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started crying and wouldn’t stop.”<br />
5<br />
David Stone had been teaching American history and twentieth-century European history to<br />
undergraduates for ten years, and knew how to organize a story so the interior logic was hard to miss.<br />
He began this one by pointing out that their infant daughter’s marathon crying spree had ended<br />
almost immediately after the second jetliner had struck the World Trade Center. Then he doubled<br />
back to the dreams in which his wife had seen the American Airlines flight number on Abra’s chest<br />
and he had seen the United Airlines number.<br />
“In Lucy’s dream, she found Abra in an airplane bathroom. In mine, I found her in a mall that was<br />
on fire. Draw your own conclusions about that part. Or not. To me, those flight numbers seem pretty<br />
conclusive. But of what, I don’t know.” He laughed without much humor, raised his hands, then<br />
dropped them again. “Maybe I’m afraid to know.”<br />
John Dalton remembered the morning of 9/11—and Abra’s nonstop crying jag—very well. “Let me<br />
get this straight. You believe your daughter—who was then only five months old—had a premonition<br />
of those attacks and somehow sent word to you telepathically.”<br />
“Yes,” Chetta said. “Put very succinctly. Bravo.”<br />
“I know how it sounds,” David said. “Which is why Lucy and I kept it to ourselves. Except for<br />
Chetta, that is. Lucy told her that night. Lucy tells her momo everything.” He sighed. Concetta gave<br />
him a cool look.<br />
“You didn’t get one of these dreams?” John asked her.<br />
She shook her head. “I was in Boston. Out of her . . . I don’t know . . . transmitting range?”<br />
“It’s been almost three years since 9/11,” John said. “I assume other stuff has happened since then.”<br />
A lot of other stuff had happened, and now that he had managed to speak of the first (and most<br />
unbelievable) thing, Dave found himself able to talk about the rest easily enough.<br />
“The piano. That was next. You know Lucy plays?”<br />
John shook his head.<br />
“Well, she does. Since she was in grammar school. She’s not great or anything, but she’s pretty<br />
good. We’ve got a Vogel that my parents gave her as a wedding present. It’s in the living room, which<br />
is also where Abra’s playpen used to be. Well, one of the presents I gave Lucy for Christmas in 2001<br />
was a book of Beatles tunes arranged for piano. Abra used to lie in her playpen, goofing with her toys<br />
and listening. You could tell by the way she smiled and kicked her feet that she liked the music.”<br />
John didn’t question this. Most babies loved music, and they had their ways of letting you know.<br />
“The book had all the hits—‘Hey Jude,’ ‘Lady Madonna,’ ‘Let It Be’—but the one Abra liked best<br />
was one of the minor songs, a B-side called ‘Not a Second Time.’ Do you know it?”<br />
“Not offhand,” John said. “I might if I heard it.”<br />
“It’s upbeat, but unlike most of the Beatles’ fast stuff, it’s built around a piano riff rather than the<br />
usual guitar sound. It isn’t a boogie-woogie, but close. Abra loved it. She wouldn’t just kick her feet<br />
when Lucy played that one, she’d actually bicycle them.” Dave smiled at the memory of Abra on her<br />
back in her bright purple onesie, not yet able to walk but crib-dancing like a disco queen. “The<br />
instrumental break is almost all piano, and it’s simple as pie. The left hand just picks out the notes.<br />
There are only twenty-nine—I counted. A kid could play it. And our kid did.”<br />
John raised his eyebrows until they almost met his hairline.<br />
“It started in the spring of 2002. Lucy and I were in bed, reading. The weather report was on TV,<br />
and that comes about halfway through the eleven p.m. newscast. Abra was in her room—fast asleep, as