />
commentary by the editor<br />
(Eng/Cz)<br />
→ see more about BMCE on<br />
pp. 38-39<br />
Slavický Klement<br />
(1910–1999)<br />
Moravian Dance Fantasias<br />
(Moravské taneční fantazie)<br />
H 1211-66 study score ♦<br />
Rhapsodic Variations<br />
(Rapsodické variace)<br />
for large orchestra<br />
H 2888 study score ♦<br />
Symfonietta III<br />
Concerto per orchestra<br />
H 7004 score ♦<br />
My Country (Má vlast)<br />
the most representative and<br />
best-known cycle of tone poems<br />
in <strong>Czech</strong> music<br />
Urtext / Ed. F. Bartoš<br />
With a <strong>new</strong> preface by<br />
M. Ottlová<br />
TP 557 study score<br />
My Country (Má vlast)<br />
Practical performance revision of<br />
each of the tone poems based on<br />
the critical edition<br />
Ed. J. Burghauser<br />
Vyšehrad COPY<br />
H 6427-01 score ♦<br />
Vltava COPY<br />
H 6427-02 score ♦<br />
Šárka COPY<br />
H 6427-03 score ♦<br />
From Bohemian Fields and<br />
Groves (Z českých luhů a hájů)<br />
COPY<br />
H 6427-04 score ♦<br />
Tábor<br />
H 6427-05 score ♦<br />
Blaník COPY<br />
H 6427-06 score ♦<br />
March for the Shakespeare<br />
Celebration (Pochod ke slavnosti<br />
Shakespearově)<br />
H 3096-66 study score ♦<br />
Prague Carnival<br />
(Pražský karneval)<br />
H 4054-66 study score ♦<br />
♦ Performance material<br />
available on hire
3 přímé barvy - viz VZOR!!!<br />
ISMN 979-0-2601-0248-4<br />
9790260 102484<br />
ORCHESTRA<br />
ORCHESTRA<br />
New Urtext editions of Smetana's famous symphonic poems<br />
Smetana Bedřich<br />
(<strong>18</strong>24–<strong>18</strong>84)<br />
Vltava / The Moldau<br />
Urtext / Ed. H. Macdonald<br />
BA 9558 score<br />
°<br />
TP 558 study score<br />
(the composer's own version for<br />
piano four hands – see section<br />
Piano Duet)<br />
Vyšehrad and Vltava (The<br />
Moldau), the first two<br />
symphonic poems of the sixpart<br />
cycle My Country, were<br />
composed in quick succession<br />
in <strong>18</strong>74.<br />
They were first published in<br />
the composer’s arrangement<br />
four hands in December <strong>18</strong>79,<br />
followed by the score and<br />
orchestral parts, which were<br />
proofread by Smetana himself,<br />
in the first half of <strong>18</strong>80.<br />
Owing to the large number of<br />
misprints in the Urbánek first<br />
edition of The Moldau, Hugh<br />
Macdonald has based his <strong>new</strong><br />
edition on the autograph score,<br />
with cross-references to the<br />
first edition and the composer’s<br />
own version for piano duet.<br />
● Preface on the creation and<br />
reception of the work by Olga<br />
Mojžíšová (Cz/Eng/Ger)<br />
● Note on the edition (Cz/Eng/<br />
Ger) and a detailed critical<br />
commentary (Eng) by the<br />
editor<br />
Smetana Bedřich<br />
(<strong>18</strong>24–<strong>18</strong>84)<br />
NEW <strong>2017</strong><br />
Šárka<br />
Urtext / Ed. H. Macdonald<br />
BA 11532 score ♦<br />
To appear in December <strong>2017</strong><br />
Smetana composed Šárka,<br />
the third work of the cycle My<br />
Country, in January and February<br />
<strong>18</strong>75. While the composer's own<br />
arrangement four hands was<br />
published by Urbánek in <strong>18</strong>80,<br />
the score was not printed<br />
until <strong>18</strong>88, four years after the<br />
composer's death.<br />
Due to the grave defects of the<br />
posthumous first edition of the<br />
score, the editor assessed the<br />
main source to be the autograph<br />
score with markings by conductor<br />
Adolf Čech, who headed the<br />
premiere of Šárka on 17 March<br />
<strong>18</strong>77. The autograph and printed<br />
versions for piano duet served as<br />
referential sources.<br />
● Preface by the eminent<br />
Smetana scholar Olga<br />
Mojžíšová (Cz/Eng/Ger)<br />
● Note on the edition (Cz/Eng/<br />
Ger) and a detailed critical<br />
commentary (Eng) by the editor<br />
NEW 20<strong>18</strong><br />
From Bohemian Fields and<br />
Groves (Z českých luhů a hájů)<br />
Urtext / Ed. H. Macdonald<br />
BA 11533 score ♦<br />
In preparation<br />
Suk Josef<br />
(<strong>18</strong>74–1935)<br />
NEW <strong>2017</strong><br />
“Asrael” Symphony Op. 27<br />
→ see more on the facing page<br />
Scherzo fantastique Op. 25<br />
Rev. by V. Musil<br />
H 5<strong>18</strong>3 score<br />
The Winter's Tale (Pohádka<br />
zimního večera) Op. 9 COPY<br />
Concert overture for large<br />
orchestra<br />
HM 941 score ♦<br />
Radúz and Mahulena Op. 13<br />
<strong>Music</strong> to a Slovak fairy tale in<br />
4 acts by Julius Zeyer<br />
H <strong>18</strong>79<br />
piano reductin only<br />
(Roman Veselý)<br />
Teml Jiří<br />
(*1935)<br />
Concerto grosso<br />
(Hommage à Haendel)<br />
H 7531 study score<br />
MUSICA ANTIQUA<br />
BOHEMICA<br />
34<br />
JAN VÁCLAV (HUGO) VOŘÍŠEK<br />
SINFONIA<br />
Re maggiore<br />
PARTITURA<br />
Voříšek Jan Václav Hugo<br />
(1791–<strong>18</strong>25)<br />
Symphony in D maj<br />
2 flutes, 2 oboes, 2 clarinets,<br />
2 bassoons, 2 French horns,<br />
2 trumpets, timpani, strings<br />
Ed. J. Racek, rev. by F. Bartoš<br />
MAB I/34<br />
H 2262<br />
H 7323<br />
score ♦<br />
piano reduction<br />
for four hands<br />
(Karel Šolc)<br />
Performance material available<br />
°<br />
on sale<br />
♦ Performance material<br />
available on hire<br />
First scholarly-critical edition of “Asrael”<br />
the famous symphony in memory of Dvořák and his daughter<br />
Suk Josef<br />
(<strong>18</strong>74–1935)<br />
NEW <strong>2017</strong><br />
“Asrael” Symphony Op. 27<br />
Urtext / Ed. J. Hájek<br />
BA 9532 score ♦<br />
(replaces H 3978)<br />
To appear in December <strong>2017</strong><br />
When Antonín Dvořák died<br />
on 1 May 1904, his son-in-law<br />
Josef Suk decided to honour<br />
his memory with a funeral<br />
symphony. Suk began drafting<br />
his second symphony around<br />
February 1905, but his work<br />
was interrupted by another<br />
tragedy – the death of his<br />
beloved wife Otilie. This event<br />
had a significant impact on<br />
the composition (he discarded<br />
his initial draft of the fourth<br />
movement and replaced it<br />
with a completely <strong>new</strong> one).<br />
The five-movement symphony<br />
named after the Angel of Death<br />
is dedicated to Dvořák and his<br />
daughter.<br />
“Asrael” Symphony was<br />
premiered in the National<br />
Theatre in Prague on 3 February<br />
1907 under the baton of Karel<br />
Kovařovic. The score was<br />
published by Breitkopf & Härtel<br />
in Leipzig that very year, the<br />
piano reduction by Roman<br />
Veselý found its way to print five<br />
years later.<br />
The main source of the<br />
present edition is the first<br />
print, supplemented by Suk’s<br />
September 1921 corrections,<br />
which were sparked by Václav<br />
Talich, chief conductor of the<br />
<strong>Czech</strong> Philharmonic. Talich<br />
made note of the corrections<br />
in his own printed copy of the<br />
score. The biggest change is the<br />
addition of the fifth and sixth<br />
horn ad libitum to the orchestra.<br />
[I. díl / Part I / I. Teil]<br />
Josef Suk, op. 27<br />
Andante sostenuto<br />
I<br />
1<br />
più largamente<br />
°<br />
Flauto piccolo 3<br />
(Flauto grande) 4 <br />
I 3<br />
Flauto grande 4 <br />
II<br />
3<br />
Oboe<br />
I 4 <br />
II<br />
3<br />
Corno inglese 4 <br />
<br />
mf<br />
Clarinetto 3<br />
I <br />
I<br />
in Sib/B 4 <br />
II<br />
<br />
<br />
<br />
p molto cresc.<br />
Clarinetto basso 3<br />
in Sib/B 4 <br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
pp p dim. poco pp pp cresc. molto cresc.<br />
<br />
I<br />
I 3<br />
<br />
Fagotto <br />
II 4 <br />
p molto cresc.<br />
3<br />
Contraffagotto ¢ 4 <br />
°<br />
<br />
3<br />
4 <br />
Corno I<br />
in Fa/F II<br />
<br />
3<br />
4 <br />
Corno III<br />
in Fa/F IV<br />
<br />
3<br />
4 <br />
Corno<br />
V<br />
in Fa/F<br />
VI<br />
(ad lib.)<br />
<br />
3<br />
4 <br />
Tromba I<br />
in Do/C II<br />
<br />
3<br />
4<br />
III <br />
Tromba<br />
in Do/C<br />
3 4 <br />
I<br />
Trombone<br />
II<br />
3<br />
¢ 4<br />
III <br />
Trombone<br />
Tuba<br />
° <br />
¢<br />
3<br />
4 <br />
p<br />
<br />
pp<br />
<br />
ppp<br />
<br />
Timpani<br />
3<br />
4 <br />
Gran Cassa<br />
Piatti<br />
Andante sostenuto<br />
più largamente<br />
° 3<br />
4 <br />
Violino I<br />
Violino II<br />
Viola<br />
BA 9532<br />
BA 9532<br />
Vznešené památce Dvořákově a Otilčině.<br />
Dem teuren Andenken Anton Dvořáks und seiner Tochter, meiner Gattin Otilie.<br />
Symfonie / Symphony / Symphonie<br />
(Asrael)<br />
3<br />
4 <br />
sul G<br />
3<br />
4 <br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
pp p dim. poco pp pp poco cresc. molto cresc.<br />
poco<br />
3<br />
<br />
<br />
4 <br />
<br />
<br />
<br />
<br />
<br />
Violoncello<br />
pp p dim.<br />
pp pp poco cresc. molto cresc.<br />
pizz.<br />
3<br />
<br />
4 <br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
pp p<br />
<br />
dim. ppp<br />
pizz.<br />
3<br />
¢ <br />
<br />
4 <br />
p<br />
<br />
<br />
<br />
pp p dim. ppp<br />
<br />
<br />
Contrabbasso<br />
● First-ever scholarly-critical<br />
edition<br />
● Detailed preface (Cz/Eng/Ger)<br />
and critical commentary (Eng)<br />
by the editor<br />
● Contains Suk's later<br />
corrections, including the fifth<br />
and sixth horn ad libitum<br />
DVOŘÁK · Dumky · op. 90 Bärenreiter<br />
SUK<br />
B Ä R E N R E I T E R<br />
Symfonie / Symphony / Symphonie<br />
„Asrael“<br />
op. 27<br />
Partitura / Score / Partitur<br />
Bärenreiter<br />
© <strong>2017</strong> by Bärenreiter Praha<br />
© 2016 by Bärenreiter Praha<br />
U R T E X T<br />
58 59
SOLO VOICE<br />
SOLO VOICE<br />
Solo Voice (Voices)<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Biblical Songs (Biblické písně)<br />
Op. 99<br />
for voice and piano<br />
to words from the Book of<br />
Psalms (Cz/Ger/Eng)<br />
Ed. A. Čubr<br />
ADCE VI/2<br />
H 1758-96 for high voice<br />
H 1560-97 for low voice<br />
(will be replaced by BA 10425,<br />
BA 10426)<br />
orchestral arrangement by<br />
A. Dvořák (the first five songs)<br />
and J. Burghauser with J. Hanuš<br />
(the second five songs) available<br />
on hire (only for low voice)<br />
NEW 20<strong>18</strong><br />
Biblical Songs (Biblické písně)<br />
Op. 99<br />
for voice and piano<br />
to words from the Book of<br />
Psalms (Cz/Eng/Ger)<br />
Urtext / Ed. Eva Velická<br />
Preface by D. R. Beveridge<br />
BA 10425 for high voice<br />
(will replace H 1758)<br />
BA 10426 for low voice<br />
(will replace H 1560)<br />
In preparation<br />
A masterpiece of Dvořák’s song<br />
oeuvre. The cycle of ten Biblical<br />
Songs was composed in New York<br />
in spring <strong>18</strong>94. While still in New<br />
York, Dvořák prepared orchestral<br />
arrangements of the first five<br />
songs in the first January week<br />
<strong>18</strong>95. The original piano version<br />
of the cycle was first published<br />
by Simrock in Berlin in early <strong>18</strong>95.<br />
Cypresses (Cypřiše) B 11<br />
for tenor and piano<br />
Song cycle to words by Gustav<br />
Pfleger-Moravský (Cz)<br />
Urtext / Ed. A. Frese<br />
BA 9569<br />
● First ever Urtext edition of <strong>18</strong><br />
love songs by young Dvořák<br />
● Literal translations of the<br />
lyrics included (Eng/Ger)<br />
● With a detailed preface by<br />
David R. Beveridge (Eng/Ger/<br />
Cz) and a critical commentary<br />
(Eng) by the editor<br />
Evening Songs (Večerní písně)<br />
Opp. 3, 9 COPY<br />
for voice and piano<br />
to words by Vítězslav Hálek<br />
(Cz/Eng)<br />
Ed. A. Čubr<br />
ADCE VI/1<br />
H 553<br />
(will be replaced by a <strong>new</strong> Urtext<br />
edition as part of the volume<br />
Songs I – BA 11515, BA 11516)<br />
Gypsy Songs (Cigánské melodie)<br />
Op. 55<br />
for voice and piano<br />
to words by Adolf Heyduk<br />
(Cz/Eng/Ger)<br />
Ed. A. Čubr<br />
ADCE VI/1<br />
H 1559 for high voice<br />
H 1739 for low voice<br />
(will be replaced by BA 10431,<br />
BA 10432)<br />
orchestral arrangement by J. Teml<br />
available on hire (only for low<br />
voice)<br />
NEW <strong>2017</strong><br />
Gypsy Songs (Cigánské<br />
melodie) Op. 55<br />
for voice and piano<br />
to words by Adolf Heyduk<br />
(Cz/Eng/Ger)<br />
Urtext / Ed. V. Vejvodová<br />
BA 10431 for high voice<br />
(replace H 1559)<br />
BA 10432 for low voice<br />
(replaces H 1739)<br />
To appear in October <strong>2017</strong><br />
1. I chant my lay, a hymn<br />
of love (Má píseň zas mi láskou<br />
zní), 2. Hark, how my triangle<br />
(Aj! Kterak trojhranec můj<br />
přerozkošně zní), 3. Silent<br />
and lone the woods around<br />
(A les je tichý kolem kol),<br />
4. Songs my mother taught me<br />
(Když mne stará matka),<br />
5. Tune thy strings, oh gipsy!<br />
(Struna naladěna), 6. In his<br />
wide and ample, airy linen<br />
vesture (Široké rukávy),<br />
7. Cloudy heights of Tatra<br />
(Dejte klec jestřábu)<br />
Dvořák composed the song<br />
cycle Gypsy Songs Op. 55 to<br />
the words by <strong>Czech</strong> poet Adolf<br />
Heyduk in early <strong>18</strong>80 by request<br />
of the tenor Gustav Walter, a<br />
member of the Vienna Court<br />
Opera, to whom the cycle is<br />
dedicated. Dvořák wrote the<br />
music directly for the German<br />
translations of the poems,<br />
which were provided for this<br />
purpose by the poet himself.<br />
The songs were first published<br />
by Simrock in German in<br />
summer <strong>18</strong>80; the same<br />
publisher released another<br />
version including lyrics in<br />
<strong>Czech</strong> and English a year later.<br />
Editor Veronika Vejvodová<br />
chose the first edition as<br />
the main source. The cycle is<br />
published in two transpositions<br />
for high and low voice.<br />
● Third volume of the <strong>new</strong><br />
five-volume Urtext edition<br />
of Dvořák’s complete songs<br />
for voice and piano<br />
● One of the most popular and<br />
most famous Romantic song<br />
cycles<br />
● Detailed preface (Cz/Eng/Ger)<br />
and critical commentary<br />
(Eng) by the editor<br />
Moravian Duets (Moravské<br />
dvojzpěvy) Opp. 20, 32, 38<br />
for two voices (soprano and<br />
tenor / soprano and alto)<br />
and piano<br />
to words of Moravian folk songs<br />
(Cz/Ger/Eng)<br />
Ed. A. Čubr<br />
ADCE VI/3<br />
H 337<br />
Rusalka's Song to the Moon<br />
(Píseň Rusalky o měsíčku)<br />
Aria for soprano and piano from<br />
the 1st act of the opera Rusalka<br />
Text by Jaroslav Kvapil<br />
(Cz/Ger/Eng)<br />
H 4460<br />
vocal score ♦<br />
(Karel Šolc)<br />
Russian Songs (Ruské písně)<br />
COPY<br />
for two female voices and piano<br />
(Cz/Ru)<br />
ADCE VII/5<br />
H 441<br />
NEW 20<strong>18</strong><br />
Songs I (Písně I)<br />
for voice and piano<br />
Lyrics: Cz/Eng/Ger<br />
Urtext / Ed. V. Vejvodová<br />
BA 11515 for high voice<br />
BA 11516 for low voice<br />
In preparation<br />
