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Her heart was thumping hard-hard-hard. She had been scared before when she consciously tried to farsee<br />
or thought-read, but never scared like this. Never even close.<br />
What are you going to do if you find out?<br />
That was a question for later, because she might not be able to. A sneaking, cowardly part of her<br />
mind hoped for that.<br />
Abra put the first two fingers of her left hand on the picture of Bradley Trevor because her left<br />
hand was the one that saw better. She would have liked to get all her fingers on it (and if it had been<br />
an object, she would have held it), but the picture was too small. Once her fingers were on it she<br />
couldn’t even see it anymore. Except she could. She saw it very well.<br />
Blue eyes, like Cam Knowles’s in ’Round Here. You couldn’t tell from the picture, but they were<br />
that same deep shade. She knew.<br />
Right-handed, like me. But left-handed like me, too. It was the left hand that knew what pitch was coming<br />
next, fastball or curveb—<br />
Abra gave a little gasp. The baseball boy had known things.<br />
The baseball boy really had been like her.<br />
Yes, that’s right. That’s why they took him.<br />
She closed her eyes and saw his face. Bradley Trevor. Brad, to his friends. The baseball boy.<br />
Sometimes he turned his cap around because that way it was a rally cap. His father was a farmer. His<br />
mother cooked pies and sold them at a local restaurant, also at the family farmstand. When his big<br />
brother went away to college, Brad took all his AC/DC discs. He and his best friend, Al, especially<br />
liked the song “Big Balls.” They’d sit on Brad’s bed and sing it together and laugh and laugh.<br />
He walked through the corn and a man was waiting for him. Brad thought he was a nice man, one of the<br />
good guys, because the man—<br />
“Barry,” Abra whispered in a low voice. Behind her closed lids, her eyes moved rapidly back and<br />
forth like those of a sleeper in the grip of a vivid dream. “His name was Barry the Chunk. He fooled<br />
you, Brad. Didn’t he?”<br />
But not just Barry. If it had been just him, Brad might have known. It had to be all of the<br />
Flashlight People working together, sending the same thought: that it would be okay to get into<br />
Barry the Chunk’s truck or camper-van or whatever it was, because Barry was good. One of the good<br />
guys. A friend.<br />
And they took him . . .<br />
Abra went deeper. She didn’t bother with what Brad had seen because he hadn’t seen anything but a<br />
gray rug. He was tied up with tape and lying facedown on the floor of whatever Barry the Chunk was<br />
driving. That was okay, though. Now that she was tuned in, she could see wider than him. She could<br />
see—<br />
His glove. A Wilson baseball glove. And Barry the Chunk—<br />
Then that part flew away. It might swoop back or it might not.<br />
It was night. She could smell manure. There was a factory. Some kind of<br />
(it’s busted )<br />
factory. There was a whole line of vehicles going there, some small, most big, a couple of them<br />
enormous. The headlights were off in case someone was looking, but there was a three-quarters moon<br />
in the sky. Enough light to see by. They went down a potholed and bumpy tar road, they went past a<br />
water tower, they went past a shed with a broken roof, they went through a rusty gate that was<br />
standing open, they went past a sign. It went by so fast she couldn’t read it. Then the factory. A<br />
busted factory with busted smokestacks and busted windows. There was another sign and thanks to<br />
the moonlight this one she could read: NO TRESPASSING BY ORDER OF THE CANTON<br />
COUNTY SHERIFF’S DEPT.