Two Songs for Baritone<br />
(Dvě písně pro baryton) s. op.<br />
(B 13), Songs to Words by Eliška<br />
Krásnohorská (Písně na slova<br />
Elišky Krásnohorské) s. op.<br />
(B 23), The Orphan (Sirotek)<br />
Op. 5, Rosemary (Rozmarýna)<br />
s. op. (B 24bis), Four Songs to<br />
the Words of Serbian Folk Poems<br />
(Čtyři písně na slova srbské lidové<br />
poezie) Op. 6, Songs from the<br />
Dvůr Králové Manuscript (Písně<br />
z Rukopisu královédvorského)<br />
Op. 7, Evening Songs (Večerní<br />
písně) Opp. 3, 9<br />
This volume includes songs from<br />
Dvořák's early period, many of<br />
them are almost unknown and<br />
rarely performed. Some songs<br />
were previously unpublished.<br />
Now they appear in the first<br />
Urtext edition.<br />
♦ Performance material<br />
available on hire<br />
DVOŘÁK SONG PROJECT<br />
A <strong>new</strong> five-volume Urtext edition<br />
Antonín Dvořák's complete vocal works<br />
for solo voice and piano<br />
Cypresses B 11<br />
<strong>18</strong> love songs for tenor and piano<br />
by young Dvořák in their original<br />
form<br />
Songs I<br />
An album of songs from<br />
composer's early period,<br />
unknown pieces included<br />
Songs II<br />
An album of songs from<br />
composer’s late period, unknown<br />
pieces included<br />
Gypsy Songs Op. 55<br />
One of the most popular and<br />
most famous Romantic song<br />
cycles<br />
Biblical Songs Op. 99<br />
Dvořák’s last song cycle, a<br />
masterpiece of his song oeuvre<br />
● Three song cycles and two<br />
albums with songs issued<br />
in chronological order<br />
● New Urtext and first Urtext<br />
editions, with some songs<br />
published for the first time ever<br />
● Each volume published in two<br />
versions – for high and low voice<br />
(except for Cypresses, written<br />
for tenor)<br />
● Lyrics in three languages (Cz/<br />
Eng/Ger) for each vocal part in<br />
all volumes (except for Cypresses<br />
in <strong>Czech</strong> with literal translations<br />
in English and German)<br />
● Detailed prefaces (Cz/Eng/<br />
Ger) and critical commentaries<br />
(Eng) by the editors Veronika<br />
Vejvodová (Songs I, Songs II,<br />
Gypsy Songs), Eva Velická<br />
(Biblical Songs) and Andreas<br />
Frese (Cypresses)<br />
National Museum – <strong>Czech</strong> Museum of <strong>Music</strong><br />
60 61
SOLO VOICE<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Songs II (Písně II)<br />
for voice and piano<br />
Lyrics: Cz/Eng/Ger<br />
Urtext / Ed. V. Vejvodová<br />
BA 11517 for high voice<br />
BA 115<strong>18</strong> for low voice<br />
To appear in May <strong>2017</strong><br />
Three Modern Greek Songs<br />
(Tři novořecké básně) Op. 50<br />
(B 84a, B 84b), Songs on Poems<br />
by Gustav Pfleger-Moravský<br />
(Písně na slova Gustava Pflegra-<br />
Moravského) Op. 2 (B 123–124),<br />
Two <strong>Czech</strong> Folk Poems (Dvě písně<br />
na lidové texty) s. op. (B 142), In<br />
Folk Style (V národním tónu) Op.<br />
73 (B 146), Four Songs (Čtyři písně)<br />
Op. 82 (B 157), Love Songs (Písně<br />
milostné) Op. 83 (B 160), Lullaby<br />
(Ukolébavka) s. op. (B 160), Song<br />
from The Smith of Lešetín (Zpěv<br />
z Lešetínského kováře) op. posth.<br />
(B 204)<br />
Songs II comprises mature<br />
works from Dvořák's late period.<br />
Besides the well-known cycle<br />
Love Songs, the volume also<br />
contains some less-known or<br />
entirely unknown and previously<br />
unpublished pieces.<br />
● Second volume of the <strong>new</strong><br />
five-volume Urtext edition of<br />
Dvořák's complete songs for<br />
voice and piano<br />
● First Urtext edition with<br />
detailed preface (Cz/Eng/Ger)<br />
and critical commentary<br />
(Eng) by the editor<br />
● First-ever print of some of<br />
the songs<br />
NEW <strong>2017</strong><br />
7<br />
<br />
100<br />
<br />
3<br />
<br />
8<br />
noc se<br />
Night has<br />
dun - kle<br />
Andante<br />
p<br />
Spi, mé<br />
Sleep, my<br />
Schlaf, mein<br />
p<br />
Ukolébavka/Lullaby/Wiegenlied<br />
3<br />
<br />
8 <br />
<br />
<br />
3<br />
8<br />
tem - ná<br />
fal - len<br />
Nacht kommt<br />
zla - té<br />
ten - der<br />
gol - dnes<br />
kva-pem<br />
blí - ží,<br />
dark and som - bre,<br />
ei - lig nä - her,<br />
bou - be - le - té<br />
lit - tle gol - den<br />
wo - nne-vo<br />
- lles<br />
spá -<br />
eye -<br />
Schlaf<br />
ma - lé<br />
che - rub,<br />
klei - nes<br />
dě - ťá<br />
child of<br />
Kin - de<br />
<br />
<br />
<br />
From: Antonín in tempo<br />
rit.<br />
14<br />
pp<br />
Dvořák, Lullaby (published for the first time) from the volume<br />
Songs II • BA 11517<br />
<br />
<br />
<br />
- ží,<br />
spi,<br />
mé<br />
pou - pát - ko!<br />
- ber,<br />
sleep,<br />
my<br />
Songs from the Dvůr Králové Eben<br />
ce<br />
Petr<br />
- lan - dine!<br />
- der,<br />
schlaf,<br />
mein<br />
Her - ze - lein!<br />
Manuscript (Písně z Rukopisu (1929–2007)<br />
královedvorského) Op. 7 COPY<br />
Nursery Songs (Říkanky)<br />
for voice and piano<br />
for soprano and piano<br />
(Cz/Ger/Eng)<br />
Ed. <br />
<br />
<br />
pp<br />
<br />
A. <br />
<br />
<br />
to words of English limericks<br />
Čubr <br />
<br />
children's favourite <br />
songs,<br />
ADCE VI/1<br />
<br />
suitable for teaching English<br />
H 3082<br />
(Eng/Cz)<br />
(will be replaced by a <strong>new</strong> Urtext<br />
H 7810<br />
edition as part of the volume<br />
Songs I – BA 11515, BA 11516)<br />
Secret Songs (Písně nejtajnější /<br />
Heimliche Lieder)<br />
Songs to Words by Eliška<br />
for low voice and piano<br />
Krásnohorská B 23 COPY<br />
Love songs to words by various<br />
for voice and piano<br />
authors<br />
(Cz/Ger/Eng)<br />
(Cz/Ger)<br />
Eds. J. Burghauser, A. Čubr<br />
H 3533<br />
ADCE VI/1<br />
H 2632<br />
Six Songs of Love (Šestero piesní<br />
(will be replaced by a <strong>new</strong> Urtext milostných / Sechs Minnelieder)<br />
edition as part of the volume<br />
for low voice and piano<br />
Songs I – BA 11515, BA 11516)<br />
Six songs to original medieval<br />
love poetry (in 5 original languages<br />
with translations into <strong>Czech</strong>)<br />
Three Spiritual Songs<br />
(Tři duchovní zpěvy) Op. 19b<br />
(Cz/Eng/Ger/Ital/Fr)<br />
for low voice and organ (Lat)<br />
H 2464<br />
Eds. J. Burghauser, A. Čubr<br />
ADCE VI/1<br />
Songs from Teschen (Písně<br />
H 4956<br />
z Těšínska / Lieder aus dem<br />
Teschnerland)<br />
Ave Maria, Hymnus ad<br />
for lower voice and piano<br />
laudes in festo SS. Trinitatis, Ave to words of Silesian folk songs<br />
maris stella<br />
(Cz/Ger)<br />
H 5311<br />
mf<br />
nek ví - čka ma - lá<br />
lids droop with hea - vy<br />
be - schwert die Au - gen<br />
<br />
<br />
<br />
mf<br />
<br />
<br />
<br />
<br />
<br />
<br />
Antonín Dvořák, B 194<br />
-<br />
-<br />
-<br />
tko;<br />
mine.<br />
lein;<br />
<br />
p<br />
<br />
tí<br />
slum<br />
lie<br />
<br />
rit.<br />
<br />
p<br />
<br />
<br />
-<br />
-<br />
-<br />
<br />
<br />
TREASURY OF THE GREATEST CZECH MUSIC<br />
KABELÁČ / THE COMPLETE SYMPHONIES<br />
Prague Radio Symphony Orchestra<br />
conductor Marko Ivanović<br />
The first complete recording<br />
MARTINŮ / CANTATAS<br />
Prague Philharmonic Choir<br />
conductor Lukáš Vasilek<br />
Gramophone Editor’s Choice<br />
BBC <strong>Music</strong> Magazine Choral & Song Choice<br />
MARTINŮ / THE COMPLETE<br />
PIANO TRIOS<br />
Smetana Trio<br />
Diapason d´Or<br />
BBC <strong>Music</strong> Magazine Disc of the Month<br />
BBC <strong>Music</strong> Magazine Award Nomination<br />
Sunday Times Album of the Week<br />
MARTINŮ – HUSA – KALABIS – FELD<br />
VIOLA SONATAS<br />
Kristina Fialová viola<br />
Igor Ardašev piano<br />
DVOŘÁK / SONGS<br />
CYPRESSES, EVENING SONGS,<br />
GYPSY SONGS<br />
Pavol Breslik tenor<br />
Robert Pechanec piano<br />
SUPRAPHON LION IN THE WORLD OF MUSIC<br />
SUPRAPHON a. s.<br />
www.supraphon.com | info@supraphon.com<br />
62<br />
www.facebook.com/SupraphonClassics | www.twitter.com/SupraphonCZ | Available on<br />
63<br />
SU 4202-2<br />
SU 4198-2<br />
SU 4211-2<br />
MARTINŮ / ARIANE,<br />
DOUBLE CONCERTO<br />
Simona Šaturová soprano<br />
Essener Philharmoniker<br />
conductor Tomáš Netopil<br />
Sunday Times Album of the Week<br />
SU 4205-2<br />
SU 4197-2<br />
SU 4215-2
BÄRENREITER PRAHA<br />
H 5094<br />
BÄRENREITER PRAHA<br />
H 5095<br />
SOLO VOICE<br />
SOLO VOICE<br />
Eben Petr<br />
(1929–2007)<br />
Songs for a Lute (Písně k loutně)<br />
for voice and lute / guitar<br />
to words of medieval and<br />
Renaissance love poetry<br />
(in original languages)<br />
(Cz/Eng/Fr/Ger)<br />
a small pendant to the cycle Six<br />
Songs of Love, suitable for an<br />
amateur singer and guitarist in<br />
one<br />
Rev. by J. Tichota<br />
H 6300<br />
Foerster Josef Bohuslav<br />
(<strong>18</strong>59–1951)<br />
Erotikon Op. 23<br />
Four songs for high voice<br />
and piano<br />
(Cz/Ger)<br />
H 7849<br />
Hanuš Jan<br />
(1915–2004)<br />
Umbrella from Piccadilly<br />
(Deštník z Piccadilly) Op. 103<br />
Three songs for bass and large<br />
orchestra<br />
to words by Jaroslav Seifert (Cz)<br />
(with literal English and German<br />
translations of the lyrics)<br />
H 7439 study score ♦<br />
Janáček Leoš<br />
(<strong>18</strong>54–1928)<br />
Four Ballads (Čtyři balady)<br />
for medium voice and piano<br />
to words of folk poetry<br />
(Cz/Ger)<br />
Rev. by J. Trojan<br />
H 6497<br />
Moravian Folk Poetry in Songs<br />
(Moravská lidová poezie<br />
v písních)<br />
for voice and piano<br />
(Cz/Ger)<br />
H 4570<br />
Silesian Songs (Slezské písně)<br />
for low voice and piano<br />
to words from a collection of folk<br />
songs by Helena Salichová<br />
(Cz)<br />
Rev. by B. Štědroň<br />
H 1403<br />
Janáček Leoš<br />
(<strong>18</strong>54–1928)<br />
NEW 2016<br />
The Diary of One Who<br />
Disappeared (Zápisník<br />
zmizelého)<br />
for tenor, alto, three female<br />
voices and piano<br />
to words by Ozef Kalda<br />
(Cz/Eng/Ger)<br />
Urtext / Ed. J. Zahrádka<br />
BA 9575 score<br />
(replaces H 935)<br />
arrangement for chamber<br />
orchestra by M. Štědroň and<br />
M. Orson Štědroň available<br />
on hire<br />
Janáček's intimate chambermusic<br />
drama about the passionate<br />
love of a simple farm boy<br />
6<br />
<br />
Tenore<br />
<br />
Pianoforte<br />
ne - sla sa<br />
lithe as a<br />
leicht schritt sie<br />
sf<br />
<br />
<br />
Andante (q . = 76)<br />
<br />
6<br />
16<br />
<br />
Ich<br />
ja - ko laň,<br />
deer was she,<br />
wie ein Reh,<br />
mf<br />
Po - tkal sem<br />
One day I<br />
traf ei - ne<br />
°<br />
I<br />
*)<br />
for a beautiful gypsy girl is one<br />
of his great vocal masterpieces.<br />
This cycle of 22 songs for tenor<br />
(an alto and three female voices<br />
are added in three numbers)<br />
was composed on a setting of<br />
poems that were published<br />
anonymously. It was not until 80<br />
years later that their author was<br />
identified as the regional poet<br />
and writer Ozef Kalda. The cycle<br />
also contains theatrical elements,<br />
such as the alto entrance and exit<br />
cues and lighting effects.<br />
Composed in 1917–19, the Diary<br />
was premiered in Brno in 1921<br />
from a manuscript prepared<br />
by Gustav Homola. The same<br />
manuscript served as a basis for<br />
the first edition which was issued<br />
by the Brno publisher Oldřich<br />
Pazdírek in 1921 as well as for this<br />
current first Urtext edition.<br />
● First Urtext edition<br />
● Detailed preface (Cz/Eng/Ger)<br />
with <strong>new</strong> information on the<br />
genesis of the work and critical<br />
commentary (Eng) by the editor<br />
● Numbers IX to XI which include<br />
the alto and three female voices<br />
behind the scene also available<br />
online in a PDF form on our<br />
<strong>web</strong>site for download<br />
accel.<br />
mla - dou<br />
met a<br />
jun - ge Zi<br />
ci - gán - ku,<br />
Gyp - sy girl,<br />
- geu - ne - rin,<br />
6<br />
16 <br />
pp<br />
2 2 2 2 2 2<br />
6<br />
16 <br />
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4 4 4<br />
přes<br />
black<br />
schwarz<br />
pr<br />
hair<br />
auf<br />
Leoš Janáček<br />
sf<br />
<br />
<br />
<br />
<br />
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<br />
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<br />
<br />
<br />
<br />
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2 2 2 2<br />
<br />
<br />
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<br />
<br />
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<br />
<br />
<br />
<br />
<br />
sf<br />
<br />
<br />
-<br />
sa<br />
lay<br />
der<br />
cresc.<br />
2 2 2 2<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Kalabis Viktor<br />
(1923–2006)<br />
Five Romantic Songs about<br />
Love to Words by R. M. Rilke<br />
(Pět romantických písní o lásce<br />
na slova R. M. Rilka) Op. 38<br />
for high voice and piano<br />
(Ger/Cz)<br />
H 7841<br />
Kaprálová Vítězslava<br />
(1915–1940)<br />
Love Carol (Koleda milostná)<br />
for medium / high voice and<br />
piano (together with Love<br />
Carol by Bohuslav Martinů)<br />
(Cz/Ger)<br />
Ed. I. Popelka<br />
H 5585<br />
Kopelent Marek<br />
(*1932)<br />
Excited Song (Zjitřený zpěv)<br />
for baritone and brass quintet<br />
(2 trumpets, French horn,<br />
2 trombones)<br />
to words by Josef Hora<br />
(Cz)<br />
H 7791 score with parts<br />
Martinů Bohuslav<br />
(<strong>18</strong>90–1959)<br />
Four Songs on <strong>Czech</strong> Folk Poetry<br />
(Čtyři písně na slova české lidové<br />
poezie) H. 282 bis<br />
for voice and piano<br />
(Cz/Ger/Eng)<br />
Ed. A. Březina<br />
H 7809<br />
Love Carol (Koleda milostná)<br />
H. 259<br />
for medium / high voice and<br />
piano (together with Love Carol<br />
by Vítězslava Kaprálová)<br />
(Cz/Ger)<br />
Ed. I. Popelka<br />
H 5585<br />
New Chap-Book (Nový Špalíček)<br />
H. 288<br />
for voice and piano<br />
Eight songs on Moravian folk<br />
poetry<br />
(Cz/Ger)<br />
Ed. I. Popelka<br />
H 6132<br />
Bohuslav Martinů<br />
LIEDER AUF EINER SEITE<br />
SONGS ON ONE PAGE<br />
Canto e Piano<br />
Songs on One Page (Písničky<br />
na jednu stránku) H. 294<br />
for high voice and piano<br />
Seven songs on Moravian folk<br />
poetry<br />
(Cz/Eng)<br />
H 5094<br />
orchestral arrangement by<br />
J. Teml available on hire<br />
Bohuslav Martinů<br />
LIEDER AUF ZWEI SEITEN<br />
SONGS ON TWO PAGES<br />
Canto e Piano<br />
Songs on Two Pages (Písničky<br />
na dvě stránky) H. 302<br />
for high voice and piano<br />
Seven songs on Moravian folk<br />
poetry<br />
(Cz/Eng)<br />
H 5095<br />
Two Songs to the Text of Negro<br />
Folk Poetry (Dvě písně na texty<br />
negerské poezie) H. 232 bis<br />
for voice and piano<br />
(Cz/Ger)<br />
Ed. I. Popelka<br />
H 5988<br />
Michna Adam Václav<br />
z Otradovic<br />
(1600–1676)<br />
NEW <strong>2017</strong><br />
The <strong>Czech</strong> Lute (Loutna česká)<br />
A collection of 13 songs for two<br />
voices, two violins and basso<br />
continuo<br />
to words by the composer (Cz)<br />
Ed. P. Daněk<br />
H 8040 parts with particell<br />
in slipcover<br />
To appear in December <strong>2017</strong><br />
The <strong>Czech</strong> Lute is a 1653 collection<br />
of 13 strophic songs. Each<br />
of them is introduced by an<br />
instrumental ritornel; the cycle<br />
represents the first occurrence<br />
of ritornel songs in <strong>Czech</strong>.<br />
Until recently the notation of<br />
the instrumental ritornels was<br />
unknown because the parts of<br />
the first and second violins were<br />
lost. The discovery of the part of<br />
the first violin in January 2014<br />
by the editor of this edition was<br />
unique accomplishment that<br />
enabled the first reliable reconstruction<br />
of the work with the<br />
help of the basso continuo part,<br />
even though the notation of the<br />
second violin remains missing.<br />
The premiere CD recording of<br />
this authentic version of The<br />
<strong>Czech</strong> Lute was created by Adam<br />
Viktora and Ensemble Inégal for<br />
Nibiru in 2015.<br />
● Most famous song collection<br />
of the <strong>Czech</strong> Baroque<br />
● Reconstruction of the work<br />
based on the <strong>new</strong>ly discovered<br />
part of the first violin<br />
● First-ever edition of<br />
instrumental ritornels with<br />
the reconstructed part of the<br />
second violin and the fully<br />
notated basso continuo by<br />
Adam Viktora<br />
● Preface (Cz/Eng/Ger) and<br />
critical commentary (Eng)<br />
by the editor<br />
4 4<br />
4<br />
4<br />
♦ Performance material<br />
° °<br />
available on hire<br />
11<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
čer - né<br />
le - lí - ky a o - či bez dna zhlaň.<br />
64 on her shoul - ders, her eyes were deep as the<br />
see.<br />
65<br />
Brust die Zöp - fe, das Au - ge ein finst - rer<br />
See.
SOLO VOICE / CHORAL MUSIC / SACRED AND SECULAR WORKS<br />
CHORAL MUSIC / SACRED AND SECULAR WORKS<br />
Mysliveček Josef<br />
(1737–1781)<br />
Tre notturni COPY<br />
for 2 sopranos, 2 clarinets, 2<br />
French horns and strings<br />
(Ital)<br />
Ed. V. Bělský<br />
MAB II/7<br />
H 5<strong>18</strong>2 score ♦<br />
Petrarch Songs (Písně na Petrarku)<br />
Songs for medium voice and<br />
piano on poems by Francesco<br />
Petrarca<br />
19 songs in different languages<br />
from 19 European composers<br />
from <strong>18</strong>th to 20th centuries<br />
(Ital/Fr/Cz/Eng/Ger)<br />
Ed. M. Bruns<br />
H 7934<br />
Plánický Josef Antonín<br />
(1691–1732)<br />
Opella ecclesiastica<br />
Twelve sacred cantatas (Lat)<br />
for soprano, alto and bass solo,<br />
2 bassoons, strings, and organ<br />
Ed. J. Sehnal<br />
MAB II/3<br />
H 4496 score<br />
Rychlík Jan<br />
(1914–1964)<br />
South Bohemian Folk Songs<br />
(Jihočeské písně a písničky)<br />
for voice, violin, clarinet, bass<br />
clarinet and piano<br />
(Cz/Ger)<br />
H 5489 score with parts<br />
Sluka Luboš<br />
(*1928)<br />
Renaissance Songs<br />
(Písně renesanční)<br />
Three songs for mezzo-soprano /<br />
baritone and piano<br />
(Cz/Ger)<br />
H 3402<br />
Smetana Bedřich<br />
(<strong>18</strong>24–<strong>18</strong>84)<br />
Evening Songs (Večerní písně)<br />
for low voice (arr. by<br />
J. E. Zelinka) and piano<br />
Five songs to words by<br />
Vítězslav Hálek<br />
(Cz/Ger/Eng)<br />
Rev. by K. Šolc<br />
H 2844<br />
Collections<br />
<strong>Music</strong> of the Piarist Monasteries I<br />
Moravian church compositions<br />
of the 17th and <strong>18</strong>th centuries<br />
for mixed choir, 2 horns, strings<br />
and organ<br />
(Lat)<br />
Ed. T. Hanzlík<br />
H 7905 score COPY<br />
Repertorium troporum<br />
bohemiae medii aevi, pars I–IV<br />
Tropi proprii missae – pars I<br />
(Lat)<br />
Ed. H. Vlhová-Wörner<br />
H 7878<br />
Tropi ordinarii missae – pars II<br />
Kyrie eleison<br />
Gloria in excelsis Deo<br />
(Lat)<br />
Ed. H. Vlhová-Wörner<br />
H 7959<br />
Tropi ordinarii missae – pars III<br />
Sanctus<br />
(Lat)<br />
Ed. H. Vlhová-Wörner<br />
H 8017<br />
Tropi ordinarii missae – pars IV<br />
Agnus Dei<br />
(Lat)<br />
Ed. H. Vlhová-Wörner<br />
H 8030<br />
Pastorelle boemiche<br />
<strong>Czech</strong> Christmas Pastorals<br />
Daniel A. F. Milčinský (instrumental<br />
), Tomáš N. Koutník,<br />
Jiří I. Linek, Jan Michalička<br />
for soloists (soprano, tenor,<br />
bass), mixed choir and chamber<br />
orchestra (Cz)<br />
Ed. J. Berkovec<br />
MAB I/23<br />
H <strong>18</strong>19 score ♦<br />
The five volume editorial project<br />
Repertorium troporum<br />
bohemiae medii aevi introduces<br />
the texts and musical editions<br />
of mass tropes from <strong>Czech</strong><br />
sources from the 11th–16th<br />
centuries. The tropes are edited<br />
along with their native chants;<br />
as such, these publications<br />
would interest both the academic<br />
community, as well as those<br />
interested in performance.<br />
Many of the texts and melodies<br />
are made accessible for the very<br />
first time. The edition contains<br />
numerous commentaries, introductory<br />
studies (Cz/Eng) and<br />
enclosed facsimilies.<br />
The internationally respected<br />
musicologist Hana Vlhová-Wörner<br />
is the author of numerous<br />
publications on church music<br />
and Latin liturgical poetry in<br />
Bohemia and Central Europe<br />
from the 11th to 16th centuries<br />
and one of the editors of the<br />
Jistebnice Hymnal.<br />
Children's Choir<br />
Eben Petr<br />
(1929–2007)<br />
Alleluia<br />
Epilogue from the oratorio<br />
Apologia Sokratus for children's<br />
and mixed choir and organ<br />
Organ version arr. by Ph. Brunelle<br />
(original Greek of Plato's<br />
Apologia Sokratus)<br />
H 7900 score<br />
The Twig Grows Green<br />
(Zelená se snítka)<br />
14 songs for children's choir and<br />
piano<br />
(Cz/Ger)<br />
H 2335 score<br />
Hurník Ilja<br />
(1922–2013)<br />
Children's Choruses<br />
A selection from the author's<br />
cycles of children's choruses<br />
a cappella<br />
(Cz)<br />
H 7136 choral score<br />
Missa Vinea Crucis<br />
for children's / female choir and<br />
orchestra or organ<br />
(Lat)<br />
H 7768 score (organ version)<br />
orchestral version available<br />
on hire<br />
Pololáník Zdeněk<br />
(*1935)<br />
Cantus laetitiae<br />
for children's or female choir<br />
a cappella<br />
(Lat)<br />
H 7885 choral score<br />
Female Choir<br />
Eben Petr<br />
(1929–2007)<br />
Of Swallows and Girls<br />
(O vlaštovkách a dívkách)<br />
Nine folk songs for female choir<br />
a cappella<br />
(Cz)<br />
H 4233 choral score<br />
♦ Performance material<br />
available on hire<br />
Eben Petr<br />
(1929–2007)<br />
Greek Dictionary<br />
(Řecký slovník)<br />
Nine female choruses with harp/<br />
piano accompaniment<br />
(to single Greek words)<br />
Harp part rev. by L. Váchalová<br />
H 6145 score<br />
Hurník Ilja<br />
(1922–2013)<br />
Missa Vinea Crucis<br />
for children's / female choir and<br />
orchestra or organ (Lat)<br />
H 7768 score (organ version)<br />
orchestral version available<br />
on hire<br />
Janáček Leoš<br />
(<strong>18</strong>54–1928)<br />
Hradčany Songs<br />
(Hradčanské písničky)<br />
for female choir with flute<br />
and harp accompaniment<br />
to words by František<br />
S. Procházka<br />
(Cz/Ger/Eng)<br />
H 4248 score<br />
Kašpar Rucký<br />
Ballad for female choir a cappella<br />
with soprano solo<br />
to words by František<br />
S. Procházka<br />
(Cz/Ger)<br />
H 6001 choral score<br />
The Wolf's Track<br />
(Vlčí stopa)<br />
for female choir and piano<br />
to words by Jaroslav Vrchlický<br />
(Cz/Ger)<br />
H 4515 score<br />
Martinů Bohuslav<br />
(<strong>18</strong>90–1959)<br />
Opening of the Wells<br />
(Otvírání studánek) H. 354<br />
Cantata for soprano, alto and<br />
baritone solos, reciter, female<br />
choir, 2 violins, viola and piano<br />
to words by Miloslav Bureš<br />
(Cz/Eng/Ger)<br />
H 2122 score with<br />
instrumental parts<br />
→ see more on p. 73<br />
Pololáník Zdeněk<br />
(*1935)<br />
Cantus laetitiae<br />
for children's or female choir<br />
a cappella<br />
(Lat)<br />
H 7885 choral score<br />
Smetana Bedřich<br />
(<strong>18</strong>24–<strong>18</strong>84)<br />
Female Choruses<br />
Three three-part female choruses<br />
a cappella<br />
Má hvězda, Přiletěly vlaštovičky,<br />
Za hory slunce zapadá (Cz)<br />
H 7811 choral score<br />
Male Choir<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Choral Songs (Sborové písně)<br />
B 66 COPY<br />
for male choir<br />
(Cz)<br />
HM 150 choral score<br />
Eben Petr<br />
(1929–2007)<br />
In honorem Caroli<br />
Cantata for male choir and<br />
orchestra to words from the<br />
Foundation Charter of Charles<br />
University (Cz/Lat/Ger)<br />
H 6615 score ♦<br />
Janáček Leoš<br />
(<strong>18</strong>54–1928)<br />
Ave Maria COPY<br />
for male choir a cappella<br />
to words by Lord Byron (Cz)<br />
Ed. J. Trojan<br />
H 6276 choral score<br />
Čarták on Soláň<br />
(Na Soláni čarták)<br />
Cantata for male choir and<br />
orchestra<br />
to words by Martin Kurt (pseudonym<br />
of Maxmilián Kunert)<br />
(Cz/Ger/Eng)<br />
Eds. J. Hanuš, M. Štědroň<br />
LJCE B/3<br />
BA 6844• cloth bound score ♦<br />
H 6450 score (practical<br />
edition) ♦<br />
H 2576-90 vocal score<br />
(Břetislav Bakala)<br />
66 67
CHORAL MUSIC / SACRED AND SECULAR WORKS<br />
KLAVÍR<br />
Janáček Leoš<br />
(<strong>18</strong>54–1928)<br />
Echoes of Folk Songs<br />
(Ohlas národních písní)<br />
for male choir a cappella (Cz)<br />
Ed. J. Trojan<br />
H 5951 choral score<br />
True Love (Láska opravdivá),<br />
I Am Most Astonished (Divím se<br />
milému), The Sunken Garland<br />
(Vínek stonulý)<br />
Four Male Partsongs<br />
(Čtveřice mužských sborů)<br />
for male choir a cappella<br />
H 2486 choral score (Cz)<br />
H 2486-01 choral score (Ger)<br />
The Threat (Výhrůžka), Oh<br />
Love! (Ó lásko), Oh, Army (Ach,<br />
vojna, vojna), Your Beautiful Eyes<br />
(Krásné oči tvé)<br />
Four Moravian Male Choruses<br />
(Čtvero mužských sborů<br />
moravských)<br />
for male choir a cappella to words<br />
of Moravian folk poetry (Cz)<br />
H 7769 choral score<br />
You Know (Dež viš),<br />
Mosquitoes (Komáři), The Evening<br />
Witch (Klekánica), Parting<br />
(Rozloučení)<br />
Male Choruses I (Mužské sbory I)<br />
for male choir a cappella<br />
(Cz/Ger/Eng)<br />
Eds. L. Faltus, P. Oliva<br />
LJCE C/1<br />
BA 6847•<br />
cloth bound choral<br />
score<br />
Ploughing (Orání), Fickleness<br />
of Love (Nestálost lásky),<br />
Lonesome without Solace I<br />
(Osamělá bez těchy I), True Love<br />
(Láska opravdivá), I am most<br />
astonished (Divím se milému),<br />
The Sunken Garland (Vínek<br />
stonulý), Wailing Melancholy<br />
(Zpěvná duma), You Cannot<br />
Escape from Fate (Osudu<br />
neujdeš), Two Doves in a Fir<br />
Tree (Na košatej jedli), At the<br />
Ferry (Na prievoze), Four Male<br />
Partsongs (Čtveřice mužských<br />
sborů): The Threat (Výhrůžka),<br />
Oh Love! (Ó lásko), Oh, Army (Ach,<br />
vojna, vojna), Your Beautiful Eyes<br />
(Krásné oči tvé), Parting (Loučení),<br />
The Dove (Holubička), The Jealous<br />
Lover (Žárlivec), Birch Tree (Což ta<br />
naše bříza), Seek Repose (Odpočiň<br />
si), Festive Chorus (Slavnostní<br />
sbor), Lonesame without Solace II<br />
(Osamělá bez těchy II)<br />
Male Choruses II (Mužské sbory II)<br />
for male choir a cappella<br />
(Cz/Ger/Eng)<br />
Eds. L. Faltus, P. Oliva<br />
LJCE C/2<br />
BA 6858 / H 7840 cloth bound<br />
choral score<br />
Ave Maria, The Wreath<br />
(Vínek), Four Moravian Male-<br />
Voice Choruses on Moravian<br />
folk poetry (Čtvero mužských<br />
sborů moravských): You Know<br />
(Dež viš), Mosquitoes (Komáři),<br />
The Evening Witch (Klekánica),<br />
Parting (Rozloučení), Halfar the<br />
Schoolmaster (Kantor Halfar),<br />
Maryčka Magdónova (1st<br />
version), Maryčka Magdónova<br />
(2nd version), The Seventy<br />
Thousand (Sedmdesát tisíc),<br />
The Eiderdown (Perina), The<br />
<strong>Czech</strong> Legion (Česká legie), The<br />
Wandering Madman (Potulný<br />
šílenec), Our Flag (Naše vlajka),<br />
Chorus for laying the foundation<br />
stone of the Masaryk University<br />
in Brno, various supplements<br />
The Wandering Madman<br />
(Potulný šílenec)<br />
for male choir a cappella with<br />
soprano solo to words by<br />
Rabindranath Tagore (Cz/Ger)<br />
H 6003 choral score<br />
The Seventy Thousand<br />
(Sedmdesát tisíc)<br />
for mail choir a cappella<br />
to words by Petr Bezruč (Cz)<br />
H 6002 choral score<br />
True Love (Láska opravdivá)<br />
for male choir a cappella<br />
to words of folk poetry<br />
(Ger/Eng)<br />
H 3026 choral score<br />
Wailing Melancholy<br />
(Zpěvná duma)<br />
for male choir a cappella<br />
to words by František<br />
L. Čelakovský (Cz/Ger)<br />
Ed. J. Trojan<br />
H 6256 choral score<br />
Bärenreiter-Verlag Kassel production<br />
•<br />
♦ Performance material<br />
available on hire<br />
Martinů Bohuslav<br />
(<strong>18</strong>90–1959)<br />
Brigand Songs (Zbojnické písně)<br />
H. 361 COPY<br />
Ten male choruses a cappella<br />
to words of Moravian folk poetry<br />
(Cz/Ger/Eng)<br />
H 2880 choral score<br />
Field Mass (Polní mše) H. 279<br />
COPY<br />
Cantata for male choir with<br />
baritone solo and orchestra to<br />
words by Jiří Mucha<br />
(Cz)<br />
literal translations of the lyrics<br />
(Ru/Eng/Fr) included<br />
H 277 score ♦<br />
Smetana Bedřich<br />
(<strong>18</strong>24–<strong>18</strong>84)<br />
Festive Chorus (Slavnostní sbor)<br />
COPY<br />
for male choir a cappella<br />
to words by Emanuel Züngel<br />
(Cz)<br />
H 5561 choral score<br />
Mixed Choir<br />
Brixi Šimon<br />
(1693–1735)<br />
Magnificat<br />
Cantata for mixed choir, 2<br />
trumpets (clarinas), strings and<br />
organ<br />
(Lat)<br />
Ed. V. Bělský<br />
MAB II/2<br />
H 4151 score<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Hymnus “Heirs of the White<br />
Mountain” („Dědicové Bílé<br />
Hory“) Op. 30<br />
Short cantata for mixed choir<br />
and orchestra<br />
to words by Vítězslav Hálek<br />
(Cz/Ger/Eng)<br />
ADCE II/5<br />
H 3530<br />
H 3750<br />
score ♦ COPY<br />
vocal score<br />
(Karel Šolc) COPY<br />
In Nature's Realm (V přírodě)<br />
Op. 63 COPY<br />
for mixed choir a cappella<br />
to words by Vítězslav Hálek<br />
(Cz)<br />
ADCE VI/4<br />
H 522 choral score<br />
See our <strong>web</strong>site at<br />
www.philharmonicchoir.cz<br />
TRUSTEE<br />
We’ve been with you for<br />
over eight decades now<br />
68 69
CHORAL MUSIC / SACRED AND SECULAR WORKS<br />
CHORAL MUSIC / SACRED AND SECULAR WORKS<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Mass in D maj Op. 86<br />
(organ version)<br />
for soloists, mixed choir and<br />
organ<br />
(Lat)<br />
Eds. J. Burgauser, A. Čubr<br />
ADCE II/7<br />
H 4952<br />
score (with preface<br />
by J. Burghauser)<br />
(will be replaced by BA 10434)<br />
NEW 20<strong>18</strong><br />
Mass in D maj Op. 86<br />
(organ version)<br />
for soloists, mixed choir and<br />
organ<br />
(Lat)<br />
Urtext / Ed. H. Utidijan<br />
BA 10434 score (with <strong>new</strong>ly<br />
discovered cello and<br />
double bass parts)<br />
(will replace H 4952)<br />
BA 10435<br />
In preparation<br />
choral score with<br />
organ<br />
Psalm 149 (Žalm 149) Op. 79<br />
for mixed choir and orchestra<br />
(Cz/Ger/Eng)<br />
ADCE II/6<br />
H 4508<br />
vocal score ♦<br />
(Karel Šolc)<br />
Requiem Op. 89<br />
for soloists, mixed choir and<br />
chamber orchestra<br />
Arr. by J. Linckelmann<br />
(Lat)<br />
BA 9582 score °<br />
● Standard choral work with<br />
a manageable reduced<br />
orchestration<br />
● A stylistically appropriate<br />
as well as tried and tested<br />
arrangement<br />
● In keeping with the vocal<br />
score H 2924-90<br />
Requiem Op. 89<br />
for soloists, mixed choir and<br />
orchestra<br />
(Lat)<br />
ADCE II/4<br />
H 2924-90 vocal score ♦<br />
(Karel Šolc)<br />
Six Moravian Duets<br />
(Šest moravských dvojzpěvů)<br />
for mixed choir and piano<br />
to words of Moravian folk songs<br />
(Cz/Ger)<br />
Arr. by L. Janáček, with original<br />
piano part<br />
Ed. V. Němec<br />
H 77<strong>18</strong> choral score<br />
(will be replaced by BA 10429)<br />
NEW 20<strong>18</strong><br />
Urtext / Ed. K. Viktorová<br />
BA 10429 choral score<br />
(will replace H 77<strong>18</strong>)<br />
In preparation<br />
St Ludmila (Svatá Ludmila) Op. 71<br />
Oratorio for soloists, mixed choir<br />
and orchestra<br />
to words by Jaroslav Vrchlický<br />
(Cz/Ger/Eng)<br />
ADCE II/3<br />
H 4027<br />
vocal score ♦<br />
(František Bartoš)<br />
Stabat Mater Op. 58<br />
Cantata for soloists, mixed choir<br />
and orchestra<br />
(Lat)<br />
Ed. A. Čubr<br />
ADCE II/1<br />
H 2268<br />
H <strong>18</strong>82<br />
study score ♦<br />
vocal score<br />
(Karel Šolc)<br />
Stabat Mater Op. 58<br />
Cantata for soloists, mixed choir<br />
and orchestra<br />
(Lat)<br />
Vocal score based on Dvořák's<br />
original piano version<br />
Urtext / Eds. J. Kachlík, M. Srnka<br />
H 7920 vocal score by the<br />
composer ♦<br />
°<br />
•<br />
Bärenreiter-Verlag Kassel production<br />
Te Deum Op. 103<br />
for solo soprano and bass, mixed<br />
choir and orchestra<br />
(Lat)<br />
ADCE II/6<br />
H 4522 score COPY<br />
H 4523-90 vocal score ♦<br />
(Karel Šolc)<br />
The Spectre's Bride<br />
(Svatební košile) Op. 69<br />
Ballad to words by Karel Jaromír<br />
Erben for soloists, mixed choir<br />
and orchestra<br />
(Cz/Ger/Eng)<br />
ADCE II/2<br />
With a <strong>new</strong> preface by D. Philippi<br />
BA 9544-90 vocal score ♦<br />
(Karel Šolc)<br />
Eben Petr<br />
(1929–2007)<br />
Alleluia<br />
Epilogue from the oratorio<br />
Apologia Sokratus for children's<br />
and mixed choir and organ<br />
Organ version arr. by Ph. Brunelle<br />
(original Greek of Plato's<br />
Apologia Sokratus)<br />
H 7900 score<br />
Love and Death (Láska a smrt)<br />
COPY<br />
for mixed choir a cappella<br />
to words of folk poetry<br />
(CZ/Ger)<br />
H 3863 choral score<br />
Salve Regina / Cantico delle<br />
creature<br />
Canticle of the Sun of Francis<br />
of Assisi<br />
for mixed choir a cappella<br />
(Lat/Ital [Umbrian])<br />
BA 6429• choral score<br />
The Night (Noc)<br />
for mixed choir a cappella<br />
to words by Karel Hynek Mácha<br />
(Cz/Ger/Eng)<br />
H 7847 choral score<br />
Ubi caritas et amor<br />
for mixed choir a cappella<br />
to words by anonymous<br />
(Lat/Ital)<br />
BA 5404• choral score<br />
Fišer Luboš<br />
(1935–1999)<br />
Caprichos<br />
double-chorus composition<br />
a cappella for chamber and<br />
mixed choirs<br />
H 4439 score<br />
Janáček Leoš<br />
(<strong>18</strong>54–1928)<br />
Amarus<br />
Cantata for soloists, mixed<br />
choir and orchestra<br />
to words by Jaroslav Vrchlický<br />
(Cz/Ger/Eng)<br />
Eds. L. Faltus, M. Kučerová,<br />
M. Štědroň<br />
LJCE B/1<br />
BA 6851• cloth bound score<br />
H 7382-01 score<br />
H 7735<br />
vocal score ♦<br />
(Zdeněk Král)<br />
Elegy on the Death of<br />
My Daughter Olga<br />
(Elegie na smrt dcery Olgy)<br />
Cantata for tenor solo, mixed<br />
choir and piano<br />
to words by Marie N. Vevericová<br />
(Cz/Ger/Eng)<br />
Ed. T. Straková<br />
H 2572 score<br />
Festive Chorus (Slavnostní sbor)<br />
for male solo quartet, female and<br />
male choir with piano<br />
to words by K. Kučera<br />
(Cz/Ger)<br />
Ed. J. Trojan<br />
H 5264 score<br />
Glagolitic Mass (Glagolská mše /<br />
Mša glagolskaja)<br />
for soloists, mixed choir, organ<br />
and orchestra<br />
(Old Church Slavonic text)<br />
Eds. L. Faltus, J. Zahrádka<br />
LJCE B/5–I<br />
Preface (Cz/Ger/Eng/Fr/Ru) and<br />
critical commentary (Cz/Ger) by<br />
J. Zahrádka<br />
BA 6862 / H 7935 cloth bound<br />
score, final authorised version ♦<br />
LJCE B/5–II<br />
BA 6863 / H 8020 cloth bound<br />
score, “September 1927” version ♦<br />
Urtext / Eds. L. Faltus, J. Zahrádka<br />
(final authorised version)<br />
Preface (Cz/Eng/Ger) by<br />
J. Zahrádka<br />
With translation of an Old<br />
Church Slavonic text into Cz/Ger/<br />
Eng in the vocal score<br />
TP 862 study score<br />
BA 6862-90 vocal score<br />
(Martin Zehn)<br />
Graduale in festo Purificationis<br />
B. V. M.<br />
for mixed choir a cappella (Lat)<br />
Ed. J. Trojan<br />
H 4698 choral score<br />
Hail Mary (Zdrávas Maria)<br />
Ave Maria for soprano / tenor,<br />
mixed choir (ad lib.), violin,<br />
piano / organ<br />
(Cz/Ger)<br />
Ed. B. Bakala<br />
H 6252 score<br />
Mass in B-flat maj<br />
According to “Messe pour orgue”<br />
by F. Liszt for mixed choir and<br />
organ (Lat)<br />
Ed. J. Burghauser<br />
H 6239 score<br />
Mass in E-flat maj<br />
(Unfinished Mass)<br />
for soloists, mixed choir and<br />
organ (Lat)<br />
Ed. J. Trojan, Credo completed by<br />
V. Petrželka<br />
H 5086 score ♦<br />
Lord Have Mercy upon Us<br />
(Hospodine!)<br />
for soloists, 2 mixed choirs, 4<br />
trumpets, trombone, tuba, harp<br />
and organ<br />
(Cz/Ger)<br />
Ed. J. Trojan<br />
H 4700<br />
score (with<br />
harp part) ♦<br />
BA 6079• score °<br />
The Eternal Gospel<br />
(Věčné evangelium)<br />
Cantata for soloists, mixed<br />
choir and orchestra<br />
to words by Jaroslav Vrchlický<br />
(Cz/Ger/Eng)<br />
Eds. L. Faltus, M. Štědroň<br />
LJCE B/4<br />
BA 6860• cloth bound score ♦<br />
H 7736-01 score ♦<br />
Urtext / Eds. L. Faltus, M. Štědroň<br />
BA 6860-90 vocal score<br />
(Leoš Faltus)<br />
The Lord's Prayer (Otčenáš)<br />
for mixed choir with tenor solo,<br />
harp and organ<br />
(Cz/Ger)<br />
Ed. B. Štědroň<br />
H 3712<br />
H 3712-64<br />
score<br />
harp part<br />
Performance material available<br />
on sale<br />
Three Mixed Choruses<br />
for mixed choir a cappella<br />
(Cz/Ger)<br />
Ed. J. Trojan<br />
H 6154 choral score<br />
Píseň v jeseni (Herbstlied),<br />
Kačena divoká (Die Wildente),<br />
Naše píseň (Unser Lied)<br />
Kopřiva Václav Jan<br />
(1708–1789)<br />
Offertorium ex D “Vox clamantis<br />
in deserto”<br />
for mixed choir, chamber<br />
orchestra (2 trumpets – clarinas,<br />
strings) and organ<br />
(Lat)<br />
Ed. Z. Šesták<br />
H 7442 score<br />
Linek Jiří Ignác<br />
(1725–1791)<br />
Missa pastoralis ex F / Pastorella<br />
for mixed choir with solos, 2<br />
horns, strings and organ<br />
(Missa: Lat, Pastorella: Cz/Ger)<br />
Ed. J. Berkovec<br />
MAB II/13<br />
H 7226 score ♦<br />
Madelka Simon Bar Jona<br />
(cca 1550–1598)<br />
Seven Penitential Psalms<br />
(Sedm kajících žalmů)<br />
For five voices<br />
(Lat)<br />
Ed. M. Klement<br />
H 7999 choral score<br />
♦ Performance material<br />
available on hire<br />
70 71
CHORAL MUSIC / SACRED AND SECULAR WORKS<br />
CHORAL MUSIC / SACRED AND SECULAR WORKS<br />
Martinů Bohuslav<br />
(<strong>18</strong>90–1959)<br />
NEW <strong>2017</strong><br />
Opening of the Springs<br />
(Otvírání studánek) H. 354<br />
The Legend of the Smoke from<br />
Potato Tops (Legenda z dýmu<br />
bramborové nati) H. 360<br />
A Dandelion Romance<br />
(Romance z pampelišek) H. 364<br />
Mikesh from the Mountains<br />
(Mikeš z hor) H. 375<br />
Lyrics in the original <strong>Czech</strong><br />
Ed. V. Zouhar<br />
BMCE VI/2/3<br />
BA 10575-01 cloth bound score<br />
→ see more about BMCE<br />
on pp. 38-39<br />
Martinů was often inspired by<br />
<strong>Czech</strong> and Moravian folk music<br />
in his compositions. However,<br />
in the late 1950s his intense<br />
focus on the poems of Bureš,<br />
which drew on folk customs, had<br />
another, personal dimension.<br />
26<br />
Bar solo<br />
353<br />
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¡<br />
Vl I <br />
Vl II<br />
Vla ¢ <br />
ª<br />
Through these four cantatas,<br />
Martinů could return to his<br />
homeland at least in a spiritual<br />
way. The cantatas are primarily<br />
choral works augmented<br />
with solo voices or minor<br />
instrumental accompaniment.<br />
The need for a critical edition of<br />
these cantatas stems from the<br />
fact that the composer did not<br />
participate in the publication of<br />
any of them, aside from his<br />
cursory post-publication proofreading<br />
of Opening of the Springs.<br />
The previous editions of these<br />
works contained numerous<br />
minor errors, inconsistencies and<br />
solutions that went against the<br />
intentions of the composer.<br />
● First ever scholarly-critical<br />
edition<br />
● Detailed preface and critical<br />
commentary by the editor<br />
(Eng/Cz)<br />
● Literal translation of the lyrics<br />
by Adam Prentis included (Eng)<br />
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si po - dá vá - me - těž ký - klíč, klíč od do - mo - va.<br />
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BA 10575-01 Partitur 7K B&O 25/01/2016<br />
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Martinů Bohuslav<br />
(<strong>18</strong>90–1959)<br />
The Epic of Gilgamesh<br />
(Epos o Gilgamešovi) H. 351<br />
Oratorio for soloists, narrator,<br />
mixed choir and orchestra<br />
Libretto in original English<br />
version<br />
Ed. A. Březina<br />
BMCE VI/2, 1<br />
BA 10571-01 cloth bound score<br />
→ see more about BMCE<br />
on pp. 38-39<br />
For fourteen long years Martinů<br />
mused over a composition<br />
“of the genre of Cavalieri's<br />
‘Rappresentatione di anima e<br />
di corpo'”, before finally composing<br />
his masterly choral work<br />
at the turn of December 1954<br />
and January 1955, thus creating<br />
one of the most impressive<br />
choral scores of the 20th century.<br />
He compiled the libretto<br />
from the texts of one of the<br />
oldest extant works of literature,<br />
the Ancient Babylonian Epic<br />
of Gilgamesh.<br />
The greatest contribution of<br />
this critical edition is the discovery<br />
and first publication of<br />
the composer's detailed requirements<br />
for a semi-theatrical<br />
staging of the work and the<br />
extension of the Narrator's role<br />
in accordance with Martinů's<br />
original intentions.<br />
● First ever scholarly-critical<br />
edition<br />
● Detailed preface and critical<br />
commentary by the editor<br />
(Eng/Cz)<br />
Martinů Bohuslav<br />
(<strong>18</strong>90–1959)<br />
Legend from the Smoke of<br />
Potato Fires (Legenda z dýmu<br />
bramborové nati) H. 360<br />
Cantata for solo soprano, alto<br />
and baritone, mixed choir and<br />
instrumental ensemble (flute,<br />
clarinet, French horn, accordion,<br />
piano)<br />
to words by Miloslav Bureš<br />
(Cz/Eng/Ger)<br />
H 2996 score<br />
H 2996-22 instrumental parts<br />
Madrigals (Part-Song Book)<br />
H. 380<br />
Four madrigals for mixed choir<br />
a cappella on Moravian folk<br />
songs (Cz/Ger)<br />
1. Am Donaustrom<br />
(Tam s tej strany Dunaja)<br />
BA 3755• choral score<br />
2. Ej, steht ein Wäldchen<br />
(Ej, jeden hájek)<br />
BA 3756• choral score<br />
•<br />
Bärenreiter-Verlag Kassel production<br />
3. Auf der Erde hat nichts Weile<br />
(Na tom světě nic stálého)<br />
BA 3757• choral score<br />
4. Glaubst du, daß ich wohl<br />
nichts wüßte? (A ty si myslíš)<br />
BA 3758• choral score<br />
Mikesh from the Hills<br />
(Mikeš z hor) H. 375<br />
Cantata for solo soprano and<br />
tenor, mixed choir, 2 violins, viola<br />
and piano<br />
to words by Miloslav Bureš<br />
(Cz/Eng/Ger)<br />
H 2992 score<br />
H 2992-22 instrumental parts<br />
Romance from the Dandelions<br />
(Romance z pampelišek) H. 364<br />
Cantata for mixed choir with<br />
soprano solo<br />
to words by Miloslav Bureš<br />
(Cz/Eng/Ger)<br />
H 2997 choral score<br />
♦ Performance material<br />
available on hire<br />
Bureš Cantatas – Martinů choral masterpieces<br />
practical editions: H 2122 / H 2992 / H 2996 / H 2997<br />
● The cycle of Martinů's chamber cantatas frequently performed<br />
worldwide<br />
● All four masterpieces are written to words by Miloslav Bureš,<br />
a fellow native of the composer from Polička<br />
● Bureš Cantatas, composed between 1955–59, express the<br />
composer's deep feeling of homesickness, especially in the Opening<br />
of the Wells, the most known and the most popular of them<br />
Michna Adam Václav z Otradovic<br />
(1600–1676)<br />
<strong>Czech</strong> Marian <strong>Music</strong><br />
(Česká mariánská muzika)<br />
Cantilenae sacre bohemicae ad<br />
honorem Beatae Mariae Virginis<br />
63 four-part songs (Cz)<br />
Ed. J. Sehnal, texts rev. by<br />
L. Štukavec<br />
AMO 1<br />
H 7240 choral score<br />
Holy Year <strong>Music</strong><br />
(Svatoroční muzika)<br />
Cantiones sacre per tempus<br />
totius anni<br />
1<strong>18</strong> four-part songs (Cz)<br />
Eds. F. Malý, J. Sehnal, texts rev.<br />
by L. Štukavec<br />
AMO 5<br />
H 7824 choral score<br />
Missa Sancti Wenceslai<br />
for mixed choir and instrumental<br />
ensemble<br />
(Lat)<br />
Ed. J. Sehnal<br />
MAB II/1<br />
H 4035 score ♦<br />
Officium vespertinum – pars I:<br />
Psalmi I<br />
for mixed choir and instrumental<br />
ensemble<br />
(Lat)<br />
Eds. J. Sehnal, V. Bělský<br />
AMO 6<br />
H 7837 score ♦<br />
Officium vespertinum – pars II:<br />
Psalmi II<br />
for mixed choir and instrumental<br />
ensemble<br />
(Lat)<br />
Eds. J. Sehnal, V. Bělský<br />
AMO 7<br />
H 7880 score ♦<br />
Officium vespertinum – pars III:<br />
Compositiones ad honorem<br />
B. M. V. / Falsi burdoni a due core<br />
for mixed choir and instrumental<br />
ensemble<br />
(Lat)<br />
Eds. J. Sehnal, V. Bělský<br />
AMO 8<br />
H 7979 score ♦<br />
Sacra et litaniae – pars I: Missa I<br />
for mixed choir and instrumental<br />
ensemble (Lat)<br />
Eds. J. Sehnal, V. Bělský<br />
AMO 2<br />
H 7332 score ♦<br />
72 73
CHORAL MUSIC / SACRED AND SECULAR WORKS<br />
OPERA / THEMATIC CATALOGUES<br />
Michna Adam Václav z Otradovic<br />
(1600–1676)<br />
Sacra et litaniae – pars II: Missa II<br />
for mixed choir and instrumental<br />
ensemble (Lat)<br />
Eds. J. Sehnal, V. Bělský<br />
AMO 3<br />
H 7595 score ♦<br />
Sacra et litaniae – pars III: Missa III<br />
for mixed choir and instrumental<br />
ensemble (Lat)<br />
Eds. J. Sehnal, V. Bělský<br />
AMO 4<br />
H 7808 score ♦<br />
Sacra et litaniae – pars IV: Missa IV<br />
for mixed choir and instrumental<br />
ensemble (Lat)<br />
Eds. J. Sehnal, V. Bělský<br />
AMO 9<br />
H 7990 score ♦<br />
Sacra et litaniae – pars V: Missa V<br />
for mixed choir and instrumental<br />
ensemble (Lat)<br />
Eds. J. Sehnal, V. Bělský<br />
AMO 10<br />
H 7995 score ♦<br />
Sacra et litaniae – pars VI: Missa<br />
pro defunctis<br />
for mixed choir and instrumental<br />
ensemble (Lat)<br />
Eds. J. Sehnal, V. Bělský<br />
AMO 11<br />
H 7996 score ♦<br />
Sacra et litaniae – pars VII, VIII,<br />
IX – Litaniae de SS. nomine Jesu,<br />
Litaniae B. M. V. / Te Deum<br />
for 4 soloists, mixed choir and<br />
instrumental ensemble (Lat)<br />
Eds. J. Sehnal, V. Bělský<br />
AMO 12<br />
H 7997 score ♦<br />
Novák Jan<br />
(1921–1984)<br />
Aesopia (VI Phaedri fabellae<br />
cantatae atque saltatae cum<br />
prologo et epilogo)<br />
1st version for mixed choir,<br />
soloists and piano (Lat)<br />
H 7882 score ♦<br />
♦ Performance material<br />
available on hire<br />
Ryba Jakub Jan<br />
(1765–<strong>18</strong>15)<br />
<strong>Czech</strong> Christmas Mass<br />
(Česká mše vánoční)<br />
for soloists, mixed choir,<br />
orchestra and organ<br />
the most popular <strong>Czech</strong><br />
Christmas Mass of all times<br />
(Cz/Ger)<br />
H 5572<br />
Slavický Klement<br />
(1910–1999)<br />
vocal score ♦<br />
(Josef Hercl)<br />
Psalmi<br />
for solo voices, mixed choir and<br />
organ<br />
(Lat)<br />
H 7383 score<br />
Smetana Bedřich<br />
(<strong>18</strong>24–<strong>18</strong>84)<br />
<strong>Czech</strong> Song<br />
(Česká píseň)<br />
Cantata for mixed choir and<br />
orchestra to words by<br />
Jan z Hvězdy<br />
H 7402 vocal score ♦<br />
(Karel Šolc) (Cz)<br />
H 7402n vocal score ♦<br />
(Karel Šolc) (Ger)<br />
Šesták Zdeněk<br />
(*1925)<br />
Laudate Dominum,<br />
omnes gentes<br />
for mixed choir a cappella<br />
(Lat)<br />
H 7924 choral score<br />
Teml Jiří<br />
(*1935)<br />
Krédo<br />
Cycle of mixed choruses<br />
a cappella with baritone solo<br />
to words by Jan Tůma<br />
(Cz)<br />
H 7858 choral score<br />
Voříšek Jan Václav Hugo<br />
(1791–<strong>18</strong>25)<br />
Missa in B<br />
(Missa solemnis Op. 24)<br />
for mixed choir, solo voices and<br />
orchestra<br />
(Lat)<br />
Eds. J. Berkovec, O. Zuckerová<br />
MAB II/15<br />
H 7739 score ♦<br />
Zelenka Jan Dismas<br />
(1679–1745)<br />
Missa Divi Xaverii ZWV 12<br />
for soloists, mixed choir<br />
and orchestra (Lat)<br />
Urtext / Ed. V. Luks<br />
BA 9594 score<br />
BA 9594-90 vocal score ♦<br />
(Václav Luks)<br />
Missa Divi Xaverii ZWV 12, an<br />
expansive and unusually richly<br />
scored work, marks a highlight<br />
in Zelenka's œuvre. It was<br />
composed in 1729 while he was<br />
working at the Dresden court.<br />
The principal source of this<br />
first edition is the damaged<br />
autograph score which had<br />
long been kept under lock and<br />
key. Passages missing because<br />
of its damaged condition<br />
have been supplemented<br />
using secondary sources or<br />
reconstructed by Václav Luks,<br />
clearly marked as such in the<br />
musical text.<br />
● Magnum opus of Zelenka's<br />
music and the Bohemian<br />
Baroque<br />
● Scholarly-critical first edition<br />
● Significant enrichment to<br />
sacred choral repertoire<br />
● Also suitable for ambitious<br />
amateur choirs<br />
● Instructive preface (Cz/Eng/<br />
Ger) by J. Stockigt and critical<br />
commentary (Eng) by the<br />
editor<br />
Zelenka Jan Dismas<br />
(1679–1745)<br />
Psalmi et Magnificat<br />
for mixed choir, orchestra and<br />
organ<br />
(Lat)<br />
Ed. V. Bělský<br />
MAB II/5<br />
H 4974 score (♦ selection)<br />
Sub olea pacis et palma virtutis<br />
COPY<br />
(melodrama de Sancto<br />
Wenceslao)<br />
(Lat)<br />
Ed. V. Bělský<br />
MAB II/12<br />
H 6825 score<br />
Opera<br />
Dvořák Antonín<br />
(<strong>18</strong>41–1904)<br />
Kate and the Devil (Čert a Káča)<br />
Op. 112 COPY<br />
opera in 3 acts<br />
libretto by Adolf Wenig (Cz/Ger)<br />
Eds. J. Burghauser, A. Pokorný<br />
H 454 vocal score by the<br />
composer<br />
Rusalka Op. 114<br />
lyric fairy tale in 3 acts<br />
libretto by Jaroslav Kvapil<br />
(Cz/Ger/Eng)<br />
German translation by<br />
E. Schmidt, English translation<br />
by D. Rusbridge<br />
New preface by J. Gabrielová<br />
Urtext / Ed. J. Burghauser<br />
BA 9510-90 vocal score<br />
(Karel Šolc)<br />
The Jacobin (Jakobín) Op. 84<br />
opera in 3 acts<br />
libretto by Marie Červinková-<br />
Riegrová (Cz/Ger)<br />
Eds. F. Bartoš, A. Pokorný<br />
ADCE I/10<br />
H 3955 score in 2 volumes<br />
Janáček Leoš<br />
(<strong>18</strong>54–1928)<br />
NEW 2016<br />
Fate (Osud)<br />
opera in 3 acts<br />
libretto by Leoš Janáček<br />
and Fedora Bartošová<br />
(Cz/Ger/Eng)<br />
Ed. J. Zahrádka<br />
German translation by<br />
C. H. Henneberg, English<br />
translation by R. Blumer<br />
Preface by the editor<br />
(Cz/Eng/Ger)<br />
LJCE A/5<br />
BA 9562-01 / H 8038-01<br />
cloth bound score ♦<br />
Urtext / Ed. J. Zahrádka<br />
(Cz/Ger)<br />
BA 9562-90 vocal score<br />
(Rasmus Baumann)<br />
NEW 20<strong>18</strong><br />
The Makropulos Case<br />
(Věc Makropulos)<br />
“Brno version”<br />
opera in 3 acts after the<br />
eponymous play by Karel Čapek<br />
libretto by Leoš Janáček<br />
(Cz/Ger)<br />
Ed. T. Hanus<br />
German translation by K. Lücker<br />
LJCE A/9<br />
BA 9579-01<br />
cloth bound<br />
score ♦<br />
BA 9579-90 vocal score<br />
(David Švec)<br />
In preparation<br />
Smetana Bedřich<br />
(<strong>18</strong>24–<strong>18</strong>84)<br />
The Bartered Bride<br />
(Prodaná nevěsta)<br />
comic opera in 3 acts<br />
libretto by Karel Sabina<br />
(Cz/Ger)<br />
German translation by<br />
K. Honolka<br />
New preface by M. Ottlová<br />
Overture for piano solo arr. by<br />
Jindřich Kàan z Albestů<br />
Urtext / Ed. F. Bartoš<br />
BA 9534-90<br />
vocal score by the<br />
composer ♦<br />
The Kiss (Hubička) COPY<br />
opera in 2 acts<br />
libretto by Eliška Krásnohorská<br />
(Cz)<br />
Ed. F. Bartoš<br />
H 2819 vocal score by<br />
the composer<br />
The Secret (Tajemství)<br />
opera in 3 acts<br />
libretto by Eliška Krásnohorská<br />
(Cz)<br />
Ed. F. Bartoš<br />
H 1630 vocal score<br />
(Karel Šolc)<br />
Thematic Catalogues<br />
Burghauser Jarmil<br />
Antonín Dvořák. Thematic<br />
Catalogue<br />
844 pages (Cz/Ger/Eng)<br />
Bibliography by J. Burghauser,<br />
J. Clapham<br />
H 7755<br />
Hudec Vladimír<br />
Zdeněk Fibich. Thematic<br />
Catalogue<br />
854 pages (Cz/Ger/Eng)<br />
H 7843<br />
Nouza Zdeněk – Nový Miroslav<br />
Josef Suk. Thematic Catalogue<br />
of the Works<br />
550 pages (Cz/Eng)<br />
H 7955<br />
Padrta Karel<br />
Franz Krommer. Thematischer<br />
Katalog seiner musikalischen<br />
Werke<br />
428 pages (Ger)<br />
H 7759<br />
Schnierer Miloš<br />
Rev. by L. Peřinová<br />
Vítězslav Novák. The Thematic<br />
and Bibliographical Catalogue<br />
522 pages (Cz/Eng)<br />
H 7814<br />
Zuckerová Olga<br />
Jan Hugo Voříšek. Thematic<br />
Catalogue<br />
96 pages (Eng)<br />
H 7777<br />
♦ Performance material<br />
available on hire<br />
74 75
INDEX OF COMPOSERS<br />
INDEX OF EDITION NUMBERS<br />
B<br />
Benda František <strong>18</strong>, 19, 33<br />
Benda Jiří Antonín 5, 14, 52<br />
Blatný Pavel 46, 53<br />
Bořkovec Pavel 13, 53<br />
Brixi František Xaver 15<br />
Brixi Šimon 68<br />
Burghauser Jarmil 75<br />
Č<br />
Černohorský Bohuslav Matěj 14<br />
Černý František 26<br />
D<br />
Dlouhý Milan 3<br />
Dusík Jan Ladislav 3, 5, 19, 32<br />
Dušek František Xaver 5, 6, 14, 46<br />
Dvořák Antonín 3, 5, 6, 11, 12, 13, 14,<br />
<strong>18</strong>, 19, 20, 21, 22, 23, 24, 25, 26, 41,<br />
42, 43, 46, 47, 51, 52, 53, 55, 60, 61,<br />
62, 67, 68, 70, 75<br />
Dvořák Milan 3<br />
E<br />
Eben Petr 3, 7, 11, 15, <strong>18</strong>, 25, 33, 36,<br />
42, 46, 47, 53, 62, 64, 67, 70<br />
F<br />
Feld Jindřich <strong>18</strong>, 21, 23, 33, 34, 41,<br />
43, 46, 49, 51, 55<br />
Fiala Josef 47<br />
Fibich Zdeněk 7, 12, 20, 34, 42,<br />
43, 49<br />
Fils Antonín 33, 53<br />
Finger Gottfried 32<br />
Fišer Luboš 7, 13, 15, <strong>18</strong>, 20, 25, 37,<br />
43, 47, 70<br />
Foerster Josef Bohuslav 64<br />
G<br />
Gemrot Jiří 14, 35<br />
Gola Zdeněk 17<br />
Graham Peter 3, 4<br />
Gruber Rudolf 35<br />
H<br />
Hanuš Jan 3, <strong>18</strong>, 20, 41, 46, 47, 55,<br />
64<br />
Havlíček Ilja – Machalíčková<br />
Františka – Ondruš Ján 15<br />
Hertl František 26<br />
Hlaváč Miroslav 33<br />
Hradecký Emil 3, 11, 33, 36, 37<br />
Hudec Vladimír 75<br />
Hurník Ilja 3, 11, 12, 33, 50, 55, 67<br />
Hurník Lukáš 12, 50<br />
Husa Karel 34<br />
Hybler Martin 32<br />
I<br />
Ištvan Miloslav 37<br />
J<br />
Janáček Leoš 7, 12, 13, 14, 15, 20, 21,<br />
25, 34, 43, 44, 46, 47, 50, 55, 57, 64,<br />
67, 68, 71, 75<br />
Ježek Jaroslav 7<br />
Jirmal Jiří 32<br />
Jírovec Vojtěch 7<br />
K<br />
Kabeláč Miloslav 7, 12, 15, 25, 33,<br />
37, 46, 57<br />
Kalabis Viktor 7, 21, 36, 47, 57, 65<br />
Kaprálová Vítězslava 21, 25, 35, 65<br />
Kaucký Emanuel – Petr Miloš 36<br />
Klusák Jan 34<br />
Kocian Jaroslav 20<br />
Kolář Augustin 23<br />
Kopelent Marek 11, 25, 65<br />
Kopřiva Václav Jan 71<br />
Korte Oldřich F. 3, 8, 20, 57<br />
Koželuh Leopold 8, 53<br />
Kramář-Krommer František<br />
Vincenc <strong>18</strong>, 32, 34, 35, 47<br />
Krejčí Iša 57<br />
Krůček Václav 17<br />
Kubánek Libor 37<br />
Kubelík Jan 20<br />
Kubička Miroslav 20, 26, 33, 46<br />
Kučera Jan 36<br />
Kukal Ondřej 24, 35, 42, 44<br />
Kurz Ivan 36<br />
L<br />
Linek Jiří Ignác 71<br />
Losy Jan Antonín 32<br />
Loudová Ivana <strong>18</strong><br />
M<br />
Madelka Simon Bar Jona 71<br />
Martinů Bohuslav 4, 5, 8, 14, <strong>18</strong>, 20,<br />
21, 23, 24, 25, 26, 41, 43, 44, 47, 49,<br />
50, 53, 57, 65, 67, 68, 72, 73<br />
Matěj Josef 37<br />
Matějů Zbyněk 34<br />
Matys Jiří 20, 44<br />
Micka Josef <strong>18</strong>, 19<br />
Michna Adam Václav<br />
z Otradovic 65, 73, 74<br />
Mysliveček Josef 8, 33, 43, 46, 47,<br />
49, 66<br />
N<br />
Neruda Jan Křtitel Jiří 35<br />
Nouza Zdeněk – Nový Miroslav 75<br />
Novák Jan 15, 20, 33, 74<br />
Novák Vítězslav 8<br />
Nudera Vojtěch 34<br />
Nykl Jan 32<br />
O<br />
Ondříček František 20<br />
P<br />
Padrta Karel 75<br />
Pauer Jiří 35, 36<br />
Pelikán Jaroslav 33, 35<br />
Pivoňka Karel 35<br />
Plánický Josef Antonín 66<br />
Pololáník Zdeněk 67<br />
R<br />
Rak Štěpán 32<br />
Rejcha Antonín 8, 47, 49, 53<br />
Rössler-Rosetti František<br />
Antonín 49<br />
Ryba Jakub Jan 74<br />
Rychlík Jan 14, 33, 66<br />
S<br />
Seger Josef Ferdinand Norbert 15<br />
Schnierer Miloš 75<br />
Schulhoff Erwin 9, 46<br />
Simon Ladislav 8, 37<br />
Slavický Klement 5, 34, 57, 74<br />
Slavický Milan 15, 23<br />
Sluka Luboš 66<br />
Smetana Bedřich 5, 9, 10, 13, 20, 41,<br />
44, 57, 58, 66, 67, 68, 74, 75<br />
Stich-Punto Jan Václav 36<br />
Suk Josef 5, 10, <strong>18</strong>, 19, 41, 42, 44, 45,<br />
49, 50, 51, 52, 58, 59<br />
Š<br />
Šesták Zdeněk 52, 74<br />
Ševčík Otakar 17, 24<br />
Škroup František Jan 41, 50<br />
Šporcl Pavel <strong>18</strong><br />
Štědroň Miloš 15<br />
T<br />
Teml Jiří 15, 32, 34, 43, 49, 58, 74<br />
Tichý Vladimír 24<br />
Tomášek Václav Jan 11, 53<br />
Trojan Václav 47<br />
Tůma František Ignác Antonín <strong>18</strong><br />
Tuzar Josef 37<br />
V<br />
Vaňhal Jan Křtitel 11, 20, 24, 26<br />
Vejvanovský Pavel Josef 53<br />
Vodička Václav 52<br />
Voříšek Jan Václav Hugo 11, 13, 20,<br />
58, 74<br />
Vranický Antonín 23, 47<br />
Vranický Pavel 46<br />
Z<br />
Zach Jan 52<br />
Zákostelecký Bedřich 34<br />
Zámečník Evžen 46<br />
Zelenka Jan Dismas 53, 74, 75<br />
Zelenka Milan – Obrovská Jana 32<br />
Zuckerová Olga 75<br />
Notes<br />
www.baerenreiter.com<br />
NEW 2016<br />
NEW <strong>2017</strong><br />
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● A student lesson book<br />
● A general note book<br />
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Format: DIN A 6<br />
(10.5 cm x 14.8 cm /<br />
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32 pages · binding: stapled<br />
BA 8100 Mozart red<br />
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BA 8100-21 Dvořák orange<br />
BA 8100-24 Telemann green<br />
Notes<br />
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The <strong>Music</strong>ians’ Choice<br />
BA<br />
BA 3326•...................................... 50<br />
BA 3327•.......................................49<br />
BA 3755•........................................73<br />
BA 3756•.......................................73<br />
BA 3757•........................................73<br />
BA 3758•.......................................73<br />
BA 3842•.......................................23<br />
BA 3842-90•................................23<br />
BA 3969•......................................25<br />
BA 4316•........................................23<br />
BA 4316-90•................................23<br />
BA 4317•........................................23<br />
BA 4317-90•.................................23<br />
BA 43<strong>18</strong>-90•................................ 14<br />
BA 4319•....................................... 26<br />
BA 4319-90• .............................. 26<br />
BA 5404•..................................... 70<br />
BA 6079•.......................................71<br />
BA 6171 / H 4657........................55<br />
BA 6429•..................................... 70<br />
BA 6842•......................................55<br />
BA 6844•..................................... 67<br />
BA 6845•.......................................55<br />
BA 6847•......................................68<br />
BA 6848•......................................57<br />
BA 6849•..................................... 20<br />
BA 6851•.........................................71<br />
BA 6852-01• ................................15<br />
BA 6856•................................13, 47<br />
BA 6857 / H 7832.......................43<br />
BA 6858 / H 7840 ....................68<br />
BA 6860•.......................................71<br />
BA 6860-90.................................71<br />
BA 6861 / H 7950......................55<br />
BA 6862 / H 7935.......................71<br />
BA 6862-90..................................71<br />
BA 6863 / H 8020......................71<br />
BA 6965•......................................24<br />
BA 7488•...................................... 46<br />
BA 7488-22•................................ 46<br />
BA 8100.........................................77<br />
BA 8100-20..................................77<br />
BA 8100-21...................................77<br />
BA 8100-24..................................77<br />
BA 8472•....................................... 14<br />
BA 9045•......................................25<br />
BA 9045-40• ..............................25<br />
BA 9045-90•...............................25<br />
BA 9500.......................................... 7<br />
BA 9501........................................... 7<br />
BA 9502........................................... 7<br />
BA 9503........................................... 5<br />
BA 9506........................................10<br />
BA 9507...........................................9<br />
BA 9509........................................25<br />
BA 9510-90..................................75<br />
BA 9511.............................................8<br />
76 77
INDEX OF EDITION NUMBERS<br />
INDEX OF EDITION NUMBERS<br />
BA 9512............................................8<br />
BA 9513............................................8<br />
BA 9514............................................8<br />
BA 9515............................................8<br />
BA 9516........................................ 44<br />
BA 9517......................................... 44<br />
BA 95<strong>18</strong>.......................................... 41<br />
BA 9519...........................................9<br />
BA 9520.........................................43<br />
BA 9521...................................41, 50<br />
BA 9524..........................................15<br />
BA 9525...........................................9<br />
BA 9526........................................ 20<br />
BA 9527...........................................9<br />
BA 9528........................................ 46<br />
BA 9529.........................................10<br />
BA 9530.........................................45<br />
BA 9532........................................ 59<br />
BA 9533.........................................43<br />
BA 9534-90..................................75<br />
BA 9535...................................13, 47<br />
BA 9536.........................................45<br />
BA 9537.........................................42<br />
BA 9538......................................... 41<br />
BA 9539.........................................43<br />
BA 9540........................................43<br />
BA 9541............................................8<br />
BA 9542........................................ 46<br />
BA 9543.........................................42<br />
BA 9544-90................................ 70<br />
BA 9545.........................................43<br />
BA 9546.........................................42<br />
BA 9547......................................... 12<br />
BA 9548......................................... 12<br />
BA 9549.........................................13<br />
BA 9550..........................................17<br />
BA 9551...........................................17<br />
BA 9552..........................................17<br />
BA 9553..........................................17<br />
BA 9554..........................................17<br />
BA 9555..........................................17<br />
BA 9556..........................................17<br />
BA 9557..........................................17<br />
BA 9558.........................................58<br />
BA 9559...........................................9<br />
BA 9560..........................................9<br />
BA 9561.........................................10<br />
BA 9562-01 / H 8038-01.........75<br />
BA 9562-90.................................75<br />
BA 9564........................................ 41<br />
BA 9565......................................... 12<br />
BA 9566....................................... 46<br />
BA 9567......................................... 41<br />
BA 9568........................................24<br />
BA 9569.......................................60<br />
BA 9571..........................................19<br />
BA 9573.........................................42<br />
BA 9574.........................................42<br />
BA 9575........................................64<br />
BA 9576........................................ 20<br />
BA 9577........................................ 46<br />
BA 9578 ........................................ 41<br />
BA 9579-01 .................................75<br />
BA 9579-90.................................75<br />
BA 9581..........................................34<br />
BA 9582........................................ 70<br />
BA 9583 ........................................45<br />
BA 9584 °.......................................51<br />
BA 9585.......................................3, 4<br />
BA 9586 .........................................4<br />
BA 9591..........................................17<br />
BA 9592..........................................17<br />
BA 9593..........................................17<br />
BA 9594........................................74<br />
BA 9594-90.................................74<br />
BA 10401.......................................53<br />
BA 10402......................................53<br />
BA 10403.......................................53<br />
BA 10417•......................................55<br />
BA 10417-40•...............................55<br />
BA 10420 ......................................13<br />
BA 10420-90................................13<br />
BA 10422.......................................22<br />
BA 10422-90................................22<br />
BA 10423........................................51<br />
BA 10424 ......................................52<br />
BA 10424-22.................................52<br />
BA 10425......................................60<br />
BA 10426 .....................................60<br />
BA 10429...................................... 70<br />
BA 10431.......................................60<br />
BA 10432......................................60<br />
BA 10434...................................... 70<br />
BA 10435...................................... 70<br />
BA 10571-01..................................72<br />
BA 10572-01 ...............................57<br />
BA 10574-01 ................................47<br />
BA 10575-01 ................................72<br />
BA 10576-01 ............................... 44<br />
BA 10577-01 .........................44, 57<br />
BA 10578-01 .........................23, 24<br />
BA 11512........................................ 20<br />
BA 11513....................................... 5, 6<br />
BA 11514...................................... 5, 6<br />
BA 11515..........................................61<br />
BA 11516.........................................61<br />
BA 11517......................................... 62<br />
BA 115<strong>18</strong>........................................ 62<br />
BA 11521..........................................17<br />
BA 11527-90................................. 21<br />
BA 11529-90................................. 21<br />
BA 11530....................................... 26<br />
BA 11531-90..................................24<br />
BA 11532.........................................58<br />
BA 11533.........................................58<br />
BA 11537...........................................9<br />
BA 11539........................................42<br />
BA 11543 ....................................... 44<br />
BA 11545 .......................................... 7<br />
BA 11547.........................................24<br />
BA 11548........................................24<br />
BA 11549........................................24<br />
H<br />
H 53.................................................33<br />
H 54.................................................17<br />
H 55..................................................17<br />
H 100..............................................43<br />
H 208............................................ 50<br />
H 235................................................ 5<br />
H 257...............................................17<br />
H 258...............................................17<br />
H 277.............................................68<br />
H 284.............................................. 41<br />
H 297................................................ 5<br />
H 298.............................................10<br />
H 337..............................................61<br />
H 338................................................6<br />
H 362.............................................49<br />
H 365 ............................................49<br />
H 366.............................................53<br />
H 380............................................. 14<br />
H 384................................................ 7<br />
H 425................................................ 7<br />
H 441..............................................61<br />
H 454..............................................75<br />
H 465............................................. 20<br />
H 475................................................8<br />
H 519..............................................53<br />
H 522.............................................68<br />
H 553.............................................60<br />
H 675................................................ 7<br />
H 676............................................... 7<br />
H 888.............................................35<br />
H 907............................................... 3<br />
H 916..............................................23<br />
H 1110...............................................6<br />
H 1122............................................... 3<br />
H 1126...............................................6<br />
H 1200.......................................... 26<br />
H 1211-66.......................................57<br />
H 1217.............................................35<br />
H 1274............................................... 5<br />
H 1276............................................33<br />
H 1304............................................43<br />
H 1356.............................................. 3<br />
H 1359..............................................6<br />
H 1364........................................... 20<br />
H 1403...........................................64<br />
H 1428 .............................................6<br />
H 1442........................................... 20<br />
H 1481.............................................43<br />
H 1487............................................24<br />
H 1498.............................................6<br />
H 1500..........................................49<br />
H 1501.............................................43<br />
H 1502...........................................49<br />
H 1503............................................53<br />
H 1532.............................................24<br />
H 1550............................................19<br />
H 1559...........................................60<br />
H 1560-97....................................60<br />
H 1569............................................43<br />
H 1591-03...................................... <strong>18</strong><br />
H 1592............................................ <strong>18</strong><br />
H 1594............................................43<br />
H 1595............................................43<br />
H 1598........................................... 26<br />
H 1630...........................................75<br />
H 1648...........................................53<br />
H 1732.............................................43<br />
H 1739...........................................60<br />
H 1748............................................32<br />
H 1758-96....................................60<br />
H 1763..............................................6<br />
H 1780.............................................13<br />
H 1791.............................................43<br />
H 1796.............................................. 5<br />
H <strong>18</strong>01 ........................................... 12<br />
H <strong>18</strong>09........................................... 14<br />
H <strong>18</strong>10.............................................. 3<br />
H <strong>18</strong>11.............................................. <strong>18</strong><br />
H <strong>18</strong>19...........................................66<br />
H <strong>18</strong>34............................................43<br />
H <strong>18</strong>35............................................43<br />
H <strong>18</strong>42..............................................8<br />
H <strong>18</strong>52.............................................15<br />
H <strong>18</strong>79.....................................10, 58<br />
H <strong>18</strong>82........................................... 70<br />
H <strong>18</strong>90.....................................<strong>18</strong>, 23<br />
H 1927............................................ <strong>18</strong><br />
H 1933............................................34<br />
H 1979.............................................. 5<br />
H 2023.......................................... 46<br />
H 2031.............................................. 3<br />
H 2043.......................................... 20<br />
H 2078.......................................... 20<br />
H 2090...........................................17<br />
H 2122........................................... 67<br />
H 2156............................................25<br />
H 2171............................................49<br />
H 2172............................................. <strong>18</strong><br />
H 2178........................................... 20<br />
H 2<strong>18</strong>2............................................. 11<br />
H 2226.............................................6<br />
H 2242.............................................. 3<br />
H 2262...........................................58<br />
H 2268.......................................... 70<br />
H 2271............................................. 41<br />
H 2304...........................................47<br />
H 2306...........................................43<br />
H 2307...........................................55<br />
H 2334............................................53<br />
H 2335........................................... 67<br />
H 2414......................................<strong>18</strong>, 33<br />
H 2424............................................. 5<br />
H 2461.............................................. 7<br />
H 2464.......................................... 62<br />
H 2486..........................................68<br />
H 2486-01...................................68<br />
H 2498...........................................32<br />
H 2544 ..........................................35<br />
H 2572.............................................71<br />
H 2576-90................................... 67<br />
H 2632.......................................... 62<br />
H 2704...........................................19<br />
H 2705...........................................47<br />
H 2726...........................................37<br />
H 2741-66.....................................55<br />
H 2799...........................................57<br />
H 2803...........................................43<br />
H 2819 ...........................................75<br />
H 2844..........................................66<br />
H 2849...........................................43<br />
H 2850............................................. 5<br />
H 2852............................................52<br />
H 2880..........................................68<br />
H 2888...........................................57<br />
H 2907.............................................6<br />
H 2924-90................................... 70<br />
H 2955 ......................................... 36<br />
H 2958...........................................53<br />
H 2981............................................ 14<br />
H 2992...........................................73<br />
H 2992-22.....................................73<br />
H 2996..........................................73<br />
H 2996-22....................................73<br />
H 2997...........................................73<br />
H 3026..........................................68<br />
H 3079...........................................53<br />
H 3082.......................................... 62<br />
H 3089....................................<strong>18</strong>, 19<br />
H 3096-66...................................57<br />
H 3099............................................ 5<br />
H 3133............................................. <strong>18</strong><br />
H 3156.............................................. 7<br />
H 3171.............................................53<br />
H 3177...............................................6<br />
H 3204............................................15<br />
H 3211............................................... 3<br />
H 3230...........................................53<br />
H 3235............................................ <strong>18</strong><br />
H 3237............................................. 11<br />
H 3257.............................................. 5<br />
H 3289............................................. 5<br />
H 3291............................................35<br />
H 3331.............................................42<br />
H 3363.............................................. 5<br />
H 3364............................................15<br />
H 3374..............................................9<br />
H 3392-01.....................................42<br />
H 3402..........................................66<br />
H 3406..........................................47<br />
H 3413.............................................. 5<br />
H 3506...........................................55<br />
H 3530..........................................68<br />
H 3533........................................... 62<br />
H 3555............................................52<br />
H 3578............................................19<br />
H 3598........................................... 12<br />
H 3616............................................55<br />
H 3684...........................................57<br />
H 3712..............................................71<br />
H 3712-64.......................................71<br />
H 3723............................................34<br />
H 3740...........................................52<br />
H 3750..........................................68<br />
H 3754.................................... 20, 34<br />
H 3756.............................................. 5<br />
H 3759............................................57<br />
H 3761.............................................15<br />
H 3788...........................................53<br />
H 3789...........................................52<br />
H 3813............................................43<br />
H 3819............................................33<br />
H 3843...........................................47<br />
H 3863.......................................... 70<br />
H 3869...........................................33<br />
H 3879........................................... 12<br />
H 3884.......................................... 20<br />
H 3917-22.....................................49<br />
H 3955............................................75<br />
H 3986.......................................... 44<br />
H 3998...................................42, 49<br />
H 4027.......................................... 70<br />
H 4035...........................................73<br />
H 4054-66...................................57<br />
H 4149............................................. 5<br />
H 4151............................................68<br />
H 4154............................................10<br />
H 4156............................................37<br />
H 4179........................................... 26<br />
H 4203 ..........................................47<br />
H 4233........................................... 67<br />
H 4248.......................................... 67<br />
H 4342....................................14, 50<br />
H 4346........................................... 14<br />
H 4376........................................... <strong>18</strong><br />
H 4397.......................................... 46<br />
H 4422.......................................... 36<br />
H 4439.......................................... 70<br />
H 4460..........................................61<br />
H 4496.........................................66<br />
H 4497............................................. 3<br />
H 4499............................................ 5<br />
H 4506...........................................15<br />
H 4508.......................................... 70<br />
H 4515........................................... 67<br />
H 4522........................................... 70<br />
H 4523-90................................... 70<br />
H 4557..................................... 33, 34<br />
H 4562.......................................... 36<br />
H 4570..........................................64<br />
H 4585...........................................53<br />
H 4592...........................................43<br />
H 4698...........................................71<br />
H 4700...........................................71<br />
H 4721............................................33<br />
H 4738.............................................. 7<br />
H 4757............................................47<br />
H 4872............................................ 11<br />
H 4890..........................................47<br />
H 4923............................................15<br />
H 4952.......................................... 70<br />
H 4956.......................................... 62<br />
H 4974...........................................75<br />
H 4985............................................13<br />
H 5020............................................. 3<br />
H 5033............................................. 3<br />
H 5077............................................. 3<br />
H 5081 ............................................. 5<br />
H 5086...........................................71<br />
H 5094......................................... 65<br />
H 5095.......................................... 65<br />
H 5166........................................... 46<br />
H 5<strong>18</strong>2...........................................66<br />
H 5<strong>18</strong>3............................................58<br />
H 5194............................................32<br />
H 5196........................................... 46<br />
H 5215.............................................35<br />
H 5259........................................... <strong>18</strong><br />
H 5264............................................71<br />
H 5270...........................................53<br />
H 5305...........................................24<br />
H 5311............................................ 62<br />
H 5317............................................ 20<br />
H 53<strong>18</strong>............................................ 14<br />
H 5330...........................................42<br />
H 5390............................................ 11<br />
H 5422.............................................13<br />
H 5445.......................................... 20<br />
H 5450........................................... <strong>18</strong><br />
H 5489..........................................66<br />
H 5543............................................19<br />
H 5553............................................57<br />
H 5561...........................................68<br />
H 5572............................................74<br />
H 5585........................................... 65<br />
H 5628.......................................... 46<br />
H 5631............................................34<br />
H 5643............................................51<br />
H 5649...........................................43<br />
H 5674...........................................25<br />
H 5709.............................................8<br />
H 5766...........................................10<br />
H 5781.............................................. 7<br />
H 5805........................................... 14<br />
H 5808...........................................47<br />
H 5849...........................................53<br />
H 5850...........................................23<br />
H 5851............................................. 11<br />
H 5862..............................<strong>18</strong>, 32, 34<br />
H 5906......................................... 20<br />
H 5951...........................................68<br />
H 5988.......................................... 65<br />
H 5993............................................17<br />
H 6001.......................................... 67<br />
H 6002.........................................68<br />
H 6003.........................................68<br />
H 6033..........................................49<br />
H 6036........................................... 11<br />
H 6065............................................ 7<br />
H 6070-01...................................... 7<br />
H 6114............................................. 11<br />
H 6132........................................... 65<br />
H 6145........................................... 67<br />
H 6154.............................................71<br />
H 6155............................................. 11<br />
H 6156..............................................8<br />
H 6173............................................43<br />
H 6<strong>18</strong>7.............................................17<br />
H 6211.............................................33<br />
H 6214........................................... 46<br />
H 6239............................................71<br />
H 6250...........................................47<br />
H 6252............................................71<br />
H 6256..........................................68<br />
H 6276.......................................... 67<br />
H 6300.........................................64<br />
H 6329............................................. 3<br />
H 6334........................................... 14<br />
H 6339...........................................34<br />
H 6354............................................. 7<br />
H 6390......................................... 36<br />
H 6406......................................... 46<br />
H 6415............................................32<br />
H 6421.............................................. 3<br />
H 6427-01.....................................57<br />
H 6427-02....................................57<br />
H 6427-03....................................57<br />
H 6427-04....................................57<br />
H 6427-05....................................57<br />
H 6427-06....................................57<br />
H 6428.......................................... 44<br />
H 6429...........................................52<br />
H 6450......................................... 67<br />
H 6465...........................................47<br />
H 6474........................................3, 11<br />
H 6477.......................................... 46<br />
H 6497..........................................64<br />
H 6508..........................................43<br />
H 6549...........................................43<br />
H 6571............................................55<br />
H 6582.......................................... 20<br />
H 6590......................................... 46<br />
H 6614...........................................53<br />
H 6615........................................... 67<br />
H 6657 ........................................... 11<br />
H 6663..........................................43<br />
H 6674........................................... 21<br />
H 6676............................................ 5<br />
H 6696.......................................... 21<br />
H 6782-22.................................... 46<br />
H 6791............................................23<br />
H 6798-02....................................57<br />
H 6798...........................................57<br />
H 6825...........................................75<br />
H 6837.......................................... 36<br />
H 6902-01....................................43<br />
H 6931............................................23<br />
H 6967......................................... 44<br />
H 6973.......................................... 26<br />
H 7004..........................................57<br />
H 7037.......................................... 46<br />
H 7040-01......................................6<br />
H 7040-02.....................................6<br />
H 7082............................................. 3<br />
H 7132.............................................32<br />
78 79
INDEX OF EDITION NUMBERS<br />
H 7133.............................................. 11<br />
H 7135.............................................33<br />
H 7136........................................... 67<br />
H 7140............................................47<br />
H 7149............................................33<br />
H 7178............................................55<br />
H 7215.............................................10<br />
H 7226............................................71<br />
H 7236...........................................32<br />
H 7240...........................................73<br />
H 7311.............................................53<br />
H 7323......................................13, 58<br />
H 7325.............................................. 3<br />
H 7330.............................................8<br />
H 7332............................................73<br />
H 7333............................................10<br />
H 7382-01......................................71<br />
H 7383............................................74<br />
H 7402...........................................74<br />
H 7402n........................................74<br />
H 7404..........................................49<br />
H 7406...........................................35<br />
H 7414............................................32<br />
H 7415............................................... 7<br />
H 7438............................................ 14<br />
H 7439..........................................64<br />
H 7442.............................................71<br />
H 7445..............................................8<br />
H 7452............................................47<br />
H 7460...........................................10<br />
H 7461............................................. 11<br />
H 7481........................................... 46<br />
H 7504........................................... 21<br />
H 7505...........................................55<br />
H 7506...........................................55<br />
H 7528............................................23<br />
H 7531.............................................58<br />
H 7554............................................57<br />
H 7567............................................35<br />
H 7568...........................................53<br />
H 7591.............................................. 3<br />
H 7595............................................74<br />
H 7638........................................... 12<br />
H 7646...........................................35<br />
H 7690...........................................15<br />
H 7717............................................. 12<br />
H 77<strong>18</strong>........................................... 70<br />
H 7719............................................42<br />
H 7725............................................25<br />
H 7735.............................................71<br />
H 7736-01......................................71<br />
H 7738............................................ 21<br />
H 7739............................................74<br />
H 7741.......................................12, 55<br />
H 7743........................................... 20<br />
H 7744.............................................. 7<br />
H 7745............................................37<br />
H 7750...........................................34<br />
H 7753............................................37<br />
H 7755 ...........................................75<br />
H 7757.............................................. 7<br />
H 7758.............................................. 7<br />
H 7759............................................75<br />
H 7764...........................................43<br />
H 7766............................................. 7<br />
H 7768.......................................... 67<br />
H 7769..........................................68<br />
H 7777............................................75<br />
H 7778............................................25<br />
H 7781.............................................. 3<br />
H 7787............................................47<br />
H 7788...........................................34<br />
H 7791........................................... 65<br />
H 7792............................................32<br />
H 7793............................................25<br />
H 7795.............................................. 7<br />
H 7796...........................................32<br />
H 7800.........................................49<br />
H 7800-22...................................49<br />
H 7802.......................................... 20<br />
H 7803...........................................55<br />
H 7804.......................................... 36<br />
H 7807........................................... 41<br />
H 7808...........................................74<br />
H 7809......................................... 65<br />
H 7810........................................... 62<br />
H 7811............................................ 67<br />
H 7814............................................75<br />
H 7817........................................... 20<br />
H 7820.......................................... 50<br />
H 7823............................................19<br />
H 7824...........................................73<br />
H 7825........................................... 20<br />
H 7827............................................25<br />
H 7828...........................................32<br />
H 7830...........................................34<br />
H 7837............................................73<br />
H 7841........................................... 65<br />
H 7842............................................. 7<br />
H 7843...........................................75<br />
H 7844.......................................... 44<br />
H 7844-22.................................... 44<br />
H 7845............................................15<br />
H 7847........................................... 70<br />
H 7849..........................................64<br />
H 7850...........................................32<br />
H 7852.................................... 43, 49<br />
H 7854...........................................35<br />
H 7855.....................................20, 33<br />
H 7857.............................................. 7<br />
H 7858...........................................74<br />
H 7859........................................... <strong>18</strong><br />
H 7860.......................................... 41<br />
H 7863.......................................... 50<br />
H 7865............................................15<br />
H 7867...........................................34<br />
H 7869...........................................32<br />
H 7873.............................................15<br />
H 7874........................................... 20<br />
H 7875..............................................8<br />
H 7876...........................................32<br />
H 7877............................................53<br />
H 7877-22......................................53<br />
H 7878..........................................66<br />
H 7880...........................................73<br />
H 7881............................................ <strong>18</strong><br />
H 7882...........................................74<br />
H 7885.......................................... 67<br />
H 7890..........................................33<br />
H 7893...........................................25<br />
H 7896........................................... 14<br />
H 7898...........................................35<br />
H 7900...................................67, 70<br />
H 7905..........................................66<br />
H 7906............................................ 7<br />
H 7910...........................................33<br />
H 7911............................................... 7<br />
H 7913............................................37<br />
H 7914........................................... 20<br />
H 7915........................................... 20<br />
H 7916........................................... 20<br />
H 7917.............................................. 7<br />
H 7919......................................21, 35<br />
H 7920.......................................... 70<br />
H 7923.......................................... 46<br />
H 7924...........................................74<br />
H 7931.............................. 33, 36, 37<br />
H 7932...........................................37<br />
H 7934..........................................66<br />
H 7938.......................................... 20<br />
H 7941........................................... 44<br />
H 7941-22..................................... 44<br />
H 7944.......................................... 44<br />
H 7944-22.................................... 44<br />
H 7946.............................................8<br />
H 7948............................................. 3<br />
H 7949...........................................24<br />
H 7951............................................ <strong>18</strong><br />
H 7952..........................................49<br />
H 7953.............................................51<br />
H 7954...........................................52<br />
H 7955............................................75<br />
H 7957.............................................. 7<br />
H 7958.......................................... 44<br />
H 7959..........................................66<br />
H 7962....................................41, 49<br />
H 7963.............................................8<br />
H 7964...........................................42<br />
H 7965...........................................43<br />
H 7965-22.....................................43<br />
H 7966............................. <strong>18</strong>, 37, 47<br />
H 7967............................................15<br />
H 7968.......................................... 44<br />
H 7968-22................................... 44<br />
H 7969...........................................15<br />
H 7970.............................................8<br />
H 7974............................................. 3<br />
H 7975 ............................................ 11<br />
H 7976............................................15<br />
H 7979...........................................73<br />
H 7982.......................................... 26<br />
H 7987...........................................23<br />
H 7988............................................. 7<br />
H 7989............................................. 7<br />
H 7990..........................................74<br />
H 7991............................................33<br />
H 7992...........................................34<br />
H 7993...........................................37<br />
H 7994...........................................37<br />
H 7995...........................................74<br />
H 7996..........................................74<br />
H 7997...........................................74<br />
H 7999...........................................71<br />
H 8001.......................................... 36<br />
H 8017...........................................66<br />
H 8019.......................................... 36<br />
H 8021............................................24<br />
H 8023...........................................43<br />
H 8028............................................15<br />
H 8030.........................................66<br />
H 8034............................................. 3<br />
H 8039.......................................... <strong>18</strong><br />
H 8040......................................... 65<br />
HM 150......................................... 67<br />
HM 941..........................................58<br />
TP<br />
TP 422............................................22<br />
TP 440..........................................49<br />
TP 501•...........................................55<br />
TP 502•..........................................55<br />
TP 503•..........................................55<br />
TP 504•..........................................55<br />
TP 505•..........................................55<br />
TP 506•.........................................55<br />
TP 507•..........................................55<br />
TP 508•..........................................55<br />
TP 509•.........................................55<br />
TP 516............................................ 44<br />
TP 517............................................ 44<br />
TP 520............................................43<br />
TP 521............................................ 44<br />
TP 528........................................... 46<br />
TP 530............................................45<br />
TP 532............................................ 46<br />
TP 533.............................................43<br />
TP 535.............................................43<br />
TP 536............................................45<br />
TP 539............................................43<br />
TP 540............................................43<br />
TP 557.............................................57<br />
TP 558 ...........................................58<br />
TP 577............................................ 46<br />
TP 583 ...........................................45<br />
TP 617•...........................................55<br />
TP 620•.........................................25<br />
TP 842............................................57<br />
TP 862.............................................71<br />
80
Your <strong>Music</strong> Dealer:<br />
Your <strong>Music</strong> Dealer:<br />
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Other Bärenreiter catalogues<br />
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The The Programme 2016/<strong>2017</strong><br />
SPA SPA 480 480 (Eng) (Eng)<br />
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Das Das Programm 2016/<strong>2017</strong><br />
SPA SPA 478 478 (Ger) (Ger)<br />
The The most most comprehensive<br />
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<strong>Music</strong> <strong>Music</strong> for Piano for Piano <strong>2017</strong>/20<strong>18</strong><br />
SPA SPA 233 (Eng) 233 (Eng)<br />
Bärenreiter's complete complete Urtext Urtext<br />
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<strong>Music</strong> <strong>Music</strong> for Organ for Organ<br />
2014/2015 2014/2015<br />
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<strong>Music</strong> <strong>Music</strong> for Organ for Organ 2014/2015<br />
SPA SPA 238 238 (Eng) (Eng)<br />
Bärenreiter's Urtext Urtext<br />
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Musik Musik für für Streichen <strong>2017</strong>/20<strong>18</strong><br />
SPA SPA 234 234 (Ger) (Ger)<br />
Bärenreiter's complete complete Urtext Urtext<br />
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Choral Choral <strong>Music</strong> <strong>Music</strong> 2016/<strong>2017</strong><br />
SPA SPA 30 (Eng) 30 (Eng)<br />
The The catalogue includes includes sacred sacred<br />
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Chormusik 2014/2015<br />
SPA SPA 481 481 (Ger) (Ger)<br />
The The catalogue includes includes works works<br />
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Musikbücher 2016/<strong>2017</strong><br />
SPA SPA 494 494 (Ger) (Ger)<br />
The The catalogue contains contains<br />
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